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FREDERICK WILLIAM HULME (1816-1884) A SUNNY AFTERNOON; MEETING ON A PATH A pair, the former signed, the former also signed and inscribed with title verso, oil on canvas Each 35 x 28.5cm. (2) ++ Each in good condition; the latter with old lining; one with slight stretcher bruises; each needs a very light clean £800-1200 (+ 26.4% BP*)
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HENRY H. PARKER (1858-1930) SLEEPING WATERS ON THE BANKS OF THE THAMES, NR. STREATLEY, BERKS; WOOLHAMPTON, BERKS A pair, both signed, each inscribed with title on the stretcher, oil on canvas Each 32.5 x 42.5cm. (2) ++ Lined; a little associated retouching; impasto slightly crushed; each needs a light clean £1000-1500 (+ 26.4% BP*)
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EDWARD TURNER (Fl.1858-c.1876) IDLE HOURS Signed and dated 1876, oil on canvas 59 x 90.5cm. ++ Three patched repairs verso; associated retouching; worn at canvas edges; needs a clean £600-800 (+ 26.4% BP*)
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EDWIN HUGHES (Fl.1872-1892) THE CRITIC Bears initials JE lower left, oil on panel 30 x 27.5cm. Provenance: with Frost & Reed Ltd, May 1946 ++ Some paint separation; needs a clean £250-350 (+ 26.4% BP*)
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ATTRIBUTED TO COLIN GRAEME ROE (Fl.1858-1910) TWO HOUNDS' HEADS Oil on board, a study 24 x 31.25cm. ++ Good condition £300-500 (+ 26.4% BP*)
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THOMAS COWPER (Fl.1891-1904) WAITING Signed and dated 1894, oil on panel 33 x 23cm. ++ Good condition; under glass in period gilt frame £400-600 (+ 26.4% BP*)
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CHARLES HUNT (1803-1877) THE FAVOURITE Signed and dated 84, oil on canvas 62 x 74cm. ++ Needs a light clean £2500-3500 (+ 26.4% BP*)
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Ð EDGAR HUNT (1876-1953) FARMYARD POULTRY Signed and dated 1929, oil on canvas 26.5 x 36.5cm. ++ Good condition £3000-4000 (+ 26.4% BP*)
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HEYWOOD HARDY, ARWS (1842-1933) THE MORNING RIDE Signed, oil on canvas 60 x 44.5cm. ++ Slight craquelure; slight bloom £4000-6000 (+ 26.4% BP*)
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SIR FRANK BERNARD DICKSEE, PRA (1853-1928) PORTRAIT OF VIOLET MARY FRANCES STUART, LADY PAGE WOOD Signed and dated 1916, oil on canvas 100 x 84cm.
* The sitter, born Violet Stuart Johnson (1875-1956), was the daughter of a prison governor, Henry Stuart Johnson. Violet married Sir John Page Wood, 5th Baronet, in 1906 but was widowed in 1912. Toll suggests that it is likely that the commission for this regal portrait arose through Margaret, Lady Brooke, The Ranee of Sarawak, who was Violet's aunt by marriage. Exhibited: London, The Royal Academy, 1916, no.428 (as 'Lady Wood') Literature: Simon Toll, Frank Dicksee 1853-1928: His Art and Life (Woodbridge, 2017) Provenance: By descent in the family to Sir Anthony Page Wood, Bt.; Private Collection ++ Unlined; good condition; a little scattered retouching £6000-9000 (+ 26.4% BP*)
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JOHN WHITE (1851-1933) PICKING WILD FLOWERS Signed, oil on panel 24 x 34cm. ++ Scratch by tree in the sea on the left £400-600 (+ 26.4% BP*)
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JOHN WHITE (1851-1933) GULLS NEAR DEVON CLIFFS Signed, oil on panel 25.5 x 34cm. ++ Chipped loss in sky upper left £150-200 (+ 26.4% BP*)
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ALBERT MOULTON FOWERAKER (1873-1942) THE LONELY WOOD Signed, also signed and inscribed with title verso, oil on canvas 97 x 151cm. ++ Craquelure; some scattered flaked paint losses; needs a clean £400-600 (+ 26.4% BP*)
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CARLTON ALFRED SMITH (1853-1946) FISHERFOLK ON A BEACH, EARLY MORNING Signed and dated 1888, oil on canvas 45 x 90.5cm. ++ Lined; some associated retouching; some wear and small losses at edges £1200-1800 (+ 26.4% BP*)
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JOHN WILLIAM BROOKE (1853-1919) CAIRO Signed and inscribed with title, oil on canvas 44 x 34.5cm. ++ Needs a light clean £200-300 (+ 26.4% BP*)
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ROBERT ALEXANDER, RSA (1840-1923) A BAY HORSE AND A TERRIER IN A STABLE Oil on canvas 41.5 x 51.5cm. ++ A few minor flaked losses; needs a light clean £400-600 (+ 26.4% BP*)
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FREDERICK SMALLFIELD, ARWS (1829-1915) A CHARMING CHIGNON Signed faintly upper left, oil on canvas 25 x 20cm. ++ Some retouching; period gilt frame £800-1200 (+ 26.4% BP*)
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THOMAS ROBERT WAY (1861-1913) A QUIET SQUARE Signed and dated 87 or 81, oil on panel 17 x 10cm. ++ Good condition; 'Whistler'-type frame £400-600 (+ 26.4% BP*)
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FOLLOWER OF JAMES SANT, CVO, RA (1820-1916) PORTRAIT OF A YOUNG LADY Half length, wearing a dark dress with a red and white rose corsage, oil on canvas 73 x 54.5cm. ++ Lined; some retouching £100-200 (+ 26.4% BP*)
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GEORGE HYDE POWNALL (1876-1932) FOG IN THE CITY Signed; also,signed, initialled and inscribed with title verso, oil on board 29.5 x 39.5cm. ++ Needs a light clean £2000-3000 (+ 26.4% BP*)
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Ð FRANCES MABEL HOLLAMS (1877-1963) MARE AND FOAL IN A PADDOCK Signed and dated 1929, oil on thin panel 43.5 x 56cm. Provenance: Constance, Lady Liverpool; given to T. and D. White in 1976 ++ A few minor surface blemishes £800-1200 (+ 26.4% BP*)
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Ð FRANCES MABEL HOLLAMS (1877-1963) GAMEBOY Signed and inscribed with name, oil on thin panel 29 x 39.5cm. ++ Skilful retouching along horizontal crack £800-1200 (+ 26.4% BP*)
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Ð FRANCES MABEL HOLLAMS (1877-1963) DISPATCH Signed and indistinctly dated, inscribed with name, oil on panel 29.5 x 40cm. ++ A little scattered retouching £600-900 (+ 26.4% BP*)
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Ð FRANCES MABEL HOLLAMS (1877-1963) TINY Signed and inscribed with name, oil on panel 33 x 44.5cm. ++ A little scattered retouching £800-1200 (+ 26.4% BP*)
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EVERTON SAINSBURY (1849-1885) 'THE LADY GERALDINE HAD STRAY'D, WHERE FITFUL LIGHT WITH SHADOWS PLAY'D..' Signed and dated 1882, oil on canvas 126 x 100cm. Provenance: probably purchased from the Royal Academy by the vendor's ancestor, Sidney Hill, of Langford House, Bristol; thence by direct descent Exhibited: London, The Royal Academy, 1882, no.1509 ++ Lined; some scattered retouching £5000-7000 (+ 26.4% BP*)
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RAFFAELE TAFURI (1857-1929) A HAPPY HOMESTEAD Signed, oil on canvas 64 x 86.5cm. ++ Strip lined; small patched repair lower left; generally good condition; needs a light clean £4000-6000 (+ 26.4% BP*)
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RICHARD KARLOVICH ZOMMER (1866-1939) TRAVELLERS BY A CABIN IN CENTRAL ASIA Signed in Cyrillic, oil on panel 31.5 x 49cm. ++ Good condition £8000-12000 (+ 26.4% BP*)
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*** BILOTTA (Fl.c.1850) FOUR SCENES IN NAPLES Oils on paper, within a slim tooled leather album Each 12 x 17.5cm. ++ Slight rubbing and discoloration £1500-2000 (+ 26.4% BP*)
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HUGO MUHLIG (1854-1929) THE GOOSE GIRL Signed, also signed and inscribed verso, oil on canvas board 22.5 x 32cm. ++ Good condition £1500-2000 (+ 26.4% BP*)
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FOLLOWER OF JEAN BAPTISTE CAMILLE COROT (1796-1875) COUNTRY GIRL WITH A COW AND CALF Bears signature, oil on panel 24.5 x 35cm. with 'Scene near Finchfield' by Alex Lawson, oil on board, 15.5 x 24cm. (2) ++ Each with some craquelure; small chips at panel edges; each needs a light clean £200-300 (+ 26.4% BP*)
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Ð JEF LOUIS VAN LEEMPUTTEN (1865-1948) POULTRY IN A FIELD Bears signature and date 1864 [sic], oil on panel 17 x 23cm. ++ Some retouching £300-400 (+ 26.4% BP*)
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A** de GROOTE (1892-1947) FIGURES SKATING ON A FROZEN RIVER BY A WINDMILL Signed, oil on panel 50 x 64.5cm. ++ A few minor surface blemishes; generally good condition £400-600 (+ 26.4% BP*)
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CIRCLE OF LUKIAN VASILYEVICH POPOV (1873-1914) A THOUGHTFUL READING Oil on canvas 68 x 95.5cm. ++ Many small patched repairs verso; some associated retouching £800-1200 (+ 26.4% BP*)
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CHARLES DAGNAC-RIVIERE (1864-1945) THE ARAB MARKET Signed, oil on board 18 x 23cm. ++ Needs a clean £200-300 (+ 26.4% BP*)
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CIRCLE OF EUGENE JOSEPH VERBOECKHOVEN (1798-1881) A GOAT WITH TWO KIDS IN A FIELD Bears initials and dated EV 1843, oil on panel 22 x 27cm. ++ Good condition; very fine 3cm hairline crack near bottom edge £500-700 (+ 26.4% BP*)
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EVERT PIETERS (1856-1932) COUR DE FERME Signed, oil on canvas 43.5 x 62.5cm. ++ Craquelure; needs a clean £800-1200 (+ 26.4% BP*)
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Ð PIERRE BATTON (19th/20th CENTURY) EXQUISITE MODELLING Signed, oil on panel 36 x 24.5cm.
* Possibly a study of the celebrated French actress, Sarah Bernhardt (1844-1923) ++ Good condition £600-900 (+ 26.4% BP*)
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ADOLPHE ETIENNE PIOT (1850-1910) ROSEBUDS Signed, oil on canvas 79.5 x 56.5cm. ++ Lined; associated retouching £2000-3000 (+ 26.4% BP*)
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PIERRE JEAN EDMOND CASTAN (1817-1892) CATCHING A FEATHER Signed an dated 1869, oil on panel 25.5 x 20cm.
* The catching of a feather is often associated with good luck and it connotes home life with peace, protection and contentment. ++ Good condition; chipped loss of paint affecting signature £2000-3000 (+ 26.4% BP*)
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HENRI JOSEPH HARPIGNIES (1819-1916) AU BORD DE LA RIVIERE Signed and dated 1905, oil on canvas 56.5 x 38cm. ++ Lined; some associated retouching, particularly near the edges £2000-3000 (+ 26.4% BP*)
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FOLLOWER OF WILLEM VAN LEEN (1753-1825) AN URN OF SUMMER FLOWERS AND A BIRD'S NEST UPON A MARBLE TABLE Oil on canvas 79 x 62cm. ++ Old lining; scattered retouching and some craquelure; slight bitumenous damage; period gilt frame £500-700 (+ 26.4% BP*)
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C** BERAULT (c.1900) A VASE OF BLOOMS Signed, oil on panel 50 x 34.5cm. ++ Needs a clean £150-200 (+ 26.4% BP*)
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ALFRED SEIFERT (1850-1901) PORTRAIT OF LOUISE Oil on canvas 34 x 26cm. Provenance: London, Frost & Reed, remains of label verso ++ Lined; a little associated retouching £500-700 (+ 26.4% BP*)
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Ð GEORGES GUEQUIER (1878-1957) PORTRAIT OF A LADY Half length, wearing an evening dress, a fur and a rose corsage, signed and dated 1920, oil on canvas, oval 79 x 63cm. ++ Good condition £400-600 (+ 26.4% BP*)
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STYLE OF ALESSANDRO OSSANI (Fl.c.1860-1888) GIRL WITH A SCARF Indistinctly signed lower right, oil on canvas 49.5 x 39cm. ++ Lined; scattered retouching; a little thin in places £150-250 (+ 26.4% BP*)
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W** ANGELO (19th Century) THE LOVE LETTER Signed, oil on panel 34.5 x 29.5cm. Provenance: with Frost & Reed Ltd, London, May 1946 ++ Retouching evident near edges; needs a clean £150-250 (+ 26.4% BP*)
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SCANDINAVIAN SCHOOL (?), 19th CENTURY THE PATIENT MAID Oil on canvas 31 x 25cm. ++ Lined; slight craquleure; a very little retouching at top edge £200-300 (+ 26.4% BP*)
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MORTIMER MENPES (1855-1938) STUDY OF A DUTCH WOMAN Signed, mixed media on card, unframed 33 x 19cm. ++ 2 x 2cm rubbed area on skirt; needs a clean £300-400 (+ 26.4% BP*)
| MODERN PICTURES AND PRINTS | |
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GEORGE TAYLOR PLOWMAN (American, 1869-1932) PLACE ST. GENEVIEVE, PARIS Etching, signed, inscribed with title and inscribed '50 proofs' 17 x 12cm.; with six further etchings by the same hand (to include Salisbury, Mont St. Michel, York, St. Martin's in the Field, London etc); and one lithograph of the Shambles in York, six signed, various sizes (8) ++ Some with a little foxing and/or time toning £150-200 (+ 26.4% BP*)
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Ð SIR HUGH CASSON, CH, KCVO, PRA (1910-1999) SCHOOLGIRL Etching and aquatint, signed with initials, titled and numbered 65/80 16.5 x 9.25cm. ++ Good condition £100-150 (+ 26.4% BP*)
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