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EDGAR BUNDY, ARA (1862-1922) "AFTER" Signed, watercolour 53.5 x 76.5cm. ++ A little foxing; colours good good; fine original gilt mount and frame £400-600 (+ 26.4% BP*)
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MANNER OF FRANCOIS CLOUET (c.1510-1572) PORTRAIT OF LOUISE OF SAVOY (1476-1531) With inscription Louife de Sauoy upper left, oil on panel 25 x 19cm.
* The sitter was a French noblewoman, Regent and mother of King Francis ++ Craquelure and retouching; probably 17th Century £200-400 (+ 26.4% BP*)
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FOLLOWER OF JACOB GERRITSZ. CUYP (1594-1652) PORTRAIT OF A BOY Bust length, wearing a striped tunic and white collar, oil on canvas, in an associated ripple-moulded frame 29 x 20.5cm. ++ Lined and on later stretchers; worn and damaged; craquelure and retouching; some flaked losses £500-700 (+ 26.4% BP*)
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FOLLOWER OF HENRIK VERSCHURING (1627-1690) A BATTLE SCENE Bears a signature, oil on panel 18.5 x 16cm. ++ Scattered retouching £200-300 (+ 26.4% BP*)
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FOLLOWER OF JAKOB BOGDANI (1658-1724) STILL LIFE OF FRUITS ON A LEDGE Oil on canvas 32 x 59.5cm. ++ Old lining; craquelure; some retouching, noticeably on the grapes left of centre; needs a clean £300-500 (+ 26.4% BP*)
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MANNER OF REMBRANDT HARMENSZ. VAN RIJN (1606-1669) PORTRAIT STUDY OF AN OLD WOMAN Oil on canvas 55.5 x 45cm. ++ Lined; retouching throughout £80-120 (+ 26.4% BP*)
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FOLLOWER OF GERARD VAN EDEMA (c.1652-c.1700) A RIVER LANDSCAPE WITH FIGURES, SPORTSMEN AND BOATS BY A TOWN Oil on canvas 62 x 75cm. ++ Old lining; scattered retouching and some old, repaired damages; needs a clean £300-500 (+ 26.4% BP*)
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FOLLOWER OF FRANCISQUE MILLET (1642-1679) FIGURES WITH ANIMALS IN A MOUNTAINOUS WOODED LANDSCAPE Oil on canvas 62 x 78.5cm. ++ Lined; damage in sky upper centre; craquelure; scattered retouching; needs a clean £400-600 (+ 26.4% BP*)
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CIRCLE OF PIETER BOUTS (c.1658-c.1719) MEN FISHING IN A WOODED RIVER Oil on panel 29.5 x 44.5cm. ++ A little scattered retouching; some faint craquelure; needs a clean £400-600 (+ 26.4% BP*)
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AFTER CLAUDE GELLEE, LE LORRAIN (1604/5-1682) CLASSICAL LANDSCAPE SCENES Three, each oil on paper affixed to the verso of glass, gilt frames Each 12 x 17cm. (3) ++ Each needs a clean; each with some 'lifting' from the glass; two in otherwise generally satisfactory condition but one with flaking £500-700 (+ 26.4% BP*)
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HISPANO-FLEMISH SCHOOL (?), 18th CENTURY A SUITE OF FOUR SUBJECTS: A SOLDIER BEFORE A NOBLEWOMAN; TWO MEN AT THE DOOR OF A NOBLEMAN; A HORSE DRAWN PROCESSION; COUPLE IN A BEDCHAMBER Four, each with Spanish (?) inscriptions, oil on canvas, unframed Each 64 x 54cm. approx. (4) ++ Each lined; associated retouching; some craquelure; some worn damages; each needs a clean £1000-1500 (+ 26.4% BP*)
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GERMAN SCHOOL, 18th CENTURY PORTRAIT OF A BOY; AND A GIRL A pair, each long half length, he wearing a blue coat with fur trim over a red suit, holding a hat, horseman beyond; she wearing a russet dress with lace decoration, finches in a tree behind her, each bears signature and date R. Worings 1737, oil on canvas Each 69.5 x 53.5cm. (2) ++ Each lined; some associated retouching £800-1200 (+ 26.4% BP*)
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MANNER OF TITIAN (c.1485-1576) VENUS AND CUPID Oil on canvas, recently laid on board 113 x 86.5cm. ++ Very worn and damaged with flaked losses and old retouching £300-500 (+ 26.4% BP*)
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AFTER NICOLAS POUSSIN (1594-1665) THE MARTYRDOM OF ST ERASMUS Oil on canvas 89.5 x 71cm.
* An 18th Century copy of Poussin's 1628 original (Rome, Vatican Museums) ++ Lined; scattered retouching; craquelure; needs a clean £800-1200 (+ 26.4% BP*)
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AFTER SIR PETER PAUL RUBENS (1577-1640) ATALANTA AND MELEAGER Oil on canvas 125 x 96cm.
*An 18th Century copy after Rubens' original of c.1616 (New York, Metropolitan Museum) ++ Old, poor lining now detaching; loose on stretcher; mould damage upper left; much paint loss and in need of renovation, clean etc £800-1200 (+ 26.4% BP*)
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MANNER OF JACOB JORDAENS (1593-1678) GROUP OF FIGURES, POSSIBLY A DETAIL FROM AN 'ADORATION OF THE SHEPHERDS' Oil on panel 18 x 22.5cm. ++ Some slight retouching; generally good; 18th Century? £400-600 (+ 26.4% BP*)
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AFTER GIOVANNI BATTISTA SALVI, IL SASSOFERRATO (1609-1685) THE MADONNA AT PRAYER Oil on canvas, mounted oval, within a 19th Century 'Florentine' frame (damaged) 30 x 24.5cm.
* A 19th Century copy after a popular theme by Salvi ++ Good condition; needs a light clean £300-500
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AFTER BARTOLOME ESTEBAN MURILLO (1628-1682) THE VIRGIN AND CHILD WITH ST. ANNE, ST. JOHN THE BAPTIST AND THE HOLY TRINITY Oil on canvas 136 x 107cm. ++ Lined; many scattered damages/tears; retouching; discoloured varnish and in need of a clean etc £800-1200 (+ 26.4% BP*)
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AFTER JACOPO ROBUSTI, called TINTORETTO (1518-1594) ST ROCH IN PRISON VISITED BY AN ANGEL Oil on canvas 68.5 x 164.5cm.
* A 17th Century copy of the original of 1567 in the Chiesa di San Rocco, Venice (3 x 6.7m) ++ Lined; replaced stretchers; retouching throughout £1000-1500 (+ 26.4% BP*)
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MANNER OF FRANCESCO DE MURA (1696-1782) THE HOLY FAMILY: MARY AND JOSEPH WITH CHRIST AS SALVATOR MUNDI Oil on canvas, shaped top 138.5 x 108cm. ++ Lined; scattered retouching £1200-1800 (+ 26.4% BP*)
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NEAPOLITAN SCHOOL PORTRAIT OF A GENTLEMAN Seated three quarter length, wearing lace-trimmed robes and holding a folio, oil on canvas 130.5 x 93.5cm. ++ Much craquelure with cupping; flaked losses; retouching; worn; needs a clean etc £500-1000 (+ 26.4% BP*)
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AFTER GUIDO RENI (1575-1642) THE ARCHANGEL MICHAEL DEFEATING SATAN Oil on copper 21.5 x 16.5cm.
* A 17th- or 18th Century copy after Reni's original of 1635 (Rome, S. Maria della Consolazione) ++ Flaked losses; needs a clean; in an associated Netherlandish ebonised frame with milled bands £500-800 (+ 26.4% BP*)
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FOLLOWER OF FRANCESCO FRACANZANO (1612-1656) THE PENITENCE OF ST PETER Oil on canvas 139 x 102.5cm. ++ Old lining; some scattered old damages/tears; craquelure; needs a clean; a little worn at edges £1500-2000 (+ 26.4% BP*)
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ENGLISH SCHOOL, 19th CENTURY COASTAL SCENE WITH FIGURES ON A BEACH, POSSIBLY NORMANDY Bears later R. P. Bonington signature, oil on canvas 39 x 58.5cm. ++ Two patched repairs verso; craquelure; needs a clean; period gilt frame £100-200 (+ 26.4% BP*)
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WILLIAM ANDERSON (1757-1837) RIVER ESTUARY WITH BEACHED ROWING BOATS AND FISHERMEN Oil on panel 16.5 x 25cm. Provenance: London, Christies, April 3rd, 1987, lot 73 ++ Two slight chips in sky; needs a light clean £300-400 (+ 26.4% BP*)
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ALEXANDER NASMYTH (1758-1840) FIGURES WITH BOATS BY A RUINED TOWER, SUNSET Signed and dated Alexr Nasmyth/1828 verso, oil on panel 22 x 28.5cm. Exhibited: possibly Edinburgh, Institution for the Encouragement of the Fine Arts in Scotland, 1828, no. 88 (as 'Study from Nature on the Coast'). The Institution became the Scottish Academy in 1830 Provenance: (?) Mr Sotheby, Wellington St (remains of old label verso) ++ Some craquelure; needs a clean £800-1200 (+ 26.4% BP*)
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GEORGE MORLAND (1763-1804) WRECKERS ON THE COAST Oil on canvas 118 x 155.5cm. ++ Lined; craquelure and retouching throughout £6000-8000 (+ 26.4% BP*)
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FREDERICK CALVERT (c.1785-c.1845) FISHING BOATS IN THE ENGLISH CHANNEL Signed and dated 1833, oil on canvas 45 x 60.5cm. ++ Lined; scattered retouching; rubbed in sky above vessel on right; some craquelure; needs a clean £1500-2000 (+ 26.4% BP*)
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ARTHUR WELLINGTON FOWLES (1815-1883) SHIP HOVE TO, OFF THE SOUTH FORELAND, KENT; SUNSET, SCHOONER OFF DOVER, SOUTH FORELAND A pair, both signed and dated 1868 and 1867; each also signed, inscribed with title and dated on the stretcher, oil on canvas Each 62.5 x 75cm. (2) Provenance: London, Phillips, May 27th, 1997, lot 601 ++ Some craquelure; a little associated retouching; each needs a light clean; slip frames £6000-8000 (+ 26.4% BP*)
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FREDERICK CALVERT (c.1785-c.1845) FISHING BOATS NEAR ROCHESTER CASTLE, RIVER MEDWAY; SAILING VESSELS IN COASTAL WATERS A pair, oil on canvas Each 29.5 x 39.5cm. (2) ++ The former with patched repair on left; the latter with larger patched repair lower right; a little associated retouching; each needs a light clean £1200-1600 (+ 26.4% BP*)
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THOMAS LUNY (1759-1837) TEIGNMOUTH COAST Bears inscription No.4/ Teigmouth Coast verso, oil on panel 21.5 x 30.5cm. ++ Some craquelure; needs a light clean £1200-1800 (+ 26.4% BP*)
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THOMAS LUNY (1759-1837) VESSELS AND A ROWING BOAT OFF A JETTY, PROBABLY DEVON COAST Signed and dated 1826, oil on panel 22 x 29.5cm. ++ Some old retouching along horizontal crack £1500-2000 (+ 26.4% BP*)
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A PICTURE FRAME 19th/20th Century, in Spanish Baroque style, carved wood, with gilt leafy scroll decoration at the corners and gilt shell motifs on central reserves, upon a black ground To fit canvas 79 x 58cm.; and another frame, with stylised leaf and fruit gesso decoration, to fit canvas 93 x 72cm. (2) ++ The former with slight losses; the latter with larger losses £200-400 (+ 26.4% BP*)
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AN IMPRESSIVE DUTCH EBONISED FRAME of compound bolection form with milled bands, containing a Netherlandish print after Hans Memling (?) To fit picture 44 x 56cm; overall size 87 x 100cm ++ Satisfactory condition £100-200 (+ 26.4% BP*)
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A CARVED WOOD GILDED PICTURE FRAME English, 18th Century, carved with pierced scrolls, rippled friezes, shell corners with flowerhead centres, stylised leaf inner border To fit canvas 77.5 x 65cm. approx. £800-1200 (+ 26.4% BP*)
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CIRCLE OF SAMUEL KING (Fl.c.1690's) PORTRAIT OF A BOY, AGED 9 Half length, wearing a wig, a red mantle and holding a staff, oil on canvas 76 x 61.5cm. ++ Lined, inscribed on lining A:9.s/ Anno 1698; associated retouching; scattered retouching over old slight damages; needs a clean; period gilt frame £500-800 (+ 26.4% BP*)
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ENGLISH PROVINCIAL SCHOOL, 19th CENTURY PORTRAIT OF A BOY Seated by a tree, wearing a russet dress and holding a hoop and stick, oil on canvas, maple veneered frame 72.5 x 59.5cm. ++ Some craquelure; needs a light clean £150-250 (+ 26.4% BP*)
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GEORGE WATSON, PRSA (1767-1837) THE LADY ARTIST, POSSIBLY A PORTRAIT OF PEGGY SIMPSON Oil on canvas, period carved wood frame 74 x 61.5cm. Literature: David and Francina Irwin, Scottish Painters at Home and Abroad, 1700-1900 (London, 1975), pp. 215-16, illust. no. 80 Provenance: Marquis of Stafford (Irwin, p. 216); New York, Sotheby's, June 7th, 1978, lot 241. ++ Restored throughout; associated retouching; some craquelure £700-1000 (+ 26.4% BP*)
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FOLLOWER OF SIR GODFREY KNELLER (1646-1723) PORTRAIT OF THOMAS TENISON, ARCHBISHOP OF CANTERBURY (1636-1715) Quarter length, wearing clerical robes, with coat of arms and inscription THOMAS CANTUAR, oil on canvas, within a painted oval 42 x 31cm.
* Tenison was a noted cleric: he attended the Duke of Monmouth's execution, preached Queen Mary's funeral sermon and also preached at Nell Gwynne's funeral, he attended King William's deathbed, crowned Queen Anne in 1702 and crowned George I in 1714. He was Bishop of Lincoln and, later, Archbishop of Canterbury from 1694-1715. Despite these achievements, Swift described him as 'a very dull man who had a horror of anything like levity in the clergy, especially of whist'. ++ Lined; associated retouching £400-600 (+ 26.4% BP*)
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THOMAS BEACH (1738-1806) PORTRAIT OF ELIZABETH, MRS WILLIAM HELYAR (d.1786) nee WESTON Seated three-quarter length, wearing an oyster dress and black lace shawl, holding a miniature box, oil on canvas 125 x 101cm. Provenance: By direct descent in the family of the sitter and through Colonel and Mrs Walker Heneage by 1937 Exhibited: Bristol, Royal West of England Academy, Art Treasures of the West Country, May 24th-June 26th 1937, no.126 (lent by Colonel and Mrs Walker Heneage, label on frame) Literature: Elise S. Beach, 'Thomas Beach - A Dorset Portrait Painter' (London, 1934), ref.159 (p.63) ++ Lined; some associated retouching; some craquelure; needs a light clean £2000-3000 (+ 26.4% BP*)
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THOMAS BEACH (1838-1806) PORTRAIT OF MRS WILLIAM HELYAR JUNIOR, WITH HER TWIN CHILDREN HARRIET AND HENRY, AGED 4 The mother seated three-quarter length, wearing a white dress, her children in white dresses with green sashes, signed and dated T. Beach pinx./ 1786, oil on canvas 124.5 x 99cm. Provenance: By direct descent in the family of the sitters Literature: Elise S. Beach, 'Thomas Beach - A Dorset Portrait Painter' (London, 1934), ref.161, (p.64) ++ Lined; some associated retouching; a little craquelure and bitumen damage £3000-5000 (+ 26.4% BP*)
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THOMAS BEACH (1738-1806) PORTRAIT OF JOHN HELYAR OF SEDGEHILL, AGED 15 Half length, wearing a blue coat and white jabot, his right hand upon a cane, oil on canvas 74.5 x 63cm. Provenance: By direct descent in the family of the sitter Literature: Elise S. Beach, 'Thomas Beach - A Dorset Portrait Painter' (London, 1934), ref.155 (p.63). Beach painted a dozen portraits of the Helyar family of Coker Court, Yeovil, in the years 1768-1769. Mrs Helyar's pocket book records that, on April 18th, 1769, "The Painter came down." Beach also painted Mrs Michel (at Dewlish) and Maria Phelips (at Montacute) on the same visit. It is thought that Beach painted only about twenty portraits in the entire decade. (Beach, ibid., p.6). The Sedgehill reference relates to further land in Wiltshire also owned by the Helyar family in the late 18th Century. ++ Lined (bears inscription: John Helyar AEt 15 AoDo 1768); some associated retouching and some retouching over old, minor damages (eg on forehead); some craquelure; needs a clean £4000-6000 (+ 26.4% BP*)
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AFTER JOHN CONSTABLE, RA (1776-1837) THE CORNFIELD Copy by P. Wills Harley, c.1900-1920, oil on canvas 75 x 62.5cm.
* After Constable's oil of 1826 (National Gallery) ++ Lined; some associated retouching; needs a light clean £300-500 (+ 26.4% BP*)
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AFTER JOHN CONSTABLE, RA (1776-1837) THE VALLEY FARM Copy by P. Wills Harley, c.1900-1920, oil on canvas 75 x 62.5cm.
* After Constable's oil of 1835 (Tate Britain) ++ Some craquelure, bitumen damage, scattered blemishes; needs a clean £200-300 (+ 26.4% BP*)
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ATTRIBUTED TO FREDERICK RICHARD LEE, RA (1798-1879) A ROCKY WOODED GORGE Oil on canvas 79 x 67.5cm. ++ Lined; some associated retouching; many small flaked losses; scattered blemishes; needs a clean £200-300 (+ 26.4% BP*)
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FOLLOWER OF GEORGE ARNALD, ARA (1763-1841) A COUNTRY LANDSCAPE WITH DISTANT BUILDINGS, FIGURES IN THE FOREGROUND Oil on canvas 44.5 x 59cm. ++ Lined; retouching; abraded areas, particularly near and within the trees £200-300 (+ 26.4% BP*)
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FOLLOWER OF WILLIAM SADLER (1782-1839) FIGURES TENDING GOATS IN AN ITALIANATE LANDSCAPE Oil on canvas 62 x 80cm. ++ A few small tears, surface grazes and abrasion; stretcher bruises; needs a clean £200-400 (+ 26.4% BP*)
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CIRCLE OF EDMUND BRISTOW (1787-1876) MAID WITH SHEEP AND A CALF BY A COUNTRY COTTAGE Oil on canvas 46.5 x 57cm. ++ Lined; a little retouching; craquelure; a little thin in a few places £400-600 (+ 26.4% BP*)
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FOLLOWER OF GEORGE MULLINS (Fl.1756-1775) A WOODED UPLAND PASTORAL SCENE WITH RUINS Oil on canvas 30 x 41.5cm. ++ Old lining; scattered retouching and craquelure; needs a light clean £300-500 (+ 26.4% BP*)
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BENJAMIN HERRING Jnr. (1830-1871) MEETING ON A COUNTRY ROAD Signed and indistinctly dated (possibly ..48), oil on thin panel 29 x 42cm. ++ A few slight surface grazes; slight craquelure upper right; a little scattered retouching; needs a light clean £500-700 (+ 26.4% BP*)
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