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CAPTAIN GEORGE DRUMMOND FISH (1876-1938) EVENTIDE ON THE LOUGH; THE TRACK THROUGH THE PASS A pair, both signed, watercolour Each 21.5 x 31.5cm. (2) ++ The former in good condition; the latter a little faded £100-200 (+ 26.4% BP*)
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JAMES MACCULLOCH (1850-1915) NEAR AMBERLEY Signed, dated indistinctly (188..) and inscribed with title (Near Amberly [sic]), watercolour 51 x 40cm. ++ A little faded £100-150 (+ 26.4% BP*)
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WILLIAM BINGHAM McGUINNESS, RHA (d.1928) IRISH LANDSCAPES Three, each signed, watercolour Two 28.5 x 44cm.; one 25.5 x 36.5cm. (3) ++ Each with a little fading and/or foxing etc £150-200 (+ 26.4% BP*)
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Ð BEATRICE PARSONS (1870-1955) A CORNISH GARDEN Signed, watercolour 17 x 12cm. ++ Slightly faded £100-150 (+ 26.4% BP*)
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HENRY TERRY (Fl.1879-1920) THE COACHMAN'S BRACER Signed, watercolour 43 x 34cm. ++ Good condition £150-200 (+ 26.4% BP*)
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DAVID WOODLOCK (1842-1929) THE POULTRY MAID BY MOONLIGHT Signed, watercolour 36 x 23cm. ++ Signature slightly rubbed but legible; a little foxing; pale stains at edges £120-180 (+ 26.4% BP*)
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WILLIAM BISCOMBE GARDNER (1847-1919) STEPPING STONES, RIVER WYE, MONSAL DALE, DERBYSHIRE Signed, watercolour 18 x 13cm. ++ Needs a very light clean £300-400 (+ 26.4% BP*)
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Ð SAMUEL JOHN LAMORNA BIRCH, RA, RWS (1869-1955) WESTERN FIELDS AND BAYS Signed, watercolour and bodycolour 52.5 x 72.5cm. ++ Some fading; needs a light clean; a little foxing £600-800 (+ 26.4% BP*)
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Ð FRANK HENRY MASON (1875-1965) KATWIJK AAN ZEE: UNLOADING THE CATCH Signed and inscribed, watercolour 43 x 88cm. ++ Some foxing; needs a light clean; good colour £1000-1500 (+ 26.4% BP*)
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ALESSANDRO D'ANNA (1743-1810) DONNA DI TRAETTO E VEDUTA DELLA SCALA DEL GAVIGLI; DONNA DI BRINDISI; DONNE DI S. MAGNO Three, the second signed and dated Napoli 1785 [date slightly unclear], each inscribed with title, gouache, framed as one, in a later ebonised and parcel gilt 'cassetta' frame Each image 23.5 x 17.5cm approx. ++ Each a little rubbed/worn in the sky; the last with further restored damages £1200-1800 (+ 26.4% BP*)
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Ð WINIFRED MARIE LOUISE AUSTEN (1876-1964) MALLARD AND HER DUCKLINGS Signed with monogram, watercolour and pencil 22 x 32cm.; Exhibited: London, Royal Institute of Painters in Water Colours (label on backboard) ++ Slight fading; needs a light clean £400-600 (+ 26.4% BP*)
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Ð WINIFRED MARIE LOUISE AUSTEN (1876-1964) GOOD COMPANIONS Signed with monogram, also signed and inscribed with title on a label on the backboard, watercolour and pencil 19 x 26cm. ++ Slight fading; needs a light clean £500-700 (+ 26.4% BP*)
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FERDINAND VICTOR EUGENE DELACROIX (1798-1863) ETUDE: LA FUITE DU CONTREBANDIER, c.1826 With atelier stamp (Lugt 838a), sepia and grey wash with pencil, on the paper of Henri Gaucain & Cie (Imprimerie Lithographique), unframed 9.5 x 13.5cm.
* A lithograph by Engelmann after Delacroix, illustrating a ballad by Betorne, was published in Paris in 1826 (Delteil 54) and develops this theme. A further study was offered at Sothebys, Paris, June 26th 2014, lot 88. ++ A little pale staining; handling marks; slight wear; needs a light clean etc £800-1200 (+ 26.4% BP*)
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EDMOND FRANCOIS AMAN-JEAN (1860-1935) STUDY OF A SEATED LADY Signed, pencil with a little pastel colouring, slight sketch verso, unframed Sheet 40 x 26cm approx. ++ A little worn; handling marks, creases etc £500-700 (+ 26.4% BP*)
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LEON AUGUSTIN L'HERMITTE (1844-1925) SCENE BY A COTTAGE WITH A PEASANT WOMAN CARRYING BRUSHWOOD Signed, coloured pastels 34 x 44.5cm. ++ Good condition £5000-7000 (+ 26.4% BP*)
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JACOB HENRICUS MARIS (1837-1899) HOUSES BY A CANAL Signed, watercolour and pencil 22 x 30cm. ++ Good condition; period gilt mount and frame £500-700 (+ 26.4% BP*)
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BERNARDUS JOHANNES BLOMMERS (1845-1914) PREPARING VEGETABLES Signed, watercolour 47 x 54cm. ++ Good condition £1500-2000 (+ 26.4% BP*)
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LAURENZ JANSCHA (1749-1812) DAS BADHAUS ZU RODAUN BEI SALTSBURG Signed, watercolour and pencil Image 32.5 x 42.5cm.; with three coloured etchings and a coloured reproduction of Austrian subjects after Janscha; and a coloured etching of a view near Bertholdsdorf after M. v. Grimm, various sizes (6) ++ The watercolour faded; the prints in mixed condition, some pale stains etc £300-400 (+ 26.4% BP*)
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JOSEPH BONELLO (b.1878) VIEW OF VALLETTA HARBOUR, MALTA Three, each signed with monogram, watercolour and goauche Two oval 8.5 x 17.5cm.; one 24 x 11cm. (3) ++ Good condition £400-600 (+ 26.4% BP*)
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FRENCH/SWISS SCHOOL, c.1800 BENEDICT DE SAUSSURE'S ASCENT OF MONT BLANC, AUGUST 1787 Two watercolours, showing the ascent and descent, apparently copied from the celebrated engravings published by Christian von Mechel of Basel, 1790, each inscribed in French Each leaf 30.5 x 46cm and 27.5 x 45cm., framed as one
* The authorship of the original drawings from which the prints were made is uncertain. Suggested attributions have included Bacler d'Albe, Marquard Wocher, C. L. Zehender, Henri L'Eveque and von Mechel himself. ++ Each with tears, wear, creasing etc £300-400 (+ 26.4% BP*)
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CIRCLE OF HENRY SOMM (1844-1907) PORTRAIT STUDY OF A LADY Standing full length, wearing a blue/grey dress and hat, bears indistinct signature (Ciadi ?), watercolour and pencil heightened with bodycolour 26 x 15cm. ++ Needs a light clean £100-200 (+ 26.4% BP*)
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AURELIO ROBERTI (1842-1915) CELLAR FLIRTATIONS; A GAME OF DICE A pair, both signed, the latter also inscribed Da Vinea [ie after Francesco Vinea, 1845-1902], watercolour Each 26 x 35.5cm. approx. (2) ++ Each a little faded £250-350 (+ 26.4% BP*)
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AUGUSTO DAINI (1860-1920) THE CHESS CHALLENGE Signed, watercolour and pencil 58 x 47cm. ++ Rather rubbed; some grazing; a little faded £200-300 (+ 26.4% BP*)
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JAN HENDRIK WEISSENBRUCH (1824-1903) WINTER AFTERNOON Signed, watercolour 9.7 x 15cm. ++ Faded in the sky £600-800 (+ 26.4% BP*)
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CIRCLE OF EMANUEL GOTTLIEB LEUTZE (1816-1868) CASTAWAY ON A WRECKED BOAT (ROBINSON CRUSOE?) Pen and ink and sepia wash 26.5 x 33cm. ++ Some tears; grubby; a little creased £100-200 (+ 26.4% BP*)
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A 19th CENTURY WATERCOLOUR ALBUM containing nine small gouaches of The Blue Grotto in Capri, Vesuvius erupting and the Bay of Naples; two larger views of Capri and the Bay of Naples; Continental costume watercolours and prints; topographical subjects of Palermo, Nimes, Bonn, Anvers, Brussels, Pisa, Glencoe, Isle of Wight, Penrhyn etc (prints and watercolours); and further sundry watercolours and prints, approx 64 items, gilt tooled red morocco binding, 4to ++ Generally good condition; some slight tears, wear, gum stains etc £500-700 (+ 26.4% BP*)
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FLEMISH SCHOOL, 17th CENTURY HEAD STUDY OF A WOMAN Oil on copper, possibly a fragment 17.5 x 12.5cm. ++ Slightly bruised and with some flaked losses; needs a clean £200-300 (+ 26.4% BP*)
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CIRCLE OF CHRISTIAN WILHELM ERNST DIETRICH, called DIETRICY (1712-1774) STUDY OF A BEARDED SAGE Oil on panel 24.5 x 19cm. ++ Good condition; needs a clean £150-200 (+ 26.4% BP*)
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MANNER OF FRANCESCO FRACANZANO (1612-1657) THE PENITENT ST PETER Oil on canvas 42 x 32cm. ++ Lined; with restoration throughout; some flaked losses and retouching £150-200 (+ 26.4% BP*)
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FLEMISH SCHOOL, 17th CENTURY CHRIST FEEDING THE MULTITUDE Oil on panel 35.5 x 39cm. ++ Scattered retouching, including along horizontal join in panel £400-600 (+ 26.4% BP*)
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CIRCLE OF JAN FRANS VAN BLOEMEN (1662-1749) TOBIAS AND THE ANGEL Oil on canvas laid on panel, oval 12 x 17cm. ++ Some craquelure and old wear £200-300 (+ 26.4% BP*)
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AFTER CLAUDE LORRAIN (1600-1682) THE JUDGMENT OF PARIS Oil on canvas, modern 151 x 191.5cm.
* After Claude's original composition, c.1645, National Gallery of Art, Washington, D.C. ++ New; good condition £300-500 (+ 26.4% BP*)
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FOLLOWER OF ANTONIE WATERLOO (1609-1690) WOMAN AND A BEGGAR ON A COUNTRY TRACK Bears signature verso, oil on panel 18.5 x 23cm. ++ Generally good condition £150-250 (+ 26.4% BP*)
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AFTER ELISABETTA SIRANI (1638-1665) BEATRICE CENCI Oil on canvas, 19th Century 55.5 x 44cm. ++ Old lining; scattered retouching; graze on left; needs a clean; in a 19th Century frame with leafy scroll corners £150-200 (+ 26.4% BP*)
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MANNER OF ALBRECHT BOUTS (1415-1475) CHRIST AS THE MAN OF SORROWS Oil on panel 53.5 x 40.5cm.
* Bears the faint inscription Andrea Mantegna verso. Red wax collector's seal verso (see image) ++ Butterfly bracing on vertical split verso; scattered retouching £1500-2500 (+ 26.4% BP*)
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AFTER ELIZABETH LOUISE VIGEE LEBRUN (1755-1842) PORTRAIT OF THE ARTIST Oil on canvas 60 x 48.5cm.
* A copy of the original, c.1790, painted for the Accademia di S. Luca, Rome ++ Patched repair verso; some cracking £800-1200 (+ 26.4% BP*)
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CIRCLE OF VINCENZO CAMUCCINI (1773-1844) HEAD OF A BEARDED MAN (AN APOSTLE?) Oil on canvas 70 x 59.5cm. ++ Lined; scattered retouching; small area of retouched damage under the chin £800-1200 (+ 26.4% BP*)
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SIMON VAN DER DOES (1653-c.1717) A PASTORAL SCENE: TWO FIGURES WITH CATTLE, SHEEP AND GOATS IN A LANDSCAPE Bears signature and indistinct date S v Does 17.., possibly 1707, oil on canvas 45.5 x 53.5cm. ++ Lined; scattered areas of retouching; some craquelure £600-900 (+ 26.4% BP*)
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LUDWIG GUTTENBRUNN (c.1750-1819) PORTRAIT OF A GENTLEMAN Seated three quarter length in a chair, holding a book, bears inscription verso Guttenbrunn/ pinxit a Roma 1778, oil on panel, unframed 23 x 19.7cm. ++ Some slight craquelure £1500-2000 (+ 26.4% BP*)
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ATTRIBUTED TO JAN LE DUCQ (1629-1676) THE SMOKER Oil on canvas laid on thin panel, unframed 36.5 x 29cm. ++ Flaked loss and wear near lower edge; vertical break in canvas lower centre; some old scattered retouching £500-700 (+ 26.4% BP*)
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A NEAR PAIR OF VICTORIAN PICTURE FRAMES each with swept and scrolled outer borders, the friezes with scrolled and trailing floral motifs upon a latticed ground, dentil inner borders To fit canvases 53.5 x 66.5cm. and 56.5 x 69cm. approx. (2) Provenance: Lawrences' auction at Charborough Park, Dorset, the property of Mr Walter Plunkett-Ernle-Earle-Drax, JP, DL, September 30th 2002, lots 138 and 140 ++ A few minor damages; generally good £250-350 (+ 26.4% BP*)
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CIRCLE OF JAN SNELLINCK III (1640-c.1691) PASTORAL SCENE WITH FIGURES BY A COUNTRY COTTAGE Oil on panel 45.5 x 61.5cm. ++ Braced in two places across the back; associated retouching; larger area of retouching in the sky £800-1000 (+ 26.4% BP*)
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ENGLISH SCHOOL, Circa 1700-1720 PORTRAIT OF A LADY WITH A MONKEY She wearing a russet dress, oil on canvas 74.5 x 61cm. Provenance: By descent in the family of the sitter. Traditionally believed to be a member of the Birch Reynardson family. ++ Lined; some associated retouching £300-500 (+ 26.4% BP*)
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AFTER SIR GODFREY KNELLER, Bt. (1646-1723) PORTRAIT OF KING GEORGE I Bust length, wearing armour, a blue sash, lace jabot, the crown to his right, oil on canvas, oval 29.5 x 24cm. Provenance: The family of Mary Anne Russell; 'Old Elvys'; Mrs or Lady Trian [sic] of Bath; George Beak, Shepton Mallet (this according to old handwritten inscriptions on label verso) ++ Unlined; 10 x 15mm hole on chest with associated tears adjacent; needs a clean £250-350 (+ 26.4% BP*)
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ENGLISH SCHOOL, 19th CENTURY PORTRAIT OF ELIZA PHELPS Seated half length in a white dress, her hands upon a basket of fruit, oil on canvas 44.5 x 35cm. Provenance: By descent in the family of the sitter ++ Hole upper right and scattered damages; some craquelure; needs a clean £200-300 (+ 26.4% BP*)
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FOLLOWER OF DAVID ALLAN (1744-1796) PORTRAIT OF SAMUEL ATHAWES, SON OF EDWARD ATHAWES Quarter length, wearing a dark coat and striped satin waistcoat, oil on canvas 74.5 x 61.5cm. Provenance: By descent in the family of the sitter. ++ Old lining; scattered retouching; some craquelure; slight bitumen damage; needs a clean £200-400 (+ 26.4% BP*)
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FOLLOWER OF MICHAEL DAHL (c.1659-1743) PORTRAIT OF MARGARET BAIN Quarter length, wearing a blue/green mantle, oil on canvas 71 x 60cm.; with a portrait of her son, James Bain LLD (1748-1823), oil on canvas, 71.5 x 59.5cm. (2)
* Margaret Bain was the only daughter of Michael Potter, Professor of Divinity, Glasgow University. Her son became the incumbent of the Episcopal Church, Alloa. Provenance: By descent in the family of the sitters. ++ She lined, with retouching and old restored faults; he with three patched repairs verso and a tear, needs a clean £200-300 (+ 26.4% BP*)
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ENGLISH SCHOOL, Circa 1770 PORTRAIT OF EDWIN SANDYS, LONDON MERCHANT (d.1814) Quarter length, wearing a dark coat and red waistcoat, oil on canvas laid on board 90 x 69cm.
* The sitter was the son of Myles Sandys of Graythwaite, Cumbria. He married Catherine Athawes in 1770. Provenance: By descent in the family of the sitter. ++ Worn; some bitumen damage; craquelure; needs a clean etc £200-300 (+ 26.4% BP*)
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ENGLISH PROVINCIAL SCHOOL, 19th CENTURY PORTRAIT OF A GIRL Standing full length, wearing a blue dress with a pink sash and bows, holding a small basket of flowers, oil on canvas, maple veneered frame 86.5 x 68cm. ++ Lined; restored £500-700 (+ 26.4% BP*)
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CONTINENTAL SCHOOL, 19th CENTURY PORTRAIT OF A CHILD WITH A DOG Half length, within a painted oval, oil on card, maple veneered frame 28.5 x 22cm. ++ Slightly rubbed and worn in the background £200-300 (+ 26.4% BP*)
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