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| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art & Antiques (Day 1 of 3) | |||
| Auctioneer: | Anderson & Garland | Location: | Newcastle |
| Contact: | Tel: 0191 430 3000 Fax: 0191 430 3001 | ||
| Date: | 19th June 2012 | Time: | 10:00AM |
| Details: | Viewing: Thursday 14th June 10am to 4.30pm Friday 15th June 10am to 4.30pm Saturday 16th June 9.30am to 12.30pm Monday 18th June 10am to 2pm |
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| Page: | 1 2 3 4 5 6 7 8 9 10 | ||
| Auction Lots - Page 1 | |||
MapsFramed unless otherwise stated | |||
| 1 | |||
| Thomas Kitchin (1719-1784) "A NEW IMPROVED MAP OF NORTHUMBERLAND engraving with hand-colouring, published c.1755 70 x 53.5cms; 27 1/2 x 21in. £100-150 |
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| 2 | |||
| Gerard van Keulen (Dutch 1678-1727) "DE RIVIER TYNE OF NEW CASTLE" - A CHART OF THE N. DURHAM AND NORTHUMBERLAND COAST engraving with hand-colouring, published c.1710 52.5 x 61cms; 20 1/2 x 24in. £60-100 |
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| 3 | |||
| 17th Century Italian School A PLAN OF THE ETRUSCAN CITY OF FELCINA (MODERN BOLOGNA) engraving with hand-colouring 36 x 50.5cms; 14 1/4 x 20in. £50-100 PrintsLots marked δ refer to Droit de Suite Royalty Charges - see Conditions of Sale on page 152Framed unless otherwise stated |
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| 7 | |||
| δ "Spy" (Sir Leslie Matthew Ward) (1851-1922) "HRH THE PRINCE OF WALES K.G." chromolithograph, published for a supplement to The World; three other Spy prints; and two caricature prints of British Statesmen published for Vanity Fair. (6) £80-140 |
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| 8 | |||
| δ "Snaffles" (Charles Johnson Payne) (1884-1967) "THE PANEE" signed in pencil and bearing the Snaffles blind stamp on the mount colour photolithograph 29 x 49cms; 11 1/2 x 19 1/4in. £280-380 |
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| 9 | |||
| δ "Snaffles" (Charles Johnson Payne) (1884-1967) "PESHAWAR VALE" signed in pencil and bearing the Snaffles blind-stamp on the mount colour photolithograph, published c.1928 29 x 49.5cms; 11 1/2 x 19 1/2in. £250-450 |
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| 10 | |||
| δ Sir Alfred James Munnings, KCVO, PRA (1878-1959) A HORSE IN A STABLE signed with initials in the plate etching 10 x 17cms; 4 x 6 3/4in. £120-220 |
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| 11 | |||
| Rembrandt Harmenszoon van Rijn (1606-1669) "THE FIRST ORIENTAL HEAD" (B.286, B.B.35-E.) signed and dated 1635 in the plate etching and drypoint on wove paper - a good 18th Century impression, third and final state with good margins 15 x 12cms; 5 7/8 x 41 5/16in. See illustration £1000-1800 |
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| 12 | |||
| δ Joan Williams (1922-2002) "LA CARMARGUE" signed, inscribed and dated 1970 and numbered 9 from an edition limited to 30 etching with aquatint printed in brown and black 39.5 x 49cms; 15 1/2 x 19 3/8in. NB: Williams was born in Pontypridd in South Wales and taught at Medway College of Art, the Shipley School of Art and later was Head of Printmaking at Maidstone College of Art. She also taught in California eventually retiring to work as a freelance painter and printmaker. £30-60 |
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| 13 | |||
| Arthur Eric Rowton Gill (1882-1940) "ON MY BED BY NIGHT; FROM SONG OF SONGS" with inscription on a gallery label verso wood engraving, published 1925 7.5 x 10.3cms; 3 x 4in. £100-150 |
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| 14 | |||
| δ Panayiotis Kalorkoti (Cypriot 1957-) "THE ARTIST'S STUDIO" signed and dated 1980, numbered 12 from an edition limited to 13 etching with aquatint 30 x 46cms; 12 x 18in. £100-180 |
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| 15 | |||
| δ David Hockney, OM, CH, RA (1937-) "IN THE DULL VILLAGE" - FROM THE SERIES ILLUSTRATIONS FOR FOURTEEN POEMS BY C.P. CAVAFYsigned and dated '66 and numbered 14 from an edition limited to 75 impressions; with gallery label verso etching, published 1966 (subsequently published in book form) 34.5 x 22.5cms; 13 5/8 x 8 7/8in. PROVENANCE: Purchased from the Redfern Gallery, Cork Street, London, November 1966. See illustration £800-1200 |
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| 16-19 | |||
| No lots |
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| 20 | |||
| δ John Brunsden (b.1933-) "FISHERMEN" AND "CATTLE ON HILL" signed, inscribed and numbered 12 and 30 from editions limited to 35 impressions each colour aquatints 32.5 x 22.5cms; 12 3/4 x 8 3/4in. (a pair) £40-60 |
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| 21 | |||
| δ John Brunsden (b.1933-) "MALIE" AND "CHURCH" signed, inscribed and numbered 13/35 and artists proof 2/3 colour etchings with aquatint 58.5 x 44.5cms; 23 x 17 1/2in. (2) £100-180 |
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| 22 | |||
| δ John Brunsden (b.1933-) "BARMOUTH" AND "CLOUD RANGE" signed, inscribed and numbered artist's proof 44/8 and 43/75 colour etchings with aquatint 60 x 45cms; 23 1/2 x 17 3/4in. (2) £150-250 |
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| 23 | |||
| δ A*** Autguiles (20th Century) "CAFFETTIERE" signed, inscribed with title and numbered 27 from an edition limited to 30 etching and aquatint printed in black and olive 29.5 x 39cms; 11 3/4 x 15 3/8in.; and Bernard Munch (1921-) "NOUS REVERRONS LES ÉCUREUILS" signed and inscribed multi-plate aquatint printed in colours 42 x 33cms; 16 1/2 x 13in. (2) £60-100 |
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| 24 | |||
| δ Barbara Newcomb, BFA, RE (American 20th Century) "MORNING LAND I" signed, inscribed and dated 1975 and numbered 8 from an edition limited to 100 multi-plate colour etching 81 x 79cms; 32 x 31in.; and **** Kyriakides (20th Century) "PLAYA BENIRRAS" signed, inscribed and dated '86 colour silkscreen 35 x 27cms; 13 3/4 x 10 1/2in. (2) £50-80 |
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| 25 | |||
| Artist Unknown "SEA EDGE" indistinctly signed, inscribed with title colour silkscreen, artists proof 48 x 55.5cms; 19 x 21 7/8in. £100-200 |
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| 26 | |||
| δ Kirill Sokolov, SGA (Russian 1930-2004) "ST. LEONARD'S SHOREDITCH" - FROM THE SERIES "OLD LONDON IN CONTEXT" signed and dated 1984; with inscription on a label verso silkscreen and collage 61 x 91.5cms; 24 x 36in. EXHIBITED: The Society of Graphic Artists, The Mall Galleries, 1984. Sokolov moved to England in 1974 living first in Berwick then in Durham. He served as co-editor of the art journal Leonardo and was a member of the Society of Graphic Artists. £100-200 |
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| 27 | |||
| Billy King (Mexican/American 20th/21st Century) "TAI-TUNG" signed, inscribed with title and "Seattle" and "Artist Proof" and dated 1987colour lithograph 61 x 91cms; 24 x 35 3/4in. £80-140 |
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| 28 | |||
| δ Ian Stephenson (1934-2000) FROM "PHOENIX" all signed, inscribed with title, dated 1980 and numbered 4, 94, 184, 274, 364 and 454 respectively from a total edition of 540 colour screenprint collages, printed by Medara Screenprinting and published by Editions Alecto for the Contemporary Art Society in an edition of 90 sets of six 56 x 71.3cms; 22 x 28 1/4in., in fully enclosing borderless plexiglass frames. (a suite of six) NB: Each of the 540 "Phoenix" prints is unique but they were arranged together in sets of six. The basic image has a rectangle about 1/7th of the size of the main sheet, collaged on. During the printing process there was a sequence of nine regulated shifts of angle through which the collage rectangle was moved. These sequences were determined by the movement of the rectangle around the edge of the image area starting from the left corner. From a position against the edge it tilts on one fixed corner until another corner or side touches the edge again; then it is tilted away from a new fixed corner, producing a regulated tumbling around the inside edge of the image area. The concluded sequence, through nine fixed points, ends with the rectangle back in the starting position. The prints were numbered from 1 to 540 from start to finish of the sequence and the sets of six were made up by taking one from each run of ninety figures, i.e. the first set had the numbers 1, 91, 181, 271, 361 and 451 and the last set numbers 90, 180, 270, 360, 450 and 540. See illustration £1000-1800 |
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| 29 | |||
| δ Govinder Nazran (1964-2008) "A NEW LEAD FOR PATCH" signed with monogram, limited edition colour giclee on canvas 68.5 x 35cms; 27 x 15 1/4in. £150-250 |
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| 30 | |||
| δ Rolf Harris (Australian 1930-) "SNORKELING UNDER THE DEEP" signed in pencil, inscribed Artist's proof and numbered 33 from an edition to 105 colour photolithograph 61 x 41cms; 24 x 16in. £150-250 |
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| 31 | |||
| δ Rolf Harris (Australian 1930-) "MY LOVELY ALWEN" signed and numbered 384 from an edition limited to 695 colour photolithograph 56 x 37cms; 22 x 14 1/2in. See illustration £150-250 |
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| 32 | |||
| δ Rolf Harris (Australian 1930-) "NIKI" signed in pencil and numbered 521 from an edition limited to 695 colour photolithograph 55.5 x 41.6cms; 21 3/4 x 16 3/8in. See illustration £200-350 |
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| 33 | |||
| δ Mackenzie Thorpe (1956-) "LIFE IN THE LAND" signed, inscribed with title and numbered 98 from an edition limited to 850 impressions colour photolithograph 47 x 49.5cms; 18 1/2 x 19 1/2in. £100-200 MiniaturesFramed unless otherwise stated |
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| 34 | |||
| 19th Century English School MINIATURE BUST PORTRAITS OF A MAN AND A WOMAN IN PROFILE - HE WEARING A BLACK COAT, SHE WEARING A LACE CAP watercolour 9 x 7cms; 3 1/2 x 2 3/4in. (a pair) £60-100 |
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| 35 | |||
| 19th Century English School A MINIATURE BUST PORTRAIT OF A YOUNG BOY watercolour 7 x 6cms; 2 3/4 x 2 1/4in. oval; together with two miniature silhouette bust portraits of a man and a woman in profile. (3) £80-120 |
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| 36 | |||
| English School A MINIATURE BUST PORTRAIT OF A WOMAN IN 18TH CENTURY COSTUME bodycolour on ivory 5.2 x 4cms; 2 x 1 5/8in., oval, in yellow metal pendant frame. £50-80 |
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| 37 | |||
| British School (c.1800) A MINIATURE BUST PORTRAIT OF A YOUNG MAN WEARING A BLUE COAT AND A WHITE STOCK bodycolour on ivory 7.5 x 6cms; 3 x 2 1/2in., oval; in silk-lined red leather protective case. £200-350 |
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| 38 | |||
| British School c.1800 A MINIATURE HALF-LENGTH PORTRAIT OF A GIRL WITH SHORT DARK CURLY HAIR WEARING A WHITE DRESS bodycolour on ivory 7.2 x 5.6cms; 2 7/8 x 2 2/8in., oval, in yellow metal free-standing frame. See illustration £150-250 |
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| 39 | |||
| **** B*** **** (19th Century British School) A MINIATURE BUST PORTRAIT OF A MAN WEARING A BLACK COAT, WHITE WAISTCOAT AND BLACK CRAVAT indistinctly signed and dated 1845 bodycolour on ivory 5.2 x 4.2cms; 2 1/8 x 1 3/4in., oval; together with a miniature bust portrait of a young woman wearing a blue dress. (2) £80-140 |
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| 40 | |||
| European School A MINIATURE HALF-LENGTH PORTRAIT OF A WOMAN IN 18TH CENTURY COSTUME IN A GARDEN indistinctly signed bodycolour on ivory 8.2 x 6.2cms; 3 1/4 x 2 1/2in., oval, in yellow metal pendant frame. See illustration £100-150 |
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| 41 | |||
| European School A MINIATURE BUST PORTRAIT OF A NOBLEWOMAN WEARING A BLUE GOLD-TRIMMED DRESS, RUFF COLLAR AND ROYAL JEWELLERY with inscription "Queen Elizabeth" verso bodycolour on ivory 8.2 x 6.2cms; 3 1/4 x 2 1/2in., oval, in ivory panelled frame. £50-80 |
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| 42 | |||
| 19th Century European School A MINIATURE BUST PORTRAIT OF A GENTLEMAN WITH LONG SIDE WHISKERS, A WHITE STOCK AND A FUR-TRIMMED COAT bodycolour on ivory 9.5 x 7.6cms; 3 3/4 x 3in., oval. £50-90 |
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| 43 | |||
| After Sir Henry Raeburn, RA (1756-1823) A PORTRAIT OF ALEXANDER, FOURTH SON OF JAMES KER OF BLACKSHIELLS bodycolour on ivory 7 x 6cms; 2 3/4 x 2 3/8in., oval; in silk-lined red leather protective case. £80-120 Watercolours and DrawingsLots marked δ refer to Droit de Suite Royalty Charges - see Conditions of Sale on page 152Framed unless otherwise stated |
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| 44 | |||
| **** Tenouchi (Japanese 20th Century) VIEWS IN JAPAN signed watercolours 31.5 x 48.5cms; 12 1/2 x 19in. (a pair) £100-150 |
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| 45 | |||
| Dr. William Crotch (1775-1847) AN ALBUM OF DRAWINGS AND WATERCOLOURS, MOSTLY DEPICTING CLARE HALL, ST. ALBANS, HERTFORDSHIRE, HOME OF CATHARINE SHARP, PUPIL OF DR. CROTCH AND ORIGINAL OWNER OF THIS ALBUM: THE COLLECTION COMPRISING FIFTY SIX PENCIL OR GRISAILLE LANDSCAPE STUDIES AND NINE WATERCOLOURS inscribed and dated variously between September 20th, 1806 and October 12th, 1910; also included but unmounted in the album, is an engraved portrait of William Crotch aged 3 years, by J. Sanders of Norwich, published 1778; a 19th Century albumen-type photograph of Clare Hall; a small quantity of other drawings, perhaps by Catharine Sharp; and sundry other intaglio prints: All in half morocco binding with marbled boards and manuscript contents-page. 59.5 x 47cms; 23 1/4 x 18 1/2in. NB: Dr. Crotch was a composer, instrumentalist, landscape painter and draughtsman - an infant prodigy (as celebrated in the Sanders engraving), who achieved Mastery of the Piano at the age of only 2 1/2. Capriciously he would on occasion refuse to perform in front of an audience and at one performance preferred to make chalk drawings of ships, soldiers and other subjects on the floor. By the age of 22 he was a professor of music at Oxford. He was associated with the circle of the Oxford drawing Master John Malchair (1729-1812) and in 1803, succeeded William Delamotte as drawing master to the Oxford Undergraduates, teaching there until his move to London with his wife and family in December 1805. Examples of Crotch's watercolour landscapes are kept at Norfolk Records Office, Brighton Art Gallery, The Ashmolean Museum, Oxford, the Tate Gallery, the Victoria & Albert Museum and the British Museum. See illustration £2000-3000 |
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| 46 | |||
| Dr. William Crotch (1775-1847) AN IMPORTANT COLLECTION OF EIGHT ALBUMS OF INDIVIDUALLY MOUNTED SKETCHES COMPRISING: Album One: Views on a journey from Oxford to Middleton Henry and back in 1799 and a journey from Oxford to Woodstock and Back in 1798. Album Two: Views of Oxford 1798-1802. Album Three: Designs for "Mr. Newton's Picture" based upon landscapes inspired by Claude, Wilson and Direct Observation 1801-1803. Album Four: Chiefly views of Oxford c.1803-1805. Album Five: View of Oxford, Ashbourne, Caernarvon, etc., 1803-1806. Album Six: Cappriccio landscapes and views in Oxford, etc., including examples attributed to the Artist's friend and fellow artist William Delamotte. Album Seven: Miscellaneous architectural and figural studies described by the artist as "Non Descript". Album Eight: Views of Markfield at Stamford Hill, other architectural studies and pastoral landscapes, 1806-1807. All extensively annotated with manuscript contents-pages mainly pencil with some ink-and-wash studies contained in quarter calf marbled boards. PROVENANCE: Both lots 45 and 46 have remained in family care passing by descent via Sir Patrick Brown of Thriplow, Bury, Cambridgeshire to the present owner, another descendant of Catharine Sharp. See illustration £1000-2000 |
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| 47 | |||
| Clarkson Stanfield, RA (1793-1867) A CATHEDRAL INTERIOR WITH A BISHOP'S PROCESSION signed watercolour 16.5 x 10.5cms; 6 1/2 x 4 1/4in. £100-200 |
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| 48 | |||
| G*** E*** Treweek (20th Century) BEACH SCENES ON THE NORTH CORNISH COAST signed watercolour 29 x 52.5cms; 11 1/2 x 20 3/4in. (a pair)Treweek was an active member of the St. Ives Society of Artists exhibiting at their annual exhibitions in the 1930's. Little is know of him, but his favoured subject was the coast from St. Ives to Pendeen. £100-180 |
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| 49 | |||
| Circle of Rev. William Gilpin (1724-1804) A PASTORAL LANDSCAPE WITH RUINED CASTLE pen, ink and wash 16 x 24.5cms; 6 1/4 x 9 3/4in. £100-150 |
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| 50 | |||
| 19th Century British School "ST. MICHAEL'S MOUNT" watercolour and gouache 10.5 x 14cms; 4 1/8 x 5 5/8in. £50-80 |
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| 51 | |||
| 19th Century Chinese School FARMERS AT WORK, AND FISHERMEN BY A LAKE gouache 15 x 24cms; 6 x 9 1/2in. (a pair) See illustration £400-700 |
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| 52 | |||
| Manner of David Cox, RA, RWS (1783-1859) A FARM BY A RIVER watercolour 29.5 x 44.5cms; 11 3/4 x 17 1/2in. £60-100 |
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| 53 | |||
| William de Morgan (1839-1917) "NOAH" - A DESIGN FOR A STAINED GLASS WINDOW with label verso pencil 16 x 6cms; 6 1/4 x 2 1/2in. £60-100 |
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| 54 | |||
| A*** K*** Lawrence (20th Century) A HUMOROUS PORTRAIT OF JOHN THOMAS YOUNG GILROY IN HIS ARTIST'S SMOCK WITH THE CITY OF NEWCASTLE IN THE BACKGROUND signed and dedicated "To Gwen Short, this portrait of Jack Gilroy - All done by hand and a music stave with the word Di-plo-ma!!!" pencil and colour wash 37.5 x 30cms; 14 3/4 x 12in. £80-120 |
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| 55 | |||
| John Davison Liddell (1859-1942) "NORTH SHIELDS" and "St. MARY'S LIGHTHOUSE signed watercolours 26 x 46.5cms; 10 1/4 x 8 1/4in. (a pair) £100-180 |
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| 56 | |||
| John Davison Liddell (1859-1942) "EVENING - TYNEMOUTH ABBEY" signed watercolour 27 x 20.5cms; 10 3/4 x 8in. £40-60 |
| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art & Antiques (Day 1 of 3) | |||
| Auctioneer: | Anderson & Garland | Location: | Newcastle |
| Contact: | Tel: 0191 430 3000 Fax: 0191 430 3001 | ||
| Date: | 19th June 2012 | Time: | 10:00AM |
| Details: | Viewing: Thursday 14th June 10am to 4.30pm Friday 15th June 10am to 4.30pm Saturday 16th June 9.30am to 12.30pm Monday 18th June 10am to 2pm |
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| Page: | 1 2 3 4 5 6 7 8 9 10 | ||