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| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art and Antiques (Day 1 of 2) | |||
| Auctioneer: | Anderson & Garland | Location: | Newcastle |
| Contact: | Tel: 0191 430 3000 Fax: 0191 430 3001 | ||
| Date: | 13th September 2011 | Time: | 10:00AM |
| Details: | Viewing: Thursday 8th September 2pm to 6pm Friday 9th September 10am to 4.30pm Saturday 10th September 9.30am to 12.30pm Monday 12th September 10am to 2pm prompt |
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| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 | ||
| Auction Lots - Page 3 | |||
| 100 | |||
| δ Ken Howard (1932-) A PORTRAIT OF A GIRL WEARING A BLUE DRESS signed, inscribed 'Omagh' and dated 4.4.81 watercolour over pencil 30 x 21.5cms; 11 3/4 x 8 1/2in. See illustration £400-700 |
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| 101 | |||
| John Piper (1903-1992) DESIGN FOR BANQUETING HALL TAPESTRY, CIVIC CENTRE, NEWCASTLE UPON TYNE gouache, pastel, marbled paper and collage 75 x 52cms; 29 1/2 x 20 1/2in. See illustration £400-700 |
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| 102 | |||
| Tom Dack (b.1933-) "THE SAGE, GATESHEAD" signed pastel 28.5 x 41cms; 11 1/4 x 16in. £100-180 |
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| 103 | |||
| Norman Adams (1927-2005) "FIELD OF SUNFLOWERS, NORTH PROVENCE" signed with initials, inscribed with title and dated '86 37 x 33cms; 14 3/4 x 13in. See illustration £400-600 |
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| 104 | |||
| δ Mary Feddon (1915-) FIGURES SEATED AT TABLES IN A MARQUEE signed and dated '35; with inscription verso "Mary Feddon 1935" and "Slade 35" gouache 26.5 x 37cms; 10 1/2 x 14 1/2in. See illustration £500-800 |
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| 105 | |||
| δ Lionel Playford (1959-) "MACHINE SHOP PANORAMA" AN INTERIOR VIEW AT 'VOLANTE FACTORY', FISHBURN, COUNTY DURHAM signed with initials, inscribed and dated 23.5.00 charcoal and pastel on paper 35.5 x 83cms; 14 x 32 1/2in. PROVENANCE: Purchased in 2000 whilst Playford was artist in residence for Volante. This composition depicts the occasion of Tony Blair's visit to the factory. See illustration £300-450 |
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| 106 | |||
| δ Norman Stansfield Cornish (1919-) "SARAH KNITTING" - A PORTRAIT OF THE ARTIST'S WIFE signed flowmaster pen heightened with white 34.5 x 24.3cms; 13 1/2 x 9 1/2in. PROVENANCE: Henry Byrne Collection. See illustration £2500-3500 |
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| 107 | |||
| δ Norman Stansfield Cornish (1919-) A STUDY OF A MAN WEARING A FLAT CAP signed brown flowmaster pen 22 x 27.5cms; 8 3/4 x 10 3/4in. PROVENANCE: The Henry Byrne Collection. See illustration £1500-2500 |
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| 108 | |||
| δ Norman Stansfield Cornish (1919-) "TWO WOMEN IN A BAR" signed flowmaster pen 24.5 x 37.5cms; 9 1/2 x 14 3/4in. PROVENANCE: The Henry Byrne Collection. See illustration £2000-3000 |
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| 109 | |||
| δ Norman Stansfield Cornish (1919-) A BUS QUEUE OUTSIDE THE MIDLAND BANK signed flowmaster pen, watercolour and newspaper collage 18 x 34.5cms; 7 1/4 x 13 1/2in. See illustration £2000-3000 |
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| 110 | |||
| δ Norman Stansfield Cornish (1919-) MAN IN A BAR signed pastel and chalks 54 x 74cms; 21 1/4 x 29in. See illustration £6000-9000 |
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| 111 | |||
| δ Norman Stansfield Cornish (1919-) SPENNYMOOR HORSE AND CART signed pastel 43.5 x 37cms; 17 1/4 x 14 1/2in. See illustration £4000-6000 |
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| 112 | |||
| δ Norman Stansfield Cornish (1919-) A PORTRAIT OF A YOUNG WOMAN WEARING A BLUE BLOUSE signed and dated '70 pastel on tinted paper 61 x 49.5cms; 24 x 19 1/2in. See illustration £2000-3000 Modern PaintingsLots marked δ refer to Droit de Suite Royalty Charges - see Conditions of Sale on page 128 in printed catalogue |
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| 113 | |||
| δ Norman Stansfield Cornish (1919-) "TELEGRAPH POLES" with inscription on label verso oil on board 39.5 x 28cms; 15 3/4 x 11in. PROVENANCE: The Stone Gallery, Newcastle. See illustration £2000-3000 |
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| 114 | |||
| δ Norman Stansfield Cornish (1919-) "MINERS ENDING THEIR SHIFT AT WHITWORTH PARK COLLIERY, COUNTY DURHAM" oil on board signed; inscribed "Whitworth Park Colliery as viewed from the South. The Colliery was demolished shortly after this picture was originally drawn." oil on board 45 x 63.5cms; 17 3/4 x 25in. PROVENANCE: Specially commissioned from the Artist by the vendor. See illustration £5000-8000 |
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| 115 | |||
| δ Norman Stansfield Cornish (1919-) "INDUSTRIAL LANDSCAPE" – A BUSY COLLIERY WITH A RAILWAY ENGINE OPERATING IN ITS SIDINGS signed; with inscription on label verso oil on board 89 x 120cms; 35 x 47 1/4in. See illustration £15000-20000 |
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| 116 | |||
| Barney Daniels (Australian c.1950-1998) "SNAKE AND BLUE-TONGUED LIZARD" with inscriptions verso acrylic on canvas, unframed 91 x 60cms; 35 3/4 x 23 3/4in. PROVENANCE: Born at Haasts Bluff, Daniels was an Aboriginal artist of the Luritja Tribe, although his father was Warltiri and his mother Anmatyere. He was born at Haasts Bluff, Alice Springs inthe Northern Territory. He received some schooling at Mungara Settlement and subsequently worked as a stocksman on Halls Creek Cattle Station. After five years he returned to Haasts Bluff and began to work on the Government Cattle Station. In the mid 1980's, he became involved with artists painting in Papunwy and started to paint on small canvas boards which he sold through the Centre for Aboriginal Artists in Alice Springs. It was here that he developed his characteristic technique of stippled brushwork as a background of his main design. Exhibited widely, including the Melbourne Institute of Technology, the Museum fur Volerkunde, Basel, Switzerland; the Gauguin Museum, Tahiti, the Gallery Gabrielle Pizzi and elsewhere, he is represented in a number of international collections. See illustration £500-800 |
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| 117 | |||
| Peter Collins (1938-) "THE TYNE AT NIGHT" signed; inscribed on a label verso oil on board 49.5 x 49.5cms; 19 1/2 x 19 1/2in. £200-300 |
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| 118 | |||
| Peter Collins (1938-) "BRIDGES ON THE TYNE" signed oil on board 49 x 49cms; 19 1/4 x 19 1/4in. £200-300 |
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| 119 | |||
| δ Neil Canning (1960-) "OFF SHORE" - ABSTRACT COMPOSITION IN BLUE AND CREAM signed, inscribed and dated 2003 verso oil on canvas 45.6 x 51cms; 18 x 20in. £600-800 |
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| 120 | |||
| δ Anne Shingleton (1953-) "TAVOLO LUCIDATO A CERA INDUE LUCI (WAXED TABLE IN TWO LIGHTS)" signed and dated '91 oil on canvas 36.5 x 27cms; 14 1/4 x 10 1/2in. £150-250 |
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| 121-122 | |||
| No Lots |
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| 123 | |||
| Malcolm John Haylet (1923-2000) "St. Ives Harbour, Cornwall" signed oil on canvas 45 x 55cms; 17 3/4 x 21 3/4in. Sold with the Artist's original sales-receipt, dated 25th August, 1950. Born in Montreal, Canada, Haylet moved with his parents back to Britain at the age of two and was brought up in Southend-on-Sea. He studied art there and at St. Martin's College, London. His early work was mainly as a portrait painter and he was invited to St. Ives shortly after the war by his friend the photographer Gilbert Adams. He subsequently took a studio in Westcott's Quay. His favourite portrait subject was his wife Jean, who he married in 1946. He exhibited designs at the 1954 and 1955 Ideal Home Exhibitions, was a design consultant for Plymouth Breweries, re-designed a number of shops in St. Ives, and designs for two of his homes were featured in Ideal Homes Magazine. Haylet also taught art at Redruth School of Art, the St. Ives School of Painting and Camborne College. £200-300 |
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| 124 | |||
| Aubrey Williams (1926-1990) "ARAWAK" - AN ABSTRACT COMPOSITION signed, inscribed and dated '73 verso oil on canvas 61 x 76cms; 24 x 30in., unframed. See illustration £250-450 |
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| 125 | |||
| Hermann Sievers (German 20th Century) "MOND NACHT AUF DEM MOOR" signed and dated 1961; inscribed verso oil on board 54 x 84cms; 21 1/4 x 33in. £100-200 |
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| 126 | |||
| Kenneth Rowntree (1915-1997) "WASHING LINES AT ACOMB" acrylic on board 76 x 63.5cms; 30 x 25in., unframed. PROVENANCE: Purchased at the Studio Sale of Kenneth Rowntree's Work, Anderson & Garland Ltd., 8th September, 2009 (Lot 294). See illustration £500-800 |
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| 127 | |||
| No Lot |
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| 128 | |||
| Anthony Proctor (1913-1993) "ORIGINAL FORMS" signed and dated 1972; signed, inscribed with title, numbered 162 and dated Dec. 1972 verso oil, hessian, canvas, strip-wood and string on plywood 122 x 150cms; 48 x 59in. See illustration £500-800 |
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| 129 | |||
| Harold Gilman (1876-1919) A STUDY OF A WOMAN SEATED IN A CHAIR SEWING signed; with inscription on a label verso oil on board 30 x 21.5cms; 11 3/4 x 8 1/2in. PROVENANCE: Purchased from the Bruton Gallery. See illustration £3000-4000 |
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| 130 | |||
| Julian Trevelyan (1910-1989) ABSTRACT STUDY OF TREES signed and dated '60; with inscription "Merindol S.O. France" verso oil on board 49 x 39.5cms; 19 1/4 x 15 1/2in. See illustration £500-800 Oil PaintingsFramed unless otherwise stated. |
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| 131 | |||
| 19th Century British School RED, PINK AND WHITE FLOWERS IN A VASE oil on canvas 67 x 48.5cms; 29 1/4 x 19in. £150-250 |
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| 132 | |||
| Style of Abraham Cooper, RA (1787-1868) A STUDY OF DEAD GROUSE with indistinct signature oil on canvas 38.5 x 59cms; 19 x 23 1/4in. £200-350 |
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| 133 | |||
| Robert Caspers (20th Century) STILL-LIFE STUDIES OF GRAPES, PEACHES, PLUMS AND RASPBERRIES IN OUTDOOR SETTINGS signed oil on panels 39.5 x 29.5cms; 15 3/4 x 11 3/4in. (a pair) £300-450 |
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| 134 | |||
| Peter Kotka (b.1951-) A STILL-LIFE STUDY OF A BOTTLE OF RED BURGUNDY signed oil on board 34.5 x 19cms; 13 1/2 x 7 1/2in. £50-80 |
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| 135 | |||
| M*** Lisle (British 20th Century) A STILL-LIFE STUDY OF FLOWERS IN THE DUTCH STYLE signed oil on panel 28 x 22cms; 11 1/2 x 8 1/2in. £100-180 |
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| 136 | |||
| Bernard Adams (fl.1916-1939) "WOMAN IN YELLOW" signed and dated '61 oil on canvas 95.5 x 65cms; 37 1/2 x 25 1/2in. See illustration £200-350 |
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| 137 | |||
| 19th Century British School A HALF-LENGTH PORTRAIT OF A WOMAN DRESSED IN BLACK, HOLDING A BIBLE AND SEATED INA CHAIR oil on canvas 91 x 70cms; 35 3/4 x 27 1/2in. See illustration £400-600 |
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| 138 | |||
| 19th Century British School A PORTRAIT OF A LADY WEARINGA WHITE CAP, A DARK LACE-TRIMMED DRESS AND AN OCHRE SHAWL oil on canvas 69 x 56cms; 27 x 22in. See illustration £200-400 |
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| 139 | |||
| British School c.1800 A PORTRAIT OF A CLERGYMAN oil on canvas 74.5 x 63cms; 29 1/4 x 24 3/4in. See illustration £150-300 |
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| 140 | |||
| 17th Century English/Flemish School A PORTRAIT OF A YOUNG NOBLEWOMAN, POSSIBLY ELIZABETH OF BOHEMIA, SISTER OF CHARLES I, KNOWN AS THE WINTER QUEEN oil on oak panel 30.5 x 25.5cms; 12 x 10in. NB: This portrait bears a loose resemblance to the portrait of Elizabeth of Bohemia painted by Michiel Jansz van Mierevelt. See illustration £300-450 |
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| 141 | |||
| W*** Sawyer (19th Century) A PORTRAIT OF A LADY WEARING A LACE CAP AND BLACK LACE-TRIMMED DRESS - A MEMBER OF THE WARD FAMILY OF NUNNYKIRK HALL, NORTHUMBERLAND signed and dated 1855 oil on canvas 72 x 59cms; 28 1/4 x 23 1/4in. oval. PROVENANCE: This portrait hung for many years in the Great Hall at Nunnykirk and is sold by direction of a descendent of the sitter. See illustration £250-450 |
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| 142 | |||
| Attributed to Jean Bapstiste Greuze (French 1725-1805) A YOUNG WOMAN CONSOLING HER WEEPING FRIEND with inscriptions "Greuze - la petite m...?" oil on canvas 37 x 29cms; 14 1/2 x 11 1/4in. oval. See illustration £600-900 |
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| 143 | |||
| Samuel Frost Johnson (American 1835-?) A SMALL GIRL SELECTING A HEAD SQUARE FROM HER CHEST OF DRAWERS signed and indistinctly inscribed and indistinctly dated ('66?) oil on panel 24 x 19cms; 9 1/2 x 7 1/4in. See illustration £400-700 |
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| 144 | |||
| **** Molina (Italian School) "ST. ANTHONY OF PADUA" AND "ST. JOSEPH OF ARIMATHEA" signed oil on canvas 34.5 x 21cms; 13 1/2 x 8 1/4in. (a pair) £150-250 |
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| 145 | |||
| James Edgell Collins (1819-1895) "LITTLE RED RIDING HOOD" signed and dated 1876 oil on canvas 49.5 x 39cms; 19 1/2 x 15 1/2in. oval. See illustration £400-700 |
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| 146 | |||
| S*** (19th Century Spanish School) A BACK STREET SCENE WITH FIGURES, INCLUDING MEN SEATED AT A TABLE CONVERSING AND SMOKING PIPES indistinctly signed oil on panel 40 x 30.5cms; 15 3/4 x 12in. £150-250 |
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| 147 | |||
| Attributed to Henry Perlee Parker (1831-1895) A SMUGGLER ON A ROCKY BEACH oil on board 55 x 42.5cms; 21 5/8 x 16 3/4in. See illustration £400-700 |
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| 148 | |||
| Ralph Hedley, RBA (1848-1913) "A GLAD EYE" - FIGURES IN A TAVERN INGLENOOK signed and dated 1911 oil on canvas 99.5 x 86cms; 39 x 34in. See illustration £3000-5000 |
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| 149 | |||
| William Kay Blacklock, ARCA (1872-1924) "WAITING FOR THE FERRY" signed; with inscriptions on the stretcher oil on canvas 50 x 67.5cms; 19 3/4 x 26 1/2in. See illustration £2000-3500 |
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| 150 | |||
| Henry Hetherington Emmerson (1831-1895) "READING THE QUEEN'S LETTER" AN ELDERLY pitman and his wife seated at a fireside inscribed 'Hartley' and dated 1862; with inscription verso "Study from nature at Hartley for the Reading of the Queen's letter" and signed with initials verso oil on board 52 x 34.5cms; 20 1/2 x 13 1/2in. NB: Emmerson expanded this composition to include more figures and it was published as an engraved print. The subject commemorates the aftermath of the pit disaster which in 1862, devastated the small village of New Hartley in Northumberland. One hundred and ninety-nine employees of the Hester Pit were killed underground and the subsequent public outrage brought about a general improvement in mining safety. Queen Victoria was so moved personally that she sent a letter of condolence to the village. See illustration £2000-3000 |
| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art and Antiques (Day 1 of 2) | |||
| Auctioneer: | Anderson & Garland | Location: | Newcastle |
| Contact: | Tel: 0191 430 3000 Fax: 0191 430 3001 | ||
| Date: | 13th September 2011 | Time: | 10:00AM |
| Details: | Viewing: Thursday 8th September 2pm to 6pm Friday 9th September 10am to 4.30pm Saturday 10th September 9.30am to 12.30pm Monday 12th September 10am to 2pm prompt |
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| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 | ||