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CIRCLE OF ABRAHAM HULK (1813-1897) FRESH BREEZES IN COASTAL WATERS Oil on thin panel 22 x 29cm. ++ Slightly yellowed varnish £400-600 (+ 26.4% BP*)
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PHILIP JOHN OULESS (1817-1885) THE 'HEBE' (PHILIP LE MARCHAND, COMMANDER) AND OTHER VESSELS NEAR CORBIERE LIGHTHOUSE OFF THE JERSEY COAST Signed with a monogram and dated 1878, oil on canvas 44.5 x 65cm.
* The subject was used upon a Jersey postage stamp (9p) ++ Some flaked losses in the sky; needs a light clean £1200-1800 (+ 26.4% BP*)
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CIRCLE OF THOMAS BUTTERSWORTH (1768-1842) A FRIGATE AND OTHER SAILING VESSELS Oil on canvas 49 x 59cm. ++ Old lining; retouching and craquelure £400-600 (+ 26.4% BP*)
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CLAUDE T. STANFIELD MOORE (1853-1901) A WRECK OFF WHITBY Signed and dated 76, bears title on stretcher, oil on canvas 49 x 74.5cm. ++ Some craquelure, particularly in the sky; needs a light clean £1200-1800 (+ 26.4% BP*)
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JOHN WILSON CARMICHAEL (1800-1868) THE 16-GUN SLOOP 'ELIZA JOHN' OFF PLYMOUTH HOE Signed, oil on canvas 56.5 x 89cm. Provenance: London, Christies, June 18th 1965, lot 36, purchased by the vendor's father ++ Old lining; scattered retouching, mainly in the sky and the water, little in the vessels; a little thin in a few places; needs a clean £5000-7000 (+ 26.4% BP*)
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ENGLISH PROVINCIAL SCHOOL, 19th CENTURY A GROUP OF BIG CATS Oil on canvas 48.5 x 63cm. ++ Lined; some retouching; craquelure; mahogany frame £150-200 (+ 26.4% BP*)
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HENRY GARLAND (1834-1913) FOUR RABBITS Signed, oil on canvas 21.5 x 36.5cm. ++ Lined; some associated retouching £500-700 (+ 26.4% BP*)
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GEORGE ARMFIELD (1808-1893) THE FIRST OF OCTOBER Signed, oil on canvas 49.5 x 75cm. ++ Small punctures at right in trees; needs a light clean £450-600 (+ 26.4% BP*)
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ARTHUR LEMON (1850-1912) THE FARMER'S HORSES Signed, oil on canvas 65.5 x 136.5cm. ++ Lined; a little associated retouching £1500-2000 (+ 26.4% BP*)
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JOHN SARGENT NOBLE (1848-1896) PUZZLED Bears signature, oil on canvas 69.5 x 85cm.
* Noble exhibited a picture with this title at The Royal Academy, 1892, no.733 ++ Old lining; craquelure; many flaked losses and faults, some with old retouching; needs a clean £800-1200 (+ 26.4% BP*)
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ALBERT LUDOVICI Jnr (1852-1932) DANCER WITH A FAN Signed, oil on canvas 17 x 11cm. ++ Needs a light clean £200-300 (+ 26.4% BP*)
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RICHARD WHITFORD (c.1821-1900) STUDY OF DARK BAY HORSE IN A FIELD Signed and dated 1860, oil on canvas 49.5 x 59.5cm. ++ Good coverall; needs a light clean £500-700 (+ 26.4% BP*)
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ALFRED RONNER (1852-1901) THE GYPSY VIOLINIST AND HER DOG Signed with monogram and full signature, oil on panel 44 x 32cm. ++ Faint retouching upper left; slightly rubbed at panel edges; needs a light clean £500-700 (+ 26.4% BP*)
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FOLLOWER OF EUGENE DELFOSSE (1825-1865) A STOLEN KISS Oil on canvas, cut down 70 x 90cm. ++ Some flaked losses £250-350 (+ 26.4% BP*)
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ITALIAN SCHOOL, 20th CENTURY VENICE: SAN GIORGIO DEI GRECI Signed indistinctly, oil on canvas 45 x 77.5cm. ++ Small puncture and flaked losses in sky; stretcher marks in centre £400-600 (+ 26.4% BP*)
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FERDINANDO SILVANI (1823-1899) ON A NORTH ITALIAN LAKE Signed, oil on panel, unframed 28.5 x 38.5cm. ++ Good condition; needs a light clean; a few small chipped losses, grazed in water on left £300-400 (+ 26.4% BP*)
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FOLLOWER OF JOHAN NICOLAAS VAN LOKHORST (1837-1929) FIGURES AND CATTLE BY A LAKE NEAR A WINDMILL, SUNSET Bears signature, oil on canvas 36 x 45.5cm. ++ Some retouching at edges; needs a clean £150-200 (+ 26.4% BP*)
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MANNER OF JAN VAN OS (1744-1808) AN ESTUARY SCENE WITH FIGURES UNLOADING BOATS Oil on canvas 63.5 x 80cm. ++ Lined; some retouching; craquelure £150-250 (+ 26.4% BP*)
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DUTCH SCHOOL, 18th CENTURY FISHING BOATS IN CHOPPY WATERS OFF THE COAST (AT HAARLEM?) Oil on canvas 36 x 48.5cm. ++ Lined; two patched repairs; retouching over old faults £150-200 (+ 26.4% BP*)
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LOUIS GONTIER (Fl.c.1879) THE BATTLE OF LUTZEN, 1813 Signed, inscribed Bataille de Lutzen/1813, oil on canvas 53.5 x 88.5cm. Provenance: purchased from London, Omell Galleries, December 1981.
* The battle took place in the village of Gross Gorschen near Lutzen in North Germany on May 2nd, 1813. Napoleon Bonaparte and his second in command, Marechal Ney, commanded the French cavalry in skilled engagements with Russian and Prussian forces under General Wittgenstein and won a decisive victory. ++ Generally good condition £1000-1500 (+ 26.4% BP*)
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ALEXIS DE LEEUW (c.1822-1900) WINTER RATIONS Signed, oil on canvas laid on board 50.5 x 65.5cm. ++ A little scattered retouching £800-1200 (+ 26.4% BP*)
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JAN HENDRIK BOSHAMER (1775-1862) DUTCH VESSELS MOORED IN CALM WATERS Signed on spar lower right, oil on panel 36.5 x 49.5cm. ++ Some scattered retouching and craquelure; grazes in sky upper right; retouching along horizontal split in panel in sky £1500-2000 (+ 26.4% BP*)
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JOHN (JAN) FREDERICK HULK (1855-1913) A BUSY WATERFRONT IN A DUTCH TOWN Signed, oil on canvas 75.5 x 101cm. ++ Two small patched repairs verso; some associated retouching; craquelure; slip frame £1500-2000 (+ 26.4% BP*)
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JOHANN CHRISTIAN CLAUSEN DAHL (1788-1857) LANDSCAPE SCENE ACROSS A RIVER PLAIN WITH FIGURES BY A BUILDING IN THE FOREGROUND Signed and dated 1841, oil on canvas 38 x 51cm. ++ Lined; some associated retouching and craquelure £1000-1500 (+ 26.4% BP*)
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WILLEM JOHANNES MARTENS (1838-1895) THE NEW LITTER Signed and inscribed Roma, oil on panel 32 x 22.5cm. ++ Some scattered retouching (girl's cheek and elsewhere); some craquelure £800-1200 (+ 26.4% BP*)
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CIRCLE OF EUGENE BOUDIN (1824-1898) ESTUARY SCENE WITH MOORED BOATS Bears signature, oil on panel 21 x 32cm. ++ Some scattered retouching; needs a light clean £400-600 (+ 26.4% BP*)
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RUDOLF ERNST (1854-1932) AN INFORMAL COMMUNION Signed, oil on canvas 45 x 37.5cm. ++ Unlined; needs a light clean £1500-2500 (+ 26.4% BP*)
Ð 1482
WILLEM GERARD HOFKER (1902-1981) THE BREWER'S DRAY Etching, 1948, signed in pencil 15 x 43cm. ++ Good condition; a few pale spots of foxing £100-150 (+ 26.4% BP*)
Ð 1483
OSWALD HAMILTON CUNINGHAM (1883-c.1935) HOMEWARDS Etching, printed with tone, on simili-japan, signed and inscribed with title 25 x 26cm.; with a lithograph by S. Alick Knight, of 'Fishing Village', numbered 7/20, signed and dedicated To B.E.E. Sutcliffe from S A R 1945, 21 x 27.5cm. (2) ++ The former good; the latter with a little damp staining £100-150 (+ 26.4% BP*)
Ð 1484
FRANK HENRY MASON (1875-1965) COWES, ISLE OF WIGHT Drypoint etching, signed in pencil 25 x 50cm. ++ Slightly grubby in margins; slight time toning; faint rubbed damage in sky £120-180 (+ 26.4% BP*)
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WILLIAM LIONEL WYLLIE (1850-1931) HAULING IN A SEINE, SHERINGHAM, NORFOLK Etching, signed 15 x 19.5cm. ++ A little time staining £120-180 (+ 26.4% BP*)
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WILLIAM LIONEL WYLLIE (1851-1931) GIBRALTAR, WITH THE BATTLE CRUISERS HMS RENOWN AND REPULSE Etching, signed 16 x 37cm. ++ A few spots of foxing; slight time toning £150-200 (+ 26.4% BP*)
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WILLIAM LIONEL WYLLIE, RA (1851-1931) TUGS AND SMALL CRAFT ON A BUSY RIVER Etching with drypoint, signed 12 x 29.5cm. ++ Slight mount burn and time toning £120-180 (+ 26.4% BP*)
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AUGUSTUS JOHN, OM, RA (1879-1961) THE BIG GROTTO (CD. 117) Etching, 1906, signed in pencil 7.3 x 7.7cm.; with three further etchings/engravings by or after Jean Norblin de la Gourdaine ('Landscape with Village', 1778); Claude Gellee ('L'Apparition', c.1630); and Albrecht Durer (copy of 'St Bartholomew', 1523) (4) ++ Mixed condition £300-500 (+ 26.4% BP*) Ð 1489. SIR WILLIAM RUSSELL FLINT, RA, PRWS (1880-1969) SPANISH WHEELWRIGHTS Etching, 1931, signed and numbered XXXVIII (the edition was 75), also inscribed Paper: French A.B.S.C. 1793 (dated) in the artist's hand 23.5 x 31.5cm. ++ Pale former mount stain £200-300 (+ 26.4% BP*) Ð 1490. ROBIN TANNER (1904-1988) WREN AND PRIMROSES (Garton 19) Etching, 1935, this impression published as the title page for Garton's 'British Etchers 1850-1940',1977, signed, unframed Image 9 x 11cm. ++ Good condition £150-200 (+ 26.4% BP*) Ð 1491. ALFRED CHARLES STANLEY ANDERSON, CBE, RA (1884-1966) HYDEN, THE OLD SHEPHERD; THE COOPER Two, line engravings, each signed in pencil, from editions of 65 each Each 17.7 x 14.5cm.; with 'Interval' (ballet dancers), etching by E. Heber Thompson, signed, 17 x 22cm. (3) ++ Each in good condition £300-400 (+ 26.4% BP*) Ð 1492. ROBIN TANNER (1904-1988) THE OLD ROAD: ELEGY FOR THE ENGLISH ELM (Garton 36) Etching, 1976, issued 1977, signed in pencil, unframed 30 x 23.5cm. ++ Good condition £200-300 (+ 26.4% BP*) Ð 1493. ALISTAIR GRANT (1925-1997) MOON AND WATER Lithograph printed in colour, signed and dated 57, titled and numbered 18/20 42 x 51.5cm. ++ Generally good condition £100-200 (+ 26.4% BP*) Ð 1494. ROBERT TAVENER (1920-2004) SEVEN SISTERS, BEACHY HEAD Colour linocut, signed, titled and inscribed Artist's Proof, 35.5 x 48cm.; with another by Tavener, 'Poppies and Downs', signed and titled, 44.5 x 62cm.; and a colour linocut by Deborah Porter, 31.5 x 54cm. (3) ++ Each in good condition £200-300 (+ 26.4% BP*) Ð 1495. A GROUP OF EIGHT SMALL MODERN PRINTS to comprise etchings by Maurice de Vlaminck ('Environs de Marines/Oise'; 'Une Eglise dans le Vexin') from Duhamels' Vlaminck, 1927; Paul Cezanne ('Head of a Young Woman'; 'Paysage a Anvers') probably from 'Homage to Cezanne', 1914; an etching by Auguste Rodin ('Buste de Bellone'), 1883; two colour woodcuts by Andre Derain; and a small aquatint with etching by Joan Miro, none from signed or numbered editions, various sizes (8) ++ Rodin foxed; others generally good £300-500 (+ 26.4% BP*)
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A FOLIO OF MODERN PRINTS to comprise examples by or after Vaclav Bostik, Peter Bruning, Ludwig Holwein, Karl Hubbuch, Otto Lendecke, Walter Schnackenberg, John Skeaping ('Mare and Foal', School Print) and others, some signed, all unframed (22) ++ Good condition overall £150-250 (+ 26.4% BP*) Ð 1497. 'BAMBI' (b.1975) AMY RED Screenprint on Archival paper, 2011, signed and numbered 23/35, with certificate from Hyde Image Ltd, unframed Sheet 112 x 76.5cm. Provenance: Private collection, Gloucestershire ++ Slight handling creases £1500-2000 (+ 26.4% BP*) Ð 1498. 'BAMBI' (b.1975) BECKHAM Hand cut hand sprayed stencil on Archival paper, 2014, signed and numbered 24/50, with certificate from Hyde Image Ltd, unframed Sheet 88.5 x 101.5cm. Provenance: Private collection, Gloucestershire ++ Slight handling creases £2000-3000 (+ 26.4% BP*)
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CECIL ALDIN (1870-1935) ALL IN HARMONY Signed and dated 94, grey wash and pencil 51.5 x 36cm. ++ Needs a very light clean £350-450 (+ 26.4% BP*) Ð 1500. RAYMOND JOHN VANDENBERGH (b.1889) HEAD OF A TIGER Signed, coloured chalks on buff paper 12.5 x 16cm. ++ Rubbed marks through signature £100-150 (+ 26.4% BP*) Ð 1501. GORDON BENINGFIELD (1936-1998) GOLDFINCH ON THISTLE BRANCH Signed, watercolour and gouache 31 x 20.5cm. Provenance: The artist's family £200-300 (+ 26.4% BP*) Ð 1502. REUBEN WARD BINKS (1880-1950) CHAMPION ADVERT OF SOLWAY; CIRGER Two, both signed, inscribed with the dogs' names, dated 1930 and 1926, watercolour and gouache, the latter on textured paper Each 25 x 32.5cm. (2) ++ The former with a little fading and foxing; the latter light stained £500-700 (+ 26.4% BP*) Ð 1503. JOHN EDWARDS (b.1940) THREE STUDIES OF A BADGER; AN OTTER Two, both signed, pencil 24.5 x 34cm. and 27.5 x 35.5cm. (2) Provenance: London & Perth, Malcolm Innes & Partners Ltd ++ Good condition £100-150 (+ 26.4% BP*) Ð 1504. JOHN SKEAPING, RA (1901-1980) OVER THE FENCE Signed and dated 48, black ink and charcoal 35 x 43.5cm. Provenance: The artist's family ++ A little time staining and foxing £600-800 (+ 26.4% BP*) Ð 1505. JOHN SKEAPING, RA (1901-1980) STUDIES OF DARTMOOR PONIES Three, coloured pastels, on three shaped leaves, framed as one The largest 36.5 x 41cm approx; 73.5 x 53cm. overall Provenance: The artist's family ++ Good condition £400-600 (+ 26.4% BP*) Ð 1506. JOHN SKEAPING, RA (1901-1980) ON THE GALLOPS Black ink and charcoal, c.1948 35 x 43.5cm. Provenance: The artist's family ++ Paper mottled and with pale mat stains £500-700 (+ 26.4% BP*) Ð 1507. JOHN SKEAPING, RA (1901-1980) THE CHESTNUT FILLY; A FUTURE CHAMPION? A near pair, both signed, the former dated 72, each with title verso, gouache, unframed 47 x 71cm. and 48.5 x 71cm. (2) Provenance: The artist's family ++ Good condition £900-1200 (+ 26.4% BP*) Ð 1508. EDWARD WESSON (1910-1983) A GLASS OF CUT ROSES Signed, watercolour 32.5 x 50cm. ++ A little foxing; good colour £150-200 (+ 26.4% BP*)
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A MIXED FOLIO OF WATERCOLOURS & DRAWINGS, c.1750-1950 comprising a variety of subjects by largely Continental hands, a few signed or ascribed (Josef 'Hesto' Hesterberg, Karl Hubbuch); a stage design attributed to Mstislav Dobuzhinsky, 32 x 44cm., but mainly figure subjects and landscapes, many mounted, all unframed (24) ++ Generally good £200-400 (+ 26.4% BP*) Ð 1510. JOHN PEMBERTON (Fl.c.1952-1954) TWO SKETCHBOOKS, A CAHIER OF WASH DRAWINGS (1952) AND A FURTHER DRAWING The sketchbooks comprising a total of 45 leaves, most with 2-4 designs on each leaf, principally pen and ink, some with white, on a sepia wash background, both books signed on the inside cover, one dated 1954; the cahier of 13 leaves, each signed and dated 52; various sizes (4 items) ++ Generally fair-good £100-200 (+ 26.4% BP*)
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DOUGLAS ALEXANDER (1871-1945) A CROFT ON A RIVERBANK Signed, watercolour 24 x 35.5cm. ++ Good condition £150-200 (+ 26.4% BP*)
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ALBERT LUDOVICI Junr (1852-1932) THAMES EMBANKMENT, LOOKING TO WESTMINSTER Signed, watercolour 18 x 25cm. ++ A little rubbed £150-200 (+ 26.4% BP*)
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FREDERICK WILLIAM NEWTON WHITEHEAD (1853-1938) WOOL BRIDGE, DORSET; ST. MARY'S HALL, COVENTRY; ST. DAVID'S; BOATS ON A SHORE Four, each signed, the second and third also inscribed, the third also dated June 1913, watercolour, two with pencil, 21.5 x 28cm.; 26.5 x 20cm.; 22 x 29.5cm; and 24 x 34.5cm. (4) ++ The first two satisfactory; the last two with foxing £200-300 (+ 26.4% BP*) Ð 1514. ANDREW STOCK (b.1960) KINGFISHER ON THE DORDOGNE, NEAR CARENNAC Signed and dated 88, watercolour 39.5 x 53.5cm. Provenance: Purchased from Dorchester, Bairstow Gallery, November 1988 ++ Good condition £150-200 (+ 26.4% BP*) Ð 1515. JOHN KNAPP-FISHER (1931-2015) PEMBROKESHIRE COAST Signed and dated 1983, watercolour 7.2 x 6.8cm. Provenance: Cirencester, The Delahaye Gallery ++ Good condition £200-300 (+ 26.4% BP*) Ð 1516. JOHN MORLEY (b.1942) BEEHIVE AND A RAINBOW Signed and dated 1977, watercolour 38 x 37.5cm. Provenance: London, Piccadilly Gallery, where purchased by the owner, November 1982 ++ Good condition £100-200 (+ 26.4% BP*) Ð 1517. GEORGE LARGE (b.1936) LYME REGIS Signed and dated 96, watercolour and pencil 43.5 x 49.5cm. Exhibited: London, RBA at The Mall Galleries, 1997 (label verso) ++ Good condition £200-300 (+ 26.4% BP*) Ð 1518. DOUGLAS PERCY BLISS (1900-1984) THE QUIRAING, SKYE Signed and dated 27, watercolour and pencil 30 x 49.5cm ++ Good condition £800-1200 (+ 26.4% BP*)
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FIVE ASSORTED MODERN WORKS ON PAPER to comprise works by or attributed to Constantin Guys (figures with a horse and cart, 13 x 22cm.); cloaked figure raising a hat (bull fighter?), signed Man...Seville, 32 x 23.5cm.; JHG (classical figure with a platter, initialled, 37.5 x 26cm.); a still life, indistinctly signed, 31.5 x 44.5cm.; and a drawing by Louis Wain, signed and dated May 25 1906, 17 x 14.5cm., various media (5) ++ Mixed condition £200-300 (+ 26.4% BP*)
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HENRY SCOTT TUKE, RA, RWS (1858-1929) A BARQUE BECALMED Signed and dated 1928, watercolour and pencil 24.5 x 16.5cm. ++ A little pale £800-1200 (+ 26.4% BP*)
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HENRY SCOTT TUKE, RA, RWS (1858-1929) A BARQUE ON A MOORING Signed with initials and dated 1903, watercolour over traces of pencil 22.5 x 15cm. ++ A little faded £800-1200 (+ 26.4% BP*) Ð 1522. SIR CECIL BEATON, CBE (1904-1980) TROOPING THE COLOUR ON HORSE GUARDS PARADE Signed, watercolour and pencil 34.5 x 48cm. Provenance: Colonel Ebenezer John Lecky Pike, CBE, MC, DL (1884-1965) (Grenadier Guards); and thence by descent ++ Slight wear and handling marks at sheet edges; laid down £1000-1500 (+ 26.4% BP*) Ð 1523. GEORGE CHARLTON (1899-1979) A SALE AT A COUNTRY HOUSE Signed and inscribed with title, watercolour with pen and ink over pencil 49.5 x 72.5cm. Provenance: The artist's studio sale, 1982; London, Highgate Gallery (label verso) ++ Good condition £500-700 (+ 26.4% BP*) Ð 1524. RODRIGO MOYNIHAN, RA (1910-1990) LANDSCAPE Signed, apparently painted over another composition, oil on canvas 39.5 x 49.5cm, ++ Generally good condition £200-300 (+ 26.4% BP*) Ð 1525. ALFRED NATHANIEL OPPPENHEIM (1873-1953) BEI AUVERS SUR OISE Signed with monogram and dated 08, inscribed Bei Auvers s/oise/Alfred Oppenheim/Frankfurt A/M verso, oil on panel 40 x 32cm.
* Provenance: London, Christies South Kensington, June 17th, 1986, lot 14 ++ Needs a light clean £200-300 (+ 26.4% BP*) Ð 1526. TONY SHEATH (b.1946) THE DROVERS' TRACK Signed, oil on canvas 39.5 x 49.5cm.; with a 20th Century Continental School still life of flowers, signed indistinctly, oil on canvas, 69 x 58.5cm. (2) Provenance: (Sheath) Purchased from Taunton, Omell Galleries, April 1986 ++ Each in good condition £150-200 (+ 26.4% BP*) Ð 1527. JOSIAH STURGEON (1919-2000) LOW WATER, DELL QUAY; CONYER CREEK A pair, both signed, oil on board Each 29 x 39cm. (2) ++ Good condition £400-600 (+ 26.4% BP*) Ð 1528. JOHN DONALDSON (b.1945) VILLAS ON THE FRENCH COAST Signed, oil on board 59 x 79cm. ++ Good condition £200-300 (+ 26.4% BP*)
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PAUL FJELLBOE (American, 1873-1948) ASPENS AND LAKE, POSSIBLY UTAH Signed, oil on canvas board 29.5 x 44cm.
* To be sold for the benefit of Save the Children, Somerset ++ Good condition £120-180 (+ 26.4% BP*)
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SIMON KOZHIN (Russian, b.1979) BOTANICAL GARDENS Signed and inscribed in Cyrillic and Roman verso, oil on canvas 49.5 x 69cm. ++ Good condition £300-400 (+ 26.4% BP*) Ð 1531. DON VAUGHAN (b.1916) FOXHUNT IN SURREY Signed, oil on canvas 59.5 x 90.5cm. ++ Good condition £200-300 (+ 26.4% BP*) Ð 1532. JOHN KING (1929-2014) STALKING IN SUTHERLAND; WILL HE, WON'T HE? Two, both signed, dated 1968 and 1971, the latter inscribed with title, oil on canvas Each 49.5 x 75cm. (2) Provenance: A gift to the vendor's family in exchange for days of stalking ++ Good condition £400-600 (+ 26.4% BP*) Ð 1533. DAVID WOODFORD (b.1938) TRYFAN, OGWEN VALLEY, SNOWDONIA Signed, oil on board 21 x 31cm. ++ Good condition £100-150 (+ 26.4% BP*) Ð 1534. ADRIAN ALLINSON (1890-1959) MEDITERRANEAN IDYLL Signed, also signed and inscribed with title and artist's address verso, oil on canvas, unframed 51 x 67cm. ++ A little worn at edges; grazed left of centre and elsewhere £600-800 (+ 26.4% BP*) Ð 1535. SAMUEL JOHN LAMORNA BIRCH, RA, RWS (1869-1955) BOYS FISHING FROM A COUNTRY BRIDGE Signed, oil on board 22 x 29cm. ++ Good condition £400-600 (+ 26.4% BP*) Ð 1536. LETITIA MARION HAMILTON, RHA (1878-1964) SKETCH ON THE IRISH COAST Signed with initials, oil on panel 16.5 x 24cm. ++ Good condition; small graze in sky £600-800 (+ 26.4% BP*)
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WILLIAM ALFRED GIBSON (1866-1931) TREES AT TWILIGHT Signed, oil on canvas board 28.5 x 33.5cm. ++ Good condition £500-700 (+ 26.4% BP*) Ð 1538. FRED YATES (1922-2008) EXMOUTH FROM DAWLISH WARREN 1965 Bears signature in black marker pen verso, acrylic on masonite 31.5 x 164cm. Provenance: A gift to Dave Rice from the artist ++ Some craquelure in the heavy impasto; needs a clean £500-800 (+ 26.4% BP*)
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A** KARN (20th Century) FIGURES ON A WATERFRONT AT SUNSET Oil on canvas laid on board 37.5 x 47.5cm. ++ Good condition £200-250 (+ 26.4% BP*) Ð 1540. FREDERICK WILLIAM ELWELL, RA (1870-1958) TOWN SCENE WITH A BRIDGE, POSSIBLY AT CARCASSONNE, FRANCE Signed and dated 1924, oil on thin ply panel 34 x 49.5cm. ++ Needs a light clean; some slight craquelure £500-700 (+ 26.4% BP*) Ð 1541. GARRICK SALISBURY PALMER (b.1933) MOONRISE Signed and dated 66-69, oil on card 35.5 x 53.5cm. ++ Good condition £100-150 (+ 26.4% BP*)
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FOLLOWER OF SYDNEY WILLIAM CARLINE (1888-1929) ALLEGORY OF PEACE Oil on canvas 49.5 x 60cm. ++ A little craquelure; needs a light clean £200-300 (+ 26.4% BP*) Ð 1543. KEN MORONEY (b.1949) THE GIPSY CARAVAN Signed, acrylic on board 19.5 x 14.5cm. ++ Good condition £150-200 (+ 26.4% BP*) Ð 1544. ATTRIBUTED TO WALTER ERNEST WEBSTER (1878-1959) STILL LIFE WITH GLADIOLI Signed WEBSTER, oil on canvas, unframed 91.5 x 65cm. ++ Lined; some associated retouching £250-350 (+ 26.4% BP*) Ð 1545. GEORGE CHARLTON (1899-1979) THE COMMONERS' WEDDING Oil and pencil on board, probably a preparatory work 58 x 24.5cm.
* The church is St. Luke, Old Street, London, designed by Hawksmoor and James ++ Needs a light clean; scratches on the groom £250-350 (+ 26.4% BP*) Ð 1546. ANTHONY MORRIS (b.1938) PORTRAIT OF J. PRESTON; PORTRAIT STUDY OF A LADY Two, the first signed, the second initialled, each oil on board, artist's labels verso 49.5 x 34cm and slightly smaller (2) ++ He with craquelure; she in good condition £150-200 (+ 26.4% BP*) Ð 1547. HECTOR TROTIN (1894-1966) THE AIRSHIP OF GASTON AND ALBERT TISSANDIER Signed J Bisonneaux, inscription verso, oil on board 15.5 x 23.5cm. The inscription vesro reads: Aerostat dirigeable electrique de/ Gaston et Albert TISSANDIER/ l'occasion eut lieu le lundi/ 8 Octobre 1883 a 4 heures 35/ pres de Crossy sur Seine/ Collection THECRO./ No VII ++ Good condition £300-500 (+ 26.4% BP*) Ð 1548. HERMANN HALLER (Swiss, 1880-1950) STANDING FEMALE NUDE Terracotta, signed on base 43cm overall (inc. 2.5cm base); with another by Haller, female bust, painted plaster, numbered 242 on base, 13.5cm.; and a small group of booklets and photographs relating to Haller's work (3) ++ The former with small chips to base only; the latter with a few chips £200-400 (+ 26.4% BP*) Ð 1549. ADRIAN WATERLOW (20th Century) THE HOUSEKEEPER'S SHELF Bears label verso, oil on canvas 49.5 x 62cm.
* The stoneware jar is marked 'Naphthalene Crude', principally used in the manufacture of mothballs ++ Good condition £150-200 (+ 26.4% BP*) Ð 1550. DORIS ZINKEISEN (1898-1991) A HINT OF HOGARTH Signed and dated 28, oil on canvas 39.5 x 49.5cm. ++ Good condition £250-350 (+ 26.4% BP*) Ð 1551. LEONARD RICHMOND (1889-1965) CADGWITH NEAR THE LIZARD Bears signature and title verso, oil on board 39 x 49.5cm. ++ Good condition £400-600 (+ 26.4% BP*) Ð 1552. DONALD McINTYRE (1923-2009) BEACH HUTS Signed with initials, oil on board 16.5 x 19.5cm. ++ Good condition £700-1000 (+ 26.4% BP*)
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JULIUS OLSSON, RA (1864-1942) MOONLIGHT, CORNISH COAST Signed, oil on canvas 44.5 x 59cm. ++ Needs a light clean £1000-1500 (+ 26.4% BP*) Ð 1554. GEORGE VERNON STOKES (1873-1954) 'NARCISSUS' Signed, oil on canvas' 39.5 x 50cm. ++ Needs a light clean £2000-3000 (+ 26.4% BP*) Ð 1555. WILFRED GABRIEL DE GLEHN (1870-1951) PORTRAIT OF LYNN FONTANNE IN AN INTERIOR The actress depicted standing full length beside a globe, signed, oil on canvas 70.5 x 55cm.
* Lynn Fontanne (1887-1983) was a British born acting star with a career that spanned five decades in America, alongside that of her husband Alfred Lunt. Each received an Emmy award and a joint Tony award and Fontanne earned an Academy Awards nomination for a leading role in one of her films ('The Guardsman', 1931). She led everyone (including her husband) to believe that she had been born in 1892-1893, a conceit that she maintained until her death. Another depiction of 'Lynn Fontanne by the Thames', 1914, was sold at Sothebys New York, November 28th 2007, lot 87 ($79,000) Provenance: Purchased from Sherborne, Peter Brooks Fine Paintings, July 1991 ++ Lined; a little associated retouching £2000-3000 (+ 26.4% BP*) Ð 1556. GEORGE CHARLTON (1899-1979) ON THE ISLE OF WIGHT Signed and dated 1930, oil on board 49.5 x 74.5cm. Exhibited: London, New English Art Club, 1930 Provenance: The artist's studio sale, 1982; London, Highgate Gallery (label verso) ++ Good condition; needs a light clean £500-800 (+ 26.4% BP*) Ð 1557. ATTRIBUTED TO THE HON. NEVILLE STEPHEN LYTTON, 3rd EARL OF LYTTON (1879-1951) PORTRAIT OF A YOUNG MAN Bust length, oil on panel 26.5 x 21cm. Provenance: By descent in the family of the artist ++ Good condition £300-500 (+ 26.4% BP*) Ð 1558. NEVILLE STEPHEN LYTTON, 3rd EARL OF LYTTON (1879-1951) PORTRAIT OF CLAUDE TRYON (d.1949), THE ARTIST'S SON IN LAW, WITH A VIOLIN Oil on canvas 89.5 x 73.5cm. Provenance: By descent in the family of the artist. Claude Tryon, an engineer, married Lady Winifred Lytton in November 1921. He is buried at Culbone, near Porlock, Exmoor. ++ Slight grazes at right hand side £300-500 (+ 26.4% BP*) Ð 1559. DAVID EUSTACE (b.1950) BATHERS; METRONOME (2008) Two, both signed, oil and acrylic on board 25 x 26.5cm. and 29.5 x 30.5cm. (2) ++ Former example with slight damages at panel edges £300-400 (+ 26.4% BP*) Ð 1560. JOSE BALMES (1927-2016) OBLETOS Signed and dated 60, also signed, inscribed and dated 1960 on stretcher, oil on canvas 60 x 81cm. ++ Needs a light clean; impasto slightly chipped £300-500 (+ 26.4% BP*) Ð 1561. ANTONIO FREILES (b.1943) (UNTITLED) Signed, also signed and bears remains of fragmented label on stretcher, oil on canvas 79 x 89cm. ++ Needs a light clean £200-300 (+ 26.4% BP*)
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MARIE MENKEN (1909-1970) LOADING ZONE: GET LOADED Signed and inscribed Chelsea NY68, also signed and dated and with Andy Warhol Factory stamp verso, oil on canvas 71 x 60cm.
* Menken, said by some to have been influential upon Warhol's film making techniques, made a film entitled Andy Warhol in 1964/65. She was a highly prolific film maker from 1945 until her death. ++ Good condition £200-300 (+ 26.4% BP*) Ð 1563. RONALD OSSORY DUNLOP, RA (1894-1973) AN IRISH VILLAGE Signed, oil on canvas 39.5 x 49.5cm. Provenance: Dublin, The Brook Street Gallery (remains of label on stretcher) ++ Needs a light clean £500-700 (+ 26.4% BP*)
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RONALD OSSORY DUNLOP, RA (1894-1973) SELF PORTRAIT Oil on canvas 39.5 x 29cm. ++ Generally very good condition; some slight crazing of the impasto £300-500 (+ 26.4% BP*) Ð 1565. RONALD OSSORY DUNLOP, RA (1894-1973) FIGURE BY A TREE IN A LANDSCAPE Signed, oil on canvas 24 x 29cm. ++ Good condition £200-300 (+ 26.4% BP*) Ð 1566. LESLIE JOSEPH WATSON (1906-1992) ST MARY'S, ISLES OF SCILLY Signed, oil on canvas 69.5 x 90cm. ++ Needs a light clean; some slight retouching of flaking in sky £500-700 (+ 26.4% BP*) Ð 1567. SIR WALTER WESTLEY RUSSELL, CVO, RA (1867-1949) LOOE Oil on canvas 69 x 90cm. ++ Good condition £800-1200 (+ 26.4% BP*)
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ATTRIBUTED TO DOROTHEA SHARP ON PORTHMEOR BEACH, ST. IVES Oil on canvas 34 x 44.5cm. Provenance: From the Devon home of a pupil of Dorothea Sharp. ++ Needs a light clean £400-600 (+ 26.4% BP*) Ð 1569. WILLIAM LEE HANKEY, RWS (1869-1952) CANNES, PORT ET SUQUET Signed, oil on canvas 61.5 x 74cm. ++ Good condition £3000-4000 (+ 26.4% BP*)
| Furniture, Clocks and Carpets | |
Clocks and Barometers | |
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FRENCH BRASS FOUR PANE CARRIAGE CLOCK, the silvered dial with engine turned centre in an arched gilt frame with scrolling spandrels, on an eight day repeater movement half hourly striking to a gong, the case with fluted and baluster columns, height excluding handle 11.5cm £400-600 (+ 26.4% BP*)
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