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Edward Duncan (1803-1882) - Coloured aquatint after H.J. Huggins - "The Opium Ships at Lintin in China, 1824", 15ins x 23ins, published 1838 by H.J. Huggins, 1805 Leadenhall Street, in gilt frame and glazed £400-600 plus 24% BP*
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John W. Cook (19th Century), After Alexander Sauerweid (1783-1844) - Coloured engraving - "Battle of Waterloo", published by T. Clay & R. Lambe, March 1819, 17.5ins x 28ins, framed and glazed £200-300 plus 24% BP*
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*** Ernest Howard Shepard (1879-1976) - Pencil drawing for Punch Magazine - "Coaxing Pan" - Two figures with dog addressing figure and worded "Charivaria", 3.25ins x 12ins, unsigned, in modern grey painted frame and glazed
Provenance: The Fine Art Society, 148 New Bond Street, London, W1S 2JT - No. 368 of exhibition of E.H. Shepherd - December 2006 £200-300 plus 24% BP*
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*** Ernest Howard Shepard (1879-1976) - Pencil drawing for Punch Magazine - "April Pastimes" - Two children lying on a log, 3.75ins x 12.25ins, unsigned, in modern grey painted frame and glazed
Provenance: The Fine Art Society, 148 New Bond Street, London, W1S 2JT - No. 368 of exhibition of works of E.H. Shepard - December 2006 £200-300 plus 24% BP*
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*** Ernest Howard Shepard (1879-1976) - Pencil sketch for Punch Magazine - "Toby Points at Mole" - Huntsman and dog approaching a mole and worded "Charivaria", 3.25ins x 12.25ins, unsigned, in modern grey painted frame and glazed
Provenance: The Fine Art Society, 148 New Bond Street, London, W1S 2JT - No. 238 of exhibition of E.H. Shepherd - December 2006 £200-300 plus 24% BP*
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R. King (20th Century) - Coloured print - "Bumble" - Standing portrait of a Chelsea Pensioner, 19ins x 12.25ins, framed and glazed
Provenance: The Medici Society £50-70 plus 24% BP*
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Susan Leyland (born 1932) - Three pencil and coloured chalk drawings - Studies of horses, one 8.76ins x 11.75ins, another 9.5ins x 7.75ins, and one 9.25ins x 8ins, all signed "Leyland", in modern ebonised moulded frames and glazed
Provenance: Frost & Reed, 2-4 King Street, London, SW1Y 6QP £350-500 plus 24% BP*
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Harry Becker (1865-1928) - Lithograph - "Summertime", 1903, 16ins x 12.25ins, signed in pencil, framed and glazed £150-200 plus 24% BP*
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Harry Becker (1865-1928) - Lithograph - "Bean Harvesting, Holland" (circa 1908) 20.75ins x 14.5ins, in oak frame and glazed
Provenance: Simon Carter Gallery, Woodbridge, Suffolk (1983) £200-300 plus 24% BP*
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George Frost (1754-1821) - Pencil sketch - Rear view of pony in harness, cream octagonal paper 6.5ins x 5.25ins, apparently unsigned, in modern moulded frame and glazed
Provenance: Stephen Somerville - Purchased 1st July 1993 £100-150 plus 24% BP*
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Cecil Aldin (1870-1935) - Coloured print - Hunting scene, 14.25ins x 39ins, in oak frame and glazed £70-100 plus 24% BP*
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Alfred William Strutt (1856-1924) - Two lithographs - A donkey cart being pursued by fox hounds wishing to catch a fox resting on some poultry cages on the back of the cart, published by Arthur Tooth & Sons, London, 1896, 16ins x 29ins, and 16ins x 25ins, each signed in pencil and with Printsellers Association stamp, and Douglas Adams (1853-1920) - Lithograph - Trout fishing, 15.5ins x 25ins, signed in pencil and with Printsellers Association blind stamp, all in gilt frames and glazed £120-150 plus 24% BP*
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18th Century Venetian school - Sanguine drawing - Sketch of head, hand and upper torso of a young man, on grey paper, 11.5ins x 8ins, bearing collectors seal mark to lower left corner and monogram to lower right corner, in modern gilt moulded frame and glazed
Provenance: Stephen Somerville - Purchased 1st October 1993 £400-600 plus 24% BP*
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Edward Augustus Inglefield (1820-1894) - Pencil drawing - Study of a rustic wooden bridge crossing a river, 12.25ins x 16.25ins, signed and dated 1877 in pencil, James Duffield Harding (1798-1863) - Pencil drawing highlighted in white - "The Ferry at Lymington", 8.25ins x 10.75ins, with title in pencil, attributed to Francois Louis Francais (1814-1897) - Pencil of foil paper, 5.5ins x 8.5ins, and 19th Century British school - Crayon drawing - "Water of Leith", 5.5ins x 7.5ins, monogrammed, titled and dated 1841 in pencil, all framed and glazed £150-200 plus 24% BP*
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After James Gillray (1757-1815) - Six coloured engravings - "Brisk-Cathartic", "Easing the Toothache", "Gentle Emetic", "Breathing a Vein", "Taking Physick" and "Charming Well-Again", each approximately 9.5ins x 7ins, originally published in 1804, and Isaac Cruikshank (circa 1756-1811/16) - Coloured engraving - "Resist Unto Blood the True Christian Warfare, the Spirit Against the Flesh" (1791), 9ins x 15ins, all framed and glazed £300-500 plus 24% BP*
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William Green (1760-1823) after John George Wood (1768-1838) - Coloured aquatint - "Canterbury Cathedral", 14.5ins x 20.25ins, together with six other engravings, various, all framed and glazed £120-160 plus 24% BP*
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Rene Beeh (1886-1922) - Twelve hand coloured lithographs - "1914" - With images of the brutality of World War I, with depictions of French Infantry in red and blue uniforms and German Calvary soldiers in grey, each sheet size 16.125ins x 13.75ins, numbered 1-12 and published by Goltz-Verlag, Munchen, with original lithograph paper cover, from an edition of 500 copies £200-300 plus 24% BP*
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Jules Prater (1879-1947) - Six engravings, including - Joan of Arc wearing armour and mounted upon a horse at the head of her troops, 5.25ins x 5.25ins, signed and dated '25 in pencil, the Margate Memorial showing fisherman looking out to sea at the wreck of a fishing boat, 8ins x 4.75ins, signed and dated 'dated '27 and numbered 4 of 75 in pencil, together with four others, various, all framed and glazed
Provenance: By family descent £150-200 plus 24% BP*
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ARR Lawrence Stephen Lowry (1887-1976) - Limited edition offset litho print in colours - "Street Scene" - Busy industrial town scene with figures, 10ins x 8ins, signed in pencil to lower right margin and with Fine Arts Trade Guild stamp and "H.H.C." (an edition of 850), in gilt frame and glazed £1000-1500 plus 24% BP*
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Bruce Onobrakpeya (born 1932) - Limited edition linocut - "The Last Supper", 24ins x 36.5ins, signed, titled and No. 18 of 40 in pencil, in oak frame and glazed £1000-1500 plus 24% BP*
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Bruce Onobrakpeya (born 1932) - Fourteen linocuts - "The Fourteen Stations of the Cross", each 9.5ins x 23ins, each signed, dated October 1969, titled and numbered in pencil to lower margins, in seven double sided oak frames and glazed
Note: These are all No. 8 of 50 except "Jesus Fails the First Time" which is No. 8 of 48 £1500-2000 plus 24% BP*
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*** Victor Pasmore (1908-1997) - Limited edition etching with colour aquatint - "Desert Sand", 1992, 17ins x 15.5ins, with artists initials, '92 and "VIII/XV" in pencil to lower margin, in silvered frame and glazed
Provenance: Wiseman Originals, International Dealers in Modern Art £800-1200 plus 24% BP*
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After Thomas Kinkade - Limited edition offset lithograph - "Gardens Beyond Spring Gate", canvas 18ins x 24ins, unframed £100-120 plus 24% BP*
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Karen McIntyre - Limited edition colour print - "So Very Special", No. 73 of 495, 18.25ins x 17ins, signed and numbered in pencil to lower margin, in modern frame and glazed £100-120 plus 24% BP*
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*** Douglas Hofmann (born 1945) - Limited edition colour print - Nude study of a young woman lying on a blue silk covered couch, No. 122 of 295, 18.5ins x 25ins, signed and numbered in pencil to lower margin, in gilt framed and glazed £150-200 plus 24% BP*
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*** Douglas Hofmann (born 1945) - Two limited edition colour prints - Ballerinas, 15.25ins x 21ins, No. 282 of 295, and 19ins x 16ins, No. 279 of 295, both signed and numbered in pencil to lower margin, in gilt frames and glazed £200-300 plus 24% BP*
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*** Douglas Hofmann (born 1945) - Two limited edition colour prints - Sleeping girl, No. 386 of 395, 17ins x 34ins, and a naked figure lying on a silk sheet No. 136 of 295, 15ins x 15ins, both signed and numbered in pencil to lower margin, in gilt frames and glazed £200-300 plus 24% BP*
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*** William Russell Flint (1880-1969) - Limited edition colour print - "Reclining Nude II", 12.5ins x 23ins, published by Frost & Reed 1967 (edition limited to 850), signed in full in pencil and with blind stamp, in white moulded frame and glazed £120-160 plus 24% BP*
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*** William Russell Flint (1880-1969) - Two limited edition colour prints - "Winter Sports", 13ins x 18ins, published in 1927 (edition limited to 310), signed in full in pencil and with blind stamp, in gilt moulded frame and glazed, and "The Mirror of the Ballet", 14.25ins x 19ins, published in 1942 (edition limited to 500), signed in full in pencil and with blind stamp, in moulded wood frame and glazed
Provenance: "Mirror of the Ballet" - Alpha Omega Gallery, Grays, Stand J 30 Davies Mews, London, W1 - No. 340 £120-160 plus 24% BP*
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*** William Russell Flint (1880-1969) - Two limited edition colour prints - "Provencale Caprice", 17ins x 22.25ins, published in 1955 (edition limited to 750), and "Conversation, St Martin Ardeche", 19.75ins x 26.25ins, published in 1968 (edition limited to 850), both signed in full in pencil and with blind stamp, in gilt moulded frames and glazed £150-200 plus 24% BP*
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*** William Russell Flint (1880-1969) - Two limited edition colour prints - "Dubious Benini", 16.75ins x 21.5ins, published in 1962 (edition limited to 756), and "Market Hall, Cordes", 16.5ins x 22.75ins, published in 1963 (edition limited to 756), signed in full in margin and with blind stamp, both in white moulded frames and glazed (latter faded) £120-160 plus 24% BP*
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*** William Russell Flint (1880-1969) - Three limited edition colour prints - "Bridge Nerak", 14.5ins x 22ins, published in 1972 (edition limited to 656), "Little Sewing Girl, Sospel", 19.25ins x 26.5ins, published in 1989 (number 772 of 850), unsigned but with blind stamp, and "Number 1, Slipway, Devonport", 19ins x 25.5ins, published in 1990 (number 64 of 750), all unsigned but with blind stamps, all in gilt frames and glazed £150-200 plus 24% BP*
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*** William Russell Flint (1880-1969) - Two limited edition sanguine prints - "Discussion", 11.75ins x 23.25ins, published in 1969 (edition limited to 850), signed in full in pencil and with blind stamp, and "Cecilia and Joanne", 13.75ins x 17.25ins, published in 2004 (number 173 of 650), unsigned but with blind stamp, both in gilt moulded frames and glazed £100-150 plus 24% BP*
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*** William Russell Flint (1880-1969) - Three limited edition colour prints - "Cecilia Reclining", 10.5ins x 14.5ins, published in 2000 (number 80 of 750), "Cecilia Reading", 11.25ins x 8.75ins, published in 2001 (number 56 of 750), and "The Unsuccessful Shrimper", 15ins x 20ins, published in 1999 (number 45 of 650), all unsigned but with blind stamps, mounted but unframed £120-160 plus 24% BP*
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*** William Russell Flint (1880-1969) - Three limited edition colour prints - "New Model Inspecting", 13ins x 21.25ins, published by Frost & Reed Ltd 1963 (edition limited to 850), signed in full and with blind stamp, in gilt frame and glazed (glass damaged), "Cecilia and Her Studies", 10.25ins x 14.5ins, published in 1987 (number 792 of 850), unsigned but with blind stamp, in gilt moulded frame and glazed, and "Silver Frock", 5.5ins x 11.25ins, published in 1969 (edition limited to 750), signed in pencil and with blind stamp, in gilt moulded frame and glazed, and two other prints, various, all framed and glazed £150-200 plus 24% BP*
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*** William Russell Flint (1880-1969) - Six limited edition prints - "Model Reclining" 11ins x 20.75ins, published in 1996 (No. 232 of 750), unsigned but with blind stamp, "Primavera", 9.25ins x 11.25ins, published in 1969 (edition limited to 850), signed in pencil in picture and with blind stamp in margin (faded), and four others, all framed and glazed £150-200 plus 24% BP*
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*** Francis Russell Flint (1915-1977) - Colour print - "Painting His Dad", 21ins x 29.75ins, signed in full in pencil and with blind stamp, in white moulded frame and glazed £80-120 plus 24% BP*
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Peter Peri (1899-1967) - Limited edition etching - Gulliver's Travels, 10.75ins x 16.5ins, signed, dated 1950 and numbered 15 of 75 in pencil, and 20th Century school - Engraving - Football match with spectators looking on, 10.75ins x 19.5ins, unsigned, both framed and glazed £150-200 plus 24% BP*
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Suzanne Runacher (1912-?) - Limited edition coloured print - "Cathedrale" - Abstract view of cathedral from river, 20ins x 15ins, signed and inscribed in pencil to lower margin and also inscribed "Essa Couleurs III/VI", in modern gilt frame and glazed, and 20th Century school - Limited edition colour print - Abstract, 19ins x 24.5ins, indistinctly signed in pencil to lower right corner and numbered 48 of edition of 75, in cloth covered frame and glazed £100-150 plus 24% BP*
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Pamela Scott (born 1937) - Artist proof colour print - "Aquarium", 15.25ins x 21.75ins, signed in full, inscribed and dated 1975 in pencil to lower margin indicating edition of 25, in modern gilt frame and glazed, and Trowell (?) - Chalk drawing - "Playing" - Two greyhounds, on brown paper, 8.75ins x 11.75ins, indistinctly signed in pencil, in modern gilt moulded frame £80-120 plus 24% BP*
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Nikolas Visscher (1618-1709) - Coloured engraving - "Tabula Nova Compleetens Praefecturas Normanniae, et Britanniae", 18.5ins x 22ins, frame and glazed £60-80 plus 24% BP*
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Thomas Madox - "The History and Antiquities of the Exchequer of the Kings of England in Two Periods", printed by John Matthews, 1711 (one full leather bound volume) £300-400 plus 24% BP*
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James Edward Smith - "English Botany: or Coloured Figures of British Plants...", second edition, published by Richard Taylor, Red Lion Court, Fleet Street, 1832-1839, with hand coloured plates (six three-quarter length bound leather volumes) £250-350 plus 24% BP*
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Georgii Buchanani (edited by Thoma Ruddimanno and Petri Burmanni) - "Opera Omnia, Historica, Chronologica, Juridica Politica, Satyrica and Poetica...", published by Johannem Arnoldum Langerak, Lugduni Batavorun, 1725 (two full leather bound volumes) £200-300 plus 24% BP*
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Roger Twysden - "Historiae Anglicanae Scriptores Antiqui", volumes 1 and 2, published by Cornelius Bee, printed by Jacobi Flescher, 1652 (two full leather bound volumes) £200-300 plus 24% BP*
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Edward Hasted - "The History and Topographical Survey of The County of Kent", second edition, volumes 1-12, printed W. Bristow, Canterbury, 1797-1801 (twelve gilt tooled full brown leather bound volumes) £250-350 plus 24% BP*
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Thomas Johnes - "Sir John Froissart's Chronicles of England, France and Spain, and the Adjoining Countries", published by Longman, Hurst, Rees, and Orme, London 1805 (six tooled leather bound volumes - volumes 1-12) £200-250 plus 24% BP*
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