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Ð EDWARD WESSON (1910-1983) CABINS IN A WINTER LANDSCAPE Signed, oil on canvas board 49.5 x 69.5cm. ++ Good condition; gilt slip frame £500-700 (+ 26.4% BP*)
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Ð CHRISTOPHER WOOD (b.1962) LA CHARTREUSE DE VALBONNE Signed, also signed, titled and dated 1991, on stretcher, oil on canvas 44 x 44cm. ++ Good original condition £200-300 (+ 26.4% BP*)
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Ð CHRISTOPHER WOOD (b.1962) WISTERIA AND CLIMBING ROSES Signed, oil on canvas 75 x 60cm. Provenance: North Shields, Vicarage Cottage Gallery, Contemporary Scottish Painting Exhibition, 1991 (where purchased by previous owner) ++ Good original condition £250-350 (+ 26.4% BP*)
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CIRCLE OF BERNARD MENINSKY (1891-1950) FIGURE GROUP: ADAM WITH CAIN AND ABEL (?) Oil on card (formerly folded into four) 71 x 49cm. ++ Creased where formerly folded, also in the upper part and lower left corner £100-200 (+ 26.4% BP*)
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Ð LEONARD McCOMB, RA (b.1930) BATTERSEA, THAMES Signed and dated 1989, oil on canvas laid on board 25 x 30cm. ++ Good condition £300-500 (+ 26.4% BP*)
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Ð PETER COATE, RWA (1926-2016) COTTAGES AND GRUFFY GROUND, PRIDDY, SOMERSET Signed with initials, oil on canvas board 39 x 48cm.
* 'Gruffy ground' is hummocky Somerset land disrupted by lead mining. Provenance: The family of the artist ++ Good condition £150-200 (+ 26.4% BP*)
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Ð PETER COATE, RWA (1926-2016) A FARM ON THE SOMERSET LEVELS Signed, oil on Daler board 28.5 x 59cm. Provenance: The family of the artist ++ Good condition £150-200 (+ 26.4% BP*)
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Ð JOHN PAWLE (1915-2010) THREE RED ROSES (1996) Signed, oil on board 16.5 x 22cm. Provenance: London, Portland Gallery, November 1996, no.47 ++ Good condition £100-150 (+ 26.4% BP*)
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Ð FREDERICK DUBERY (1926-2011) ANCHUSA Signed, oil on canvas laid on board 18 x 14cm. Exhibited: Almansil, Portugal, Galeria Internacional de Arte, 1989 (label verso) ++ Good condition £100-200 (+ 26.4% BP*)
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Ð SOPHIE BIRDWOOD (b.1964) YELLOW FLOWERS ON RED Signed with initials and dated 97, acrylic on canvas 70 x 90cm. Provenance: London, Anna-Mei Chadwick (The McGrath's gallery), January 1998 ++ Good condition £150-250 (+ 26.4% BP*)
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Ð CECIL KENNEDY (1905-1997) A BOWL OF CHRYSANTHEMUMS Signed and dated 1929, oil on canvas, unframed 61.5 x 51cm. ++ Good condition £1500-2000 (+ 26.4% BP*)
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Ð LEBADANG (1922-2015) STILL LIFE OF FLOWERS Signed (incised), oil on canvas, unframed 65 x 50cm. ++ Some paint separation £120-180 (+ 26.4% BP*)
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Ð LAURENCE BELBIN (b.1958) ACROSS MOUNTS BAY FROM MARAZION Signed, oil on board 69 x 53.5cm. ++ Very good condition £200-300 (+ 26.4% BP*)
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Ð CHRISTOPHER SANDERS, RA (1905-1989) BROWN PANSIES Signed, also signed and inscribed with title on the overlap, oil on canvas 18.5 x 19cm. Provenance: Bristol, Patricia Wells Gallery ++ God condition £150-200 (+ 26.4% BP*)
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Ð GUIDO ODIERNA (1913-1991) FISHING BOATS OFFSHORE Signed, oil on canvas 59.5 x 90cm. ++ Good condition £150-200 (+ 26.4% BP*)
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Ð BAREND VAN DER BRUGGEN (b.1914) THE QUAY Signed, oil on canvas, unframed 50 x 60cm. ++ Good condition £150-200 (+ 26.4% BP*)
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KENNETH WENZEL (Australian, b.1930) BASKET WILLOWS, AUTUMN TIME Signed, inscribed on artist's label verso, oil on board 29 x 39.5cm. ++ Slightly rubbed with some paint loss near frame at upper edge £150-200 (+ 26.4% BP*)
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Ð HENRY MAURICE D'ANTY (1910-1998) VILLAGE ET ARBRES Signed, oil on canvas 52.5 x 63.5cm. Provenance: Paris, art trade, November 1957 (remains of label on stretcher) ++ Needs a clean £200-300 (+ 26.4% BP*)
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ANDREI ROBERTOVICH BEKKER (b.1957) FISHERMEN Signed with monogram and dated 1988; also signed, inscribed with title and dated verso (in Cyrillic), oil on canvas 97 x 118.5cm. ++ Good condition overall; needs a light clean £300-500 (+ 26.4% BP*)
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ARRAH LEE GAUL (American, 1889-1981) PRECINCT OF JIGENDO TEMPLE Signed, inscribed with title verso, oil on canvas 62.5 x 75cm.
* Gaul was one of the 'Philadelphia Ten', an amicable union of women artists who exhibited together from 1917-1945. The group included Theresa Bernstein and Lucile Howard. Gaul also taught at The Philadelphia School of Design. Provenance: New York, Sothebys, September 2000, lot 365, whereat purchased by the consignor. ++ Good condition £500-700 (+ 26.4% BP*)
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Ð RICARDO MACARRON (1926-2004) ANEMONAS VIOLETAS Signed and dated 72, oil on canvas 71.5 x 52.5cm. Provenance: London, Rutland Gallery; Lawrences Crewkerne, April 7th 2006, lot 1356 ++ Good condition £400-600 (+ 26.4% BP*)
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Ð ANGELO BROMBO (1893-1962) A SCENE IN VENICE Signed, oil on canvas 59.5 x 80cm. ++ Good condition £2000-3000 (+ 26.4% BP*)
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Ð MARCEL DYF (1899-1985) VILLAGE PROVENCAL DE LAMBESC Signed, oil on canvas 58.5 x 71.5cm. Provenance: London, Frost & Reed, (reference 1278) Literature: Artist's archives, no.3972. Dated to 1975. ++ Lined; repainting in sky £2000-3000 (+ 26.4% BP*)
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Ð EUGENE NESTOR DE KERMADEC (1899-1976) UNTITLED Signed, oil on canvas 53 x 64cm. Provenance: Private collection, London and Somerset, since at least 1974 ++ Good condition; slight craquelure beneath the green detail left of centre £2000-3000 (+ 26.4% BP*)
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Ð CLARISSE LOXTON PEACOCK (1928-2004) A WHITE HAT, COFFEE POT AND JARS ON A TABLE Signed, oil on canvas 120.5 x 59.5cm. ++ Good condition £300-500 (+ 26.4% BP*)
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Ð CLARISSE LOXTON PEACOCK (1928-2004) STILL LIFE WITH A GREEN STOOL Signed, also signed verso, oil on board 142.5 x 44cm. ++ Good condition £300-500 (+ 26.4% BP*)
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Ð CLARISSE LOXTON PEACOCK (1928-2004) A PIPE, VASE AND SKETCH ON A CHAIR Signed, also signed twice verso, oil on canvas 125.5 x 49.5cm. ++ Good condition £300-500 (+ 26.4% BP*)
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Ð CLARISSE LOXTON PEACOCK (1928-2004) NUDE WITH NECKLACE Signed, oil on canvas 100 x 49cm. ++ Good condition £200-300 (+ 26.4% BP*)
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Ð CLARISSE LOXTON PEACOCK (1928-2004) STILL LIFE ON A DRAPED TABLE Oil on canvas 90.5 x 49cm. ++ Good condition; some fine craquelure £200-300 (+ 26.4% BP*)
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Ð CLARISSE LOXTON PEACOCK (1928-2004) BRIGHT FLOWERS IN A VASE, WITH A YELLOW CHAIR Signed, oil on board 116.5 x 60cm. ++ Good condition £200-300 (+ 26.4% BP*)
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Ð CLARISSE LOXTON PEACOCK (1928-2004) TOM DIELE AND HARVEY Signed with initials, oil on canvas 59.5 x 75cm. Exhibited: London, Hurlingham Club, Members' Art Exhibition (?) ++ Good condition £100-200 (+ 26.4% BP*)
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ALEX PORTNER (1920-1982) COUPLE EMBRACING UPON A BED Lithograph, on grey paper, signed and numbered 1/75 36.5 x 48cm.; with six further lithograph prints on light-hearted themes, each signed and numbered from editions of 50 or 75, titles to include 'La Belle Helene', 'Les Belles et le Beau', 'St. James London', The Guardian' etc, various sizes (7). ++ Principal item good, the others with some staining, creases etc (each only fair) £80-120 (+ 26.4% BP*)
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Ð ALEX PORTNER (1920-1982) PORTRAIT OF DR. ROBERT SCHNEIDER, THE ARTIST'S BROTHER IN LAW Signed with an unconventional monogram and dated indistinctly, apparently 1.5.4.47, pastels 51 x 53cm.
* Schneider was married to the artist's sister (the mother of the vendor) ++ Tear at right edge £80-120 (+ 26.4% BP*)
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Ð ALEX PORTNER (1920-1982) REGENCY BUCKS, 1969 Signed with initials, also signed and dated verso, oil on canvas 59.5 x 44.5cm.; with another similar subject, on board, signed and 1968 verso, 50.5 x 37.5cm. (2) ++ Each needs a clean; the latter also with some chipped losses £80-120 (+ 26.4% BP*)
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Ð ALEX PORTNER (1920-1982) SEATED FIGURE, 1963 Signed with initials, also signed and dated verso, oil on canvas 75.5 x 62.5cm.; with a scene of trees by a lake by the same hand, signed verso, unframed, 54.5 x 45cm. (2) ++ Each in good condition £80-120 (+ 26.4% BP*)
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Ð ALEX PORTNER (1920-1982) BOY - FISHING Signed with initials (incised), stamped with name and initials verso, oil on panel 42.5 x 33.25cm.
* An artist's label verso is stamped 'Originator of Organic Wood Painting', a technique devised by the artist for painting with translucent glazes upon planed timber panels ++ Needs a light clean £100-150 (+ 26.4% BP*)
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ALEX PORTNER (1920-1982) PSYCHEDELIC FIGURE, 1960 Signed with initials, also signed and dated verso, oil on canvas 90.5 x 60cm. ++ Needs a clean £80-120 (+ 26.4% BP*)
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Ð MELANIE COMBER (b.1970) SINGULAR, 1997 Signed, title and dated on the stretcher, mixed media (pigment and sand) on canvas, unframed 110 x 111.5cm. ++ Good condition £500-700 (+ 26.4% BP*)
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Ð MELANIE COMBER (b.1970) CARS, 1998 Signed, titled and dated on the stretcher, mixed media (pigment and sand) on canvas, unframed 116.5 x 108.5cm. ++ Good condition £500-700 (+ 26.4% BP*)
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Ð DONALD HAMILTON FRASER, RA (1929-2009) BEACH AT NIGHT, 1967 Signed, also signed and inscribed with title on the backboard (written when the picture was acquired from the artist), oil on paper 26.5 x 25.5cm. Provenance: Purchased from the artist by the vendor ++ Good condition £1500-2000 (+ 26.4% BP*) Furniture, Clocks and Carpets
| CLOCKS AND SCIENTIFIC INSTRUMENTS | |
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REGENCY SEDAN CLOCK, the 2 3/4" enamelled dial on a brass movement signed Josh Beale, Twickenham, No 730, in a circular mahogany and brass case, diameter 11cm £100-150 (+ 26.4% BP*)
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FRENCH GILT BRASS GORGE CASED CARRIAGE CLOCK, late 19th century, possibly grande sonnerie, the enamel dial with subsidiary alarm dial, on an eight day, quarterly chiming and repeating movement playing to two gongs, the base with 'Silent/Quarters' lever, serial number 4613, engraved inscription to case, with leather carry case and original key, height excluding handle 14cm (3) £600-800 (+ 26.4% BP*)
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BRASS FOUR PANE CARRIAGE CLOCK, with an enamelled dial on an eight day movement half hourly striking to a gong, with leather carry case and key, height excluding handle 12cm (2) £100-150 (+ 26.4% BP*)
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GILT BRASS FOUR PANE CARRIAGE CLOCK, the silvered dial inscibed Chas. Frodsham beneath roman numerals and engraved scrolling foliage, on a brass seven pillar twin fusee repeater movement striking to a bell, the case with four columns, height excluding handle 16cm £400-600 (+ 26.4% BP*)
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BRASS FOUR PANE CARRIAGE CLOCK the enamelled dial with centre sweep seconds hand, subsidiary alarm dial on an eight day movement with repeater mechanism half hourly striking to a bell, the case with four turned columns, height excluding handle 17.5cm £100-150 (+ 26.4% BP*)
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FRENCH GILT BRASS FOUR PANE CARRIAGE CLOCK, the silvered dial with arabic numerals and foliate centre on an eight day repeater movement striking half hourly to a gong, the domed case with corinthian columns, with key and original fitted case, height excluding handle 17.5cm £200-300 (+ 26.4% BP*)
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FRENCH CHAMPLEVE CARRIAGE CLOCK, circa 1880, the enamelled dial with black roman numerals and inscribed Le Roy & Fils, Paris, above a subsidiary alarm dial and surrounded by scrolling foliate enamels, on a bottom wind, brass, four pillar, eight day repeater movement, striking half hourly to a gong, with later outer case, height excluding handle 14.5cm Footnote: this clock was fully restored in 2006 by Stephen Jackman at West Dean College and comes with a comprehensive record of its restoration. £1000-1500 (+ 26.4% BP*)
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FRENCH BRASS AND CHAMPLEVE FOUR PANE CARRIAGE TIMEPIECE, the ivorine dial in a foliate border, on brass eight day movement, the case with corner columns, height excluding handle 12.5cm £120-180 (+ 26.4% BP*)
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FRENCH LOUIS XVI STYLE MANTEL CLOCK, 19th century, the enamelled dial with arabic numerals on a brass, eight day movement half hourly striking to a bell, the red tortoiseshell case with gilt metal mounts and clear paste stones around the dial, in a shaped, fitted silk decorated case, height of clock excluding handle 21cm, height of case 29cm (2) £200-300 (+ 26.4% BP*)
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FRENCH BRASS AND CHAMPLEVE MANTEL CLOCK, 20th century, the dial with gothic arabic numbers on a brass, eight day, movement hourly striking to a gong with a mercury pendulum and stamped Japy Freres, the four pane case with champleve columns and caddy top surmounted by green onyx, height 35cm £300-500 (+ 26.4% BP*)
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