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CIRCLE OF WALTER CRANE (1845-1915) TWO BOYS BY A RIVER, POSSIBLY INDIA OR CEYLON Watercolour 35.5 x 52.5cm.
* Crane visited India and Ceylon (Sri Lanka) in 1906-1907. ++ A little fading and mat staining; a few spots of foxing; some oxidised white pigment £150-250 (+ 26.4% BP*)
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EDMUND MORISON WIMPERIS (1835-1900) WELSH RIVER SCENE Signed with initials and dated 85, watercolour and pencil 46.5 x 75cm. ++ Some foxing and fading; period gilt mount and frame £250-350 (+ 26.4% BP*)
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ALFRED POWELL (Fl.1880-1922) A SUSSEX BROOK, PULBOROUGH Signed, watercolour 37 x 54cm. with a watercolour of figures by a woodland river by Howard Gull Stormont, 1891, 52.5 x 39.5cm. (2) ++ Powell a little faded; the latter needs a light clean £200-300 (+ 26.4% BP*)
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WILLIAM MANNERS (1860-1930) LOGGING TEAM, VALE OF CLWYD; DROVING SHEEP ON A LANE A pair, both signed and dated 1911, watercolour Each 34 x 49.5cm. (2) ++ The latter with slight mat burn in the sky; period gilt mounts and frames £300-500 (+ 26.4% BP*)
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JOHN RITCHIE (Fl.1858-1875) HARVEST Signed with monogram, watercolour and pencil heightened with white 30 x 74cm. ++ Light-stained and faded; original gilt mount and frame £150-250 (+ 26.4% BP*)
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JOHN WHITE (1851-1933) BEER COMMON Signed, inscribed with title and dated April 1892, watercolour and bodycolour 19.5 x 35.5cm.
* White had moved to Devon from London in 1886 and lived in Marine Cottage, Branscombe when this was painted. ++ A few pale spots of foxing; pale in the sky £200-300 (+ 26.4% BP*)
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FREDERICK WILLIAM SCARBROUGH (1860-1939) A DUTCH HARBOUR, VIERBOKEN; ON A DUTCH RIVER A pair, both signed, watercolour Each 24 x 34cm. approx. (2) ++ The former a little pale; the latter more faded; period gilt frames £250-350 (+ 26.4% BP*)
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WILLIAM LIONEL WYLLIE, RA (1851-1931) VESSELS ON A BROAD RIVER (MEDWAY?) Signed and dated 1887, watercolour 22 x 44cm. ++ Faded £500-700 (+ 26.4% BP*)
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WILFRID WILLIAMS BALL (1853-1917) BOOTHAM BAR, YORK Signed and dated 98, watercolour and pencil 16.5 x 25.5cm.; with a watercolour of Hemingford Mill, Huntingdon by William F. Ashburner, signed and inscribed, 26 x 18.5cm. (2) ++ Ball faded and slightly discoloured; Ashburner in good condition £120-180 (+ 26.4% BP*)
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FRED HINES (c.1860-1930) A LADY BY A COUNTRY POOL Signed and dated 1898, watercolour and bodycolour 37.5 x 55cm. ++ Generally good condition; period gilt frame £120-180 (+ 26.4% BP*)
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WILLIAM WIEHE COLLINS (1862-1951) THE VILLAGE STREET, CORFE CASTLE, DORSET Signed, watercolour 54.5 x 74.5cm.
* Collins moved from London to Wareham in Dorset in c.1903 and was living in the village of Corfe in 1908 ++ Good condition £200-400 (+ 26.4% BP*)
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WILLIAM BINGHAM McGUINNESS, RHA (d.1928) IRISH LANDSCAPES Three, each signed, watercolour Two 28.5 x 44cm.; one 25.5 x 36.5cm. (3) ++ Each with a little fading and/or foxing etc £100-200 (+ 26.4% BP*)
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THOMAS NICHOLSON TYNDALE (1860-1930) LADY AT A COTTAGE GATE, CHIPPING CAMPDEN, OXFORDSHIRE Signed, watercolour 19.5 x 28.5cm. with a watercolour of a scene in a hayfield, after Myles Birket Foster, by J. C. Lund, 18.5 x 29.5cm. (2) ++ Tyndale a little faded; Lund generally good £150-200 (+ 26.4% BP*)
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THOMAS WILLIAM MORLEY (1859-1925) NEAR WROTHAM; OLD MILL, KESTON COMMON A pair, both signed, indistinctly dated (possibly 13), watercolour Each 39 x 59.5cm. (2) ++ Good condition; period gilt mounts and frames £150-200 (+ 26.4% BP*)
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GEORGE WEATHERILL (1810-1890) SHIPPING OFF WHITBY Signed, watercolour and pencil 11 x 19.5cm. ++ Good condition £800-1200 (+ 26.4% BP*)
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MARY WEATHERILL (1834-1913) WHITBY HARBOUR Signed, watercolour and pencil 17 x 27cm. ++ Good condition £800-1200 (+ 26.4% BP*)
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CHARLES EDWARD DIXON (1872-1934) OFF NEW BRIGHTON Signed, dated 99 and titled, watercolour 37 x 55.5cm.
* The distinctive outline of the New Brighton Tower and Ballroom can be seen on the left. Built in the late 1890's and opened in about the year that this watercolour was drawn, it was briefly the tallest building in Britain (173m) but was not adequately maintained during the War and was gradually dismantled for scrap after just twenty years. The ballroom at its base continued until 1969 and hosted Beatles' shows no fewer than 27 times. It is now entirely demolished. ++ Some fading in the water £700-900 (+ 26.4% BP*)
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FREDERICK E. J. GOFF (1855-1931) BELOW LONDON BRIDGE Signed and inscribed with title, watercolour with some stopping out 25 x 72.5cm. ++ Good condition £1500-2000 (+ 26.4% BP*)
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EDWARD H. FAHEY (1844-1907) A SUNSET, MARTHAM BROAD Signed and dated 1887, watercolour heightened with bodycolour 65.5 x 134cm.
* In 1887, Fahey was commissioned to paint the Broads. Exhibited: Paris, Universal Exhibition, British Section, 1889, lent by J. Carbery Evans (label on backboard) ++ Some fading and foxing; period gilt frame £300-500 (+ 26.4% BP*)
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MYLES BIRKET FOSTER, RWS (1825-1899) CATALINA, LAKE MAGGIORE Signed with monogram, watercolour and pencil heightened with touches of bodycolour 9.5 x 14cm. Provenance: London, John Spink; Private Collection ++ Good condition £500-800 (+ 26.4% BP*)
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LOUIS CHARLES GODDARD (Fl.1901-1921) WRAPPED UP FOR WINTER Signed, watercolour and pencil, heightened with bodycolour 32.5 x 25cm. ++ Original gilt mount and frame £200-300 (+ 26.4% BP*)
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HELEN ALLINGHAM, RWS (1848-1926) THE EDGE OF THE WOODS Signed, watercolour 16 x 11.5cm.
* Inscribed verso Clara Martineau/ with/ H Allingham's/ love/ May 1 97. Martineau was an artist who exhibited from 1881-1906 ++ A little faded £150-250 (+ 26.4% BP*)
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WILLIAM HARDING SMITH (1840-1922) IL POZZO DEL MAZZANTI, VERONA Signed, inscribed with title and dated 1894, watercolour and pencil 47.5 x 34cm. ++ Good condition; period gilt mount and frame £200-300 (+ 26.4% BP*)
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WALTER STUART LLOYD (Fl.1875-1929) SPRINGTIME, SUSSEX Signed, watercolour 23.5 x 33.5cm. ++ Some fading and pinkish discoloration; period gilt frame £100-150 (+ 26.4% BP*)
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SALOMON VAN ABBE (1883-1955) THIRTY ASSORTED ILLUSTRATIONS FOR 'TANGLEWOOD TALES' Each signed, pen and black ink; with nine illustrations by Dora Curtis, two by G. P. Mickewright, and twenty one pencil studies or ink sketches by other minor hands, various sizes, unframed (a lot) ++ Many of the Van Abbe works shrinkwrapped in cellophane (some warped); generally fair, some poor, mixed £150-200 (+ 26.4% BP*)
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Ð EVELYN LINA LINTON (1888-1986) THE BEST OF FRIENDS Signed E L Beckles (the artist's maiden name), watercolour 23 x 33cm. ++ Good condition £120-180 (+ 26.4% BP*)
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WILLIAM STEPHEN COLEMAN (1829-1904) HAPPY DAYS Signed, watercolour and bodycolour 18.5 x 25.5cm. ++ Slight time toning of the paper visible in the sky; good colour £800-1200 (+ 26.4% BP*)
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ATTRIBUTED TO CHARLES WHYMPER (1853-1941) WOODCOCK IN WINTER Watercolour 22 x 29.5cm. ++ Slightly pale; period gilt frame £200-300 (+ 26.4% BP*)
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EDWIN BUCKMAN (1841-1930) GONDOLA; A VENETIAN ENCOUNTER Two, both signed, watercolour and pencil Each 8.5 x 25.5cm. (2) ++ Good condition £120-180 (+ 26.4% BP*)
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THOMAS SIDNEY COOPER, RA (1803-1902) SHEEP ON THE KENT COAST Signed and dated 1858, watercolour 29 x 55cm. ++ Good condition £800-1200 (+ 26.4% BP*)
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RICHARD SIMKIN (1840-1926) BAND OF THE COLDSTREAM GUARDS ON A MARCH Signed and dated 1885, watercolour and pencil heightened with white 38 x 63cm. ++ Some foxing, slight staining and fading £400-600 (+ 26.4% BP*)
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RICHARD SIMKIN (1840-1926) THREE OFFICERS OF THE COLDSTREAM GUARDS Signed and dated 85, watercolour and pencil vignette, heightened with white 30.5 x 25cm.; with another by Reginald Wymer, depicting nine officers, with monogram, badly stained, 26 x 22cm. (2) ++ The former needs a light clean, some white retouching in background; the latter severely discoloured £200-300 (+ 26.4% BP*)
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HARRY PAYNE (1858-1927) AN OFFICER OF THE COLDSTREAM GUARDS Signed, oil on paper, arched top 33 x 13cm.; with another Coldstream officer by Herbert Benham, 23 x 17cm.; and five vignettes, also of the same regiment by 'Cedric', each signed, 25.5 x 18.5cm. (7) ++ The first rubbed at extreme edges, slight craquelure; the others generally good £250-350 (+ 26.4% BP*)
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DAPHNE CONSTANCE ALLEN (b.1899) ILLUSTRATIONS TO MATTHEW ARNOLD'S 'THE FORSAKEN MERMAN' Five, one signed with monogram, bears inscribed label on backboard indicating that this was drawn when the artist was fifteen, pen and black ink, framed as one The largest 18.5 x 11cm.; the smallest 6 x 6cm. ++ Some foxing and slight mount burn £100-150 (+ 26.4% BP*)
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ERNEST LOUIS LESSIEUX (1848-1925) A BOWL OF FLOWERS Signed, watercolour and pencil 38 x 63.5cm. ++ Good condition £250-350 (+ 26.4% BP*)
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ERNEST LOUIS LESSIEUX (1848-1925) A VIEW OF MENTON Signed, watercolour and pencil, within a washline border Image 11 x 29.5cm. ++ Good colour; some pale backboard striping £200-300 (+ 26.4% BP*)
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C** JACQUET (c.1900) GOING TO CHURCH Signed, watercolour and pencil 26.5 x 37cm. ++ Some foxing/discoloration in the sky £100-150 (+ 26.4% BP*)
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ANGELOS GIALLINA (1857-1939) THE MOUNTAINS OF EPYRUS FROM CORFU, EARLY MORNING Signed, inscribed with title verso, watercolour and pencil 29 x 64cm. ++ Slight fading and needs a clean; pale foxing £600-800 (+ 26.4% BP*)
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COUNT AMADEO PREZIOSI (1816-1882) TWO TURKISH LADIES, WITH MEN AND BOYS AT A MARKET BEYOND Signed and dated Preziosi /1879, watercolour with pen and ink 30.5 x 22cm. ++ A little faded; needs a clean £1500-2500 (+ 26.4% BP*)
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ALEXANDER MARK ROSSI (1840-1916) THE LITTLE REBELS Signed, watercolour 102 x 68.5cm. Exhibited: London, Royal Institute of Painters in Watercolour, 1887 ++ Good and original condition overall; original gilt frame £3000-5000 (+ 26.4% BP*)
| OIL PAINTINGS | |
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MANNER OF LAVINIA FONTANA (1552-1614) PORTRAIT OF A LADY Half length, wearing a dark dress with white lace, holding a glove, oil on canvas 71 x 46cm. Provenance: Purchased in Italy, probably Rome, by the vendor's ancestor, 1940's. ++ Lined; much retouching over old scattered damages; worn; possibly 17th/18th Century £300-500 (+ 26.4% BP*)
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AFTER REMBRANDT HARMENSZ. VAN RIJN (1606-1669) SELF PORTRAIT Oil on canvas 62.5 x 52.5cm.
* After the original of 1634 in the Uffizi Gallery, Florence (this canvas has the gallery's red wax seal verso) ++ A little craquelure £200-300 (+ 26.4% BP*)
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NORTHERN IMITATOR OF GIUSEPPE CESARI, CAVALIERE D'ARPINO (1568-1640) ST. FRANCIS OF ASSISI Oil on copper 24.5 x 19cm.
* Cesari's subject was engraved by the Antwerp engraver, Theodoor Galle, in 1600. This copy may derive from a knowledge of that print. ++ Graze upper right and upon St Francis's left arm; scattered paint losses, principally near the edges £500-700 (+ 26.4% BP*)
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MANNER OF ADAM PYNACKER (1622-1673) FIGURE SEATED UNDER A RUINED ARCH Bears initials, oil on card 19 x 16cm. ++ Some craquelure; needs a light clean £300-400 (+ 26.4% BP*)
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MANNER OF JEAN HONORE FRAGONARD (1732-1806) THE MUSIC LESSON Oil on canvas 58 x 130cm. ++ Some craquelure; needs a clean; early 20th Century £200-300 (+ 26.4% BP*)
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MANNER OF GIUSEPPE RECCO (1634-1695) STILL LIFE OF A BASKET OF CHERRIES, LEMONS AND A VASE OF LILIES Oil on canvas 61 x 82.5cm. ++ Two patches verso at left edge; much retouching; needs a clean £700-1000 (+ 26.4% BP*)
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MANNER OF AERT VAN DER NEER (c.1603-1677) A MOONLIT LAKE SCENE, WITH FIGURES AND BOATS Oil on canvas 61 x 88cm. ++ Old lining; scattered retouching; needs a clean; probably 18th-or early 19th Century £400-600 (+ 26.4% BP*)
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FOLLOWER OF BARTHOLOMEUS BREENBERGH (1598-1657) A ROCKY UPLAND SCENE WITH FIGURES AND GOATS BY A WATERFALL Oil on canvas 75.5 x 109.5cm. ++ Old lining; craquelure; retouching; needs a clean £1000-1500 (+ 26.4% BP*)
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FOLLOWER OF GIOACCHINO ASSERETO (c.1600-1650) THE PRESENTATION OF THE CHRIST CHILD IN THE TEMPLE Oil on paper laid canvas 25.5 x 21.5cm. ++ A few slight grazes; needs a clean £2000-3000 (+ 26.4% BP*)
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CIRCLE OF JACOB VAN SPREEUWEN (c.1609-c.1665) THE HERMITAGE OF ST. JEROME Oil on panel 31.5 x 23.5cm. ++ Good condition; a little slight retouching £500-800 (+ 26.4% BP*)
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