|
19th Century British school - Watercolour - River landscape with figures to bank and ruined abbey to background, 10.75ins x 16.75ins, unframed, A.J.R (19th Century) - Watercolour - "Heidelberg", 7.5ins x 11ins, with monogram and title, John Varley (1778-1842) - Watercolour - Medieval bridge with bridge chapel, 3.5ins x 3.75ins, and three other watercolours with ruins, various £200-300 plus 24% BP*
|
|
|
John Moyer Heathcote (1800-1890) - Ruined church tower with river and bridge to foreground, 11.25ins x 17.5ins, Henry Percy Williams (1798-1885) - Watercolour and pencil - Italianate landscape with ruined abbey, 10.75ins x 15.5ins, early 19th Century English school - Watercolour - Carmarthen Castle from Anglesey, 10.25ins x 13ins, unsigned, and three other British landscapes, various £150-200 plus 24% BP*
|
|
|
Lewis Mortimer (19th/20th Century) - Watercolour - Street scene in St Ives, Cornwall, 12.75ins x 9.25ins, signed, Edgar Rowley Smart (1887-1934) - Rural landscape with cottages and ploughed fields, 10.25ins x 11.75ins, George Thomas Rope (1845-1929) - Watercolour - River landscape with trees to bank, 7ins x 10ins, unsigned, and Henry John Yeend King (1855-1934) - Cottages and church with river and crossing bridge, 6ins x 4.25ins, signed, all framed and glazed £150-200 plus 24% BP*
|
|
|
Lewis John Wood (1813-1901) - Watercolour - "Hardwicke House", 12.75ins x 19.5ins, signed and dated 1869, Edmund Morison Wimperis (1835-1900) - Watercolour - Rural scene with figures by a path and windmill to the distance, 6.75ins x 9.75ins, monogrammed E.M.W, and late 19th Century British school - Watercolour - Desolate rural landscape with cart and wagon, 11ins x 16.5ins, monogrammed, all framed and glazed £120-160 plus 24% BP*
|
|
|
Jules Prater (1879-1947) - Four Watercolours - "The Gannel Estuary, Crantock, North Cornwall", 10.5ins x 13.75ins, signed and dated 1919, "The Gannel at High Tide", 5ins x 8.5ins, signed, "The Stream at Trevowah", 6ins x 9.25ins, signed, and "Penpol Creek, Evening", 8.25ins x 9.5ins, signed, all framed and glazed
Provenance: By family descent £200-300 plus 24% BP*
|
|
|
Arthur Ernest Vokes (1874-1964) - Watercolour - Woodland clearing before a cottage, 6.5ins x 9.5ins, monogrammed, Phillip Mitchell (1814-1896) - Landscape with mountains to distance, 5.5ins x 8ins, signed, 19th Century English school - "View of Richmond", 4ins x 6ins, unsigned, and four other watercolours, various £200-250 plus 24% BP*
|
|
|
19th/20th Century British school - Pair of watercolours - Rural scenes - Shepherd with sheep in a clearing and wagon and horses passing a group of cottages, each 14ins x 21ins, Joseph Barber (1757-1811) - Rural landscape with sheep to foreground and valley and mountains in the distance, 8ins x 12ins, unsigned, and three other rural landscapes with animals, various £150-200 plus 24% BP*
|
|
|
Ivy Stannard (1881-1968) - Watercolour - Sheep being driven along a country trackway with cottage to foreground, 9.75ins x 13.5ins, signed, A.E. Brockbank (1862-1958) - "Kings Lynn", 4.75ins x 6.75ins, monogrammed, Charles Hannaford (1863-1955) - Watercolour - Ravine with river, 7.25ins x 10.25ins, signed in pencil, and three other watercolours, various £150-200 plus 24% BP*
|
|
|
18th/early 19th Century British school - Watercolour - Rural scene with thatched cottage before a river with man fishing, 9ins x 13.75ins, signature partially erased, W.Longworth (20th Century) - Watercolour - "The Bridge, Brandon, Suffolk", 8ins x 12ins, signed and dated '45, Alfred Montague (1832-circa 1883) - Watercolour - Cottage overlooking a stream with wooden bridge and figure, 7.25ins x 10.75ins, signed, and four other watercolours, various £150-200 plus 24% BP*
|
|
|
John Roger Herbert (1810-1890) - Twelve watercolours - Various subjects mounted together, 1.5ins x 1.25ins to 10ins x 7.5ins, signed in pencil to mount, in gilt frame and glazed £80-120 plus 24% BP*
|
|
|
|
|
19th Century Continental school - Watercolour - Full-length portrait of a young shepherd boy leaning by a wall, 14.5ins x 10.25ins, apparently unsigned, in modern gilt moulded frame and glazed
Provenance: Sotheby's, Billingshurst £100-150 plus 24% BP*
|
|
|
Louis Papaluca (1890-1934) - Watercolour - "M.Y. Happy Days, N.Y.Y.C. In Memory of First Voyage 1928" - Study of The New York Yacht Clubs steam yacht Happy Days in the Bay of Naples with Vesuvius to background, 16ins x 27.5ins, signed and titled, in ebonised frame and glazed
Note: A very similar study by this artist was sold at Christies, South Kensington - Maritime Art - 18th May 2011 - Lot 112 £600-800 plus 24% BP*
|
|
|
William Lionel Wyllie (1851-1931) - Watercolour - Masted steamship in a stormy sea, 9ins x 8ins, in gilt moulded frame and glazed £250-350 plus 24% BP*
|
|
|
William Roxby Beverley (1811-1889) - Watercolour - "Hauling to Safety, a Wind Swept Shore", 9.5ins x 13.25ins, in gilt moulded frame and glazed
Provenance: Martyn Gregory, 34 Bury Street, St James's, London, SW1 £200-300 plus 24% BP*
|
|
|
Emily Murray Paterson (1855-1934) - Watercolour - Fishing boats at anchor, 10.75ins x 14.5ins, signed, in gilt frame and glazed £200-250 plus 24% BP*
|
|
|
Jim Thompson (born 1951) - Watercolour - Marine scene with masted vessels and fishing boat to foreground, 5.75ins x 15.5ins, signed, in gilt frame and glazed £200-300 plus 24% BP*
|
|
|
William Clarkson Stanfield (1793-1867) - Watercolour - "Shipping at Anchor Off a Harbour", 8.25ins x 12.75ins, signed, in gilt frame and glazed
Note: Label to verso gives title of work and details of sale through Phillips - Lot 244 - 1/6/87 £150-200 plus 24% BP*
|
|
|
James Duffield Harding (1798-1863) - Watercolour - "Whitby", 12.25ins x 18.75ins, in gilt frame and glazed
Note: An ink inscription to verso gives authorship and title of work and the following - "Original Watercolour For William Finden's Engraving (Published by G. Virtue), in Whitby Museum Collection" £150-200 plus 24% BP*
|
|
|
George Henry Jenkins (1843-1914) - Watercolour - Looking towards the White Cliffs of Dover, open sea, 10.5ins x 20ins, signed and dated '03, in gilt frame and glazed
Provenance: The Greenwich Gallery, 9 Nevada Street, Greenwich (stock No. 29) £150-200 plus 24% BP*
|
|
|
Marinus Johannes De Jongere (1912-1978) - Watercolour - Steel hulled steamship moored in harbour with tug boats, 7.75ins x 15.5ins, signed, in gilt frame and glazed
Note: This is probably a view of Rotterdam harbour. A similar view sold at Vendu Notarishuis, Rotterdam - Lot 318 - 18th May 2017 £100-150 plus 24% BP*
|
|
|
T. Lloyd (19th Century British) - Watercolour - Shipping in a rough sea, 5.75ins x 13.75ins, signed under mount, in gilt moulded frame and glazed
Note: Ink inscription to verso gives location of signature £80-120 plus 24% BP*
|
|
|
Attributed to John William Edge (19th Century) - Watercolour - Fishing boats on a calm sea, 5ins x 7ins, indistinctly signed, in gilt frame and glazed £80-120 plus 24% BP*
|
|
|
Thomas Bush Hardy (1842-1897) - Watercolour - "Norfolk Coast" - Fishing boats and masted vessel at anchor, 9.25ins x 18.25ins, signed and dated 1890, and 19th Century British school - Watercolour - Steam ships at anchor, 7.5ins x 19ins, unsigned, both framed and glazed £200-300 plus 24% BP*
|
|
|
Lennard Lewis (1826-1913) - Pair of watercolours - Fishing boats on a lake with mountains to the distance, each 9.25ins x 21.5ins, signed and dated '95 and '96, in painted frames and glazed £100-150 plus 24% BP*
|
|
|
George Arthur Fripp (1813-1896) - Watercolour - Coastal scene with white cliffs, 13.5ins x 19ins, signed, in gilt frame and glazed. Louis Burleigh Bruhl (1861-1942) - Watercolour - Seascape with cliff and lake to foreground, 14ins x 19ins, signed, in gilt frame and glazed £100-150 plus 24% BP*
|
|
|
Ernest Prater (19th/20th Century) - Watercolour - Beach scene with white cliffs, 10ins x 6.75ins, signed, and William Prater (active. circa 1873-1911) - Watercolour - Coastal scene with rocky coastline, 9ins x 13.5ins, signed, both framed and glazed
Provenance: By family descent £150-200 plus 24% BP*
|
|
|
Attributed to Frederick Goff (1855-1931) - Watercolour - Harbour with fishing boats, 5ins x 7.75ins, signed and dated '89, and C.H. Lewis (19th Century) - Pair of watercolours - Fishing boats and sailing ships close to shore, each 3ins x 7.5ins, both signed, all in gilt frames and glazed £150-200 plus 24% BP*
|
|
|
Adolphe Ragon (?-1924) - Watercolour - Trawler anchored in shallow water with a group of people looking on, 6.5ins x 9.25ins, signed, 19th Century British school - Watercolour - Masted sailing ship with some sails unfurled, 8.25ins x 4.25ins, unsigned, and 19th Century British school - Watercolour - Fishing boat and sailing ship in choppy waters, 4.75ins x 7ins, all in gilt frames and glazed £150-200 plus 24% BP*
|
|
|
Albert Ernest Markes (1865-1901) - Watercolour - The Thames near Woolwich, 7.25ins x 5.25ins, signed, James Duffield Harding (1798-1863) - Watercolour - Fishing boats by the shore with large vessels out at sea, 6.5ins x 10.5ins, and Arthur Willett (1868-1951) - Harbour scene with houses and people on the seashore, 7ins x 9.75ins, all framed and glazed
Provenance: James Duffield Harding - The Sabin Galleries Ltd, 4 Cork Street, Bond Street, London, W1 - Christmas Exhibition 1966 £150-200 plus 24% BP*
|
|
|
Henry Gastineau (1791-1876) - View of Rochester looking across the Medway, 8ins x 11.5ins, Ellen Eaton (1866-1949) - "Ramsgate Harbour, Inner Basin", 9.75ins x 13.5ins, and H.B (19th Century British school) - Watercolour - "Sandwich", 9.25ins x 13.25ins, monogrammed and with title, all in gilt frames and glazed £150-200 plus 24% BP*
|
|
|
F. Gaskell (20th Century British) - Watercolour - "Medway Barges", 14.5ins x 21ins, and F. Gaskell - Pair of watercolours - "Mayflower at Twinney, Upchurch" and "The River Beult, Rabbits Cross, Near Staplehurst), each 9.5ins x 14ins, all signed, framed and glazed
Provenance: Francis Iles, Rochester, Kent £70-100 plus 24% BP*
|
|
|
Late 19th Century British school - Watercolour - Fishing boat with three figures, 7ins x 12.5ins, Harry J. Williams (fl. 1854-1898) - Watercolour - A rocky cove, 11ins x 18ins, signed and dated 1894, Wilfrid Ball (20th Century British) - A headland with houses, 6.25ins x 9.75ins, signed, and two other watercolours and drawing of maritime interest, various, all framed and glazed £150-200 plus 24% BP*
|
|
|
J. Colkett (19th Century British) - Watercolour - "Capture of The Guillaume Tell" - A Naval engagement with British and French warships, 10.5ins x 15.75ins, 19th Century British school - Watercolour - Harbour scene with masted vessels at anchor, 7ins x 9.75ins, monogrammed E.E. and dated '98, and two other watercolours of maritime interest, all in gilt frames and glazed £150-200 plus 24% BP*
|
|
|
E. Tucker (19th Century British) - Watercolour - Fishing boat in choppy waters heading in shore, 10.5ins x 15.5ins, signed, Henry Luscombe (1820-1899) - Watercolour - Fishing boats out at sea, 10ins x 13.75ins, signed and dated 1854, together with three other British watercolours of maritime interest, various, all framed and glazed £150-200 plus 24% BP*
|
|
|
Attributed to Paul Sandby Munn (1773-1845) - Watercolour - A view across Greenwich Deer Park towards sailing vessels anchored in the Thames, 13.75ins x 19.25ins, and George Stewart (19th Century British) - Watercolour - "Greenwich", 9.25ins x 14ins, signed and dated on reverse George Stewart 1856, together with four other watercolours of Greenwich and London interest, various £150-200 plus 24% BP*
|
|
|
|
|
Pierre Gaillardot (1910-1999) - Watercolour - "Hurdling, Deauville" - Horse racing scene, 9.25ins x 12.5ins, signed in blue to lower right corner, in modern blue finish frame and glazed
Provenance: Christies - Collection from Saint Tropez - Wednesday 17th April 2013 - Part of Lot 258 £80-120 plus 24% BP*
|
|
|
Gerardus Van Spaendonck (1746-1822) - Watercolour - Still life with flowers in a marble urn, 17.5ins x 14.25ins, signed and indistinctly dated, in gilt moulded frame and glazed
Note: An early engraved trade card of Niodot Fils, Stationer, Au Griffon D'Or has been preserved on the modern backboard. This dates to circa 1800. £600-800 plus 24% BP*
|
|
|
Claude Schurr - "La Montagne Print Amiere"? - Coloured abstract view, 22ins x 30ins, signed in pencil and inscribed, in modern painted frame and glazed, and T.J.E. - Pastel drawing - Landscape with town to background, 12ins square, initialled to lower right corner, in modern gilt moulded frame and glazed £100-150 plus 24% BP*
|
|
|
Domingo (born 1946) - Pastel - Study of a standing girl with white dress, 11.5ins x 5ins, signed, in gilt and painted frame £100-150 plus 24% BP*
|
|
|
Benjamin Mowll (20th/21st Century British) - Three watercolours - Venice, 13.5ins x 19ins, "Cappuccino Time", 10.5ins x 14.75ins, and an English landscape overlooking lake and windmill, 10.5ins x 14.5ins, all signed and in gilt frames and glazed £150-200 plus 24% BP*
|
|
  |
Barbara MacDonald (1892-1969) - Watercolour - "Rose Coloured Spectacles" - Seated sage with open book surrounded by elfin's, 6.75ins x 8.75ins, signed, unframed but laid on to card, and a selection of other watercolours, drawings and illustrations/designs by Barbara MacDonald aka Barbara Henry £200-300 plus 24% BP*
|
|
|
*** Errol John Le Cain (1941-1990) - Watercolour - The mythical peacock, 10.5ins x 9ins, signed in pencil, in gilt frame and glazed
Note: This lot comes with the Picture Puffins paperback - "Aladdin" illustrated by Errol John Le Cain, with dedication to front cover - "To Robert With Best Wishes Errol Le Cain 1983" £400-600 plus 24% BP*
|
|
|
*** Errol John Le Cain (1941-1990) - Watercolour - An old woman and young man, both in distressed 18th Century dress, meeting in woodland, 10ins x 13.25ins, signed and dated '77, in silvered framed and glazed £400-600 plus 24% BP*
|
|
|
Benhila Regraguai (born 1940) - Gouache and watercolour - Abstract scene with figures, animals and house, 12.5ins x 9.5ins, signed and dated '95, in silvered and glass double sided frame £500-700 plus 24% BP*
|
|
|
|
|
Late 19th/early 20th Century English school - Pencil drawing heightened with white - "Temptation of Eve", 17.5ins x 14.25ins, signed "John" in upper case, and with ink annotation to lower right - "A Study for a Picture of the Temptation of Eve", in gilt frame and glazed £200-300 plus 24% BP*
|
|
|
Benjamin Thomas Pouncey (died 1799) - Coloured engraving - "The Glorious 1st of June 1794" - A Naval engagement showing Admiral Howe's victory of Ushant, after Robert Clevely, published August 17th 1795 by A.C. de Poggi, 20ins x 30ins, framed and glazed £100-150 plus 24% BP*
|
|
|
A small collection of George Baxter and Leblond prints, including - "The Descent from the Cross", 8ins x 6.5ins, "The Village Spring", oval 5ins x 6.25ins, "The Blackberry Gatherers", oval 5ins x 6.5ins, and eight others, all framed £100-150 plus 24% BP*
|
|
