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PIETER BARBIERS THE YOUNGER (1749-1842) DUTCH VILLAGE VIEW Signed verso, watercolour 26 x 37cm. ++ Slight fading in sky £200-300 (+ 26.4% BP*)
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HENRY PILLEAU (1815-1899) THE PLAIN OF THEBES, WITH MEDINET ABOU, THE TEMPLE OF GOURNOU AND THE TWO COLOSSI Signed with monogram, also signed and inscribed with title and artist's address on a label on the backboard, watercolour 19.5 x 39.5cm. ++ A little pale foxing; needs a light clean £300-500 (+ 26.4% BP*)
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HENRY EARP Senr (1831-1914) THE WATERING PLACE Signed, watercolour and pencil 52 x 70.5cm. ++ Slight pinkish discoloration; slight fading £200-300 (+ 26.4% BP*)
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ALBERT GOODWIN, RWS (1845-1932) SUNSET, HARTLAND POINT Signed, inscribed with title, watercolour and pencil 24 x 31cm.; with two pencil sketches of Hartland Quay, each signed, inscribed and dated Aug/August 1918, 12.5 x 17cm. (3) Provenance: (main item) London, Messrs Green & Hewett ++ Each in good condition £300-400 (+ 26.4% BP*)
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HERCULES BRABAZON BRABAZON (1821-1906) LAKE WITH A BOAT Signed with initials, grey wash and charcoal 11 x 16.5cm.; with two landscape watercolours in the style of Brabazon, each bears initials, 13 x 21.5cm and 17.5 x 28.5cm. (3) ++ The first a little time stained; the others good £200-400 (+ 26.4% BP*)
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HERCULES BRABAZON BRABAZON (1821-1906) THE PROMENADE, HASTINGS Bears faint initials, watercolour heightened with white 14 x 21.5cm. ++ Good condition £300-400 (+ 26.4% BP*)
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HERCULES BRABAZON BRABAZON (1821-1906) MISTY LIGHT, VENICE Signed with initials, watercolour and pencil 15 x 20.5cm. ++ Possibly two very faint grazes in sky; good colour £500-700 (+ 26.4% BP*)
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ALMA CLAUDE BURLTON CULL (1880-1931) HMS BEDFORD Signed and dated 11, inscribed with title, watercolour 21.5 x 43cm. ++ Slight fading; a little foxing; needs a light clean £800-1200 (+ 26.4% BP*)
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ALMA CLAUDE BURLTON CULL (1880-1931) HMS COMMONWEALTH Signed and dated 11, watercolour 23 x 42cm. ++ Some fading; foxing; dabs of white retouching (over foxing?) in the sky; needs a clean £800-1200 (+ 26.4% BP*)
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ALMA CLAUDE BURLTON CULL (1880-1931) THE EVENING GUN Signed and dated 09, watercolour 25.5 x 45cm. ++ Some fading and foxing; needs a clean £600-900 (+ 26.4% BP*)
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THOMAS BUSH HARDY (1842-1897) BAMBOROUGH CASTLE Signed, inscribed with title and dated 1871, watercolour 45.5 x 69cm.; with another small watercolour of Scheveningen beach by Hardy, 1875, 11.5 x 16.5cm. (2) ++ Principal item in good condition; the latter light-stained but colour still satisfactory £600-900 (+ 26.4% BP*)
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BERNARD WALTER EVANS (1843-1922) BYLAND ABBEY Signed, watercolour 37.5 x 52.5cm. ++ Needs only a very light clean; very fresh colour £250-350 (+ 26.4% BP*)
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FRANK WILLIAM SCARBROUGH (1896-1939) BUSY SHIPPING SCENE ON THE THAMES Signed, watercolour 23.5 x 33.5cm. ++ Slight fading in the sky and the water £700-900 (+ 26.4% BP*)
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JOHN WHITE (1851-1933) LUNCH DURING HARVEST Signed, watercolour and bodycolour 27 x 44.5cm. ++ Good condition £250-350 (+ 26.4% BP*)
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MYLES BIRKET FOSTER, RWS (1825-1899) COLOGNE Signed with monogram, watercolour and pencil heightened with bodycolour 9.5 x 14cm. ++ Good condition £700-1000 (+ 26.4% BP*)
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CHARLES EDWARD JOHNSON (1832-1913) CHANGING PASTURES Signed and dated 1905, watercolour 46.5 x 69.5cm. ++ Slightly pale £150-250 (+ 26.4% BP*)
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GEORGE JAMES KNOX (1810-1897) A ROCKY WATERFALL; A ROCKY RIVER VIEW Two, both signed and dated (the former 1866, the latter indistinct), watercolour Each 14 x 24.5cm approx (2) ++ Each needs a light clean £150-200 (+ 26.4% BP*)
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ALBERT HARTLAND (1840-1893) LAKE SCENE WITH FIGURES, DUSK Signed, watercolour heightened with bodycolour 43 x 74cm. ++ Blue tones predominate; retouched blemish in sky right of centre; needs a clean £120-180 (+ 26.4% BP*)
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SYDNEY GOODWIN (1867-1944) A SUSSEX FARM Signed with monogram and dated 19, watercolour 34 x 52cm. ++ Needs a light clean £150-200 (+ 26.4% BP*)
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HENRY 'HARRY' STANNARD (1844-1920) THE COOL SHADES OF EVENING Signed, watercolour 24.5 x 34.5cm. ++ Good condition £200-300 (+ 26.4% BP*)
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HENRY CHARLES FOX (1860-1925) A COUNTRY IDYLL Signed and dated 1901, watercolour 51.5 x 74cm. ++ Slight discoloration in the sky £200-300 (+ 26.4% BP*)
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ALBERT POLLITT (1856-1926) FISHERFOLK ON THE WELSH COAST, LOW TIDE Signed and dated 1908, watercolour and pencil 38 x 58cm. ++ Needs a light clean £150-250 (+ 26.4% BP*)
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ISAAC COOKE (1846-1922) LOW TIDE ON THE SANDS Signed, watercolour 29 x 48cm. ++ Slightly faded £120-160 (+ 26.4% BP*)
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JOHN BATES NOEL (1870-1927) COUNTRY SCENE WITH A FALLEN TREE Signed, watercolour 25.5 x 35.5cm. ++ A little pale; original gilt mount and frame £120-180 (+ 26.4% BP*) Ð 1377. CONRAD HECTOR RAFAELE CARELLI (1869-1955) SUNSET FROM THE VERANDAH; JAIPUR, BAZAAR EASTWARDS; KARACHI TOWN FROM THE HARBOUR (ON BOARD SS IMPERATOR) ALONGSIDE THE QUAY; JAIPUR, THE HAWA MAHAL, 'PALACE OF THE WINDS' [see illus.]; JAIPUR, GUN GURS BAZAAR Five, three signed, one inscribed, each with title and date (all December 1907-January 1908) verso, watercolour Each 8 x 12cm. (5) ++ Good condition; very slight time toning £300-500 (+ 26.4% BP*)
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HENRY JOHN KINNAIRD (b.1861, fl.c.1880-1908) VIEW OF WINCHESTER Signed and inscribed with title, watercolour heightened with white 26.5 x 18.5cm. ++ Some fading £120-180 (+ 26.4% BP*)
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WILLIAM FRASER GARDEN (1856-1921) ON THE OUSE NEAR ST. IVES Two, only one signed and dated 93, watercolour Each 26.5 x 49.5cm. (2) ++ One needs a clean, slightly faded; the other with vertical tear from top to bottom 15cm from left edge, this one faded to predominant blue tones £400-600 (+ 26.4% BP*)
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E** E** JEFFERIES (Circa 1900-1920) COTTAGE GARDENS A pair, both signed, watercolour Each 25.5 x 17.5cm. (2) ++ Each needs a light clean £100-150 (+ 26.4% BP*)
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HENRY STACY MARKS, RA (1829-1898) VULTURE Signed with initials, watercolour 21 x 12cm. ++ Slight fading; paper light stained £150-200 (+ 26.4% BP*)
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ARCHIBALD THORBURN (1860-1935) A HARE Signed with initials, watercolour heightened with white, mounted oval 12.5 x 18.5cm. ++ Good condition £400-600 (+ 26.4% BP*)
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ATTRIBUTED TO JEAN EDOUARD LACRETELLE (1817-1900) PORTRAIT OF ALICE CHARLTON, (LATER MRS AYSHFORD-WISE), AGED 9 Bust length, watercolour and pencil sketch, mounted oval 26 x 19cm. with a photographic print of the same sitter in later years; and a photograph of a watercolour portrait of Colonel Robert Arnold, 16th Lancers (1793-1839). (3) ++ The watercolour faded/discoloured, the paper time toned £80-120 (+ 26.4% BP*)
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EDWIN BALE (1838-1923) A CAPRI GIRL Signed, also signed and inscribed on a label on the backboard, watercolour 34.5 x 23.5cm. ++ Needs a light clean; a little faded £200-300 (+ 26.4% BP*)
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SIR EDWARD JOHN POYNTER, By. PRA (1836-1919) STUDY OF A SEATED WOMAN Pencil, on pale blue/grey paper 20.5 x 18.5cm. ++ A few old soft creases and spots of foxing £300-400 (+ 26.4% BP*)
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AMY G. CHAMBERLIN (Fl.1895-1897) A GREEK (?) GUARD Watercolour and bodycolour 24 x 16cm.; and another by the same hand, of a bearded man, possibly a Biblical figure, 21.5 x 7.5cm. (2) ++ The former in good condition; the latter with slight damage near edge lower right £150-200 (+ 26.4% BP*)
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THOMAS JAMES LLOYD, RWS (1849-1910) THE SHEPHERD'S FAMILY Signed and dated 1887, watercolour 39 x 50cm. ++ Slight fading; needs a light clean £300-500 (+ 26.4% BP*)
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JOHN PARKER, RWS (1839-1916) HALLOWE'EN Signed with monogram and dated 1896, indistinctly inscribed label on backboard, watercolour 99.5 x 67cm.
* The woman is scattering seeds. Sacred offerings of plants and wheat were traditionally laid before the 'shades of the dead' at family tombs at Hallowe'en. ++ A little faded; some foxing; original frame £600-800 (+ 26.4% BP*)
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RICHARD BEAVIS, RWS (1824-1896) THE COUNTRYMEN'S HORSES Signed, watercolour 43 x 66.5cm. ++ Needs a light clean; a few spots of foxing £120-180 (+ 26.4% BP*)
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CHARLES EDWARD BRITTAN Jnr (1870-1949) MOORLAND SCENES Two, both signed, watercolour 27.5 x 44.5cm. and 36.5 x 53cm. (2)
* To be sold for the benefit of the Church of St. Mary Bourne, Hampshire ++ Foxing; the larger example pale in the sky £200-300 (+ 26.4% BP*)
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FREDERICK JOHN WIDGERY (1861-1942) MOORLAND SCENES A pair, one signed, watercolour and gouache Each 17 x 27cm. (2)
* To be sold for the benefit of the Church of St. Mary Bourne, Hampshire ++ Good condition £200-300 (+ 26.4% BP*)
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GIULIO ROSATI (1857-1917) THE FINEST IN THE SHOP Signed, watercolour with traces of pencil 37 x 53.5cm.
* Giulio Rosati, skilfully trained under Francesco Podesti at the Academy of Rome from 1880-1895, was without parallel amongst the Italian Orientalists working on the Via Margutta in Rome. This small but talented group of artists included Giuseppe Aureli, Ettore Simonetti and Enrico Tarenghi and it would be reasonable to assume that their remarkable skills derived from years of careful study in the Middle East. In fact, Rosati (and most of the other Italian Orientalists) never visited North Africa at all and worked instead from the study of Middle Eastern artefacts, literature, clothes and engravings and from black and white photographs.
Rosati was prolific but he favoured themes that gave a glimpse of the Arabs' lifestyles that seemed so exotic and unfamiliar to European collectors' eyes. His attention to detail and his superb technical capability with watercolour made his pictures look almost more 'real' than the photographs from which they were derived.
In particular, Rosati focused intently upon draperies, intricate Islamic patterns and carefully judged colour balances. Note, for example, that the lilac tones of the buyer's robe in lot 1393 are reflected in the arches on the right. The atmosphere of the marketplace with its spirited trading and subtle dealmaking appealed greatly to collectors in Europe. By combining all his talents, the theme of carpet sellers became one of Rosati's favourite themes and the almost flawless colour in these superbly preserved works thereby shows Rosati's skills at their best. ++ Very good colour £8000-12000 (+ 26.4% BP*)
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GIULIO ROSATI (1857-1917) THE CARPET MERCHANTS Signed, watercolour with traces of pencil 35.5 x 52cm. ++ Very good colour £8000-12000 (+ 26.4% BP*)
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AFTER GODFRIED SCHALCKEN (1643-1706) AN OLD MAN WRITING A BOOK BY CANDLELIGHT Oil on panel 38 x 30cm.
* After an uncertain original. A larger autograph version on canvas was sold at Christies, New York (January 11th 1989, lot 135) but the image was also widely copied by contemporaries of Schalcken. ++ Some flaked losses; some blistering and craquelure; frosted varnish; needs a clean £200-300 (+ 26.4% BP*)
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TIBOUT REGTERS (1710-1768) PORTRAIT OF A GENTLEMAN Standing half length, wearing a russet coat and a dark red mantle, trees beyond, signed and dated T Regters/ f.1745, oil on canvas, mounted oval 12.5 x 10cm. ++ Good condition £400-600 (+ 26.4% BP*)
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NORTH ITALIAN SCHOOL, 17/18th CENTURY HEAD OF A WOMAN Oil on canvas 35.5 x 30cm. ++ Unlined; some wear, grazes and flaked losses; a little scattered retouching; craquelure; needs a clean £150-250 (+ 26.4% BP*)
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FOLLOWER OF LIVIO MEHUS (1630-1691) THE VISION OF ST. ANTHONY OF PADUA Oil on oak panel 68 x 52cm. ++ The surface a little abraded; scattered retouching; needs a clean £400-600 (+ 26.4% BP*)
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FOLLOWER OF ANDREA BELVEDERE (1646-1732) STILL LIFE OF FLOWERS IN AN URN UPON A LEDGE Oil on canvas 76 x 62.5cm. ++ Old lining; craquelure and some paint separation; scattered blemishes; needs a clean £1000-1500 (+ 26.4% BP*)
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FOLLOWER OF WILLIAM JONES OF BATH (Fl.1738-1749) A BASKET OF PEACHES WITH OTHER FRUIT AND A BUTTERFLY UPON A STONE LEDGE Oil on metal 40 x 30cm. ++ One or two flaked/chipped losses; needs a light clean £400-600 (+ 26.4% BP*)
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CIRCLE OF JAN SNELLINCK III (1640-c.1691) PASTORAL SCENE WITH FIGURES BY A COUNTRY COTTAGE Oil on panel 45.5 x 61.5cm. ++ Braced in two places across the back; associated retouching; larger area of retouching in the sky £1000-1500 (+ 26.4% BP*)
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CIRCLE OF FRANZ WERNER VON TAMM (1658-1724) PUTTO WITH ARRANGEMENT OF FLOWERS BY A STONE FOUNTAIN Oil on canvas 122.5 x 140.5cm. ++ Lined; tear lower left with paint losses; two patched repairs verso; retouching of old damages; craquelure £2000-3000 (+ 26.4% BP*)
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ATTRIBUTED TO JOSEPH WRIGHT OF DERBY, ARA (1734-1797) VIEW IN WALES Oil on canvas 39 x 60cm. Provenance: London, Thos. Agnew & Sons Ltd; London, Christies, March 22nd 1968, lot 114 (attributed in full), purchased by the vendor's father ++ Lined; some scattered retouching; craquelure
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CIRCLE OF THOMAS SMYTHE (1825-1906) COUNTRYMAN WITH A DONKEY CART IN A LANDSCAPE Oil on canvas 29 x 39.5cm. ++ Old lining; some associated retouching; needs a clean £300-400 (+ 26.4% BP*)
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