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Ð JOHN KING (1929-2014) STALKING IN SUTHERLAND; WILL HE, WON'T HE? Two, both signed, dated 1968 and 1971, the latter inscribed with title, oil on canvas Each 49.5 x 75cm. (2) Provenance: A gift to the vendor's family in exchange for days of stalking ++ Good condition £200-400 (+ 26.4% BP*)
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FREDERICK O'NEILL GALLAGHER (Fl.1906-1916, d.1919) BARGES ON A RIVER Signed and dated 1908, oil on canvas 23 x 34cm.; with a modern Ukrainian oil by Josef Karas, 'Bear Mountain, Gursuph', 1960, 22 x 34cm. (2) Provenance: (Karas), London, Roy Miles Gallery ++ Both in good condition £100-200 (+ 26.4% BP*)
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Ð CHARLES CUNDALL, RA, RWS (1890-1971) BERWICK CUSTOMS HOUSE AND SPITTAL Signed, bears inscription on two labels verso, oil on thin panel 22 x 34.5cm. ++ Needs a light clean; a few very slight chips £300-400 (+ 26.4% BP*)
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Ð SIR DAVID YOUNG CAMERON, RA, RSA, RWS (1865-1945) RANNOCH Oil on board 14 x 20.5cm. ++ Needs a very light clean; good condition £400-600 (+ 26.4% BP*)
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SIMON KOZHIN (Russian, b.1979) CRIMEA: LIFE COMES UP THROUGH STONES Signed and dated 2000 and 2001 verso, inscribed verso in Cyrillic, acrylic on canvas 58.5 x 78.5cm. ++ Craquelure with a small flaked loss in sky £2000-3000 (+ 26.4% BP*)
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Ð FIELD MARSHAL HAROLD ALEXANDER, 1st EARL ALEXANDER OF TUNIS, OM, MC, DSO (1891-1969) TOSSA, COSTA BRAVA, SPAIN, 1956 Signed and dated 1956, inscribed with title and dated verso,oil on board 29 x 39cm.; with another oil on board by the same hand, 'The Red Lodge (Beech Missing)', 1953, titled and dated verso, 49.5 x 60cm.; and 'The Paintings of Field Marshal Earl Alexander of Tunis' (London, 1973) with introduction by Edward Seago. (3) Provenance: The two oils were formerly in the collection of Edward Seago ++ Principal item needs a light clean; 'Lodge' has grazes and a few small damages; dust jacket torn on book £300-400 (+ 26.4% BP*)
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Ð AILEEN M. F. LAW (Fl.c.1930-1950) BOTAR BUILLE, CARRAROE Signed and inscribed with title verso, oil on canvas 49.5 x 75cm.
* Bothar Bui, Carraroe is in Co. Galway ++ Good condition; slightly loose on stretchers £250-300 (+ 26.4% BP*)
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NORMAN BATTERSHILL (b.1922) BARNS ON A LANE Signed, oil on board 44 x 54.5cm. ++ Good condition £100-150 (+ 26.4% BP*)
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Ð KENNETH DENTON (b.1932) STREET MARKET, SOUTH OF FRANCE Signed, also signed and inscribed with title verso, oil on board 23.5 x 36.5cm.; with a small oil of figures on the beach at Sandown by Grenvile Cottingham, 1986, 16 x 26cm. (2) ++ Both in good condition £100-200 (+ 26.4% BP*)
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Ð ROY PETLEY (b.1951) A WINDY DAY ON THE THURN Signed; also signed, inscribed with title and dated 1979 verso, oil on masonite 25 x 35.5cm. Provenance: Purchased by the owner in London, early 1980's. ++ Good condition £400-600 (+ 26.4% BP*)
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Ð GABRIEL DESCHAMPS (b.1919) A VILLAGE IN THE HILLS, PROVENCE Signed, oil on canvas 53 x 63.5cm. ++ Needs a light clean; good condition £300-500 (+ 26.4% BP*)
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ALPHAEUS PHILEMON COLE (American, 1876-1988) TENDING SHEEP IN A WINTER GLADE Signed, oil on canvas board 24 x 19cm.
* The dates given are correct. At the time of his death, Cole was the world's oldest living man (112 years and 136 days) ++ Needs a light clean £300-400 (+ 26.4% BP*)
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Ð CLIFFORD FISHWICK (1923-1997) HILLS AND CLOUDS Signed, oil on panel 9.75 x 17cm. ++ Good condition £120-160 (+ 26.4% BP*)
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Ð DANNY MARKEY (b.1965) LANDSCAPE WITH CROW, 1986 Signed and dated verso, oil on board 17 x 22cm.; with 'Toothpaste and Grasshopper' by Nigel Waymouth, coloured crayons, 1974, 37.5 x 27.5cm. (2) Provenance: (Markey) Redfern Gallery Ltd, May 1992; (Waymouth) London, Fischer Fine Art Ltd ++ Markey: chipped top left corner; slightly rubbed on lower edge and at lower right corner; needs a light clean; Waymouth: good £120-180 (+ 26.4% BP*)
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ROLAND HIPKINS (Anglo-New Zealand, 1895-1951) THE TENT Signed and dated 1917, oil on board 26.5 x 19.5cm.
* Apparently a glimpse of a military camp: army uniforms are drying on the line ++ Good condition £120-180 (+ 26.4% BP*)
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Ð JOHN HASKINS (b.1938) RIVER OUSE, BEDFORD Signed, oil on board 14 x 28m. Provenance: Eastbourne, E. Stacy-Marks Ltd, 1982 ++ Good condition £80-120 (+ 26.4% BP*)
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HERBERT ROLLETT (1872-1932) FISHING BOATS RETURNING, EARLY MORNING, GRIMSBY Signed, oil on board 29 x 24.5cm. ++ A few fine vertical splits at top of panel £100-200 (+ 26.4% BP*)
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Ð JOE LE FUR (b.1920) BOATS IN A HARBOUR Signed, oil on canvas 33.5 x 23cm. Provenance: Honfleur, Galerie de la Lieutenance, 1979 ++ Good condition £80-120 (+ 26.4% BP*)
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Ð HELEN RAY MARSHALL (Fl.c.1929-1936) THE MONASTERY ORCHARD Signed, oil on canvas 52 x 36cm. ++ Needs a light clean £250-350 (+ 26.4% BP*)
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Ð LYNTON LAMB (1907-1977) THE OLD PUB DRINKER Signed verso, oil on canvas laid on board, unframed 38 x 19cm. ++ Worn at edges £80-120 (+ 26.4% BP*)
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ROBERT JOHN YOUNG (Canadian, b.1938) PORTRAIT, 1972 Oil on three canvases wrapped onto three panels 36 x 52.5cm. overall Provenance: London, The Redfern Gallery Ltd, November 1973 ++ Needs a clean to remove surface marks £150-200 (+ 26.4% BP*)
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SPANISH (?) SCHOOL, 20th CENTURY A SURREAL VISION Signed indistinctly, oil on canvas 90.5 x 63.5cm. ++ Small tear/damage lower right; needs a light clean £200-400 (+ 26.4% BP*)
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GUAN ZEJU (b.1941) THE RESTING BALLERINA Signed in Chinese and further signed Guan 1998.11, oil on canvas 90.5 x 60cm. ++ Very good condition £300-500 (+ 26.4% BP*)
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Ð PIERRE LAVARENNE (b.1928) NU BLEU Signed, also signed and inscribed with title verso, oil on canvas 73 x60cm. ++ Good condition £300-500 (+ 26.4% BP*)
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Ð GEOFFREY TIBBLE (1909-1952) IDLE HOURS ON THE EMBANKMENT, PARIS (?) Signed, oil on canvas 40 x 26cm.
* Painted c.1938 ++ Lined; some retouching; rather worn, particularly nearer the edges £400-600 (+ 26.4% BP*)
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Ð LOUIS JENNINGS (b.1919) ARRIVAL OF THE ENTERTAINERS Signed, also signed and inscribed with title verso, oil on canvas 49.5 x 100cm. ++ Good condition £100-200 (+ 26.4% BP*)
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Ð RICHARD PIKESLEY (b.1951) BOADICEA AND HER DAUGHTERS Signed, oil on canvas laid on board 20 x 21.5cm.
* Thomas Thornycroft's 1902 bronze at Westminster Bridge ++ Good condition £100-200 (+ 26.4% BP*)
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Ð GLADYS MARY BLACK (1895-1975) THE FAIR AT BABBACOMBE Signed with initials, oil on canvas 49.5 x 65cm. ++ Good condition £500-700 (+ 26.4% BP*)
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Ð GEOFFREY TIBBLE (1909-1952) PORTRAIT OF THE ARTIST'S WIFE, MARJORIE Signed and dated 35, oil on canvas 76 x 93cm. ++ Five patched repairs verso, with associated retouching £1200-1800 (+ 26.4% BP*)
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Ð CLAUDE VISEUX (1927-2008) COMPOSITION EN VERT ET BRUN Signed and dated 58 verso, further inscribed indistinctly (Montenya?), oil on canvas, unframed 130 x 97.5cm. Provenance: Paris, Galerie Rene Drouin, 1958; Collection of the late Lady Norton ++ Good condition £400-600
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Ð DEREK MIDDLETON (1917-2002) JUS CAPAROL Signed and dated XII 64 verso, oil on canvas 49 x 71.5cm. ++ Good condition £250-350 (+ 26.4% BP*)
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Ð EDNA GINESI (1902-2000) WINTER Signed and dated 66, oil on canvas, unframed 126.5 x 102cm. with another work by the same hand, untitled, oil on canvas, 57 x 167.5cm. (2) Exhibited: (Winter) London, Free Painters and Sculptors. n.d., no.158 Provenance: These rooms, July 9th 2010, lot 2206, consigned for sale by a descendant of the artist ++ Both in good condition £200-300 (+ 26.4% BP*)
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Ð DONALD BUYERS (1930-2003) THE STREET Oil on board 60.5 x 87cm. ++ Good condition £800-1200 (+ 26.4% BP*)
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Ð LIONEL EDWARDS (1878-1966) PETER FARRELLY, HUNTSMAN TO THE MEYNELL, 1922-1929 Signed, inscribed 'To Fores' verso, oil on canvas 50 x 60cm. Provenance: London, Fores Ltd ++ Slight bloom; good condition £1200-1800 (+ 26.4% BP*)
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GEORGE WILLIAM RUSSELL, 'AE' (1867-1935) CHILDREN ON DUBLIN ROOFTOPS Signed AE (in unison), oil on canvas 34 x 49.5cm. ++ Lined; minimal retouching £1500-2000 (+ 26.4% BP*)
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Ð STEPHEN J. RENARD (b.1947) 'VIGILANT' AND 'BRITANNIA' OFF R.Y.S. Signed, inscribed with title on stretcher, oil on canvas 44.5 x 67cm.
* The Royal Yacht Squadron is at Cowes, Isle of Wight ++ Very good condition £3000-4000 (+ 26.4% BP*)
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Ð WILLIAM BROOKER (1918-1983) MAIZE FIELD, IBIZA Signed and dated 53, also inscribed with title and dated on the overlap, oil on canvas 44.5 x 59.5cm. ++ Some blistering in centre; flaked losses near lower edge £1200-1800 (+ 26.4% BP*)
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Ð WILLIAM BROOKER (1918-1983) THE DRESSMAKER: PORTRAIT OF THE ARTIST'S WIFE, NORAH Signed and dated 53, oil on canvas 44.5 x 59cm. ++ Needs a light clean £2000-3000 (+ 26.4% BP*)
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Ð WILLIAM BROOKER (1918-1983) NUDE ON A BED (THE ARTIST'S WIFE, NORAH) Signed, oil on canvas 31.5 x 42cm.
* Painted c.1952 ++ Good condition £1500-2000 (+ 26.4% BP*)
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Ð WILLIAM BROOKER (1918-1983) THE RED LAMP Signed and dated 54, oil on canvas 62 x 75cm. Exhibited: London, Arthur Tooth, 1955 and 1968 (Retrospective Exhibition) ++ Good condition £2500-3500 (+ 26.4% BP*)
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Ð SIR HERBERT JAMES GUNN, RA (1893-1964) TOLEDO Signed, oil sketch on board 29.5 x 35cm. ++ Good condition; very faint graze upper centre £1500-2000 (+ 26.4% BP*)
| Furniture, Clocks and Carpets | |
Clocks And Barometers | |
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FRENCH FOUR PANE CARRIAGE CLOCK, the enamelled dial on a Japy Freres eight day repeater movement hourly striking to a bell, stamped to the back plate, height excluding handle 14cm £300-500 (+ 26.4% BP*)
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GILT BRASS FOUR PANE CARRIAGE CLOCK, the ivorine dial in a scrolling floral frame on an eight day half hourly striking and repeating movement, the case with presentation inscription dated 1904, height excluding handle 12cm £200-300 (+ 26.4% BP*)
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FRENCH GILT BRASS FOUR PANE CARRIAGE CLOCK, late 19th century, the enamelled dial on an eight day striking and repeating movement stamped Paris, height excluding handle 13.5cm £300-400 (+ 26.4% BP*)
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FRENCH BRASS FOUR PANE MANTEL CLOCK, probably Richard & Co, the 2 3/4" enamelled dial on a brass eight day half movement half hourly striking to a bell, height 22cm £100-150 (+ 26.4% BP*)
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GUN METAL AND BRASS NOVELTY DESK CLOCK, late 19th century, cast as a mortar, with brass movement, on a black slate base, height 12cm, width 13.5cm, depth 13.5cm £100-150 (+ 26.4% BP*)
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JAEGER LE COULTRE ATMOS CLOCK, serial number 708235, the enamelled dial with moon phase at 6 o'clock and inner month dial, in a gilt brass case, height 22.5cm £400-600 (+ 26.4% BP*)
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FRENCH WHITE MARBLE MANTEL REGULATOR, the dial with 5" chapter ring on an eight day movement half hourly striking to a bell, stamped Marti, in a domed case with stepped foot, height 47cm £200-300 (+ 26.4% BP*)
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