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| Auction Details - AUCTION ALREADY HELD | |||
| Pictures, Furniture, Clocks & Rugs | |||
| Auctioneer: | Lawrences, Crewkerne | Location: | South Street, Crewkerne |
| Contact: | Telephone: 01460 73041 Fax: 01460 270799 | ||
| Date: | 11th April 2014 | Time: | 10:00AM |
| Details: | Viewing: Friday 4th April 9am to 4.30pm Saturday 5th April 9.30am to 1pm Monday 7th April 9am to 4.3pm Tuesday 8th April 9am to 7pm Wednesday 9th April 9am to 4.30pm Thursday 10th April 9am to 4.30pm Friday 11th April 9am to 10am |
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| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 14 | ||
| Auction Lots - Page 5 | |||
| 1710 | |||
| CIRCLE OF JOHN RATHBONE (c.1750-1807) CATTLE RESTING BY A WOODLAND PATH Oil on canvas 26 x 33.5cm. ++ Old lining; a little abraded; a little retouching; needs a clean £300-500 |
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| 1711 | |||
| CIRCLE OF JULIUS CAESAR IBBETSON (1759-1817) COUNTRY GIRL WITH A DONKEY Oil on canvas 57 x 49.5cm. ++ Lined; craquelure; needs a clean £600-800 |
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| 1712 | |||
| CIRCLE OF GEORGE STEVENS (Fl. mid 19th Century) SPORTSMEN'S LARDERS A pair, oil on canvas Each 59.5 x 49cm. (2) ++ Unlined; generally good condition; original gilt frames £400-600 |
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| 1713 | |||
| FOLLOWER OF SIR PETER LELY (1618-1680) PORTRAIT OF MR. GILBERT, PROBABLY THE FOUNDER OF GILBERT'S CHARITY (BRIDGWATER) Quarter length, wearing a brown cloak, oil on canvas 73.5 x 61cm. ++ Lined; thorough restoration £300-500 |
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| 1714 | |||
| FOLLOWER OF RICHARD PHELPS (c.1710-1785) PORTRAIT OF A YOUNG LADY Half length, wearing a white dress with a crimson jacket, within a painted oval, oil on canvas, carved giltwood frame 73.5 x 58cm. ++ Lined; needs a clean; a few blemishes £300-500 |
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| 1715 | |||
| FOLLOWER OF THOMAS FRYE (c.1710-1762) PORTRAIT OF KING GEORGE III Quarter length, wearing a brocaded coat and the Garter Star, oil on canvas 61 x 52cm. * To be sold for the benefit of SPANA (Society for the Protection of Anmals Abroad), a registered charity that encourages compassion for working animals around the world. ++ Old lining; some wear and retouching; needs a clean £400-600 |
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| 1716 | |||
| FOLLOWER OF MATHER BROWN (1761-1831) PORTRAIT OF THOMAS GRANT (1728-1802) Quarter length, wearing a blue coat and green waistcoat, holding a book, bears later inscription upper left and old inscribed label verso, oil on canvas 75.5 x 61.5cm. ++ Unlined; damage upper left; some craquelure; needs a clean; original gilt frame £250-400 |
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| 1717 | |||
| CIRCLE OF NATHANIEL DANCE, RA (1735-1811) PORTRAIT OF A GENTLEMAN Quarter length, wearing a brown coat and waistcoat, oil on canvas, oval 64 x 53cm. ++ Old lining; minor scattered damages and faults, including small tear with paint loss on forehead £300-500 |
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| 1718 | |||
| FOLLOWER OF THOMAS PHILLIPS, RA (1770-1845) PORTRAIT OF FREDERICK, DUKE OF YORK AND ALBANY Quarter length, wearing a red military tunic and Garter Star, holding a paper, oil on panel 19.5 x 16cm. ++ Some craquelure; needs a clean £200-400 |
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| 1719 | |||
| ENGLISH SCHOOL, Circa 1810 PORTRAIT OF WILL OWEN Half length, wearing a black coat and holding a scroll (inscribed with the sitter's name Will Owen/ Steward and dated 1798), oil on canvas 89.5 x 69.5cm. ++ Some craquelure; needs a clean £300-500 |
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| 1720 | |||
| CIRCLE OF SIR WILLIAM ALLAN, PRSA (1782-1850) PORTRAIT OF A BOY WITH A DOG, IN A WOOD Oil on canvas 89 x 68cm. ++ Lined; some associated retouching; retouched slight damage to left of boy's head; needs a clean £400-600 |
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| 1721 | |||
| FOLLOWER OF GILBERT JACKSON (Fl.1622-1640) PORTRAIT OF SIR JOHN TRELAWNY OF PELYNT, 1st BARONET (1592-1664) Standing three quarter length within an interior, wearing a black tunic with white lace collar, holding a staff, a sword on his left hip, oil on canvas 106.5 x 80.5cm. * The sitter was High Sheriff of Cornwall in 1630 and the baronetcy was bestowed upon him after his support of King Charles I following a dispute between the Crown and two treacherous MPs, William Coryton and Sir John Eliot. His brief imprisonment in the Tower of London is believed to have been the inspiration for the Cornish cry of 'And shall Trelawny die?', used by Robert Stephen Hawker in his 'Song of the Western Men'. Provenance: These rooms, 1970, bought for £150. ++ Lined; some retouching etc £2500-3500 |
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| 1722 | |||
| FOLLOWER OF JOHN VANDERBANK (1694-1739) PORTRAIT OF DAVID POLHILL (1674-1754), 'THE KENTISH PETITIONER', SHERIFF OF KENT Seated three quarter length in an interior, wearing a russet coat, oil on canvas 124 x 99cm. * A great grandson of Oliver Cromwell, Polhill was an MP from 1710-1754 and also Keeper of Records for The Tower of London from 1731 until his death. He was High Sheriff for Kent in 1715 but was imprisoned for presenting a petition to Parliament in support of King William III, to whom the House had refused to grant supplies. Daniel Defoe's indignation at this high-handed punishment prompted his notorious 'Legion's Address'. Provenance: These rooms, 1970, bought for £70. ++ Lined; some retouching; £1200-1800 |
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| 1723 | |||
| CIRCLE OF WILLIAM SALTER (1804-1875) PORTRAITS OF MAJOR WILLIAM FAWKENER CHETWYND (1788-1873); and MARY ANNE CHETWYND (nee MOSLEY) (1815-1890) A pair, each standing full length, he wearing military uniform, she wearing an ivory dress, oil on board Each 57 x 39.5cm. (2) Provenance: By descent in the family of the sitters. Mrs Chetwynd is wearing the jewellery in lot 1147 * Major Chetwynd was the younger son of Sir George Chetwynd, Bt., Clerk to the Privy Council. He served in the Life Guards and rode alongside Queen Victoria's carriage on ceremonial occasions. It is said that the Queen disapproved of Chetwynd's prematurely grey hair and so he dyed it black. His wife was also the offspring of a baronet, Sir Oswald Mosley, Bt., and of his wife Sophia Anne, nee Every. ++ Bitumen damage; each needs a clean £400-600 |
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| 1724 | |||
| ENGLISH PROVINCIAL SCHOOL, 1657 PORTRAIT OF A GENTLEMAN, AGED 23, PROBABLY GEORGE STRANGE OF BIDEFORD Half length in an interior, wearing a green coat with cut sleeves and white collar, a pillar and ink stand to his right, holding a letter (this inscribed A Monsieur/ Monsieur Strange/ mon cho.../ .. Bideford), also inscribed upper right Aetatis. Suae. XXIII./ Ano. Dom. 1657.., oil on canvas (unlined) 84 x 74cm. Provenance: Private Collection, North Devon. * A George Strange, son of John Alexander Strange (1595-1665) and Mary Strange (nee Arnold, 1611-1681), was christened in Bideford on May 4th 1634 and died in 1700. ++ Holes upper left; wear and some holes elsewhere, particularly at right edge, oak frame £1000-1500 |
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| 1725 | |||
| ATTRIBUTED TO ARTHUR WELLINGTON FOWLES (1815-1883) A CAVALCADE OF YACHTS OFF COWES DURING THE REGATTA SEASON Illegibly faded label on stretcher, vessels' names inscribed in pencil on canvas edge, oil on canvas 40 x 76cm. * According to the inscriptions on the canvas edge (see illustrated details), the vessels include Belvidere, Columbine, Flirt, Esmerelda, Galatea, Gitana and Pearl. In correspondence with the owner in 2004, the Royal Yacht Squadron archivist suggested a date of 1843-1844 but no recorded RYS events included all those vessels. The assortment of vessels in this picture (which includes cutters, schooners, yawls and various other yachts) precludes this being a depiction of a race per se and so a 'parade' is the more likely event. More recent research suggests that 1845 is the probable date as Belvidere (the vessel on the right with no sails set) was an iron-hulled yacht built in 1844 but which did not appear at Cowes until 1845. The attribution to Fowles is tempting as so few marine painters were associated with compositions of this nature in waters around the Isle of Wight, but it would be an uncharacteristically early work for the artist whose career only blossomed in the 1850's. We are very grateful to Michael Naxton for his assistance with the cataloguing of this picture. ++ Some scattered retouching over old minor damages; a little thin in a few places £1000-1500 |
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| 1726 | |||
| AFTER JOSEPH MALLORD WILLIAM TURNER, RA (1775-1851) DUTCH BOATS IN A GALE Oil on panel 19 x 24.5cm.; with a coloured steel engraving of the subject by J. C. Armytage. (2) *After the original of c.1801, which measures 163 x 221cm. (London, National Gallery) ++ Oil with scattered dabs of retouching and in need of a light clean; the print generally good £300-500 |
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| 1727 | |||
| FOLLOWER OF THOMAS LUNY (1759-1837) A NAVAL INCIDENT OFFSHORE Oil on canvas 32.5 x 41.5cm. ++ Lined; some flaked losses and retouching; craquelure; needs a clean £150-250 |
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| 1728 | |||
| FOLLOWER OF EUGENE LOUIS GABRIEL ISABEY (1803-1886) VESSELS ON STORMY SEAS Bears an indistinct signature, oil on canvas 33 x 63cm. ++ Lined; retouching over tears in sky; scattered retouching elsewhere; needs a clean £300-500 |
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| 1729 | |||
| ENGLISH SCHOOL, 19th CENTURY DUTCH FISHING BOATS IN HARBOUR With signature F S Heywood, oil on canvas 40 x 51.5cm. ++ Old lining; some retouching; slight incipient flaking; needs a clean £400-600 |
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| 1730 | |||
| ENGLISH SCHOOL, Circa 1900 THREE-DECKERS IN CONVOY Oil on panel 51 x 40.5cm. ++ Some craquelure; needs a clean £250-300 |
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| 1731 | |||
| EDWARD HOYER (Fl.c.1870-1890) SHIPPING OFF AN EASTERN PORT Signed and dated 77, oil on canvas 40 x 63.5cm. ++ Needs a clean £200-300 |
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| 1732 | |||
| CIRCLE OF CHARLES NAPIER HEMY, RA, RWS (1841-1917) PLYMOUTH FISHING BOAT Oil on canvas 28.5 x 59cm. ++ Flaked losses right of centre; needs a clean £200-300 |
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| 1733 | |||
| JOHN FALCONAR SLATER (1857-1937) THE CHURNING SURF Signed, oil on canvas 34.5 x 54.5cm.; with another coastal seascape by John Francis Faed, signed, slip frame, 29.5 x 50cm. (2) ++ The former good but needs a light clean; the latter with slight damage in sky £200-300 |
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| 1734 | |||
| D** LONGANESSI (20th Century) A THREE-MASTED VESSEL OFFSHORE Signed, oil on canvas 59 x 119cm. ++ Good condition £100-200 |
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| 1735 | |||
| WILLIAM McALPINE (Fl.c.1860-1880) A PERILOUS COAST, POSSIBLY AT BAMBURGH Signed, oil on canvas 59 x 105.5cm. ++ Under glass in original gilt frame; some bloom; needs a clean (visible spots are on glass) £600-900 |
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| 1736 | |||
| ATTRIBUTED TO CHARLES WILLIAM WYLLIE (1853-1923) COAL BARGES ON THE THAMES Bears signature Charlie W. Wyllie, oil on canvas 36.5 x 74.5cm. ++ Needs a light clean £600-800 |
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| 1737 | |||
| Ð EDWIN HENRY EUGENE FLETCHER (1857-1945) IN THE POOL; THE THAMES OFF BLACKWALL A pair, both signed, oil on canvas Each 49.5 x 75cm. (2) ++ Each lined but still with good impasto £2000-3000 |
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| 1738 | |||
| WILLIAM THORNLEY (Fl.1858-1898) FISHING BOATS LEAVING HARBOUR; FISHING BOATS OFF THE COAST A pair, both signed (the former indistinctly), oil on canvas Each 18.5 x 39cm. (2) ++ Lined; a little associated retouching £800-1200 |
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| 1739 | |||
| ENGLISH SCHOOL, LATE 19th CENTURY STRAND ON THE GREEN, LONDON Initialled CM on barge on left, inscribed with title on the stretcher, oil on canvas 39.5 x 50cm. ++ Needs a clean £150-200 |
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| 1740 | |||
| R** N** WILSON (20th Century) A THREE-MASTER IN CHOPPY SEAS Signed, oil on canvas 50 x 90cm. ++ Generally good condition £100-150 |
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| 1741 | |||
| CIRCLE OF WILLIAM LINTON (1791-1876) CATTLE BY A WOODED RIVER, A CASTLE UPON A HILL BEYOND Oil on canvas 36 x 74.5cm. * Bears label on stretcher: This Picture by William Linton belongs to/ Miss Ridley/ [indistinct signature] Feb.13.1866 and a further printed label reads Viscount Ridley/ August 1810 ++ Lined; some retouching and craquelure; needs a clean £250-350 |
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| 1742 | |||
| AUSTRALASIAN (?) SCHOOL, 19th CENTURY LAKE SCENE, NEW ZEALAND Oil on canvas 43 x 65cm. ++ Old lining; much scattered retouching, especially in the sky, over old minor faults £400-600 |
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| 1743 | |||
| EDWARD H. NIEMANN (Fl.c.1863-1867) FIGURE ON A HEATHLAND PATH NEAR A COTTAGE Signed, oil on board 29 x 44cm. ++ Good condition £250-350 |
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| 1744 | |||
| WILLIAM MELLOR (1851-1931) BOLTON BRIDGE FROM THE WHARFE, BOLTON ABBEY, YORKSHIRE Signed, faintly inscribed with title verso, oil on canvas 30 x 50.5cm. ++ A few slight grazes; needs a light clean £600-900 |
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| 1745 | |||
| Ð ERNEST HERBERT WHYDALE (1886-1952) PENTIRE HEAD, NORTH CORNWALL Signed, oil on card 26.5 x 36.5cm. ++ Retouched damage in sky; slight flaking upper right; needs a light clean £120-180 |
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| 1746 | |||
| JOSEPH THORS (Fl.1863-1900) CHANGING PASTURES Signed, oil on panel, original gilt frame 18.5 x 28.5cm. ++ Good condition £600-800 |
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| 1747 | |||
| DANIEL SHERRIN (1868-1940) SURREY LANE; COTTAGES NEAR GODALMING, SURREY (?) A pair, both signed, the former titled on stretcher, the latter indistinctly inscribed verso Each 39.5 x 59.5cm. (2) ++ Each with a few flaked losses; each needs a clean £300-500 |
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| 1748 | |||
| DANIEL SHERRIN (1868-1940) A PEACEFUL BEND ON THE RIVER Signed, oil on canvas 49 x 74.5cm. ++ A few small flaked losses; a few dabs of retouching; needs a light clean £300-500 |
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| 1749 | |||
| JOSEPH THORS (Fl.1863-1900) TENDING SHEEP ON A HEATH Signed, oil on canvas 21.5 x 31.5cm. ++ Good condition £600-800 |
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| 1750 | |||
| AUGUSTUS WALFORD WEEDON (1838-1908) SHEPHERD LAD TENDING SHEEP ON A HEATH Signed with initials and dated 1876, oil on canvas laid on board 21.5 x 36.5cm. ++ A few slight flaked losses £180-250 |
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| 1751 | |||
| ATTRIBUTED TO JAMES WEBB (1825-1895) EXTENSIVE CONTINENTAL LANDSCAPE WITH FIGURES AND CATTLE IN THE FOREGROUND Oil on canvas 59 x 89.5cm. ++ Lined; scattered dabs of retouching £500-700 |
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| 1752 | |||
| ALFRED AUGUSTUS GLENDENING (Fl.1861-1903) HERDING SHEEP, ALFRISTON, SUSSEX Signed, oil on canvas 29 x 54cm. ++ A little retouching £800-1200 |
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| 1753 | |||
| ATTRIBUTED TO ARTHUR GILBERT (1819-1895) FIGURES AND CATTLE IN LAKE LANDSCAPES A pair, each bears the signature S R Percy, oil on canvas Each 19 x 37cm. approx. (2) ++ Unlined; each with some craquelure £600-800 |
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| 1754 | |||
| CHARLES JONES (1836-1892) AN EARLY MORNING'S CHACE: SCENE IN THE FOREST OF DALNESS ('High life of a hunter! he meets on a hill etc..') Signed with monogram and dated 1872, also signed and dated 1872 verso, oil on canvas 104.5 x 195cm. Exhibited: London, The Royal Academy, 1872, no.185 ++ Unlined; needs a clean but otherwise good; modern frame £5000-8000 |
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| 1755 | |||
| JANE VIVIAN (Fl.1869-1877) A SCENE IN VENICE Signed, oil on canvas 44 x 79.5cm. ++ Lined; a little retouching £2000-3000 |
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| 1756 | |||
| HENRY H. PARKER (1858-1930) SILENT WATERS (SCENE ON THE THAMES?) Signed, also signed and inscribed with title verso, oil on canvas 49 x 74.5cm. ++ Good condition; needs a light clean £1000-2000 |
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| 1757 | |||
| ALFRED AUGUSTUS GLENDENING (Fl.1861-1903) A RURAL SCENE WITH A VILLAGE CHURCH Signed with initials and dated 87, oil on canvas 19 x 36.5cm. ++ Unlined; needs a light clean; original gilt frame £600-900 |
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| 1758 | |||
| CIRCLE OF ISA JOBLING (1851-1926) PORTRAIT OF A YOUNG LADY Bust length, oil on canvas, in a Watts-type frame Sight 48.5 x 37cm. ++ Damage and patched repair lower right; needs a clean £120-180 |
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| 1759 | |||
| ATTRIBUTED TO HENRY ARCHIBALD MAJOR (1829-1902) STILL LIFE OF GRAPES AND PLUMS Oil on canvas 23.5 x 29cm. ++ Lined; dabs of retouching; needs a clean £100-150 |
| Auction Details - AUCTION ALREADY HELD | |||
| Pictures, Furniture, Clocks & Rugs | |||
| Auctioneer: | Lawrences, Crewkerne | Location: | South Street, Crewkerne |
| Contact: | Telephone: 01460 73041 Fax: 01460 270799 | ||
| Date: | 11th April 2014 | Time: | 10:00AM |
| Details: | Viewing: Friday 4th April 9am to 4.30pm Saturday 5th April 9.30am to 1pm Monday 7th April 9am to 4.3pm Tuesday 8th April 9am to 7pm Wednesday 9th April 9am to 4.30pm Thursday 10th April 9am to 4.30pm Friday 11th April 9am to 10am |
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| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 14 | ||