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IRISH SCHOOL, Circa 1800 FIGURES BATHING AT A WOODLAND POOL, A VILLAGE IN THE DISTANCE Oil on canvas, apparently cut off a stretcher and now laid loosely on a modern board 19 x 29cm. ++ Craquelure; needs a clean £200-400 (+ 26.4% BP*)
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JOSEPH MURRAY INCE (1806-1859) ENVIRONS OF AN ANCIENT GARDEN Signed and dated 1853, bears partially fragmented inscribed label verso, oil on board 29 x 39cm. ++ Slight damage left of centre; needs a clean £250-350 (+ 26.4% BP*)
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CIRCLE OF HENRY ALKEN (1785-1851) A COACH ON A LOCHSIDE ROAD Oil on canvas laid on board 24 x 34.5cm. ++ Some craquelure and paint separation; needs a clean £150-200 (+ 26.4% BP*)
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RICHARD HILDER (Fl.1836-1851) LANDSCAPE SCENE WITH A WINDMILL Oil on panel 34.5 x 44cm. Provenance: London, Christies, 17th December 1904, lot 100, 22gns (sold by Mrs Wilkinson, bought by Huggins); Channel Islands collection; thence to the current owner ++ A little abraded; some paint separation £150-200 (+ 26.4% BP*)
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CIRCLE OF HENRY ALKEN (1785-1851) A HUNT IN OPEN COUNTRY Oil on canvas 19 x 24cm. ++ Some craquelure; needs a clean £120-180 (+ 26.4% BP*)
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MISS WILLIAMS, 1897 'FROM OUR VERANDAH': A VIEW THROUGH TREES TO HILLS, MAHARASHTRA, INDIA Unsigned, bears inscriptions 'From Our Verandah Dec 1897/ By Miss Williams' and 'Miss Williams/ Hillwood/ Panchgani' on the stretcher, oil on canvas 27.5 x 46.5cm.
* A label on the frame is that of Maneckji Pestonji ('Polo Goods Supplier, Picture Framer and Cabinet Maker') ++ Slight craquelure; needs a clean £300-500 (+ 26.4% BP*)
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EDMUND BRISTOW (1787-1876) BOYS FISHING ON A BEND IN THE RIVER Signed and dated 1847, oil on canvas 38.5 x 28.5cm. ++ Old lining; some retouching over old craquelure etc £150-200 (+ 26.4% BP*)
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CIRCLE OF HORATIO McCULLOCH, RSA (1805-1867) FIGURES NEAR A STONE SHELTER IN A HIGHLAND LANDSCAPE Oil on board 24 x 34.5cm. ++ Two small chipped losses at left; needs a clean £180-250 (+ 26.4% BP*)
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PETER LA CAVE (1769-c.1811) COUNTRY SCENE WITH FARMERS AND A STAGECOACH Signed and dated 1799, oil on panel 35.5 x 52cm. ++ Much retouching in the sky; a few grazes; small inserted repair verso at lower edge (not visible recto) £450-600 (+ 26.4% BP*)
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ENGLISH PROVINCIAL SCHOOL, 19th CENTURY FIGURES ON A PATH, APPROACHING A COUNTRY HOUSE Oil on canvas, unframed 36.5 x 47cm. ++ Lined; much retouching at base; small blemishes elsewhere £120-180 (+ 26.4% BP*)
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ENGLISH SCHOOL, 18th CENTURY PORTRAIT OF A LADY Bust length, wearing a pearl necklace and flowers in her hair, oil on canvas, oval 30 x 25cm. ++ Old lining; craquelure; retouching; grazed upper centre £80-120 (+ 26.4% BP*)
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FOLLOWER OF HENRI PIERRE DANLOUX (1753-1809) PORTRAIT OF JOHN GEORGE PARKHURST (1761-1823) Seated half length at his desk, wearing a blue coat and holding a letter, oil on canvas 74 x 63.5cm.
* The elder child of Captain Robert/Richard Parkhurst, the sitter married Mary (nee Heblethwayte) in 1784 and they lived at Catesby Abbey, Northants. There were three children of the marriage. ++ Old lining; a little associated retouching; some craquelure; needs a clean £400-600 (+ 26.4% BP*)
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CIRCLE OF JOSEPH WRIGHT (1756-1793) PORTRAIT OF A BOY Bust length, wearing a grey coat and white shirt, in a landscape, oil on panel, oval 28 x 23cm. ++ Panel slightly warped; slight blistering £200-400 (+ 26.4% BP*)
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CIRCLE OF EDWARD VILLIERS RIPPINGILLE (c.1790-1859) AMATEUR POLITICS Oil on thick oak panel, study of man with a ewer on his back verso 28 x 23.5cm. ++ Generally good condition £150-250 (+ 26.4% BP*)
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FOLLOWER OF RICHARD WESTALL, RA (1765-1836) A VILLAGE PRIEST READING AT A COTTAGE DOOR Oil on panel 45 x 39cm. ++ Old craquelure; scattered retouching; needs a clean £100-150 (+ 26.4% BP*)
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'MRS POPHAM' (Fl.c.1865?) THE SISTER ARTS: A YOUNG LADY PLAYING A PIANO Inscribed The Sister Arts/ by Mrs Popham on the stretcher, oil on canvas 34 x 24cm. ++ Needs a light clean £150-200 (+ 26.4% BP*)
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ENGLISH PROVINCIAL SCHOOL, 19th CENTURY PORTRAIT OF A GENTLEMAN; PORTRAIT OF A LADY WITH A CHILD Two, he wearing a black suit and checked waistcoat, holding a letter, she wearing a red striped dress, the child in a white dress with a bird on her finger, oil on canvas, unstretched Each 91 x 70cm. approx. (2) ++ Lined; many damages; flaked losses; he with bitumen damage; both in need of general renovation and repair £200-300 (+ 26.4% BP*)
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FOLLOWER OF ADAM BUCK (1759-1833) A CHILD SEATED WITH A TOY DRUM Oil on canvas 40 x 32cm. ++ Lined; retouching throughout £100-200 (+ 26.4% BP*)
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ATTRIBUTED TO JOHN MICHAEL WRIGHT (1617-1694) PORTRAIT OF A GENTLEMAN Standing, three quarter length, wearing a brown suit, neck bow and a russet mantle, oil on canvas 121.5 x 91cm.
* An attribution to Pieter Nason (1612-1688) may be considered. Provenance: Acquired c.1900 by an ancestor of the vendor and hung at the family residence, Gurteen Le Poer, Co Waterford, Ireland ++ Lined; replaces stretchers; retouching over old flaked losses and elsewhere; craquelure £4000-6000 (+ 26.4% BP*)
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ARTHUR WILLIAM DEVIS (1762-1822) PORTRAIT OF CHARLOTTE SHORE, DAUGHTER OF THE 1st LORD TEIGNMOUTH (1790-1864) Half length, wearing a white dress with a pale blue sash, oil on canvas, mounted oval 66.5 x 52cm. Provenance: By descent in the family of the sitter. Exhibited: Preston, Harris Museum and Art Gallery, 2000, Arthur William Devis, no.52
* Charlotte was the second of at least nine (possibly ten) children born to John Shore and his wife Charlotte (nee Cornish, 1759-1834). She died unmarried in 1864. ++ Lined; a little associated retouching but generally good £1400-1800 (+ 26.4% BP*)
LOTS 1424 and 1425 BELONG TO A DIRECT DESCENDANT OF THE 9th EARL OF CARLISLE
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CIRCLE OF WILLIAM AIKMAN (1682-1731) PORTRAIT OF A GENTLEMAN, IDENTIFIED AS CHARLES HOWARD, 3rd EARL OF CARLISLE (c.1669-1738) Quarter length, wearing a blue coat and long wig, oil on canvas 75 x 62.5cm. Provenance: This lot and the following lot were a gift from The Hon. Geoffrey Howard (1877-1935), son of the 5th Earl of Carlisle, to the consignor's parents in gratitude for their care of Mr Howard's five children at Castle Howard following the death of his wife Ethel in April 1932. Our consignor's father was a kinsman of Geoffrey Howard and he was also a direct descendant of George James Howard, the 9th Earl of Carlisle (1843-1911).
* A full length portrait of the 3rd Earl by Aikman, c.1720-1725, is in the Castle Howard Collection ++ Lined; some retouching; retouched damage at top of right sleeve; some flaked losses £1500-2000 (+ 26.4% BP*)
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AFTER SIR JOSHUA REYNOLDS, PRA (1723-1792) PORTRAIT OF FREDERICK HOWARD, 5th EARL OF CARLISLE (1748-1825) Quarter length, wearing a dark blue coat, a fur lined cloak over his shoulder, oil on canvas, numbered 106 verso (possibly an inventory reference at Castle Howard) 74.5 x 62cm. Provenance: see previous lot
* This may be identified as ref 945a in David Mannings's 'Sir Joshua Reynolds - A Complete Catalogue of his Paintings' (Yale, 2000) as the copy in 'Private Collection (Howard family), Hampshire'. The prime version, painted in 1767, is in a private collection. Lord Carlisle was a pallbearer at Reynolds's funeral. ++ Unlined; some craquelure/slight bitumen damage £2500-4000 (+ 26.4% BP*)
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ENGLISH SCHOOL, Circa 1860 PORTRAIT OF A LADY Seated, three quarter length, wearing a black dress with lace collar and cuffs, a landscape beyond, oil on board 74 x 55cm. ++ Generally good condition £300-500 (+ 26.4% BP*)
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PAUL FALCONER POOLE, RA (1807-1879) PORTRAIT OF A YOUNG LADY Quarter length, wearing pearl jewellery and a sprig of flower in her hair, signed and dated 1839, oil on canvas, mounted oval 66 x 53cm. ++ Lined; some associated retouching; some craquelure £400-600 (+ 26.4% BP*)
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FOLLOWER OF SIR JOHN EVERETT MILLAIS, Bt. PRA (1829-1896) PORTRAIT OF A LADY Quarter length, wearing a white dress and jet jewellery, seated in a green chair, signed with initials and dated MM 1867, oil and pencil on card, oval vignette Sight 32.5 x 27.5cm. ++ Needs a clean; faint damp stains £120-180 (+ 26.4% BP*)
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A** LAMOND (?, Circa 1850) A CRICKET MATCH AT CHISWICK HOUSE Bears inscription By A Lamond/ Artist/ Chiswick verso, the artist's name unclear, oil on panel, vignette 16.5 x 20.5cm. ++ A few minor chipped losses; needs a light clean £200-400 (+ 26.4% BP*)
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G** W** BRAGG (Fl.c.1857) THE COUNTRY FAMILY Signed and indistinctly dated, possibly 1857, oil on canvas 59 x 49cm.
* Charles William Bragg is listed as a Birmingham-based flower painter in the mid-1850's. ++ Needs a light clean; a little thin in places £200-400 (+ 26.4% BP*)
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ATTRIBUTED TO ALFRED GOMERSAL VICKERS (1810-1837) LANDSCAPE WITH A CASTLE ABOVE A RIVER Oil on board 21 x 34cm. ++ Some craquelure; needs a light clean £150-200 (+ 26.4% BP*)
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ERNEST WALBOURN (1872-1927) QUIET EVENTIDE Oil on board 27 x 37cm. ++ Needs a light clean £100-200 (+ 26.4% BP*)
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LOUIS BOSWORTH HURT (1856-1929) AUTUMN Signed with initials; also signed, inscribed and dated 85 verso, oil on board 31 x 19cm. ++ Good condition; needs a light clean £100-200 (+ 26.4% BP*)
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JOHN BRANDON SMITH (1848-1884) FISHERMAN BY A ROCKY RIVER Signed and dated 1877, oil on canvas 34 x 44cm. ++ Lined; some associated retouching; flaked losses at canvas edges £500-700 (+ 26.4% BP*)
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CIRCLE OF JANE MARIA BOWKETT (1837-1891) TALES OF THE SEA Oil on canvas 112 x 139.5cm. ++ Lined; associated retouching; some grazes; craquelure £1000-1500 (+ 26.4% BP*)
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HENRY MOORE, RA, RWS (1831-1895) A LINER ENTERING THE SOLENT IN SUSSEX Signed and dated 1890, also signed and inscribed on a label on the stretcher, oil on canvas 75 x 124.5cm. ++ Lined; some associated retouching; small damage in sky on right £2000-3000 (+ 26.4% BP*)
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ALFRED DE BREANSKI, Jnr (1877-1945) KINLOCH RANNOCH, NB Signed, also signed and inscribed with title verso, oil on canvas 59.5 x 90cm. ++ Good condition £1500-2000 (+ 26.4% BP*)
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ROBERT JOHN HAMMOND (Fl.1882-1911) A COTTAGE IN THE HIGHLANDS; ON A PERTHSHIRE MOOR A pair, both signed, the former inscribed with title on the overlap, oil on canvas Each 24 x 34cm. (2) ++ Each in good condition; each needs a very light clean; period gilt frames £400-600 (+ 26.4% BP*)
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JOSEPH HORLOR (1809-1887) FISHERMAN'S COTTAGE BY A RUINED CASTLE ON THE COAST Signed, oil on canvas laid on board 27.5 x 45.5cm. ++ Slight grazes; needs a light clean £100-200 (+ 26.4% BP*)
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A** W** DARBY (Fl.c.1882) A PEACEFUL STRETCH OF RIVER Signed and dated 1882, oil on canvas 39 x 59.5cm. ++ Craquelure; some flaked losses; a little thin; needs a clean £150-200 (+ 26.4% BP*)
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WILLIAM EVANS LINTON (1878-1932) SUNSHINE AND SHADOW Signed, inscribed on the stretcher and and upon a label verso, oil on canvas 39.5 x 49.5cm. ++ Good condition; Victorian gilt frame £600-800 (+ 26.4% BP*) Ð 1442. JOHN BONNY (1874-1948) DORKING SURREY Signed, bears title on the stretcher, oil on canvas 49.5 x 75cm.
* Possibly a pseudonym for Henry Maidment ++ Slight craquelure; needs a light clean £150-200 (+ 26.4% BP*)
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CIRCLE OF MCNEIL MACLEAY (1806-1883) LOCH LANDSCAPE WITH FIGURES IN THE FOREGROUND Oil on canvas 104.5 x 174cm.
* Possibly Loch Lomond ++ Lined; a little thin in places; needs a clean £500-800 (+ 26.4% BP*)
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ATTRIBUTED TO JOHN SYER (1815-1885) YOUNG GIRL ON A COUNTRY LANE Oil on canvas 40 x 30cm. ++ A little craquelure; needs a light clean £300-500 (+ 26.4% BP*)
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DANIEL SHERRIN (1868-1940) WHERE PEACEFUL WATERS FLOW Signed, oil on canvas 68.5 x 112cm. Provenance: Purchased from Dorchester, Anthony Harden, March 1984 ++ Good condition; one very small repair on left £600-800 (+ 26.4% BP*)
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SIDNEY YATES JOHNSON (Fl.1890-1926) FISHERFOLK ON A BEACH Signed and dated 1900, oil on canvas 44.5 x 80cm. ++ One small patched repair verso; some craquelure; damp marks in sky £200-300 (+ 26.4% BP*)
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MAUD RAPHAEL JONES (b.1863, fl.c.1889-1900) THE HAYMAKER'S LAST LOAD Signed and indistinctly dated, oil on canvas 49 x 75cm. ++ Lined; some associated retouching £700-1000 (+ 26.4% BP*)
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THOMAS J. PURCHAS (Fl.1880-1894) THE QUIET HOUR OF EVENING Signed, oil, possibly on paper, laid on board 22.5 x 27.5cm. ++ Good condition £200-250 (+ 26.4% BP*)
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PETER GRAHAM, RA (1836-1921) EVENING Signed and dated 1891, with inscribed label on stretcher, oil on canvas 161 x 121cm. Exhibited: probably London, Royal Academy, 1891, no.351 ++ Patched on left verso; retouching; some craquelure; period gilt frame £1500-2500 (+ 26.4% BP*)
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GEORGE GREGORY (1849-1938) EVENING ON THE FORESHORE Signed and dated 1873, oil on canvas 29 x 59.5cm. ++ Needs a light clean £300-400 (+ 26.4% BP*)
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ANGLO-CHINESE SCHOOL, 19/20th CENTURY NAVAL ENGAGEMENT BETWEEN TWO JUNKS A pair, oil on canvas Each 21.5 x 30cm. (2) ++ Each in generally good condition; one with some craquelure £200-300 (+ 26.4% BP*)
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ATTRIBUTED TO WILIAM ADOLPHUS KNELL (1801-1875) VESSELS BECALMED AT EVENING Oil on board 13.5 x 29cm. ++ Good condition £200-400 (+ 26.4% BP*)
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WILLIAM THORNLEY (Fl.1858-1898) GREY WEATHER ON THE COAST Signed, oil on canvas 24 x 39cm. ++ Old lining; rubbed and worn areas; some retouching £400-600 (+ 26.4% BP*)
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MANNER OF JOSEPH HEARD (1799-1859) A TWO-DECKER IN TWO POSITIONS OFFSHORE Oil on canvas 65 x 86cm. ++ Retouching in sky; needs a clean; some bloom; a few scattered blemishes £500-700 (+ 26.4% BP*)
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