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An Elizabeth II 1975 Cayman Island 100 Dollars gold coin (weight 22.6 grammes - 12 carat or 0.50 fineness gold) £350-500 plus 24% BP*
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An imperial Chinese government 5% Hukuang Railways Sinking Fund with the Gold Loan of 1911, unissued bond for £100, countersigned by Hong Kong & Shanghai Banking Corporation, printed in red and black with steam train at top, printed by Waterlow & Sons Ltd, London Wall, London, No. 81070, with coupons sheet, and St Petersburg 1908 Loan Bond with coupons, both framed and with glazing to both sides £80-120 plus 24% BP*
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A modern 9ct rose gold bar link necklace hung with South African 1980 Half Krugerrand, two 1981 Quarter Krugerrands and two 1981 One Tenth Krugerrands, 400mm overall (gross weight 58 grammes) £1200-1500 plus 24% BP*
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A late Victorian gentleman's 18ct gold cased open faced pocket watch, No. 2370, by Thomas Peake, 29 Denman Street, Golden Square, London, the white enamel dial with Roman numerals and subsidiary seconds dial, in 18ct gold plain case engraved with initials to the reverse 'H.L.W.', 48mm diameter, case hallmarked 'London 1879' (gross weight 102 grammes) £1200-1500 plus 24% BP*
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An early 20th Century gentleman's 14k gold cased open faced keyless lever pocket watch by Felsing Berlin, No. 48407, the white enamel dial with Roman numerals, contained in 14k gold plain case, 50mm diameter (gross weight 82 grammes) £80-120 plus 24% BP*
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A lady's plated metal cased open faced pocket watch by Cartier of Geneve, the white enamel dial with Roman numerals, contained in engine turned case, 39mm diameter (case rubbed - dial cracked) £150-200 plus 24% BP*
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A lady's Victorian 18ct gold cased open face pocket watch by F.B. Adams & Son, St Johns Square, London, No. 68734, the gilt dial engraved with floral scroll ornament to centre and with Roman numerals, contained in 18ct gold engine turned case, 14mm diameter, hallmarked London 1846 (gross weight 49 grammes - lacking glass and case rubbed), and a gentleman's gold coloured metal cased open faced pocket watch by Leumans of Geneva, the white enamel dial with Roman numerals and subsidiary seconds dial, contained in engine turned case with engraved cartouche to back, 45mm diameter (dial cracked), three other plated cased open face pocket watches and two pocket watch movements £350-500 plus 24% BP*
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A Victorian silver cased open faced pocket watch by Thomas Peake, 29 Denman Street, London, No. 5627, the white enamel dial with Roman numerals and subsidiary seconds dial contained in engine turned case, 45mm diameter, hallmarked London 1878, a late 19th Century silvery metal cased open faced pocket watch with white enamel dial with Roman numerals and subsidiary seconds dial, in engine turned outer case, 48mm diameter (engraved to interior, examined by Peake, 29 Denman Street, London, W), and two silver curb link Alberts with T-bars (gross weight 2.2oz) £200-300 plus 24% BP*
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A lady's 1960's 9ct white gold cased Omega wristwatch the silvered dial with baton numerals contained in plain 50mm diameter case and on conforming strap for same (gross weight 19.5 grammes) contained in red leather gilt tooled case £150-200 plus 24% BP*
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A lady's 9ct gold case Longines wristwatch, the white dial with baton numerals contained in plain 15mm case and on conforming 9ct wrist strap for same (gross weight 14.6 grammes) £120-160 plus 24% BP*
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A modern lady's 9ct gold cased Accurist wristwatch, the textured gilt dial with baton numerals in plain 18mm diameter case on integral Milanese bracelet (gross weight 21.2 grammes) £120-160 plus 24% BP*
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A 1920s lady's silver and paste set swivel fob cocktail watch, the rectangular silvered dial with Arabic numerals, contained in paste set case 20mm x 15mm, suspended from bow pattern bar and loop, 52mm overall (gross weight 15.9 grammes) £80-120 plus 24% BP*
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A modern gentleman's gold plated cased Gucci quartz wristwatch, the rectangular black dial with Roman numeral engraved bezel, 30mm x 24mm overall, on conforming strap for same, with additional links and original Gucci pouch £100-150 plus 24% BP*
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A modern gentleman's Michel Herbelin gold plated cased wristwatch, the gilt dial with baton numerals and date aperture, on conforming strap, and a modern gentleman's Gotham wristwatch, the gilt dial with jewelled numerals and subsidiary seconds dial, in rectangular case, 25mm x 35mm, on later crocodile strap £150-200 plus 24% BP*
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A modern gentleman's 9ct gold cased Accurist antimagnetic wristwatch, the silvered dial with baton numerals and date aperture, contained in plain 32mm diameter case, and on later 9ct basket weave strap for same (gross weight 40.7 grammes) £200-300 plus 24% BP*
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A modern gentleman's 10k gold filled cased Longines automatic wristwatch, the black dial quarter set with Arabic numerals interspersed by baton numerals and with subsidiary seconds dial, contained in 35mm diameter case and on later black leather for same £200-300 plus 24% BP*
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A modern gentleman's 9ct gold case Cyma automatic wristwatch, the white dial with Arabic numerals, contained in 35mm diameter case and with later 9ct gold strap for same (gross weight 62.5 grammes) £300-400 plus 24% BP*
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A modern gentleman's bi-metal cased Rolex Oyster Perpetual "Datejust" Superlative Chronometer wristwatch No. X467585, the champagne dial with baton numerals and date aperture, 35mm diameter and with conforming stainless steel and gold coloured metal strap (gross weight 106.5 grammes), with original green leather Rolex case and outer card cover and with original paperwork £2000-3000 plus 24% BP*
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Maurice William Greiffenhagen (1862-1931) - Oil painting - Half-length study of nude, her hands behind her head, canvas laid on board 19ins x 23ins, unsigned, in gilt moulded frame and glazed
Provenance: The Graham Gallery, 1 Castle Street, Tunbridge Wells, Kent £2000-3000 plus 24% BP*
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19th Century British school - Oil painting - Naive study of a young girl in a landscape holding a posy of flowers in each hand, her straw bonnet discarded on the ground, canvas 14ins x 11ins, in overpainted gilt moulded frame £300-500 plus 24% BP*
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Style of Hyacinthe Rigaud (1675-1745) - Oil painting - Late 17th Century half-length portrait of Louis XIV wearing white silk cravat, relined canvas 28ins x 23.25ins, in deeply carved and gilded frame
Provenance: Bought in Paris in 1954 by the vendors late father £1500-2000 plus 24% BP*
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Early 19th Century English school - Oil painting - Half-length portrait of a gentleman wearing a high collar waistcoat and black coat, relined canvas 31ins x 26ins, in ornate gilt frame £800-1200 plus 24% BP*
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19th Century Continental school in the "Mannerist" style - Oil painting - Jesus and Rebecca seated at the well surrounded by various figures, with trees and building to background, canvas 39ins x 54ins, in ornate gilt moulded frame with shell carvings to corners (frame overpainted) £1000-1500 plus 24% BP*
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Style of David Wilkie (1785-1841) - Oil painting - Cottagers in a cottage listening to the news, canvas 20ins x 24ins, signed "David Wilkie" and indistinctly dated, in gilt moulded frame £100-150 plus 24% BP*
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M. Lanceling (early 20th Century French school) - Oil painting - Nude woman bathing, board 9.25ins x 7ins, inscribed in ink to rear board and dated 3rd Juin 1906, in modern gilt moulded frame, and N. Ahip (late 20th Century French school) - Oil painting - A bouquet de Fleurs, board 9.5ins x 7ins, signed, inscribed and dated 1988 to reverse, in modern gilt moulded frame £150-200 plus 24% BP*
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Colin Colahan (1897-1987) - Oil painting - "Lola Bornoff", canvas 24ins x 20ins, stretcher signed and dated "1940s?", in painted frame
Provenance: Given by Monique Colahan (1914-2015), Colahan's wife to her niece, the vendor of this lot.
Note: Lola Bornoff was Monique Colahan's sister £300-500 plus 24% BP*
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Colin Colahan (1897-1987) - Oil painting - Portrait of Jenny Truman wearing loosely arranged blouse, canvas 28.5ins x 23.5ins, signed and dated 1980 (unframed)
Provenance: Given by Monique Colahan (1914-2015), Colahan's wife to her niece, the vendor of this lot. £300-500 plus 24% BP*
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Colin Colahan (1897-1987) - Oil painting - View from Villa Quatro, Venti, artists board 10ins x 13.75ins, signed, dated "1975" to verso, in blue painted frame
Provenance: Given by Monique Colahan (1914-2015), Colahan's wife to her niece, the vendor of this lot. £60-80 plus 24% BP*
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Colin Colahan (1897-1987) - Charcoal drawing - Three-quarter length portrait of a nude woman, 17.5ins x 9ins, signed, another of a seated nude woman, 19ins x 15.75ins, signed and dated '69, and one other with two sketches of seated nudes, 19.75ins x 12.75ins, signed (all unframed)
Provenance: Given by Monique Colahan (1914-2015), Colahan's wife to her niece, the vendor of this lot.
Note: The two undated sketches probably date to 1969-1970 £100-150 plus 24% BP*
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Monique Bornoff (1914-2015) - Terracotta maquette - Mother and child, with traces of painting, 10.5ins high, inscribed to back "Bornoff" (minor damage)
Provenance: Given by Monique Colahan, nee Bornoff (1914-2015), Colahan's wife to her niece, the vendor of this lot. £150-200 plus 24% BP*
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ARR Gilbert Scott Wright (1880-1958) - Oil painting - "Coach and Four with Hunting Party Outside The Bell Inn, Knaresborough" - Coaching scene with a fully laden coach to centre foreground and three huntsman on horses and pack of hounds on green to background, relined canvas 28ins x 36ins, signed "Gilbert S. Wright" in black to lower right corner, in modern gilt moulded floral and leaf scroll frame
Provenance: Phillips, 101, New Bond Street, London - Auction Early British and Victorian Paintings - 12th December 1995 - Lot 63 £4500-6000 plus 24% BP*
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George Sheridan Knowles (1863-1931) - Oil painting - "Morning Walk" - Winters landscape with young couple walking in a garden, canvas 18ins x 12ins, signed in black "Sheridan Knowles", in deep gilt moulded and swept frame
Provenance: Willow Gallery - Purchased 6th December 2005 £3000-4000 plus 24% BP*
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Richard Redgrave (1804-1888) - Oil painting - "Children in a Country Lane" - Country landscape with two children on a path with stream and trees to background, canvas 14ins x 20ins, signed to reverse of canvas and dated 1857, in modern gilt moulded and swept frame £600-800 plus 24% BP*
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James Edwin Meadows (1828-1888) - Oil painting - Figures on a country track with half-timbered cottage to background, canvas 16ins x 13.75ins, signed in black to lower left corner, in modern gilt moulded and swept frame (frame chipped and damaged) £500-700 plus 24% BP*
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*** Andre Gisson (1928-2003) - Oil painting - "The Day Dreamer" - Shoulder-length portrait of a young girl on a terrace, canvas 12ins x 16ins, indistinctly signed in black, in modern gilt moulded leaf and C-scroll frame
Provenance: Frost & Reed £400-600 plus 24% BP*
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Walter Boodle (1862-1914) - Oil painting - "Scything the Hayfield" - Summer landscape with two farm workers and cart in meadow, canvas 36ins x 28ins, signed in black to lower left corner, in modern gilt moulded and swept frame
Provenance: Apollo Galleries, Westerham, Kent - Purchased 1st November 1983 £250-400 plus 24% BP*
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*** Alfred John Billinghurst (1880-1963) - Oil painting - "On the Thames", 20ins x 24ins, signed, in ornate gilt moulded frame
Provenance: Fairhurst Gallery, 291, New Kings Road, London, SW6 4RE £250-350 plus 24% BP*
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Harry Pennell (1879-1934) - Oil painting - "Old Mill, N. Wales" - River landscape with trees and cottages to background, relined canvas 36ins x 28ins, signed in full in black to lower left corner, in modern gilt moulded and swept frame
Provenance: Apollo Galleries, Westerham, Kent - Purchased 1st November 1983 £250-350 plus 24% BP*
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Dutch school - Oil painting - The money lender - Two figures, one with a set of scales, the other a fine gentleman conducting business, canvas 15ins x 12ins, in gilt moulded frame £250-350 plus 24% BP*
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H.C. Buttler (19th Century British) - Oil painting - "Landscape with Figures" - Country Landscape with narrow bridge over stream, with two figures to foreground and cottages to background, wooden panel 8ins x 12ins, signed in black to lower left corner, in modern gilt leaf and open frame £200-300 plus 24% BP*
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*** William Barrington-Browne (1908-1985) - Oil painting - "The Tummell, February", canvas 16ins x 20ins, signed, in white painted moulded frame
Provenance: Rowland Ward Ltd, 166 Piccadilly London, W1 £150-200 plus 24% BP*
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Continental school - Oil painting - Landscape scene with a cottage bedside a river and figures to foreground, including a mask figure with a horse, canvas 20ins x 22.5ins, in gilt moulded frame £150-200 plus 24% BP*
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Early 20th Century school - Oil painting - Winter landscape with cottages, board 18.5ins x 21ins, and late 19th Century British school - Oil painting - Snow landscape with cottage and cottagers, canvas 12ins x 18ins £100-150 plus 24% BP*
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Thomas Spinks (fl. 1872-1910) - Oil painting - Landscape with river cascading over boulders, mahogany panel 9.75ins x 12.75ins, signed and dated 1880, in gilt moulded frame and glazed £120-160 plus 24% BP*
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R. Wachash (20th Century school) - Watercolour - "Tortured Figures" - Abstract of three figures, 9.25ins x 13ins, signed in pencil to lower left corner, in modern gilt moulded frame and glazed £100-150 plus 24% BP*
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Gilbert Bria (20th Century Italian) - Oil painting - Landscape with houses and two black trees, canvas 9.5ins x 13ins, signed, in gilt moulded frame, and two other modern oil paintings of landscapes, various sizes, both in gilt moulded frames £80-120 plus 24% BP*
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Joseph Paul (1804-1887) - Oil painting - "View Near Norwich" - A stone bridge crossing a river and leading to a windmill, canvas 11.75ins x 10ins, in gilt moulded frame
Note: The name of the artist has been etched into the stretcher £80-120 plus 24% BP*
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