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Ð CLAUDE FLIGHT (1881-1955) WOOD COTTAGE Signed with initials, inscribed with title, also inscribed and dated verso With best wishes from Claude + Edith 1943, linocut, unframed 7.5 x 16.5cm.; with another similar, printed in red, inscribed verso Ernest + John with best/ wishes for Xmas from/ Claude and Edith, unframed, sheet 10.5 x 9cm. (2) Provenance: Sent by the artist and Edith Lawrence to the vendors' father and grandfather when the artists were living in Donhead St Andrew. The elder man, Ernest, had known Flight during the Great War and his son John tended the artists' goats seen on this card and in lot 2303 during his school and university holidays. ++ The former with vertical crease where formerly folded; the latter with some foxing £200-300 (+ 26.4% BP*)
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Ð CLAUDE FLIGHT (1881-1955) AN ALPINE VALLEY Signed in pencil, watercolour 35 x 48.5cm. Provenance: see lot 2301 ++ Good condition £200-300 (+ 26.4% BP*)
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CLAUDE FLIGHT (1881-1955) A WOODLAND STREAM Signed in pencil, watercolour 34 x 48cm. Provenance: see lot 2301 ++ Slightly faded £200-300 (+ 26.4% BP*)
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Ð EDITH LAWRENCE (1890-1973) GOATS AT WOOD COTTAGE, DONHEAD ST. ANDREW, DORSET Signed, watercolour and pencil 33.5 x 47.5cm. Provenance: see lot 2301
* The artist's cat has left her pawprints across the top left corner of the picture. ++ Slightly faded; slight time staining £200-300 (+ 26.4% BP*)
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Ð CLAUDE FLIGHT (1881-1955) A COUNTRY LANE Watercolour, unsigned 30 x 47cm. Provenance: see lot 2301 ++ Some staining and discoloration £100-200 (+ 26.4% BP*)
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Ð EDITH LAWRENCE (1890-1973) OVER MANTEL PICTURE: A WOODED POOL Inscribed on label affixed to new backboard, wool embroidery 37 x 98cm. Provenance: see lot 2301 ++ Good condition £400-600 (+ 26.4% BP*)
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Ð GRAHAM OAKLEY (b.1929) "FINALLY THE MICE WERE POPPED INTO THE LUNAR CAPSULE" (from 'THE CHURCH MICE AND THE MOON') Signed, watercolour and bodycolour with pen and ink, unframed 14 x 11.5cm. Illustrated: Graham Oakley, The Church Mice and the Moon, a signed copy of which accompanies this lot. (2) ++ Both items in very good condition £100-200 (+ 26.4% BP*)
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Ð GRAHAM OAKLEY (b.1929) "THEY REMINDED HIM OFF HIS VOW TO BE AGREEABLE TO MICE" (from 'THE CHURCH MICE TAKE A BREAK') Signed, watercolour and bodycolour with pen and ink, unframed 15 x 20cm. Illustrated: Graham Oakley, The Church Mice take a Break, a signed copy of which accompanies this lot. (2) ++ Both items in very good condition £100-200 (+ 26.4% BP*)
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Ð GRAHAM OAKLEY (b.1929) "ON A FARM BY A RIVER LIVED SEVERAL CHICKENS" (from 'HETTY AND HARRIET') Signed, watercolour and bodycolour with pen and ink, unframed 23 x 26cm. Illustrated: Graham Oakley, Hetty and Harriet, a signed copy of which accompanies this lot. (2) ++ Both items in very good condition £100-200 (+ 26.4% BP*)
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Ð GRAHAM OAKLEY (b.1929) '"GREAT! HE CRIED WHEN HE SAW SAMPSON, "JUST WHAT I'M LOOKING FOR!"'(from 'THE CHURCH MICE ABROAD') Signed, watercolour and bodycolour with pen and ink, unframed 14 x 25.5cm. Illustrated: Graham Oakley, The Church Mice Abroad, a signed copy of which accompanies this lot. (2) ++ Both items in very good condition £100-200 (+ 26.4% BP*)
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Ð GRAHAM OAKLEY (b.1929) "WHEN THEY ENTERED THE VESTRY THEY WERE GREETED WITH HORRIFIED STARES" (from 'THE CHURCH MICE SPREAD THEIR WINGS') Signed, watercolour and bodycolour with pen and ink, unframed 21 x 25cm. Illustrated: Graham Oakley, The Church Mice Spread their Wings, a signed copy of which accompanies this lot. (2) ++ Both items in very good condition £100-200 (+ 26.4% BP*)
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Ð GRAHAM OAKLEY (b.1929) A NEW MIX OF FOOD (from 'IS YOUR CAT TOO FAT?') Signed, watercolour and bodycolour with pen and ink, unframed 11.5 x 14.5cm. Illustrated: Bronwen Meredith & Graham Oakley, Is Your Cat too Fat? a signed hardback copy of which accompanies this lot. (2) ++ Both items in very good condition £100-200 (+ 26.4% BP*)
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Ð BENEDICT RUBBRA (b.1938) UNTITLED Signed and dated 65, coloured pastels and crayon 44.5 x 58cm. ++ Slight time-toning of the paper £100-150 (+ 26.4% BP*)
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Ð PETER COKER, RA (1926-2004) LARGE PALM IMAGE Signed with initials, also signed and dated 1982 on the backboard, chinese ink 67 x 66cm. Provenance: Purchased from the artist by the vendor ++ Some damp staining £200-300 (+ 26.4% BP*)
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Ð MICHAEL HESELTINE (b.1961) THE WINGED LION (VENICE); THE RETURN OF ST. MARK Two, both signed, the latter inscribed with title, watercolour and pencil 32 x 29.5cm.; and 26 x 37.5cm. (2) Provenance: London, Cadogan Gallery, February 1992 ++ Each in good condition; the former slightly uneven £80-120 (+ 26.4% BP*)
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MAXIMILIEN LUCE (1858-1941) PAYSAGE AVEC UNE EGLISE Signed, pen and ink with soft pencil and charcoal 27.5 x 37cm. Provenance: London, Christies, April 2nd 1987, lot 353 (the artist's estate) ++ A little superficial soiling £250-350 (+ 26.4% BP*)
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Ð THEODORE HANCOCK (1923-1989) AMERICAN CITY - MANHATTAN Signed and dated 1962, artist's label on the backboard, watercolour with pen and ink 37.5 x 56.5cm. Provenance: Wing Commander Peter Bernard MacCorkindale, OBE by 1966 ++ Good condition £400-600 (+ 26.4% BP*)
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ELIZABETH ADELA STANHOPE FORBES, ARWS (1859-1912) A PURITAN ROMANCE Signed, watercolour, bodycolour, pastel and charcoal 35.5 x 24cm. ++ Good condition £1500-2000 (+ 26.4% BP*)
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WILLIAM HENRY MARGETSON (1861-1940) PIERROT WITH A FALLEN ROSE Signed and dated 31, watercolour 84.5 x 45.5cm. ++ A few faint grazes on the figure's chest £800-1200 (+ 26.4% BP*)
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DELPHIN ENJOLRAS (1857-1945) THE BLUE STOCKINGS Signed, pastels 54 x 36cm. ++ Good condition £3000-5000 (+ 26.4% BP*)
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Ð ERIKA TOMAS (b.1963) UNTITLED Two, mixed media (principally gouache) on paper 70 x 49.5cm and 63.5 x 45cm. approx. (2) Provenance: Acquired from the artist by the vendor, c.2002 ++ Good condition £100-200 (+ 26.4% BP*)
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Ð JOHN EMANUEL (b.1930) SEATED FIGURE Signed and dated 87, watercolour with pen and black ink 54 x 36.5cm. ++ Good condition £200-300 (+ 26.4% BP*)
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Ð JOHN WARD, CBE (1917-2007) NATURE STUDY Signed and dated 1960, watercolour with pen and ink na dpencil 46 x 63cm. Provenance: A gift to the vendor's father as a wedding present in 1961 ++ Good condition £800-1200 (+ 26.4% BP*)
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Ð SIR FREDERICK GORE, CBE, RA (1913-2009) 'LONDON NIGHT': THE FULHAM ROAD FROM THE CORNER OF ELM PARK GARDENS, 1995 Signed; also signed, inscribed, dated and dedicated on the reverse, watercolour and black crayon, on two joined sheets 42 x 51.5cm. Provenance: Purchased from the artist by the vendor ++ Good condition £800-1200 (+ 26.4% BP*)
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Ð SIR KYFFIN WILLIAMS, KBE, RA (1918-2006) FARM, GARN FADRYN Signed twice with initials, wash and brushpoint en grisaille 35.5 x 54.5cm. Provenance: Cardiff, The Albany Gallery, July 1998, no.32 (where purchased by the vendor)
* A handwritten letter from the artist to the vendor's late husband, dated 13.8.98, accompanies the lot. In it, Williams writes that 'Garn Fadryn is the highest of the hills of Llegu and the small village below it takes its name from it. I never found out the name of the farm I drew...it was on the southern slopes looking down to Cardigan Bay.' Williams adds some reminiscences about Vivian Pitchforth and Edward Bawden and ends with this mild regret: 'Yes, I fear all my animals are self-portraits showing the same neurotic apprehension that I suffer from.' ++ Good condition £2500-3500 (+ 26.4% BP*)
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EDWARD ARTHUR WALTON, RSA, PRSW (1860-1922) PASTORAL SCENE (SKETCH) Signed, oil on thin panel 15.25 x 23cm. ++ A few blemishes in the sky £400-600 (+ 26.4% BP*)
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Ð AILEEN M. F. LAW (Fl.c.1930-1950) BOTAR BUILLE, CARRAROE Signed and inscribed with title verso, oil on canvas 49.5 x 75cm.
* Bothar Bui, Carraroe is in Co. Galway ++ Good condition; slightly loose on stretchers £150-200 (+ 26.4% BP*)
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Ð TOM CARR (1912-1977) THE BRUCE STONE, GLENTROOL, WIGTOWNSHIRE Signed and dated 1972, oil on canvas 49 x 74.5cm. ++ Fly dirt; needs a light clean £200-300 (+ 26.4% BP*)
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Ð TOM CARR (1912-1977) THE OLD BRIDGE OF MINNOCH, BARGRENNAN, DUMFRIES Signed and dated 1973, oil on canvas 49 x 74cm. ++ Fly dirt; needs a light clean £200-300 (+ 26.4% BP*)
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Ð JOSIAH STURGEON (1919-1999) WATENDLATH, CUMBRIA Signed, oil on board 34 x 44cm. ++ Good condition £120-180 (+ 26.4% BP*)
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Ð JOSIAH STURGEON (1919-1999) CONNEMARA HOMESTEAD Signed, oil on board 50 x 60cm. ++ Good condition £200-300 (+ 26.4% BP*)
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Ð ALEXANDER CARRUTHERS GOULD (1870-1948) IN MINEHEAD HARBOUR - COLLIERS AT LOW TIDE Signed, also signed and inscribed with title on a label verso, oil on thin panel 24 x 34cm.; with a watercolour by the same hand, showing a harbour (Minehead? Porlock Weir?) at low tide, signed, 25 x 35cm. (2) ++ The oil needs a light clean; the watercolour in good condition £150-200 (+ 26.4% BP*)
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Ð ERIC HESKETH HUBBARD, PRBA (1892-1957) THE LONDON TRADER, HASTINGS Signed, oil (or tempera?) on card, artist's label on frame 29.5 x 60cm.; with an etching by Hubbard, 'The Fair Ground', signed, title and numbered 72/100, 20 x 29.5cm. (2) Exhibited; (oil) London, The Medici Society ('The Maine Gallery of Originals'); fragmented exhibition label verso (possibly for the R.O.I., 1954) ++ Some chipped losses near the top edge £300-500 (+ 26.4% BP*)
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Ð FIELD MARSHAL HAROLD ALEXANDER, 1st EARL ALEXANDER OF TUNIS, OM, MC, DSO (1891-1969) TOSSA, COSTA BRAVA, SPAIN, 1956 Signed and dated 1956, inscribed with title and dated verso,oil on board 29 x 39cm.; with another oil on board by the same hand, 'The Red Lodge (Beech Missing)', 1953, titled and dated verso, 49.5 x 60cm.; and 'The Paintings of Field Marshal Earl Alexander of Tunis' (London, 1973) with introduction by Edward Seago. (3) Provenance: The two oils were formerly in the collection of Edward Seago ++ Principal item needs a light clean; 'Lodge' has grazes and a few small damages; dust jacket torn on book £200-300 (+ 26.4% BP*)
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Ð BERTRAM PRIESTMAN, RA (1868-1951) BARGE AT DUSK, HOLLAND Signed, oil on board 24.5 x 38.5cm. ++ Needs a light clean £500-700 (+ 26.4% BP*)
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Ð BERTRAM PRIESTMAN, RA (1868-1951) PASTORAL SCENE IN A RIVER LANDSCAPE Signed, oil on canvas 47 x 79cm. ++ Lined; some associated retouching; slight craquelure £1000-1500 (+ 26.4% BP*)
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Ð JOHN FREDERICK PERCY RENDELL (1872-1955) SOUTHWARK BRIDGE, LONDON Signed, oil on canvas 54 x 74.5cm. ++ Lined; associated retouching and some craquelure in the sky £250-350 (+ 26.4% BP*)
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Ð ISAAC MICHAEL COHEN (1884-1951) PORTRAIT OF LOUISE VERONICA LOVATT Signed, oil on canvas 60 x 44.5cm. Provenance: By descent in the family of the sitter ++ Good condition £100-200 (+ 26.4% BP*)
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Ð ISAAC MICHAEL COHEN (1884-1951) PORTRAIT OF ESME JULIET LOVATT Signed and dated 1933, oil on canvas 75 x 62cm. Provenance: By descent in the family of the sitter ++ Good condition £150-200 (+ 26.4% BP*)
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CIRCLE OF SYLVIA GOSSE (1881-1968) PORTRAIT OF A LADY WEARING A BONNET Oil on canvas 49 x 40cm. ++ Lined; some craquelure £200-300 (+ 26.4% BP*)
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Ð HAROLD WOOD (1918-2014) SANCHO PANZA Signed and dated 66, oil on canvas, unframed 60.5 x 51cm. ++ Slight craquelure £50-70 (+ 26.4% BP*)
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Ð MARY FAIRCLOUGH (b.1913) ANGELIQUE Faintly signed and inscribed on a label on the backboard, oil on board 53.5 x 44cm. ++ Some bloom £200-300 (+ 26.4% BP*)
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CAMDEN TOWN SCHOOL, c.1910-1920 THE FARMER'S CART Oil on canvas 49.5 x 59.5cm. ++ Needs a light clean £800-1200 (+ 26.4% BP*)
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Ð FRANK O. SALISBURY (1874-1962) THE JOY OF MOTHERHOOD Signed and dated 1934, oil on canvas laid on board 74cm diam.
* The subject depicts the artist's daughter, Mrs Leonard Norris, with her son. Provenance: By descent in the family; private collection ++ Good condition; slight damages at edges; in elaborately carved and pierced gilt wood frame £800-1200 (+ 26.4% BP*)
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Ð JAMES WRIGHT HOSSACK (b.1895) SHADE FROM THE AFTERNOON SUN Signed, also signed and inscribed with the artist's address verso and on the frame, oil on thin panel 32 x 47.5cm. ++ Needs a clean £600-800 (+ 26.4% BP*)
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Ð WILLIAM PAGE ATKINSON WELLS (1872-1923) PORT ST. MARY, ISLE OF MAN Signed, oil on canvas 33.5 x 44cm. ++ Thick impasto, slightly flat in sky £1500-2000 (+ 26.4% BP*)
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Ð CHARLES McCALL (1907-1989) MEAL TIME Signed and dated 1947, oil on canvas 60 x 37cm. ++ Needs a light clean £1200-1800 (+ 26.4% BP*)
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Ð LIONEL EDWARDS (1878-1966) PORTRAIT OF 'WINGS', A BAY HUNTER IN A PADDOCK Signed and dated 1949, oil on canvas 49.5 x 75cm. Provenance: A gift from the artist to the horse's owner, Enid Fisher (nee Chambers), upon her wedding in January 1950; thence by descent to her daughter. A photocopy of a note from the artist to Miss Chambers accompanies this lot. ++ Good condition; needs a very light clean £2500-3000 (+ 26.4% BP*)
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Ð ARTHUR SPOONER (1873-1962) HEAVY HORSES, LOGGING IN A WOOD Oil on canvas, a sketch painted as a demonstration at an art school, oil on canvas 26 x 36cm. ++ Lined; some scattered retouching; a little wear near the edges £400-600 (+ 26.4% BP*)
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Ð DONALD AYRES (b.1936) SIMON REECE, MASTER, WITH THE CLIFTON FOOT BEAGLES AT YATTON Signed, oil on canvas 59 x 90cm. ++ Good condition £150-250 (+ 26.4% BP*)
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