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CIRCLE OF MARMADUKE CRADOCK (1660-1716) A PEACOCK AND ORNAMENTAL FOWL IN A LANDSCAPE Oil on panel 14.5 x 21cm. ++ A few dabs of scattered retouching £800-1200 (+ 26.4% BP*)
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FOLLOWER OF QUILP (Fl.early 19th Century) FIGHTING COCKS A pair, oil on canvas, maple veneered frames Each 58.5 x 48cm. (2) ++ A little craquelure; generally good £600-900 (+ 26.4% BP*)
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AFTER JOHN FREDERICK HERRING Senr (1795-1865) A HARNESSED ST. GILES CAB HORSE WITH HIS DRIVER; A ST. JAMES'S SADDLED GREY COACH HORSE WITH A COACHMAN AND A DOG A pair, oil on canvas Each 39.5 x 52cm. (2)
* After the two original compositions of the same size by Herring (1845), sold at Christies New York, December 2008 ++ Lined; a little associated retouching; slightly rubbed at canvas edges; each needs a light clean to remove discoloured varnish; period gilt frames £1500-2000
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AFTER JOHN FREDERICK HERRING Senr (1795-1865) THE HUNTING STUD Oil on canvas 56 x 100cm.
* Derived from Herring's oil of 1845 (Tate), possibly copied from J. Harris's aquatints of the 'Stables Scenes' series of 1846. ++ Good condition £150-250 (+ 26.4% BP*)
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MANNER OF GEORGE STUBBS, ARA (1724-1806) HORSE AND JOCKEY ON A HEATH Oil on canvas 44.5 x 55cm. ++ Lined ; retouching £300-500 (+ 26.4% BP*)
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G** G** DUPONT (Fl.c.1882-1889) AN EPICURE'S LUNCHEON Signed and dated 83, oil on canvas 59 x 72cm. ++ Lined; some associated retouching; needs a light clean £150-250 (+ 26.4% BP*)
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CHRISTIAN TILEMANN PETERSEN (1874-1926) INTERIOR AT FRIJSENBORG Signed, bears inscribed labels on the stretcher, oil on canvas 57 x 61cm.
* Frijsenborg is a manor house at Hammel, not far from Aarhus, Jutland, Denmark ++ Good condition £200-300 (+ 26.4% BP*)
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FRENCH SCHOOL, 19TH CENTURY TRAVELLERS ON A COUNTRY ROAD NEARING A VILLA Signed indistinctly, oil on canvas 35 x 57cm. ++ some craquelure; damaged in sky upper left; needs a clean £200-300 (+ 26.4% BP*)
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*** FRASER (Fl.c.1830-1840) PORTRAITS OF MR AND MRS SKELTON Each quarter length, he wearing a dark coat, mustard waistcoat and cravat; she wearing a green dress, bonnet and gold jewellery, the former signed, oil on canvas Each 48.5 x 38.5cm approx. (2) Provenance: By descent in the family of the sitters ++ Each lined and restored with some associated retouching; period gilt frames £250-350 (+ 26.4% BP*)
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Ð A** de GROOTE (1892-1947) FIGURES SKATING ON A FROZEN RIVER BY A WINDMILL Signed, oil on panel 50 x 64.5cm. ++ A few minor surface blemishes; generally good condition £800-1200 (+ 26.4% BP*)
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HENRI DUVIEUX (c.1855-1920) RIVER SCENE WITH BOATS (NEAR ISTANBUL?); VENETIAN CAPRICCIO A pair, both signed, oil on canvas Each 13 x 21cm. (2) ++ Each lined; with a little retouching £1500-2000 (+ 26.4% BP*)
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A** GINS (Swiss, Fl.c.1869) A COASTAL TOWN WITH FISHING BOATS OFFSHORE; A COAST SCENE WITH FISHERFOLK AND BEACHED VESSELS Two, one signed, oil on panel Each 21 x 39.5cm. (2) ++ Good condition £400-600 (+ 26.4% BP*)
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CARLO GRUBACS (1810-1870) VENICE: ST MARK'S SQUARE; RIALTO BRIDGE A pair, both signed, oil on canvas Each 21 x 29cm. (2) ++ Each lined; some scattered retouching and craquelure £2500-3000 (+ 26.4% BP*)
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FOLLOWER OF PAUL DELAROCHE (1797-1856) PORTRAIT OF A GIRL Bust length, draped in white, before a red swag, signed with initials and dated C. D. 1849, oil on canvas, probably a fragment 40 x 31cm. ++ Lined; retouching; some craquelure; a little thin in a few places £400-600 (+ 26.4% BP*)
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CIRCLE OF FRIEDRICH VON AMERLING (1803-1887) PORTRAIT OF A CHILD IN A RED NECKERCHIEF Oil on canvas 55.5 x 44.5cm. Provenance: London and Cheam, J. Dowmunt Fine Art ++ Lined; some associated retouching; some craquelure £250-300 (+ 26.4% BP*)
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CHARLES ALEXANDRE COESSIN DE LA FOSSE (1829-1910) THE YELLOW GLOVES Signed and inscribed 'Souvenir.. [indistinct]', oil on canvas 26.5 x 21cm. ++ Needs a light clean £800-1200 (+ 26.4% BP*)
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CIRCLE OF JEAN BAPTISTE EDOUARD DETAILLE (1848-1912) STUDIES OF TWO FRENCH SOLDIERS, ONE CARRYING A RIFLE, THE OTHER A BUGLE Oil sketch on panel 30.5 x 40cm. ++ Horizontal crack at hip level across panel; scattered retouching; needs a clean £200-400 (+ 26.4% BP*)
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LUIGI MARIA GALEA (1847-1917) SUNSET, THE GRAND HARBOUR, VALETTA, MALTA Signed, oil on board 21 x 54cm. ++ Craquleure and crazing £1200-1800 (+ 26.4% BP*)
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FOLLOWER OF ANTONIETTA BRANDEIS (1848-1926) THE PONTE VECCHIO, FLORENCE Oil on canvas 63.5 x 98cm. ++ Some craquelure; needs a light clean £1000-1500 (+ 26.4% BP*)
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HENRY SCHAFER (d.1905) ANTWERP, BELGIUM; CHARTRES, FRANCE A pair, both signed and dated 1890, each also signed and inscribed with title verso, oil on canvas Each 24 x 19cm. (2) ++ Each needs a clean; period gilt frames £400-600 (+ 26.4% BP*)
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THEODORE DU BOIS (1804-1879) HAULING IN THE NETS Signed and dated 1836, oil on canvas 71.5 x 109.5cm. ++ Old lining; a few areas of retouched damage/tears in sky (above sailing ship on right, top of mast of main boat etc) scattered retouching, principally near the edges £1200-1800 (+ 26.4% BP*)
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ERNESTINE FRIEDRICHSEN (1824-1892) A MERRY CREW Signed and inscribed with the artist's address on a fragmented label on the frame, oil on canvas 72 x 107cm.
* The label gives the artist's address as Wehrhahn 9 Dusseldorf where she lived from 1867 until her death. Provenance: Private collection, London ++ Retouching over jagged tears in trees and some retouching elsewhere; period German frame £1200-1800 (+ 26.4% BP*)
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LAURITS BERNHARD HOLST (1848-1934) DHOWS OFF THE COAST, NORTH AFRICA (?) Signed, oil on canvas 62 x 100cm. ++ Lined; scattered retouching, especially in the sky £1000-1500 (+ 26.4% BP*)
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ALBERT JOSEPH PENOT (1862-1930) PORTRAIT OF A LADY IN EVENING DRESS Signed, oil on canvas 98.5 x 63.5cm. ++ 2.5cm tear lower right; slight brusing from stretcher bars; needs a light clean £1000-1500 (+ 26.4% BP*)
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A** GINS (Swiss, Fl.c.1869) FRENCH SOLDIERS IN A VILLAGE, A BLACKSMITH BEYOND Signed and dated 69, oil on panel 21 x 39.5cm. ++ Good condition £200-300 (+ 26.4% BP*)
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HENRI VICTOR LESUR (b.1860, fl.1887-1910) THE RED GOWN Signed, oil on panel 30.5 x 22.5cm. ++ Slight craquelure; needs a light clean £500-700 (+ 26.4% BP*)
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FOLLOWER OF ADOLPHE JOSEPH THOMAS MONTICELLI (1824-1886) FIGURES IN A LANDSCAPE A pair, oil on panel Each 19 x 25.5cm. (2) ++ One with slight crazing and craquelure; each needs a light clean £100-200 (+ 26.4% BP*)
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ARTHUR FITZWILLIAM TAIT (1819-1905) JUNE: SHEEP IN A FIELD Signed and dated 1904, also signed and inscribed with artist's address (Ludlow Park/ Yonkers/ N.Y), title, date (D 1904) and Putnam Co, NY verso, oil on canvas backed onto card 45 x 68cm. Provenance: Acquired by the vendor's great grandparents in America in 1904 ++ Generally good condition £2000-3000 (+ 26.4% BP*)
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RICHARD BEAVIS, RWS (1824-1896) WORKMEN ON THE RIVERBANK, WYCLIFF-ON-TEES, CO. DURHAM Signed, also inscribed indistinctly on label on the stretcher Wycliff on Tees [unclear] birthplace of the/great reform [unclear] R Beavis, oil on canvas 22.5 x 45cm. ++ A little craquelure; slight wear at edges £250-350 (+ 26.4% BP*)
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GEORGE WHITTON JOHNSTONE, RSA (1849-1901) EAST WEMYSS, FIFESHIRE Signed, also signed and inscribed on a label verso, oil on canvas 29 x 44.5cm. ++ A little craquelure; needs a clean £150-200 (+ 26.4% BP*)
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ALFRED PETTITT (Fl.1849-c.1872) GRASMERE FROM RED BANK Signed and dated 1872, also signed, inscribed with title and dated Keswick 1872 verso, oil on canvas 49.5 x 87.5cm. ++ Scattered retouching; some minor flaked losses; needs a clean £300-500 (+ 26.4% BP*)
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CIRCLE OF EDWARD ROBERT SMYTHE (1810-1899) LADY ON A GREY PONY OUTSIDE A COTTAGE Oil on canvas 33.5 x 44cm. ++ Lined; some associated retouching £150-200 (+ 26.4% BP*)
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ATTRIBUTED TO WILLIAM FREDERICK HULK (1852-1906) CATTLE IN A WATER MEADOW A pair, oil on board Each 14 x 10cm. approx. (2) ++ Each needs a light clean; some craquelure £100-150 (+ 26.4% BP*)
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C** WALCH (Fl.c.1922) TWO GIRLS ON A VILLAGE LANE Signed and dated 1922, oil on canvas 29 x 35cm. ++ Some slight flaked losses; needs a light clean £250-350 (+ 26.4% BP*)
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CHARLES STUART (Fl.c.1853-1868) STILL LIFE OF SUMMER FRUITS UPON A DRAPED LEDGE Signed and dated C. D. Stuart 1853, oil on canvas 76 x 65cm. ++ Old lining; worn at edges with retouched damage near upper edge and small retouching elsewhere; some craquelure; needs a clean £500-800 (+ 26.4% BP*)
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WILLIAM CRAWFORD, ARSA (1825-1869) THE DARK AND THE FAIR Bears a later inscribed label on the reverse of the frame, oil on canvas, mounted oval 76 x 59cm. ++ Lined; some associated retouching £700-1000 (+ 26.4% BP*)
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THOMAS COLLINS (Fl.1857-1893) A WOODLAND BANK IN SPRINGTIME Signed and dated 78, oil on canvas 30 x 24cm. ++ Generally good condition; slight paint separation apparent near right side £150-250 (+ 26.4% BP*)
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HENRY MOORE, RA (1831-1895) MID-CHANNEL, EVENING Signed and dated 1879, oil on canvas 24.5 x 39.5cm. Provenance: London, The Fine Art Society, March 1970, no.1117 ++ Lined; a little associated retouching; needs a light clean £700-900 (+ 26.4% BP*)
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EDWARD HOLMES (1841-1891) THROUGH THE FOREST Signed and dated 1881, oil on canvas 66.5 x 53.5cm. Exhibited: London, Royal Society of British Artists, 1883, no.314 ++ When sold at Christies on March 3rd 2009, this lot was described as being signed and inscribed on a label attached to the stretcher. This is now obscured by restorer's tape. ++ Some craquelure; needs a light clean £500-700 (+ 26.4% BP*)
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GEORGE GOODWIN KILBURNE (1839-1924) THE PROPOSAL Signed and dated 1871, also indistinctly signed verso, oil on canvas 22 x 33cm. ++ Good condition £400-600 (+ 26.4% BP*)
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ATTRIBUTED TO CHARLES LEAVER (1824-1888) IN THE DEEP MIDWINTER Oil on canvas 74.5 x 125.5cm. ++ Lined; scattered retouching £800-1200 (+ 26.4% BP*)
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ALFRED DE BREANSKI (1852-1928) RANNOCH MOORS, N.B. Signed, also signed and inscribed with title verso, oil on canvas 49.5 x 74.5cm. ++ Some scattered retouching, principally at the edges, some over blistered damage; a little thin in a few places £1500-2000 (+ 26.4% BP*)
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THOMAS SIDNEY COOPER, RA (1803-1902) IN THE WATER MEADOWS Signed and dated 1873, oil on canvas 74 x 106cm. Provenance: London, Sothebys Belgravia, June 17th, 1980, lot 119; London, Richard Green Fine Paintings ++ Lined; a little scattered retouching £4000-6000 (+ 26.4% BP*)
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JAMES CLARKE HOOK, RA (1819-1907) SALMON TRAPPERS, NORWAY Signed with monogram and dated 71, also signed and inscribed on a label on the stretcher, oil on canvas 86 x 135.5cm. Exhibited: London, The Royal Academy, 1871, no. 163 ++ Lined; some retouching £2000-3000 (+ 26.4% BP*)
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JAMES THOMAS LINNELL (1820-1905) HARVEST TIME Signed and dated 1870, oil on canvas 101 x 156.5cm. ++ Lined; some craquelure with paint separation; some retouching £2000-3000 (+ 26.4% BP*)
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WILLIAM THORNLEY (Fl.1858-1898) FISHING BOATS IN CHOPPY COASTAL WATERS A pair, both signed, oil on canvas Each 34 x 29cm. (2) ++ Each needs a light clean £1000-1500 (+ 26.4% BP*)
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HENRY H. PARKER (1858-1930) ON THE THAMES NEAR GORING, SURREY Signed, also signed and inscribed with title verso (Goring spelt Goreing), oil on canvas 50.5 x 76cm. ++ Good condition £1000-1500 (+ 26.4% BP*)
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WILLIAM HOUNSOM BYLES (1872-1940) A CHAMBER OF SORCERY Signed, bears remains of inscribed label verso, oil on panel 20 x 32.5cm. ++ Good condition £500-700 (+ 26.4% BP*)
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EDWARD HOLMES (Fl.1841-1891) 'SHAKE HANDS, POLLY' Signed with monogram, oil on canvas 37 x 30.5cm. ++ Lined; some associated retouching £800-1200 (+ 26.4% BP*)
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G** F** HUGHES (Fl.c.1877) NO RESPECT FOR STANDARDS Signed, oil on canvas 17.5 x 24cm. ++ Good condition £100-150 (+ 26.4% BP*)
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