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Ð CLARISSE LOXTON PEACOCK (1928-2004) GLADIOLI Signed, oil on board 89 x 60cm. ++ Good condition £500-700 (+ 26.4% BP*)
| Lots 1674-1694: Pictures from A Private Collection, Somerset | |
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THOMAS WILLIAM MORLEY (1859-1925) NEAR WROTHAM; OLD MILL, KESTON COMMON A pair, both signed, indistinctly dated (possibly 13), watercolour Each 39 x 59.5cm. (2) ++ Good condition; period gilt mounts and frames £300-400 (+ 26.4% BP*)
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JOSEPH THORBURN ROSS, ARSA (1849-1903) BOATS SETTING OUT Signed, oil on canvas 24.5 x 34.5cm. ++ Lined; some associated retouching £200-300 (+ 26.4% BP*)
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Ð GEORGE FAGAN BRADSHAW (1887-1960) A COASTAL TRADER ON ROLLING SEAS Signed, oil on panel 39 x 49.5cm. ++ Some very slight craquelure; needs a light clean £400-600 (+ 26.4% BP*)
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JAMES BROWN (1863-1943) IN GLOUCESTERSHIRE, c.1935 Signed with initials, oil on canvas 49.5 x 60cm. Provenance: Richmond, Roland Goslett Gallery ++ Some craquelure £300-500 (+ 26.4% BP*)
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JAMES BROWN (1863-1943) IN GLOUCESTERSHIRE, c.1935 Signed with initials, oil on canvas 49.5 x 59.5cm. Provenance: Richmond, Roland Goslett Gallery ++ Lined; some associated retouching £300-500 (+ 26.4% BP*)
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JAMES BROWN (1863-1943) IN GLOUCESTERSHIRE, c.1935 Signed with initials, oil on canvas 49.5 x 60cm. Provenance: Richmond, Roland Goslett Gallery ++ Lined; some associated retouching £300-400 (+ 26.4% BP*)
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CIRCLE OF J** LANGLOIS (Circa 1880) CATTLE AT A COUNTRY POOL Indistinct traces of a signature lower right, oil on canvas, possibly cut down 59.5 x 59.5cm. ++ Needs a light clean £300-500 (+ 26.4% BP*)
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HENRY STEPHEN LUDLOW (c.1860-c.1934) A SHORE SCENE, c.1925 Signed, oil on canvas 39 x 49.5cm. Provenance: Richmond, Roland Goslett Gallery ++ Some craquelure; needs a light clean £500-800 (+ 26.4% BP*)
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ST. JOHN MULHOLLAND (1839-1910) A VENETIAN CAPRICCIO Signed, oil on canvas 75 x 126cm. ++ Strip-lined; retouching apparent, principally in the sky; some blistering of the darker paint lower right; needs a clean £2000-3000 (+ 26.4% BP*)
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EDWARD AUBREY HUNT (1855-1922) LIMEHOUSE, LONDON Signed, oil on canvas 45 x 79.5cm. ++ Lined; some associated retouching; generally good; period gilt frame £4000-6000 (+ 26.4% BP*)
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Ð SAMUEL JOHN LAMORNA BIRCH, RA, RWS (1869-1955) A SUN-DAPPLED POOL Signed, oil on canvas 50 x 60.5cm. ++ Lined; a little associated retouching £3000-4000 (+ 26.4% BP*)
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AFTER SIR ANTHONY VAN DYCK (1599-1641) PORTRAIT OF THOMAS WENTWORTH, EARL OF STRAFFORD (1593-1641) Oil on canvas 37.5 x 30cm.
* Derived from Van Dyck's original of c.1636-1639 (Petworth House, Sussex) ++ Lined; some associated retouching £500-700 (+ 26.4% BP*)
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Ð HENRY YOUNG ALISON (1889-1972) A COASTAL GULLY Signed, oil on thin panel 45 x 34.5cm. ++ Good condition £200-300 (+ 26.4% BP*)
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ÐLESLIE ROBERT POOLE-SMITH (Fl.c.1908-1926) A SANDLY INLET, MOROCCO Signed and dated 25, also indistinctly inscribed with title (possibly Cloud over/ [unclear] over Maroc), oil on thin panel 26 x 20.5cm. Provenance: Richmond, Roland Goslett Gallery ++ Good condition; needs only a very light clean £400-600 (+ 26.4% BP*)
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GEORGE MURRAY (1875-1933) PORTRAIT OF A LADY IN AN EVENING DRESS Oil on canvas, probably unfinished 106 x 72cm. ++ Needs a light clean £1500-2500 (+ 26.4% BP*)
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ZBIGNIEW KUPCZYNSKI (b.1928) TENNIS PLAYER Signed, mixed media 29 x 39cm. ++ Good condition £100-200 (+ 26.4% BP*)
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Ð STEVE JOYCE (b.1956) HORSE HEAD Signed and dated 86, resin upon a marble base 67cm approx overall ++ Good condition £150-200 (+ 26.4% BP*)
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ELIZABETH ADELA STANHOPE FORBES, ARWS (1859-1912) AUTUMN BREEZE Oil on canvas laid onto masonite 58.5 x 49.5cm.
* Forbes' work was distinctive amongst the artists of the Newlyn School for stepping aside from hard-nosed social realism and presenting subjects that addressed less tangible themes, some of which had a poetical sentiment that bordered on fantasy. Whilst Stanhope Forbes adhered rigidly to the central focus of Cornish life with all its attendant pleasures and hardships, he praised his wife's work and admired her 'charming and beautiful paintings which combine such lively imaginative qualities with almost unrivalled technical skill and artistic feeling.' Provenance: London, David Messum Fine Art Exhibited: Penzance and Nottingham, 'Singing from the Walls', July-December 2000, no.87 ++ Good condition £8000-12000 (+ 26.4% BP*)
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Ð MATTHIJS NICOLAAS ROLING (b.1943) LIGGEND NAAKT (LYING NAKED) Signed and dated Matthijs R 1983, oil on canvas 68.5 x 68.5cm. Roling is a versatile artist and lecturer, described in 2005 as an artist who is 'the figurehead of contemporary figure painting in the Netherlands.' He studied at The Hague and in Amsterdam in the early 1960's and exhibited his oils in parallel with a lecturing post in Groningen. 'Liggend Naakt' dates from the same year as his first major mural at the Nijsinghhuis in Eelde. In 2011, he was made a Knight of the Order of the Dutch Lion. ++ Good condition £3000-5000 (+ 26.4% BP*)
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Ð JOHN ANTHONY PARK (1880-1962) FIGURES ON A CORNISH BEACH Oil on ply panel 25.5 x 33cm. ++ A few slight surface grazes; very minor split at extreme right edge; needs a light clean £1200-1800 (+ 26.4% BP*)
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Ð JOHN ANTHONY PARK (1880-1962) CORNISH FISHING BOATS Signed, oil on canvas 30 x 38.5cm. ++ Lined; needs only a very light clean £2000-3000
| Furniture, Clocks and Carpets |
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Clocks and Barometers | |
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NOVELTY BRONZE CANNON CLOCK AND STAND, early 20th century, modelled on a First World War 75mm recoiling cannon, one wheel housing the French movement, with a bronze stand naturalistically cast as rough terrain, length 25cm £150-250 (+ 26.4% BP*)
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FRENCH BRASS FOUR PANE CARRIAGE CLOCK, the enamelled dial on a four pillar eight day movement half hourly striking to a gong, height excluding handle 13.5cm £200-250 (+ 26.4% BP*)
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BRASS FOUR PANE CARRIAGE CLOCK, the enamelled dial with rubbed inscription, on a brass eight day movement with repeater mechanism and half hourly striking to a gong, height excluding handle 14cm £200-300 (+ 26.4% BP*)
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BRASS FOUR PANE CARRIAGE CLOCK, the enamelled dial with centre sweep seconds hand, subsidiary alarm dial on an eight day movement with repeater mechanism half hourly striking to a bell, the case with four turned columns, height excluding handle 17.5cm £200-300 (+ 26.4% BP*)
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FRENCH GILT BRASS FOUR PANE CARRIAGE CLOCK, the ivorine dial inside a scrolling gilt frame, on an eight day movement, with repeater mechanism, half hourly striking to a bell, height excluding handle 16cm £200-300 (+ 26.4% BP*)
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FRENCH BRASS AND CHAMPLEVE CARRIAGE CLOCK, late 19th century, the 2 1/4" silvered chapter ring inscribed Sharman D Neill, Belfast, on a brass eight day movement half hourly striking to a gong with repeater mechanism, the case with four corinthian columns and enamelled plinth and pediment, with its original leather bound case, height excluding handle 18cm £600-800 (+ 26.4% BP*)
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GEORGE III STYLE RED CHINOISERIE MANTEL CLOCK, 20th century, the 4 1/2" silvered chapter ring on a brass dial and a brass eight day half hourly striking to a gong, the case with chinoiserie scenes in low relief, height 24cm £100-150 (+ 26.4% BP*)
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BULLE PATENT ELECTRIC MANTEL CLOCK, with 5 1/2" silvered dial, height 29.5cm £60-100 (+ 26.4% BP*)
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OAK CASED MANTEL CLOCK, the brass dial with 5 1/2" silvered chapter ring, on a brass eight day twin fusee movement quarterly chiming to two gongs and stamped W & H, height 38cm £150-200 (+ 26.4% BP*)
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FRENCH GILT BRASS MANTEL TIME PIECE, late 19th century, the 3 1/2" enamelled dial on a brass eight day movement, the case surmounted by a scantily clad Amazonian woman, her bow and arrows beside her, the base applied with a sun and parrots, height 35cm, width 25cm £100-150 (+ 26.4% BP*)
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FRENCH GILT METAL AND PORCELAIN MOUNTED MANTEL CLOCK, the 3 1/2" painted dial on a brass eight day movement striking to a bell, height 40cm, width 20cm £100-150 (+ 26.4% BP*)
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FRENCH GILT BRASS MANTEL CLOCK, late 19th century, the 3" enamelled dial inscribed Alfred B Pearce, 23 Ludgate Hill, on a brass eight day movement half hourly striking to a bell and stamped Pert Bally Brevete A Paris, the case with a classical maiden draping a garland over a bust above a Sevres style plaque, on a carved and gilded wooden stand, height excluding stand 28cm, width 28cm £150-200 (+ 26.4% BP*)
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BRASS LANTERN CLOCK, the 6 1/2" dial on a brass movement striking to a bell, in a brass four column case with hook and spikes, height 32cm £200-300 (+ 26.4% BP*)
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INCLINE PLANE GRAVITY CLOCK, 20th Century, the ivorine dial with arabic numerals in a brass drum case, the hardwood plane with scrolling pierced brackets, length of plane 54cm £200-300 (+ 26.4% BP*)
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FRENCH SIENNA MARBLE CLOCK, mid 19th century, the 4 1/2" enamelled dial with arabic numerals on an eight day, half hourly striking brass movement inscribed Paris, in an arching and fluted case, height 37cm, width 31cm £200-300 (+ 26.4% BP*)
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FRENCH ORMOLU MANTEL CLOCK, the 4 1/2" enamelled dial inscribed F Barbedienne A Paris on a brass eight day movement striking to a bell, the vase with classical urn and swag finial, scrolling and foliate brackets and bow fronted base on floral cast feet, height 49cm, width 36cm, depth 18cm £500-700 (+ 26.4% BP*)
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WHITE MARBLE ROMAN RUIN CLOCK. the three column ruin surmounted by a gilt bronze eagle holding a ball clock in its beak, with jewelled rim and eight day movement, height 37cm £250-350 (+ 26.4% BP*)
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LOUIS XV STYLE MANTEL CLOCK, the 4" enamelled dial on an eight day movement stamped Mougin, half hourly striking to a gong, the rococo style case painted with a romantic couple and flowers on a gilt ground and with gilt metal mounts, height 40cm £300-400 (+ 26.4% BP*)
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BRASS SKELETON CLOCK, the 4" silvered and pierced chapter ring a chain driven single fusee movement inscribed Heitzman Cambridge under a glass dome, height excluding base 24cm £200-300 (+ 26.4% BP*)
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BRASS SKELETON CLOCK, the 5" silvered chapter ring beneath a strike silent dial, on a brass, architectural eight day chain driven twin fusee movement half hourly striking to a bell beneath a turned finial, beneath a glass dome, height excluding stand and dome 32cm £300-400 (+ 26.4% BP*)
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OAK BRACKET CLOCK, the 6 1/2" silvered chapter ring on a brass dial with star burst arch, on a brass, three train movement striking to a single gong and playing the Whittington chimes to eight gongs, the case with brass floral swag mounts, height 70cm £800-1200 (+ 26.4% BP*)
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MAHOGANY AND INLAID LANCET MANTEL CLOCK, late 19th century, the 5" silvered dial beneath a fast slow dial on a brass dial, the brass two train movement chiming and striking to two gongs, the case with neo-classical inlaid decoration, height 35.5cm £300-400 (+ 26.4% BP*)
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REGENCY STYLE MAHOGANY BRACKET CLOCK, the silvered 6" dial on a brass, eight day, twin chain driven fusee movement with maintaining power, half hourly striking to a gong, the brass mounted case with boxwood line inlay and butterfly motif, the purpose made brass key for winding and pendulum rise/fall adjustment at 12 o'clock on the dial, height 49cm £700-900 (+ 26.4% BP*)
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WALNUT AND GLASS CASED MANTEL CLOCK, the 7 3/4" silvered dial inscribed Carl Werner, on a brass three train eight day movement, stamped Ungmans A32, chiming and striking to four gongs, in a domed case the top and sides made of a single piece of bevelled glass, height 40cm £400-600 (+ 26.4% BP*)
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JAEGER LE COULTRE EMBASSY ATMOS CLOCK, the brass chapter ring on a red marbled ground and side panels, above a balance wheel, height 22cm £600-800 (+ 26.4% BP*)
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FRENCH WHITE MARBLE AND ORMOLU MANTEL CLOCK, 19th century, the 3" enamelled dial on a brass eight day movement half hourly striking to a bell, the case surmounted by a child writing, height 30cm, width 18.5cm £600-800 (+ 26.4% BP*)
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BRASS SKELETON CLOCK, the 4 1/2" enamelled chapter ring beneath a sudsidiary seconds dial on a chain driven single movement, the cogs and pendulum inlaid with star cut glass panels, under a glass dome and mounted on an inlaid walnut base, height excluding base 50cm £800-1200 (+ 26.4% BP*)
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CONGREVE STYLE BRASS ROLLING BALL CLOCK, the three ivorine dials on brass, single fusee movement surmounted by the rocking table, housed in a four pane case, height excluding case 18cm £400-600 (+ 26.4% BP*)
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