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AFTER JACK BUTLER YEATS (1871-1957) MAGGIE; THE METAL MAN Two, colour prints from 'Life in the West of Ireland' (1912), from the edition of 150 copies, each tipped onto a support sheet Each 14.5 x 9.75cm. (2) ++ Good condition; 'Maggie' with crease lower left corner £150-200 (+ 26.4% BP*)
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Ð NORMAN ADAMS, CBE, RA (b.1938) ST KILDA - RAIN Aquatint, 1993, signed, dated, titled and numbered 23/90 17 x 21cm. ++ Good condition £120-180 (+ 26.4% BP*)
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ERNEST MERVYN TAYLOR (1906-1964) KINGFISHER; PUKEKO Two, wood engravings, on mulberry tissue or similar, each signed, titled and inscribed 'Ed.30' Each 6.2 x 8.7cm. (2) ++ Good condition £200-300 (+ 26.4% BP*)
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HIROSHI YOSHIDA (1876-1950) MORNING OF ABUTO; JUNGFRAU Two, colour woodcuts, each signed and inscribed with title, unframed Each 24.5 x 37cm. approx. (2) ++ Each a little faded; some discoloration and a little pale foxing £300-400 (+ 26.4% BP*)
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Ð ROBIN TANNER (1904-1988) HARVEST FESTIVAL (Garton 13) Etching, 1930, from the scarce first edition, signed and numbered XXXIX 34 x 30.5cm. ++ Slight time toning and mount staining £400-600 (+ 26.4% BP*)
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Ð ROBIN TANNER (1904-1988) HEDGE FLOWERS (Garton 20) Etching, 1936, an early proof before the first edition of 1982, signed and dated Robin Tanner fec. et imp. 1936. and dedicated to Cyprian Blagden, the vendor's father 23 x 16cm. ++ Slight time toning £200-300 (+ 26.4% BP*)
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Ð JOHN PIPER, CH (1903-1992) FLOWERS IN A BLACK POT (Levinson 410) Etching and aquatint printed in colours, 1988, signed, with number 50/70, published by Marlborough Fine Art 54.5 x 39.5cm. Provenance: London, CCA Galleries, March 1989 ++ Good condition £400-600 (+ 26.4% BP*)
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Ð EDWIN LA DELL (1914-1970) CHRISTCHURCH (from 'THE OXFORD AND CAMBRIDGE EIGHT') Colour lithograph, 1959, signed, inscribed with title and further inscribed 'proof', aside from the edition of 50 61 x 44cm. ++ Damp stain lower left and upper centre £100-150 (+ 26.4% BP*)
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Ð BRYAN PEARCE (1929-2007) TWO FISHING BOATS Screenprint, 1983, signed, dated and with number 101/150 30.5 x 25.5cm. ++ Good condition £120-180 (+ 26.4% BP*)
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DAME ELIZABETH BLACKADDER, OBE, RA, RSA (b.1931) BLACK CAT Lithograph, printed in black and yellow, on Arches, signed and numbered 47/75 Image 39.5 x 56.5cm. ++ Damp stain at right margin; faded £100-200 (+ 26.4% BP*)
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Ð PATRICK CAULFIELD, CBE, RA (1936-2005) WHITE POT (Cristea 48) Screenprint, in colour, 1975, signed and numbered 42/76, Sight 97 x 76.5cm. Provenance: London, Waddington Galleries Ltd ++ Slight time toning of the paper £500-700 (+ 26.4% BP*)
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Ð PATRICK CAULFIELD, CBE, RA (1936-2005) TERRACOTTA VASE (Cristea 44) Screenprint, in colour, 1975, signed in pencil and inscribed A/P 111/X111 Sight 63.5 x 89.5cm. ++ Slight surface scuffs £450-600 (+ 26.4% BP*)
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Ð PATRICK CAULFIELD, CBE, RA (1936-2005) SMALL WINDOW (Cristea 25) Screenprint, in colour, 1972, signed and numbered 35/72 86.5 x 66cm. ++ Generally good condition but two fine paper breaks (11cm and 2 cm) upper left £400-600 (+ 26.4% BP*)
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Ð PETER PHILLIPS (b.1939) TRIANGLES Screenprint, in colour, 1965, signed, dated and numbered 21/200 61 x 76cm. ++ Some very slight blemishes at extreme edges of sheet £150-250 (+ 26.4% BP*)
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Ð PETER PHILLIPS (b.1939) LEOLOCATION Screenprint, in colour, 1970, signed, dated, numbered 773/3000, published by Dorothea Leonhart, Munich, with their blindstamp, unframed Image 54.5 x 49cm. ++ One or two minor scuffs £150-250 (+ 26.4% BP*)
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AFTER ANDY WARHOL (1928-1987) BIG TORN CAMPBELL'S SOUP CAN (BLACK BEAN) Photolithographic poster, in colour, 2002, without text, published by Tate Modern for the Retrospective 81.5 x 60.5cm. ++ Good condition £150-250 (+ 26.4% BP*)
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Ð AFTER ANDY WARHOL (1928-1987) BRILLO (PASADENA ART MUSEUM 12 MAY- 21 JUNE 1970) Lithographic poster, in colour, 1970 75.5 x 65cm. ++ Good condition £300-500 (+ 26.4% BP*)
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Ð SIR EDUARDO PAOLOZZI, CBE, RA (1924-2005) VARIATIONS ON A GEOMETRIC THEME A suite of five screenprints with one reproduction, in different colourways, two signed 83 x 58cm or 58 x 83cm approx (6) ++ Satisfactory-good overall £800-1200 (+ 26.4% BP*)
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Ð AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) ST SIMON'S CHURCH, SALFORD (1927) Offset lithograph, numbered 204/300, signed 37.5 x 27.5cm. ++ Good condition £700-1000 (+ 26.4% BP*)
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Ð AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) THE REFERENCE LIBRARY Offset lithograph, from the edition of 850, with Fine Art Trade Guild stamp, signed 24 x 34.75cm. ++ Good condition £700-1000 (+ 26.4% BP*)
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Ð AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) THE FEVER VAN (1935) Offset lithograph, from the edition of 700, published by Mainstone, 1972, with Fine Art Trade Guild stamp, signed in ballpoint 41.5 x 51,5cm. ++ Fading; some slight staining in lower margin £700-1000 (+ 26.4% BP*)
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Ð AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) MAN LYING ON A WALL (1957) Offset lithograph, published by Grove Galleries, numbered 215/500, signed 40.5 x 50.5cm. ++ Fading £700-1000 (+ 26.4% BP*)
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Ð AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) HIS FAMILY Offset lithograph, from the edition of 575, with Fine Art Trade Guild stamp, signed 52.5 x 71cm. ++ Fading £800-1200 (+ 26.4% BP*)
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Ð ANTONI TAPIES (1923-2012) SANS TITRE (from '23 ARTISTES POUR MEDECINS DU MONDE') Lithograph, c.1995, signed and numbered 2/100 76 x 56cm. ++ Good condition £400-600 (+ 26.4% BP*)
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Ð LOUISE BOURGEOIS (1911-2010) STORM AT ST HONORE Etching, 1994, signed and dated, numbered 28/100 53.5 x 82.7cm. ++ Slight time-toning of the paper and some pale foxing £1000-1500 (+ 26.4% BP*)
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Ð EDUARDO CHILLIDA (1924-2002) SANS TITRE (from '23 ARTISTES POUR MEDECINS DU MONDE') Lithograph, 1995, signed and numbered 5/100 Sheet/image 75.5 x 55cm. ++ Good condition £450-600 (+ 26.4% BP*)
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Ð WALTER E. GREENGRASS (1896-1970) DORSET TOWN Colour linocut, 1935, on simili Japan, signed and dated and numbered 4/50 within the image upper right, titled in margin and priced (£1.11.6) and titled on the mount Sight 21.5 x 19cm.; sheet 27 x 22.5cm. ++ Fading £400-600 (+ 26.4% BP*)
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Ð WALTER E. GREENGRASS (1896-1970) SEASIDE MORNING Colour linocut, 1935, on simili Japan, signed and dated within the image upper left, titled on mount Sight 19.5 x 24.5cm. ++ Gummed (but not laid down) between thin card mounts; margins not visible; some fading; image in good condition £2500-3500 (+ 26.4% BP*)
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Ð WALTER E. GREENGRASS (1896-1970) THE FIRST FENCE Colour linocut, 1933, on simili Japan, signed and dated and numbered 20/50 within image lower left Image 26 x 28cm.; sheet 28 x 30cm. ++ Grazes on jockey upper left; slight fading £2000-3000 (+ 26.4% BP*)
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Ð WALTER E. GREENGRASS (1896-1970) TEA UNDER UMBRELLAS Colour linocut, 1934, on simili Japan, signed and dated within the image upper right, titled and numbered 6/50 in the margin Image 24.7 x 25.5cm.; sheet 26.7 x 27.7cm. ++ Tipped at upper corner onto support sheet (with two gummed paper tabs); some pale stains (from the old mat?); some fading £3000-5000 (+ 26.4% BP*)
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FIVE HAND COLOURED LITHOGRAPHS to comprise Sericulus Melinus by W. Hart, 1893; Nasiterna Misorensis and Tanysiptera Nigriceps [see image] by J. Gould and W. Hart; and Trogon Ramoniana and Palaeornis Malaccensis by J. Gould and H. C. Richter, 50 x 40cm approx, various sizes (5) ++ Some mat staining and time staining of the paper £300-400 (+ 26.4% BP*)
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J** W** LUDLOW (1840-1916) CRESTED BLUE TURBITEEN COCK Signed and dated 1913, watercolour and pencil 23.5 x 18.5cm.; with a chromolithograph of similar birds after Ludlow, c.1880; a modern watercolour of pheasant rising by L. Howe-Bennett; a coloured etching of humming birds by George Edwards and sundry other unframed prints, various sizes (a lot) ++ Ludlow watercolour faded; others satisfactory £60-100 (+ 26.4% BP*)
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Ð KEN TURNER (b.1926) MALLARD RISING Signed, oil on board 34 x 28.5cm. with a smaller pair by the same hand, of swans, both signed, 19 x 21.5cm. (3) ++ Good condition; each needs a very light clean £100-200 (+ 26.4% BP*)
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Ð REGINALD PERCY BUFTON (Fl.c.1950's) RED KITE IN A VALLEY IN WALES Signed with initials, watercolour 41 x 32.5cm.; with another watercolour by Bufton, of a bittern and a frog, 26 x 38.5cm.; and two watercolours of a redpool x bullfinch, 18.5 x 18.5cm.; and quail, 15.5 x 23cm, all initialled, two unframed (4) ++ The first two a little faded; the other two in good condition £100-150 (+ 26.4% BP*)
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Ð BASIL EDE (1931-2016) BARN OWL Signed and dated 1960, watercolour and gouache 45.5 x 35.5cm. ++ Good condition; very slight fading £300-400 (+ 26.4% BP*)
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Ð BASIL EDE (1931-2016) HOUSE MARTINS Signed, watercolour and gouache on pale grey paper 30.5 x 44.5cm. Provenance: London, The Tryon Gallery Ltd ++ Slight mat staining of the paper £300-500 (+ 26.4% BP*)
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Ð BASIL EDE (1931-2016) ROBIN Signed, watercolour and gouache on pale grey paper 24 x 18cm. Provenance: London, The Tryon Gallery Ltd ++ Good condition £400-600 (+ 26.4% BP*)
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Ð RENATO CATALDI (1909-1981) HAWK-HEADED PARROT Signed, artist's labels verso, oil on board 38 x 25.5cm. Provenance: London, The Tryon Gallery Ltd ++ Needs a light clean £80-120 (+ 26.4% BP*)
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Ð BASIL EDE (1931-2016) JAYS AT NEST Signed and dated 1961, watercolour and gouache over pencil 74 x 52.5cm.; with a small group of prints and brochures relating to Ede (a lot) Provenance: London, The Tryon Gallery Ltd ++ Good condition; small area of flaked pigment on body of the mother bird £800-1200 (+ 26.4% BP*)
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Ð PHILIP RICKMAN (1891-1982) HUNGRY SNIPE Signed and dated indistinctly (1962 or 1967?), watercolour and gouache on pale grey paper 39.5 x 58.5cm. Provenance: London, The Tryon Gallery Ltd ++ Good condition £300-500 (+ 26.4% BP*)
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Ð ALBERT RUTHERSTON (1881-1953) SHOCK HEADED PETER: 'NOW ISN'T THAT JUST WHAT A GIRL WOULD SAY' Signed with initials and dated 1902, inscribed with title in the margin, pencil, heightened with white, unframed 21.5 x 26.25cm.; with an etching 'The Two Selves' by Edna Clarke Hall, signed and numbered 2/20 (ex Redfern Gallery), 15 x 10cm.; and a small folio of other prints (folio)
* Derived from Heinrich Hoffmann's 1845 children book, 'Struwwelpeter' ++ Rutherston with some foxing and time staining; others satisfactory (some foxing) £150-200 (+ 26.4% BP*)
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Ð GERALD LESLIE BROCKHURST, RA (1890-1978) PORTRAIT STUDY Signed, pencil 26.5 x 18cm. ++ Time toning of the paper £400-600 (+ 26.4% BP*)
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Ð NANCY JANE BURTON (1891-1972) OLD VILLAGER (1935) Signed, with artist's inscribed label on backboard (address in Rawalpindi), watercolour and pencil 31 x 39cm.; with three further works by the same hand, depicting figures in a punt, two rug makers and a landscape (Kashmir?), each signed, two in frames from Calcutta, 23 x 32cm and smaller (4) ++ The principal item with some fading; the others generally good £200-300 (+ 26.4% BP*)
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AMBROSE McEVOY (1878-1927) PAULINE Watercolour and pencil 43 x 29.5cm. Provenance: London, The Leicester Galleries, Ambrose McEvoy, May-June 1927, no.39 (bt. by Messrs Knoedler & Co) (label on backboard). A posthumous show, as McEvoy had died on January 4th 1927 Possibly London, Christies, October 17th 1980, lot 161; London, Sothebys, April 24th 1985, lot 326 ++ Good condition £500-700 (+ 26.4% BP*)
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Ð EVADNE HARRIS ROWAN (Fl.c.1940-1960) BERWICK STREET MARKET Signed, watercolour with pen and ink 36.5 x 31cm.; with 'Fulwell Trolleybus Depot' by Alfred Page, c.1946, watercolour and pencil, 22 x 33.5cm. (2) ++ Rowan with pale water stain and slight scratch in the sky £120-180 (+ 26.4% BP*)
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Ð ROBERT BANKS (1911-2000) SIDE ENTRY TO ENSHU'S GARDEN: SANGEN-IN, DAITOKU-JI, no.309; WATER STOOP IN THE CEMETERY, CHION-IN, no.310 Two, both signed and numbered, watercolour and pencil 66 x 47.5cm. and 47.5 x 66cm. (2) Provenance: London, Trafford Gallery (labels on backboards) ++ Good condition £200-300 (+ 26.4% BP*)
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PAUL JONES (Australian, 1921-1997) FLORAL STUDIES: DOG ROSES Two, both signed, dated 59 and 65, watercolour and bodycolour 40 x 30cm. and 43 x 30cm. (2) ++ A little pale foxing; slight mat staining £400-600 (+ 26.4% BP*)
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ROBERT ANNING BELL, RA (1863-1933) BLIND MAN'S BUFF Signed and dated 00, watercolour and pencil heightened with bodycolour 45 x 60cm. Exhibited: Possibly Vienna, Kunsterhaus (as 'Playing Girls'); Berkshire Art Society (as 'Blind Man's Buff') ++ Slight fading £2000-3000 (+ 26.4% BP*)
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Ð JOHN NASH, CBE, RA (1893-1977) A RIVER BANK WITH TREES AND HOUSES Signed, some artist's colour notes, watercolour and pencil 29 x 40cm. Provenance: Wrexham, Wingett's Auctions, January 26th 2000, lot 178 ++ Good colour; slight time-toning of the paper £3000-4000 (+ 26.4% BP*)
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GREGOIRE BOONZAIER (South African, 1909-2005) IN THE MALAY QUARTER, CAPE TOWN Signed and dated Gregoire/1948 and inscribed To my dear friends/ the vd Sticheles, pastels 32 x 49cm.; with three linocuts by Boonzaier, 1950's; a copy of the book 'Gregoire Boonzaier' by F. P. Scott (Cape Town, 1964), signed and dedicated by the artist; and an assortment of letters, cuttings, pamphlets etc relating to the artist (3) Provenance: A gift from the artist to the vendor's grandmother. ++ Good condition £1500-2000 (+ 26.4% BP*)
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