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HENRI VIGNET (1857-1920) ETANG DE ST. GERTRUDE Signed and dated 1910, inscribed with title, monogram and number 1048 verso, oil on canvas 49 x 60cm. ++ Needs a light clean £200-300 (+ 26.4% BP*)
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ATTRIBUTED TO NARCISSE VIRGILIO DIAZ DE LA PENA (1807-1876) SOUS BOIS, POSSIBLY AT FONTAINEBLEAU Oil on cradled panel 50.5 x 43cm. ++ Needs a clean £600-800 (+ 26.4% BP*)
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CIRCLE OF EDOUARD BOEHM (1830-1890) LAKE LANDSCAPE SCENE WITH FISHERMEN, A HILLTOP VILLAGE BEYOND Oil on canvas 61 x 93cm. ++ A few scattered superficial blemishes £300-500 (+ 26.4% BP*)
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CIRCLE OF FRIEDRICH VON AMERLING (1803-1887) PORTRAIT OF A CHILD IN A RED NECKERCHIEF Oil on canvas 55.5 x 44.5cm. Provenance: London and Cheam, J. Dowmunt Fine Art ++ Lined; some associated retouching; some craquelure £400-600 (+ 26.4% BP*)
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CHARLES AUGUSTUS HENRY LUTYENS (1829-1915) THREE PUTTI WITH FLOWER GARLANDS Signed, oil on canvas 29.5 x 24cm. ++ Needs a light clean £150-200 (+ 26.4% BP*)
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ANTON MARC GORTER (1866-1933) A MAID FEEDING POULTRY BY A COTTAGE Signed, oil on canvas 30.5 x 40.5cm. ++ A few minor scattered chipped losses £800-1200 (+ 26.4% BP*)
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ANTON MARC GORTER (1866-1933) AUTUMN GRAZING Signed, oil on canvas 42 x 60.5cm. ++ A little craquelure; some scattered retouching; needs a light clean £500-700 (+ 26.4% BP*)
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ANTON MARC GORTER (1866-1933) SUNNY DAY Signed, oil on canvas 45.5 x 55.5cm. ++ God condition; period gilt frame £600-900 (+ 26.4% BP*)
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ATTRIBUTED TO PAUL HUET (1803-1869) A BACKWATER WITH COTTAGES AND BOATS IN THE PAS DE CALAIS Oil on board 26 x 34cm. Provenance: London, Christies, November 22nd, 1985, lot 43 (as 'Cottages by Stream' by Richard Parkes Bonington, £20,000) ++ Good condition; needs a very light clean £400-600 (+ 26.4% BP*)
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Ð ALICE DANNENBERG (1861-1948) TERRASSE AU JARDIN DU LUXEMBOURG Signed, oil on canvas, lath frame 53.5 x 72.5cm. ++ Unlined; some craquelure and paint separation; needs a clean £1000-1500 (+ 26.4% BP*)
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CIRCLE OF PIERRE PAUL PRUD'HON (1758-1823) PORTRAIT OF A YOUNG MAN, POSSIBLY A SELF PORTRAIT Bust length, wearing a dark brown coat, oil on paper laid on canvas 62 x 46cm. ++ Three patched repairs verso with associated retouching £600-800 (+ 26.4% BP*)
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FOLLOWER OF WILLEM VAN LEEN (1753-1825) AN URN OF SUMMER FLOWERS AND A BIRD'S NEST UPON A MARBLE TABLE Oil on canvas 79 x 62cm. ++ Old lining; scattered retouching and some craquelure; slight bitumenous damage; period gilt frame £1000-1500 (+ 26.4% BP*)
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TITO CONTI (1842-1924) THE RED FAN Signed with monogram, oil on board 24.5 x 15cm. ++ Some slight craquelure; needs a light clean £800-1200 (+ 26.4% BP*)
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HENRIETTE BROWNE (1829-1901) TOILET Signed, bears signature and title on stretcher, oil on canvas, in a gilt frame within a plush-lined glazed outer frame 21.5 x 18cm.
* Pseudonym of Sophie de Bouteiller ++ A little thin but apparently in original condition £1000-1200 (+ 26.4% BP*)
| Eleven Lots by Albert Henry Collings from A Deceased’s Estate | Ð 1785
ALBERT HENRY COLLINGS (1868-1947) A TUDOR SCHOLAR Oil on canvas board 45 x 30cm. ++ Needs a light clean £60-100 (+ 26.4% BP*)
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Ð ALBERT HENRY COLLINGS (1868-1947) COSTUME STUDY Signed, oil on canvas 49.5 x 39.5cm. ++ Needs a light clean £200-300 (+ 26.4% BP*)
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Ð ALBERT HENRY COLLINGS (1868-1947) THE MANDOLIN PLAYER Signed, watercolour 42.5 x 29cm. ++ Some foxing and fading £50-100 (+ 26.4% BP*)
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Ð ALBERT HENRY COLLINGS (1868-1947) IRISES Signed, watercolour and pencil 50.5 x 34.5cm.; with five further landscape watercolours by the same hand, two signed, three bear signatures, various sizes. (6) ++ Generally good; some with slight foxing/fading £60-100 (+ 26.4% BP*)
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Ð ALBERT HENRY COLLINGS (1868-1947) A MAGNOLIA BLOOM Signed, oil on board, needs a light clean 42.5 x 37cm. ++ A few dabs of retouching £150-250 (+ 26.4% BP*)
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Ð ALBERT HENRY COLLINGS (1868-1947) A FOREST CLEARING; A WOODLAND PATH A pair, both signed, the latter dated 1913 or 1918, oil on canvas Each 60 x 49cm. (2) ++ A little craquelure; the former with a little retouching £100-200 (+ 26.4% BP*)
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Ð ALBERT HENRY COLLINGS (1868-1947) STILL LIFE OF A COPPER BIN AND CERAMICS Signed, portrait study verso, oil on canvas 69.5 x 55.5cm. ++ Some bloom; a little scattered retouching; needs a light clean £300-400 (+ 26.4% BP*)
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Ð ALBERT HENRY COLLINGS (1868-1947) A STUDY (ARTIFICIAL LIGHT) Signed, pastels 47.5 x 36.5cm.; with a portrait study, entitled 'Colour', signed, watercolour and pastel, 32.5 x 24cm. (2) Exhibited: (Study), London, The Royal Institute Galleries, The Pastel Society; ('Colour') London, Royal Institute of Painters in Water Colours (labels verso on each) ++ The former with mildew spots £100-150 (+ 26.4% BP*)
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Ð ALBERT HENRY COLLINGS (1868-1947) A BEAUTY OF THE ORIENT Oil on canvas 45 x 33.5cm. ++ A few dabs of retouching; needs a light clean £250-350 (+ 26.4% BP*)
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Ð ALBERT HENRY COLLINGS (1868-1947) GOOD NIGHT! Signed and dated 1909, oil on canvas 44.5 x 32.5cm. ++ Needs a light clean £600-800 (+ 26.4% BP*)
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Ð ALBERT HENRY COLLINGS (1868-1947) THE BLUE CLOAK Signed, pastels 70.5 x 51cm. Exhibited: possibly London, The Royal Institute Galleries, The Pastel Society (label on backboard) ++ Good condition £800-1200 (+ 26.4% BP*)
| Modern Pictures and Prints | |
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PAUL NASH (1889-1946) RAIDER ON THE MOORS Colour lithograph, 1940, published by The National Gallery for the Ministry of Information 38.5 x 55.5cm. ++ Slight time-toning of the paper £200-300 (+ 26.4% BP*)
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JAMES ABBOTT McNEILL WHISTLER (1834-1903) LA MARCHANDE DE MOUTARDE (Kennedy 22) Etching, 1858, originally published in Twelve Etchings from Nature, 1858, this from a later edition on laid paper 15.2 x 8.5cm. ++ Some spotting and foxing £150-200 (+ 26.4% BP*)
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WILFREDO LAM (1902-1982) QUETZAL (BRUNIDOR PORTFOLIO NUMBER 1) Colour lithograph, 1947, signed and titled in ink, numbered 'No 55' (edition of 84), published by Robert Altman/Brunidor Editions, New York, laid down on card 41.7 x 33cm. ++ A few slight blemishes at sheet edges £800-1200 (+ 26.4% BP*)
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Ð 'BAMBI' (b.1975) AMY RED Screenprint on Archival paper, 2011, signed and numbered 23/35, with certificate from Hyde Image Ltd, unframed Sheet 112 x 76.5cm. Provenance: Private collection, Gloucestershire ++ Slight handling creases £600-800 (+ 26.4% BP*)
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Ð 'BAMBI' (b.1975) BECKHAM Hand cut hand sprayed stencil on Archival paper, 2014, signed and numbered 24/50, with certificate from Hyde Image Ltd, unframed Sheet 88.5 x 101.5cm. Provenance: Private collection, Gloucestershire ++ Slight handling creases £800-1200 (+ 26.4% BP*)
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Ð SASKIA DE BOER (b.1942) THE ENGLISH ROSE Multiple in mixed materials, signed and dated 93 verso, also numbered 1 of 2-5 58cm high approx. Provenance: London, Nicholas Treadwell Gallery ++ Good condition £100-200 (+ 26.4% BP*)
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ERIC RAVILIOUS (1903-1942) HIGH STREET: KNIFE GRINDER; COACH BUILDER Two colour lithographs from the suite of 24, printed at the Curwen Press, published by Country Life Ltd, 1938 Each 20.5 x 14cm. approx; with 'Submarine Dreams', colour lithograph, published by Camberwell Press, 1996, edition of 375, 31.5 x 27.5cm. (3) ++ Good condition £300-400 (+ 26.4% BP*)
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(ERIC GILL, ARA 1882-1940) 25 NUDES ENGRAVED BY ERIC GILL First edition of the book with black fore edges, published by J. M. Dent and Sons Ltd, 1938, containing 25 images of Gill's celebratedly sensual female nude subjects, dust jacket fair-good (slightly darkened), 8vo £400-600 (+ 26.4% BP*)
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Ð GEORGE W. LENNOX PATERSON (1915-1986) CAPERCAILLIES; HENS Two, colour linocuts, each signed, titled, inscribed Linocut and numbered 12/15 and 5/15 31.5 x 37.5cm.; and 29 x 37.5cm.; with 'The Road to the Coast', colour lithograph by the same hand, signed, inscribed and numbered 8/12, 39 x 31.5cm. (3) ++ Each mounted to the image on three sides; slight mount burn; the first faded £120-180 (+ 26.4% BP*)
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A FOLIO OF FOUR MODERN PRINTS to comprise works by Felicien Rops (an erotic subject, 'En Visite'), Samuel Johnson Woolf (signed, of Caruso), Jozsef Rippl-Ronai after Mihaly Munkacsy (signed, of Franz Liszt, see illus.) and another (4) ++ Generally satisfactory-good £100-150 (+ 26.4% BP*)
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Ð SIR FRANK BRANGWYN, RA (1867-1956) THE OLD SHEPHERD Colour woodcut, with Yoshio Urushibara, 1911, inscribed 'to R. H. Kitson with all good / wishes from [unclear] Frank Brangwyn' 13.5 x 22.5cm.; with two signed etchings by Brangwyn ('Road in Picardy' and 'The Rialto', 1903 and 1906); and a small watercolour of Venice by Sir Alfred East, dedicated 'To R. H. K.', 9.5 x 14.5cm. (4) Provenance: By descent in the family of the artist R. H. Kitson ++ Woodcut good; etchings foxed and stained; watercolour needs a clean £200-300 (+ 26.4% BP*)
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(ERIC RAVILIOUS, 1903-1942) THE WOOD ENGRAVINGS OF ERIC RAVILIOUS The book containing 421 of the artist's known designs, designed by John Carrod, printed by the Curwen Press Ltd, published by Lion and Unicorn Press, 1972, hardback, grey/green woven cloth binding with image of one of the prints on the front, numbered ii/208, folio £400-600 (+ 26.4% BP*)
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Ð NORMAN ACKROYD, CBE, RA (b.1938) DERWENT, EVENING Etching, signed, titled, numbered 73/90 and dated 89 15.5 x 13.5cm. ++ Good condition £150-200 (+ 26.4% BP*)
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Ð JOHN EDGAR PLATT (1886-1967) BIRD OF FEAR Colour woodcut, 1935, signed and numbered V within the image 32 x 18.5cm. ++ Laid down £200-300 (+ 26.4% BP*)
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Ð MICHAEL CANNEY (1923-1999) RHINOCEROS Etching with aquatint and plate tone, 1947, signed and dated 14.5 x 21cm.
* Evidently inspired by Albrecht Durer's famous woodcut of 1515. The animal in Dürer's print was a gift from an Indian sultan to King Manuel of Portugal and was the first to have been seen in Europe for nearly 1500 years. The King donated the rhino to Pope Leo X but the beast died en route to Italy. Durer never saw a rhino and based his famous print upon a sketch and a descriptive letter. ++ Slight time toning £120-180
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Ð CLIFFORD FISHWICK(1923-1997) GOAL Lithograph, printed in colour, 1953, signed, titled and dated 53 33.5 x 40.5cm.
* This subject was included in an Arts Council Exhibition with The Football Association, 'Football & the Fine Arts', 1953 ++ Slight time toning; generally good condition £250-350 (+ 26.4% BP*)
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Ð HOWARD HODGKIN, CH, CBE (1932-2017) TWO'S COMPANY (A) (Heenk 118) Aquatint and carborundum with hand colouring by Jack Shirreff, on cotton paper, 2002-2003, from the edition of 80 (20 each in 4 colour variations), numbered XXVI/XL, initialled and dated HH MMIII Image, sheet 38 x 46cm. Provenance: London, Alan Cristea Gallery, for the Elton John AIDS Foundation (by whom published and sold) ++ Good condition £1000-1500 (+ 26.4% BP*)
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Ð NORBERTINE BRESSLERN-ROTH (1891-1978) LEOPARD HUNT Colour woodcut, 1927, signed and inscribed Handdruck 19.5 x 24.5cm. ++ Some fading; paper mat stained £400-600 (+ 26.4% BP*)
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Ð NORBERTINE BRESSLERN ROTH (1891-1978) TIGERS Colour woodcut, signed and inscribed Handdruck [printed by hand], rare 29.5 x 29.5cm. ++ A few spots of pale foxing £1500-2000 (+ 26.4% BP*)
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Ð AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) BY THE COUNTY COURT, SALFORD (1926) Offset lithograph, signed in pencil, numbered 17/75 24.5 x 34.5cm. ++ Good condition £500-800 (+ 26.4% BP*)
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Ð AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) THE REFERENCE LIBRARY Offset lithograph, with FATG blindstamp, signed in pencil, from the edition of 850 24 x 34.5cm. ++ Good condition £500-800 (+ 26.4% BP*)
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Ð AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) GREAT ANCOATS STREET (1930) Offset lithograph, with publisher's blindstamp, signed in pencil and numbered 822/850 26 x 36.5cm. ++ Good condition £1000-1500 (+ 26.4% BP*)
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Ð AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) ST. MARY'S, BESWICK (1929) Offset lithograph, with publisher's blindstamp, signed in pencil and numbered 177/500 26 x 37cm. ++ Good condition £1000-1500 (+ 26.4% BP*)
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Ð AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) ST. SIMON'S CHURCH, SALFORD (1937) Offset lithograph, signed in pencil and numbered 17/300 37.5 x 27.5cm. ++ Good condition £800-1200 (+ 26.4% BP*)
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Ð AFTER LAURENCE STEPHEN LOWRY, RA (1887-1976) THE FOOTBALL MATCH (1944) Offset lithograph, with publisher's blindstamp, signed in pencil and numbered 16/850 24.5 x 35.5cm. ++ Good condition £2000-3000 (+ 26.4% BP*)
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Ð SIR PETER BLAKE, CBE, RA (b.1932) TINY T.N.T. TANTRUM THE POCKET PRINCE - A MIDGET WRESTLER Wood engraving, printed in black and red, 1973, from '18 Small Prints', on japan, signed, dated and numbered 13/100 in pencil, published by Bernard Jacobson Image 12.6 x 7.5cm. ++ Very good condition £800-1200
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