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| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art & Antiques (Day 1 of 3) | |||
| Auctioneer: | Anderson & Garland | Location: | Newcastle |
| Contact: | Tel: 0191 430 3000 Fax: 0191 430 3001 | ||
| Date: | 19th June 2012 | Time: | 10:00AM |
| Details: | Viewing: Thursday 14th June 10am to 4.30pm Friday 15th June 10am to 4.30pm Saturday 16th June 9.30am to 12.30pm Monday 18th June 10am to 2pm |
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| Page: | 1 2 3 4 5 6 7 8 9 10 | ||
| Auction Lots - Page 5 | |||
| 209 | |||
| 19th Century English Primitive School A PORTRAIT OF A SMALL BOY AND A DONKEY AT A STABLE DOOR with inscription "Wakelin Linfied Petworth" on a label verso and indistinctly inscribed "Mr. Edsall, Fordingbridge, Hants... Kailway" on the stretcher oil on canvas 58.5 x 74cms; 23 x 29in. See illustration £1200-2200 |
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| 210 | |||
| Attributed to George Armfield (1808-1893) A COTTAGE INTERIOR WITH GAME DOGS, AND A FOX AT BAY IN A TREE WITH THREE TERRIERS ON THE GROUND BELOW one with signature oils on canvas 29.5 x 40cms; 11 1/2 x 15 3/4in. (a pair) See illustration £400-600 |
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| 211 | |||
| Attributed to George Armfield (1808-1893) FOUR GUN DOGS AT A FIRESIDE oil on canvas 53 x 67.5cms; 21 x 26 3/4in. See illustration £500-800 |
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| 212 | |||
| William Kay Blacklock, ARCA (1872-1924) "THE SHEPHERD'S COTTAGE" AND "GRANNIE'S FIRESIDE" signed, with inscription verso watercolours 22.5 x 29.5cms; 9 x 11 3/4in. (a pair) See illustration £750-950 |
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| 213 | |||
| Ralph Hedley, RBA (1848-1913) TWO CUSTOMERS LEAVING THE STONE CELLARS PUB AT EVENING signed and dated 1903 oil on canvas 45 x 34.5cms; 17 3/4 x 15 1/2in. NB: The Stone(s) Cellars was a well known public house formerly on the banks of the Ouseburn frequented by Ralph Hedley and used by him as a background for a larger and earlier work "Weary Waiting", first exhibited at the Bewick Club, Newcastle, in 1894. See illustration £1000-1800 |
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| 214 | |||
| Delapoer Downing (fl.1885-1902) A YOUNG WOMAN IN ANCIENT GRECIAN DRESS AT A DOORWAY WITH DOVES signed oil on canvas 90 x 49cms; 35 1/2 x 19 3/8in. See illustration £4000-7000 |
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| 215 | |||
| Attributed to Henry Hetherington Emmerson (1831-1895) A BOY CARRYING A TERRACOTTA POT ON HIS HEAD oil on canvas 36 x 29cms; 14 1/4 x 11 1/2in. See illustration £800-1200 |
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| 216 | |||
| Ellen Clacy (fl.1870-1895) A YOUNG WOMAN AT THE DOOR OF A COUNTRY HOUSE FEEDING PIGEONS signed and dated 1886 oil on canvas 39 x 29.2cms; 15 1/4 x 11 1/2in. See illustration £200-300 |
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| 217 | |||
| J*** C(Cliffe?) (19th Century) "THE FARRIER'S WORKSHOP" indistinctly signed oil on canvas 44.5 x 34.5cms; 17 1/2 x 13 1/2in. £100-200 |
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| 218 | |||
| J*** Lockhart (19th Century) "SURREY PASTORAL" signed and dated '19; signed and inscribed on a label verso oil on canvas 29.5 x 45cms; 11 1/2 x 17 1/2in. See illustration £250-400 |
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| 219 | |||
| John William Haynes (1836-1908) "WINDING WOOL" - TWO GIRLS IN A COTTAGE INTERIOR signed oil on canvas 35 x 45cms; 13 3/4 x 17 3/4in. See illustration £400-700 |
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| 220-223 | |||
| No lots |
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| 224 | |||
| William S*** Anderson, RE (1878-1929) "LOCH FOYLE" - A TREE STUDY signed and inscribed on a label versooil on board 25 x 33cms; 10 x 13in. PROVENANCE: The Pen & Palette Club, Newcastle upon Tyne. £80-120 |
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| 225 | |||
| δ Alexander Matheson McLellan, RSW (1872-1957) "HARVESTING IN FURNESS" signed; with inscription verso oil on board 29 x 36.5cms; 11 1/2 x 14 1/2in. £250-350 |
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| 226 | |||
| R*** Neill (Australian 19th Century) "MOUNT MORRISTON, MACQUARIE RIVER, VAN DIEMEN'S LAND" with inscription verso "Painted by R. Neill Commissariat Department in 1825 in Hobart Town from a drawing made on the spot. Now, Assistant Commissary General Neill at Berbice in 1850. This is the original house since burnt down, and re-built on a larger scale", also inscribed with the title given above and "Huon Pine Tree". oil on panel 17.5 x 25cms; 6 7/8 x 9 3/4in. £100-200 |
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| 227 | |||
| Jacob Thompson (1800/1806?-1879) A YOUNG WOMAN SITTING AT A RIVERBANK WITH CATTLE ON A PATH IN THE MIDDLE DISTANCE AND A RUINED CASTLE BEYOND oil on canvas 44.5 x 75cms; 17 1/2 x 29 1/2in. See illustration £500-800 |
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| 228 | |||
| Giuseppe Carozzi (1864-1938) A SMALL GIRL AND POULTRY AROUND A VILLAGE WELL AT EVENING signed oil on board 44.5 x 76.5cms; 17 1/2 x 30in. See illustration £1000-1500 |
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| 229 | |||
| John Campbell Mitchell, ARSA (-1922) "EARLY AUTUMN IN GALLOWAY" - AN EXTENSIVE COUNTRY LANDSCAPE WITH CATTLE signed and dated '05 50 x 60cms; 19 3/4 x 23 3/4in. See illustration £450-750 |
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| 230 | |||
| William Peter Watson, RBA, ARCA (1883-1932) "THE HOMESTEAD IN THE VALLEY"signed; signed, inscribed with title and inscription "For R.B.A. Exhibition at Burlington House" on the Artist's label verso oil on board 30 x 40cms; 11 3/4 x 15 3/4in. £150-250 |
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| 231 | |||
| Attributed to Henry Pether (1828-1862) A NOCTURNE WITH RUINED CASTLE BY A RIVER oil on canvas 48.5 x 60cms; 19 1/4 x 23 3/4in. See illustration £600-800 |
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| 232 | |||
| Thomas Kerr Fairless (1825-1853) A VIEW OF HEXHAM FROM THE TYNE signed oil on canvas 33 x 45.5cms; 13 x 17 3/4in. £150-250 |
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| 233 | |||
| Isabella "Isa" Thompson (Jobling) (1851-1926) CHILDREN AND DUCKS ON A NORTH YORKS RIVERSIDE PATH oil on canvas 50 x 75.5cms; 19 3/4 x 29 3/4in. PROVENANCE: By descent. See illustration £1000-1800 |
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| 234 | |||
| Isabella "Isa" Thompson (Jobling) (1851-1926) A YORKSHIRE VILLAGE signed oil on canvas 29 x 39cms; 11 1/2 x 15 1/2in. See illustration £900-1300 |
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| 235 | |||
| Attributed to Thomas Miles Richardson, snr., HRSA (1784-1848) "THE FOUR LANE ENDS, BENTON" - A FARMER AND A TIMBER CART ON A ROAD APPROACHING GOSFORTH AND NEWCASTLE oil on canvas 51 x 77cms; 20 x 30 1/2in. See illustration £500-800 |
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| 236 | |||
| John Atkinson (1863-1924) A BARN INTERIOR WITH POULTRY AND A CART signed oil on canvas 37 x 42cms; 14 1/2 x 16 1/2in. See illustration £250-450 |
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| 237 | |||
| Frank Thomas Carter (1853-1934) TREES ALONG A RIVERBANK signed oil on canvas 34 x 51.5cms; 13 1/2 x 20 1/4in. £100-160 |
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| 238 | |||
| Robert Jobling (1841-1923) FISHERFOLK ON A NORTH YORKSHIRE BEACH WATCHING THE LAUNCH OF A LIFEBOAT GOING TO THE ASSISTANCE OF A SHIP IN DISTRESS signed oil on canvas 49 x 75cms; 19 1/4 x 29 1/2in. See illustration £5000-8000 |
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| 239 | |||
| Robert Jobling (1841-1923) "ON THE QUAY" - NORTH SHIELDS FISHERWOMEN GREETING THE ARRIVAL OF THE FISHING FLEET signed oil on canvas 90 x 136cms; 35 1/2 x 53 1/2in. See illustration £6000-9000 |
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| 240 | |||
| Attributed to John Wilson Carmichael (1799-1868) SHIPPING OFF THE COAST with initials and dated 1843 oil on board 35.5 x 53cms; 14 x 20 3/4in. See illustration £250-450 |
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| 241 | |||
| E*** Ellis (19th Century) THREE MEN SALVAGING WRECKAGE ON BAMBURGH BEACH signed oil on canvas 34 x 54cms; 13 1/2 x 21 3/8in. £200-300 |
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| 242 | |||
| Bernard Benedict Hemy (1845-1913) "THE SALMON FISHERS" signed; inscribed and dated 1888 on the stretcher 106.5 x 35.5cms; 42 x 14in. See illustration £700-1100 |
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| 243 | |||
| Bernard Benedict Hemy (1845-1913) SAILING TRAWLERS PASSING ST. MARY'S ISLAND OFF TYNEMOUTH signed oil on canvas 58 x 89cms; 23 x 35cms; See illustration £400-700 |
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| 244 | |||
| Bernard Benedict Hemy (1845-1913) "ST. MARY'S ISLAND (BAIT ISLAND), MONKSEATON" signed oil on board 24 x 29.5cms; 9 1/2 x 11 3/4in. £100-160 |
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| 245 | |||
| John Wilson Carmichael (1799-1868) "RABBIT HUNTERS AMONG HILLS OVERLOOKING THE SOLWAY FIRTH" signed and dated 1841 oil on canvas 65 x 110cms; 25 1/2 x 43 1/4in. See illustration £3000-5000 |
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| 246 | |||
| William Jenner (19th Century) "TYNEMOUTH, NORTHUMBERLAND FROM SOUTH SHIELDS PIER" signed; indistinctly inscribed and numbered 22 verso oil on millboard 17 x 30cms; 6 3/4 x 11 3/4in. £250-350 |
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| 247 | |||
| Henry Hadfield-Cubley, RA (1858-1934) "CLIFFS AT SALTWICK NAB, WHITBY" signed; signed, inscribed and dated 1919 verso oil on canvas 50 x 75cms; 19 3/4 x 29 1/2in. £100-200 |
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| 248 | |||
| Attributed to John Scott (1802-1885) A PORTRAIT OF THE BRIG RANGER, IN TWO POSITIONS OFF A HEADLAND oil on canvas 67 x 97cms; 26 1/2 x 38 1/4in. See illustration £2000-3000 |
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| 249 | |||
| John Robertson Reid, RI, ROI, RBC (1851-1926) "HERRING HARVEST, STAITHES" signed; signed and inscribed verso oil on canvas 39 x 74cms; 15 1/2 x 29in. See illustration £1000-1800 |
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| 250 | |||
| Manner of William Edward Webb (1862-1903) A FISHING BOAT AND A SAILING BARGE AT THE MOUTH OF AN ESTUARY oil on canvas 49.5 x 74.8cms; 19 1/2 x 29 1/2in. £200-260 |
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| 251 | |||
| Arthur John Strutt (1819-1888) "THE ALBAN HILLS" signed, inscribed "Rome" and dated 1871; with inscription on a label verso oil on canvas 29.5 x 74.3cms; 11 1/2 x 29 1/4in. PROVENANCE: Belsay Hall, Northumberland, Sir Stephen Middleton gifted this picture to the Vendor's father who had served there as head gardener. See illustration £450-750 |
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| 252 | |||
| David Roberts, RA (1796-1864) "ANGOULÊME CATHEDRAL, FRANCE" - THE INTERIOR WITH THE BISHOP AT THE HIGH ALTAR CONDUCTING MASS signed and dated 1860; signed and inscribed verso and bearing a Leeds Public Art Museum exhibition label verso oil on millboard 26.5 x 44.5cms; 10 1/2 x 17 1/2in. See illustration £1500-2500 |
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| 253 | |||
| δ Sir William MacTaggart, PRSA, RSW (1903-1981) "LONELY STRAND" signed oil on canvas 85 x 110.5cms; 33 1/2 x 43 1/2in. See illustration £3000-5000 |
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| 254 | |||
| Sidney Richard Percy (1821-1886) "THE PATH ACROSS ALN COMMON" signed and dated 1848; signed, inscribed with title "No. 3" and Artist's address: 32 (Castleman?) Villas, Barnes, Surrey" on a label verso oil on canvas 49.5 x 74.5cms; 18 1/4 x 29 1/4in. See illustration £6000-10000 |
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| 255 | |||
| 19th Century British School A PASTORAL RIVER LANDSCAPE WITH AN ANGLER IN THE FOREGROUND, OTHER FIGURES, BOATS BY A TOWER IN THE MIDDLE DISTANCE, AND A RANGE OF HILLS BEYOND oil on canvas 44 x 58cms; 17 1/4 x 22 3/4in. See illustration £500-700 |
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| 256 | |||
| 19th Century British School A VIEW ON THE ISLE OF WIGHT WITH FIGURES, LOBSTER POTS, BOATS AND A HORSE-CART IN THE FOREGROUND oil on canvas 46 x 59.5cms; 18 1/2 x 23 1/2in. £150-300 |
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| 257 | |||
| 19th Century Scottish School A PANORAMIC HIGHLAND LANDSCAPE WITH A COTTAGE BY A LOCH IN THE MIDDLE DISTANCE indistinctly signed with initials R.S.(V?) below the frame and dated 1856 (lower right); with indistinct inscription on a label verso oil on panel 18 x 37cms; 7 1/4 x 14 1/2in. £200-400 |
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| 258 | |||
| Thomas Miles Richardson, snr., HRSA (1784-1848) "OVINGHAM" - A VIEW ALONG THE RIVERBANK TOWARDS THE VILLAGE AND ITS CHURCH oil on canvas 51 x 48cms; 24 x 33in. £300-500 |
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| 259 | |||
| James Webb (1825-1895) "BAY AT NAPLES WITH CASTLE AND ROCK OF ISCHIA" signed and dated 1876; with inscriptions and dates verso oil on canvas 50 x 75cms; 19 3/4 x 29 1/2in. See illustration £400-700 |
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| 260 | |||
| J*** Barcley (19th Century British School) MOUNTAINOUS RIVER LANDSCAPES WITH FIGURES AND CATTLE indistinctly signed oil on canvas 24 x 39.5cms; 9 1/2 x 15 1/2in. (a pair) £150-250 Sculpture |
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| 261 | |||
| Alexander Fisher (1864-1936) A MONUMENTAL BRONZE, BY TRADITION "THE TEMPTATION OF ADAM AND EVE" signed and dated 1902 183 x 94 x 242cms; 72 x 37 x 95in. high. NB: Alexander Fisher initially trained as a silversmith at the then South Kensington Schools, (which went on to become the Royal College of Art), between 1881 and 1884. He developed and interest in the work of French enameller Louis Dalpayrat and went to Paris to study his techniques and learn the great French enamelling techniques of champlevé, cloisonné, basse taille, plique-à-jour and Limoges painting, all of which he mastered. Whilst he produced few bronzes, he is best known for his exquisite work on both silver and copper, often incorporating wood, leather or vellum. This lot is clearly a major work, but surprisingly, does not appear in "The Studio" magazine, perhaps suggesting it was a private commission. Fisher's subjects are often mythic, favouring Norse, Celtic and Classical sources and particularly Arthurian legend, yet the iconography of this lot is somewhat confusing. The upper section seems to suggest an idealised scene of the earth, with an ideal man and woman, beneath the protecting veil of a female angel. The man is crowned in laurel and wears a loin cloth, whilst the woman is fully draped. At their feet is a dragon, whose coiling body unites the upper and lower sections of the work. The lower section is much more mixed in its symbolism and seems to hold little Christian symbolism, other than, perhaps, suggesting purgatory. The large male figure in the chariot is wearing a winged helmet and his eyes are covered. Similarly, the male slaves are both bound and blindfolded. When they are washed up on the beach, they struggle towards the light beneath a female figure holding a scythe. The present work shows many similarities to Fisher's larger works, but is most similar to an over mantel commissioned for Whittingehame, East Lothian, home of the Balfour family. The tree and roots as well as the dragon's head, all bear a striking similarity to this piece. Interestingly, both these pieces date from a similar period, the over mantel being slightly earlier. See illustration £10000-20000 |
| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art & Antiques (Day 1 of 3) | |||
| Auctioneer: | Anderson & Garland | Location: | Newcastle |
| Contact: | Tel: 0191 430 3000 Fax: 0191 430 3001 | ||
| Date: | 19th June 2012 | Time: | 10:00AM |
| Details: | Viewing: Thursday 14th June 10am to 4.30pm Friday 15th June 10am to 4.30pm Saturday 16th June 9.30am to 12.30pm Monday 18th June 10am to 2pm |
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| Page: | 1 2 3 4 5 6 7 8 9 10 | ||