Auction Details - AUCTION ALREADY HELD | |||
Pictures, Furniture, Clocks & Rugs | |||
Auctioneer: | Lawrences, Crewkerne | Location: | South Street, Crewkerne |
Contact: | Telephone: 01460 73041 Fax: 01460 270799 | ||
Date: | 11th April 2014 | Time: | 10:00AM |
Details: | Viewing: Friday 4th April 9am to 4.30pm Saturday 5th April 9.30am to 1pm Monday 7th April 9am to 4.3pm Tuesday 8th April 9am to 7pm Wednesday 9th April 9am to 4.30pm Thursday 10th April 9am to 4.30pm Friday 11th April 9am to 10am |
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Auction Lots - Page 4 | |||
1653 | |||
SPYRIDON SCARVELLI (1868-1942) LOADING FELUCCAS ON THE NILE Signed, watercolour 38.5 x 23.5cm.; with 'Tombeau des Mameluques, Caire' by the same hand, signed, inscribed verso, 38 x 20.5cm. (2) ++ Both faded £500-700 |
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1654 | |||
J** PAVLIKEVITCH (Russian, 20th Century) ISTANBUL Signed, indistinctly inscribed and dated, watercolour and pencil 33 x 20.5cm. ++ Fading and time staining £250-350 |
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1655 | |||
J** PAVLIKEVITCH (Russian, 20th Century) MOSQUE DE SULTAN SULEYMAN Signed, inscribed with title and further inscribed Istanbul 52, watercolour and pencil 43 x 28.5cm. ++ Generally good condition £400-600 |
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1656 | |||
J** PAVLIKEVITCH (Russian, 20th Century) VIEWS IN CONSTANTINOPLE A pair, both signed, inscribed Constantinople and dated 914 and 916, watercolour and pencil Each 44 x 29cm. approx. (2) ++ Colour good but each needs a clean £500-700 |
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1657 | |||
ANGELOS GIALLINA (1857-1939) CORFU Signed, watercolour and pencil 39.5 x 72cm. ++ A little faded £3000-5000 |
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1658 | |||
ANGELOS GIALLINA (1857-1939) FISHING BOATS OFF CORFU Signed, watercolour and pencil 37.5 x 71cm. ++ Good condition £2000-3000 |
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1659 | |||
ANGELOS GIALLINA (1857-1939) FISHING BOATS BECALMED OFF CORFU Signed, watercolour 38.5 x 72.5cm. ++ Good condition £2000-3000 |
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1660 | |||
ANGELOS GIALLINA (1857-1939) THE ISLAND OF PONTIKONISI, CORFU Signed, watercolour and pencil 38 x 69cm. ++ Needs a light clean in the sky £2000-3000 |
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1661 | |||
ANGELOS GIALLINA (1857-1939) ISTANBUL Signed and dated 1884, watercolour and pencil 36.5 x 56.5cm. ++ Good condition £3000-5000 |
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1662 | |||
ANGELOS GIALLINA (1857-1939) TEMPLE OF ZEUS AT OLYMPIA Signed, inscribed Corfou on artist's card attached to new backboard, watercolour and pencil 25.5 x 32.5cm. ++ Good condition £800-1200 |
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1663 | |||
ANGELOS GIALLINA (1857-1939) TEMPLE OF ZEUS AT OLYMPIA Signed, watercolour and pencil 26.5 x 43.5cm. ++ Needs a light clean £800-1200 |
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1664 | |||
ANGELOS GIALLINA (1857-1939) CORFU Signed, watercolour and pencil 23 x 49.5cm. ++ Good condition £1000-1500 |
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1665 | |||
ANGELOS GIALLINA (1857-1939) ALHAMBRA Signed, watercolour 18.5 x 43.5cm. ++ Needs a light clean £1500-2000 |
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1666 | |||
ANGELOS GIALLINA (1857-1939) TEMPLE OF HEPHAESTUS, ATHENS partially signed and dated 95, watercolour and pencil 14 x 28.5cm. ++ Repaired along tears/grazes, with associated retouching £500-700 |
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1667 | |||
ANGELOS GIALLINA (1857-1939) A COASTAL TOWN, CORFU (?) Signed, watercolour 11 x 24cm. ++ Good condition £400-600Oil Paintings |
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1668 | |||
ANGELOS GIALLINA (1857-1939) A STATUE OF A DANCING FAUN, ABOVE CORFU Signed and dated 94, watercolour and pencil 26.5 x 14.5cm. ++ Good condition £800-1200 |
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1669 | |||
ANGELOS GIALLINA (1857-1939) A JUG OF ROSES Signed and dated 92, watercolour 44 x 26.5cm. ++ Some time staining £700-1000 |
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1670 | |||
Ð ROWLAND HILDER, OBE (1905-1993) FARMLAND, AUTUMN Signed, watercolour 27 x 36.5cm. ++ Good condition £300-500 |
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1671 | |||
Ð ROWLAND HILDER, OBE (1905-1993) THE TERRACE, MALTA Signed, watercolour and ballpoint pen with pen and ink and pencil 16.5 x 23.5cm. ++ Good condition £250-400 |
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1672 | |||
Ð ROWLAND HILDER, OBE (1905-1993) A WINTER SKY Signed, watercolour, charcoal and pencil 52.5 x 72.5cm. ++ Good condition £1500-2000 |
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1673 | |||
Ð ROWLAND HILDER, OBE (1905-1993) BARN INTERIOR, PORLOCK, SOMERSET Signed, watercolour and gouache 50 x 72.5cm. ++ Good condition £1000-1500 |
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1674 | |||
Ð ROWLAND HILDER, OBE (1905-1993) PASSING SHOWER Signed, watercolour with pen and ink 51.5 x 75.5cm. Exhibited: London, Royal Institute of Painters in Water Colours, no date, no.2 ++ Good condition £1500-2000 |
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1675 | |||
Ð ROWLAND HILDER, OBE (1905-1993) WINTER LANDSCAPE, KENT Signed, watercolour and pencil 44 x 55.5cm. ++ The signature legible but faded; needs a very light clean £800-1200 |
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1676 | |||
Ð ROWLAND HILDER, OBE (1905-1993) PLOUGHED FIELD, NORTH KENT Watercolour and pencil 26.5 x 36cm. ++ Good condition £400-600 |
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1677 | |||
Ð DAMIEN HIRST (b.1965) SKULL Signed, pencil Sight 27.5 x 18.5cm. Provenance: A gift from the artist to the son of the vendor. Hirst's son and the vendor's son were friends at school in Devon and this was drawn during the period of remarkable publicity that attended Hirst's £50m diamond-studded platinum skull ('For the Love of God'). ++ A few handling creases £700-900 |
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1678 | |||
No Lot |
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1679 | |||
MORTIMER MENPES (1860-1938) Field Marshal the Rt. Hon. Garnet Joseph, Viscount Wolseley, KP, GCB, OM, GCMG (1833-1913) Seated three quarter length, signed, charcoal and pencil 77.5 x 55cm. ++ Some pale spotting and staining *The sitter was an Anglo-Irish officer in the British Army. He served with great distinction in various arenas of war as far afield as Burma, the Crimea, China, Canada and Africa. He served as Commander-in-Chief of the Forces from 1895 to 1900 and his reputation for meticulous and logistical efficiency prompted the expression "everything's all Sir Garnet", meaning "all is in order." There is an equestrian statue of Wolseley in Horse Guards Parade in London, sculpted by Sir William Goscombe John R.A. and erected in 1920. W. S. Gilbert (of Gilbert & Sullivan) deliberately based the character of Major-General Stanley in the operetta The Pirates of Penzance on Wolseley as he was 'the very model of a modern Major-General'. £200-300 1680-1682. No Lots |
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1683 | |||
ATTRIBUTED TO HENRY ALKEN (1785-1851) SCRAMBLE OVER THE BANK; HUNTING HARD Two, watercolour and pencil 22.5 x 31.5cm. and 20 x 28cm. (2) ++ Some fading, discoloration; a few pale stains; each needs a clean £200-400 1684-1687. No Lots OIL PAINTINGS |
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1688 | |||
MANNER OF DAVID TENIERS II (1610-1690) THREE MEN, SMOKING AND DRINKING IN AN INTERIOR Oil on canvas 24.5 x 18cm. Provenance: According to an old inscription on a label verso and on the (later) stretcher, Bought by A. Cator at the 'Royal Museum' (? unclear) at Madrid, Sept 1872 ++ Lined; some retouching £300-400 |
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1689 | |||
FOLLOWER OF CORRADO GIAQUINTO (1703-1765) THE ASSUMPTION OF THE VIRGIN Oil on canvas, shaped canvas, unframed 72 x 42cm. ++ Lined; flaked losses and damage at base; craquelure and bloom; needs a clean £400-600 |
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1690 | |||
DUTCH SCHOOL, Circa 1700 AN URN OF FLOWERS Oil on panel 27 x 21.5cm. ++ Abraded; needs a clean £200-400 |
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1691 | |||
MANNER OF JAN VAN HUYSUM (1682-1749) AN URN OF MIXED FLOWERS UPON A LEDGE Oil on panel 15.5 x 11cm. ++ Slightly rubbed upper left; craquelure; the panel wormed £200-300 |
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1692 | |||
FOLLOWER OF ANDREA LOCATELLI (1695-1741) AN ITALIANATE LANDSCAPE WITH A HILL TOWN Oil on canvas 30 x 37.5cm. ++ Lined; some abraded areas; scattered retouching; needs a clean £300-400 |
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1693 | |||
SPANISH (?) SCHOOL, 18th CENTURY PORTRAIT OF A LADY, HOLDING A DOG The lady half length, wearing a blue dress with lace cuffs and a lace mantilla, bears inscriptions on reverse of frame and on stretcher, oil on canvas 73.5 x 63cm. ++ Lined; generally poor condition with old flaked losses on face and elsewhere, craquelure, wear and retouching; needs renovation £400-600 |
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1694 | |||
TWO GILT PICTURE FRAMES to fit canvases 45 x 37cm.; and 25.5 x 31cm. (2) ++ Generally good £200-300 |
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1695 | |||
FOLLOWER OF ESAIAS VAN DE VELDE (1587-1630) A BOAR HUNT IN A WOOD Oil on panel 25 x 37cm. ++ Horizontal retouched splits (two long, one short) £600-800 |
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1696 | |||
No Lot |
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1697 | |||
MARC BAETS (Fl.18th Century) RIVER LANDSCAPE WITH FIGURES BY COTTAGES Oil on panel 12.5 x 12.5cm. ++ Needs a light clean; gilt frame £2000-3000 |
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1698 | |||
MANNER OF CLAUDE GELLEE (c.1605-1682) FIGURES AT A BUSY SEAPORT AT SUNSET Oil on canvas, unframed 85 x 117cm. ++ Lined; some retouching; a few scattered damages, flaked losses, grazes etc; needs a clean £1200-1800 |
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1699 | |||
CIRCLE OF PHILIP JAMES DE LOUTHERBOURG (1740-1812) LAKE LANDSCAPE SCENE WITH A FISHERMAN AND HIS FAMILY ON A WINDY DAY Oil on panel 31.5 x 39.5cm. ++ Some craquelure and needs a light clean £800-1200 |
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1700 | |||
MANNER OF ANTONIO RIMPATTA DA BOLOGNA (Fl.c.16th Century) THE HOLY FAMILY WITH ST. JOHN THE BAPTIST Oil on canvas laid on board, with extensive later retouching Main image 120 x 89cm.; with added lower section showing Calvary of 13 x 89cm. * To be sold for the benefit of the Church of St. John the Baptist, Bridgwater ++ Poor condition; refer to department £1200-1800 |
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1701 | |||
AFTER ANDREA DEL SARTO (1486-1530), 19th Century MADONNA OF THE HARPIES Oil on canvas 114.5 x 87cm. * After the original of 1517 in the Uffizi, Florence ++ Bitumen damage; craquelure; needs a clean £500-700 |
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1702 | |||
GASPAR PIETER VERBRUGGEN II (1664-1730) A GLASS BOWL OF FLOWERS Oil on panel 29 x 22cm. ++ Some old retouching over a few old paint losses; a little thin; needs a clean £1000-1500 |
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1703 | |||
CIRCLE OF MARTEN VAN MEYTENS (1695-1770) PORTRAIT OF KAISER KARL VI, HOLY ROMAN EMPEROR (1685-1740) Half length, wearing brocaded robes and a blue-plumed hat, oil on canvas 90 x 68.5cm. ++ Old lining; some associated retouching £600-800 |
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1704 | |||
OTTO VAN VEEN (1556-1629) VIRGIN AND CHILD Oil on oak panel 40 x 29cm. * Derived from Raphael's 'Madonna del Velo' (also sometimes known as 'Madonna of Loreto' and 'Madonna del Popolo'), c.1508-1509, in the Musee Conde, Chantilly. Raphael's version of the subject includes Joseph on the right and measures 120 x 90cm. The playful but touchingly intimate subject includes the finely painted veil which connotes the swaddling of Christ at the Nativity and also the shroud upon His entombment. During Van Veen's lifetime, Raphael's painting was in the Church of S. Maria del Popolo and subsequently in the Borghese Collection in Rome but its precise provenance is a little obscure. Numerous 16th- and 17th-Century copies are recorded. This Netherlandish copy might have been based upon Michaeli Grecchi Lucchese's engraving of 1553 but Van Veen was studying under Federico Zuccaro in Rome in the mid-late 1570's. £7000-9000 |
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1705 | |||
CIRCLE OF MATTHIJS SCHOEVAERDTS (c.1660/1665-1702/1712) RIVER LANDSCAPE SCENE WITH MOUNTED FIGURES AND BOATS Oil on canvas 48.5 x 58cm. ++ Lined; some retouching over old repairs £800-1000 |
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1706 | |||
AFTER SIR DAVID WILKIE, RA (1785-1841) THE JEW'S HARP; A PEASANT INTERIOR A pair, oil on canvas, unfamed Each 25.5 x 20cm. (2) *The former is a copy of Wilkie's original of c.1808 (Sudley House) ++ Each lined and in need of a clean £100-150 |
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1707 | |||
CIRCLE OF JANE NASMYTH (1788-1867) A WOODLAND SCENE WITH COUNTRYFOLK AND A COW BY A FENCE Oil on canvas 43.5 x 58.5cm. ++ Lined; replaced stretcher; some retouching; incipient blistering and some slight flaked losses; good period gilt frame £400-600 |
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1708 | |||
AFTER JOSEPH MALLORD WILLIAM TURNER, RA (1775-1851) VENICE, FROM THE CANALE DELLA GIUDECCA Oil on canvas 59.5 x 89.5cm. * A copy of the original c.1840 (London, V&A) ++ Lined; some scattered retouching; needs a clean £200-400 |
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1709 | |||
AFTER GEORGE MORLAND (1763-1804) SELLING FISH Oil on canvas 29 x 35cm. ++ Lined; some craquelure; needs a clean £400-600 |
Auction Details - AUCTION ALREADY HELD | |||
Pictures, Furniture, Clocks & Rugs | |||
Auctioneer: | Lawrences, Crewkerne | Location: | South Street, Crewkerne |
Contact: | Telephone: 01460 73041 Fax: 01460 270799 | ||
Date: | 11th April 2014 | Time: | 10:00AM |
Details: | Viewing: Friday 4th April 9am to 4.30pm Saturday 5th April 9.30am to 1pm Monday 7th April 9am to 4.3pm Tuesday 8th April 9am to 7pm Wednesday 9th April 9am to 4.30pm Thursday 10th April 9am to 4.30pm Friday 11th April 9am to 10am |
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