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F.J. Britten - "Old Clocks and Watches & their Makers", third edition, published by B.T. Batsford, London 1911, two volumes of the sixth edition, published by E. & F.N. Spon, London 1932 (one half bound volume in red calf with cloth covered board), one seventh edition, published by E. & F.N. Spon Ltd., London 1956, and F.J. Briton - "Former Clock and Watchmakers & their Work", published by E. & F.N. Spon, London 1894 (one volume, half bound in red calf with cloth covered boards) £120-160 plus 24% BP*
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Terence Camerer Cuss - "The English Watch 1585-1970 - A Unique Alliance of Art, Design and Inventive Genius", The Antique Collectors Club 2009 (one volume, in blue cloth binding complete with dust cover), and Stanley H. Burton - "The Watch Collection of Stanley H. Burton - Warts and All", published by B.T. Batsford, London 1981 (one volume, in black cloth binding complete with dust cover) £100-150 plus 24% BP*
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Rupert T. Gould - "The Marine Chronometer - Its History and Development", Antique Collectors Club 2013 (one volume, in blue cloth binding complete with dust cover), Anthony G. Randall - "The Time Museum Catalogue of Chronometers", published by The Time Museum, Rockford, Illinois 1991 (one volume), and three other books of chronometer interest £100-150 plus 24% BP*
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Brian Loomes - "Complete British Clocks", published by Bracken Books 1978, "White Dial Clocks - The Complete Guide", published by David & Charles 1981, and "The White Dial Clock", published by David & Charles 1974 (three volumes), Clifford & Yvonne Bird - "Norfolk & Norwich - Clocks and Clockmakers", published by Phillimore 1996, Bernard Mason - "Clock and Watchmaking in Colchester, England", published by Country Life 1969, and six other books of watch and clock collecting interest £150-200 plus 24% BP*
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Herbert Cescinsky & Malcolm R. Webster - "English Domestic Clocks", published by George Routledge & Sons Ltd., London 1913 (one volume, bound in dark green leather with green cloth covered board), Percy G. Dawson - "The Iden Clock Collection", Antique Collectors Club 1987 (one volume), and seven other books of clock collecting interest £100-150 plus 24% BP*
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David Glasgow - "Watch and Clock Making", published by Cassell & Company Ltd. 1885 (one volume, in brown calf full binding), Rev. H. L. Nelthropp - "A Treatise on Watch-Work, Past and Present", published by E. & F.N. Spon, London 1873 (one volume, in brown calf half binding with cloth covered boards), British Horological Institute - "Principal and Explanations of Timekeeping by Harrison, Arnold and Earnshaw", reprint 1984 (one volume, with fawn leather binding and marbled boards), and Sir Edmund Beckett - "A Rudimentary Treatise on Clocks and Watches and Bells", Crosby Lockwood & Co, London 1883 (one volume, in red cloth binding) £120-160 plus 24% BP*
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Richard Edgcumbe - "The Art of the Gold Chaser in Eighteenth-Century London", published by Oxford University Press 2000 (one volume, inscribed to John Moon in frontispiece), and a selection of 20 other books of clock and watch interest £120-160 plus 24% BP*
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Eugene Jaquet & Alfred Chapuis - "Techniques and History of the Swiss Watch", published by Spring Book 1970, and twelve other books of watch and clock collecting interest £100-150 plus 24% BP*
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A late Victorian gentleman's 18ct gold full hunting cased keyless lever pocket watch by W. Ehrhardt of Hockley, No. 138821, the white enamel dial with Roman numerals and sweep second hand, in plain 18ct gold case, 50mm diameter, Birmingham 1889 (gross weight 125 grammes) £1000-1500 plus 24% BP*
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A 20th Century gentleman's 14ct gold full hunting cased keyless pocket watch by Tissot of Switzerland, the cream dial with Arabic numerals and subsidiary seconds dial, 50mm diameter, suspended on a black cloth fob with gold metal fittings (gross weight 69 grammes) £250-350 plus 24% BP*
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A late George III silver pair cased verge pocket watch by Joshua Bellamy of Grimsby, No. 1373, the white enamel dial with Roman numerals (cracked in several places) with gold hands and subsidiary seconds dial, to the rack lever movement with steel balance, the engraved cock with diamond endstone in blued steel setting, with plain turned pillars and plain gilt dust cover, contained in plain silver pair case, the interior inscribed "Francis Grove Batchelor, Whitby 1855", 55mm diameter (gross weight 151 grammes), hallmarked Birmingham 1818
Note: Joseph Bellamy recorded working in Grimsby 1828-1850 £400-500 plus 24% BP*
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A George IV silver pair cased verge pocket watch by William Flint of Ashford, No. 12754, the white enamel dial with bold Arabic numerals, the movement with verge escapement and Bosley index with finely pierced and engraved cock and plain cylindrical pillars, in plain silver pair case, 60mm diameter (gross weight 187 grammes), hallmarked London 1827 (the rear of the case with handwritten watch paper), complete with heavy silver chain Albert with later nickel T-bar (weight 62 grammes)
Note: William Flint Jnr. recorded working in Ashford, born in 1787, died in 1871 £600-800 plus 24% BP*
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Georges Groegaert (1848-1923 - Belgian) - Oil painting - "Cardinal Reading at Green Baize Table" - Seated figure in a palace interior, re-lined canvas 18ins x 15ins, signed in full Georges Groegaert, Paris, in modern gilt moulded openwork frame (frame slightly damaged to left corner)
Provenance: Stacey Marks, Polgate, Eastbourne, Sussex, Stock No. C859A. and subsequently Gorringes Auctioneers, Lewes Sussex - 14th May 2014 - Lot 1482 £3500-5000 plus 24% BP*
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Thomas Musgrave Joy (1812-1866) - Oil painting - "He Loves me, He Loves me not" - portrait of a young woman wearing a shawl seated by a tree, re-lined canvas 21ins x 17ins, apparently monogrammed to lower right, in ornate gilt moulded frame
Provenance: Christies Victorian Pictures, Drawings & Watercolours - 3rd June 1999 - Lot 125 £1500-2000 plus 24% BP*
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Alfred Holst Tourrier (1836-1892) - Oil painting - Interior of a 17th Century home, with a gentleman seated at a table reading a book, re-lined canvas 20ins square, signed in black and dated 1877 to lower right corner, in deep moulded gilt frame and glazed £800-1200 plus 24% BP*
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ARR John Randall Bratby (1928-1992) - Oil painting - Portrait of Lord Boothby, canvas 20ins x 16ins, signed, titled, and numbered "240" to verso, in wood moulded frame with white slip
Provenance: Phillips, London 14th November 2000 - Lot 63 £1000-1500 plus 24% BP*
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Sidney William-Lee (1841-1917) - Oil painting - "The Potato Peeler" - Interior with seated gentleman peeling potatoes, canvas 19ins x 16ins, signed and dated 1874, in modern gilt moulded and swept frame
Provenance: David Messum, 26 London End, Beaconsfield, Buckinghamshire £400-600 plus 24% BP*
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Late 18th Century British school - Oil painting - Half length portrait of a gentleman with a book, relined canvas 30ins x 25ins, in gilt moulded frame £300-400 plus 24% BP*
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After Jean Baptist Grueze (1725-1805) - Oil painting - Half length portrait of a young girl with lamb, oval relined canvas 28.5ins x 23ins, in gilt moulded and carved frame £300-500 plus 24% BP*
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17th Century English school - Oil painting - Half length portrait of King Edward VI, inscribed "Edwardvs VI Rex", oak panel 20.5ins x 15ins, in modern gilt frame and glazed
Provenance: Label to verso states "On reverse belonged A.C. Leader Esq (For) 75. Thought to have come out of a Cambridge College. Acquired Maxime R. Blochet, Paris. Salon des Antiquites, Saint-Tropez, August 1982" £300-400 plus 24% BP*
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19th Century British school - Oil painting - Half length portrait of a young woman in yellow dress seated on a garden bench, relined canvas 18ins x 14ins, in gilt moulded frame £150-250 plus 24% BP*
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17th Century Continental school - Oil painting - Gentleman wearing white ruff, oak panel 12ins x 10ins, in 18th Century gilded carved frame of shaped outline, carved with acanthus leaves, flowers, acorns and shells, 26ins x 22ins overall £300-500 plus 24% BP*
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Lady Janet Clark (20th Century English school) - Oil painting - Shoulder length portrait of Charles Murray Beazley, younger son of George Arthur Beazley, canvas 17.25ins x 14.25ins, signed, in ebonised moulded frame, and Christopher Hall (20th Century English school) - Oil painting - Half length portrait of Arthur Stuart Beazley wearing a green jacket, canvas 26.75ins x 22ins, in gilt and painted frame
Provenance: From The Collection of the late Stuart Beazley of Broome Park, Barham, Canterbury, Kent, and thence by family descent
Note: Inscribed to verso with details of sitter and artist £200-300 plus 24% BP*
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***Jeanne du Maurier (1911-1996) - Oil painting - Shoulder length portrait of the actor Eric Portman, canvas 20ins x 16ins, signed, and inscribed to verso and dated 1946, in moulded frame
Provenance: From The Collection of the late Stuart Beazley of Broome Park, Barham, Canterbury, Kent, thence by family descent. Also labelled - James Bourlet & Sons Ltd, 17 & 18 Nassau Street, London, W1 £150-200 plus 24% BP*
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W.S.L. Berry (late 19th/early 20th Century school) - Oil painting - Shoulder length portrait of a lady wearing a lace cap, canvas, 16ins x 13ins, in carved and gilded frame £150-200 plus 24% BP*
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ARR Edouard Cortes (1882-1969) - Oil painting - Country landscape with figure and cart to foreground, canvas 12.75ins x 18ins, signed, in painted moulded frame £1500-2500 plus 24% BP*
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Wilhelm Alexander Meyerheim (1815-1882) - Oil painting - Rural landscape with a peasant family with two young children sawing logs, relined canvas 26ins x 37ins, signed and dated 1856, in gilt moulded and swept frame £1500-2500 plus 24% BP*
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18th/19th Century French school - Oil painting - Gentleman surveying a medieval ruin, re-lined canvas 24.5ins x 20.5ins, indistinctly signed "Josephine" in ornate gilt fluted and moulded frame
Provenance: The Canterbury Auction Galleries - 3rd December 2013 - Lot 353 £700-1000 plus 24% BP*
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Circle of Stanhope Alexander Forbes (1857-1947) - Oil painting - "Cornish Valley" - Tranquil scene with young mother and child to foreground looking towards a sunlit coastal scene, relined canvas 36ins x 50.5ins, in gilt moulded frame
Note: A partially incomplete handwritten label to verso gives title of this work - "The dark... of the dripping wheel". The remaining inscription is illegible £800-1200 plus 24% BP*
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Moffatt (19th Century) - Oil painting - Rural landscape with cottage and figures by a pond, with a horse watering, canvas, 31.5ins x 47ins, signed, in gilt and tortoiseshell-effect frame £600-800 plus 24% BP*
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Edmund Berninger (1843-1929) - Oil painting - "Karawane" - Desert scene with camel and figures, canvas 18ins x 34ins, signed, artist's name and title to verso, in ebonised frame £600-800 plus 24% BP*
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***Thomas Bonar Lyon (1873-1955) - Oil painting - French outdoor market, canvas 13ins x 17ins, signed, in gilt moulded frame £500-700 plus 24% BP*
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Attributed to John Frederick Herring II (1815-1907) - Oil painting - Horses and farmyard animals with farm buildings, relined canvas 31ins x 39.5ins, bears signature, in elaborately moulded gilt frame £500-700 plus 24% BP*
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Manner of George Morland (1763-1804) - Oil painting - Cottages at rest in a wooded landscape, relined canvas 25.75ins x 39.25ins, in elaborately moulded gilt frame £400-600 plus 24% BP*
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19th Century English school (in the manner of George Turner 1843-1910) - Oil painting - Wooded track with boy, donkey and dog to foreground and cottages and figures to background, relined canvas 20ins x 25ins, unsigned, in modern gilt moulded and swept frame
Provenance: Marlowe Gallery, 19 St Margarets Street, Canterbury, Kent £300-500 plus 24% BP*
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Attributed to Horatio McCulloch (1805-1867) - Oil painting - "Five Sisters of Kintail" - Cattle watering on a loch to foreground, oval canvas 14.5ins x 18ins, signed in black and "R.S.A.", in gilt moulded frame £300-500 plus 24% BP*
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***Jiner Gordella (born 1942) - Oil painting - Venetian scene with palazzo and canal, canvas 15ins x 21.75ins, signed, in gilt moulded frame £200-300 plus 24% BP*
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Alexander Rosell (1859-1922) - Oil painting - Winter scene with boys losing their balance and falling over on ice, canvas laid on board 26ins x 19.5ins, signed and dated '96, in gilt frame £200-300 plus 24% BP*
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Mid 19th Century Scottish school - Oil painting - View of Greyfriars churchyard looking toward Edinburgh Castle, pine panel 10ins x 12.75ins, in gilt moulded frame £200-300 plus 24% BP*
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Ernest Bolens (1881-1959 - Swiss) - Oil sketch - Landscape with men loading a hay cart, board 13.5ins x 19.5ins, signed, unframed
Note: With oil sketch of a streetscape to verso £250-400 plus 24% BP*
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***James Doxford (1899-1978) - Oil painting - "The New Thatch - Wickhambreux Court", board 18ins x 16ins, signed, in gilt frame
Note: Verso with title in ink and - "Exhibited at Royal Academy" £200-300 plus 24% BP*
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Frederick Jamieson (fl. 1910-1940) - Oil painting - "Loch Earn, Perthshire", canvas 16ins x 24ins, signed, in gilt and painted frame £150-200 plus 24% BP*
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Frederick Jamieson (fl. 1910-1940) - Oil painting - "Loch Ness", canvas 16ins x 24ins, signed, in gilt and painted frame £150-200 plus 24% BP*
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Frederick Jamieson (fl. 1910-1940) - Oil painting - "Inverary", canvas 16ins x 24ins, signed, in gilt and painted frame £150-200 plus 24% BP*
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Frederick Jamieson (fl. 1910-1940) - Oil painting - "Near Loch Lomond", canvas 16ins x 24ins, signed, in gilt and painted frame £150-200 plus 24% BP*
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Frederick Jamieson (fl. 1910-1940) - Oil painting - "Old Road Glencoe", canvas 16ins x 24ins, signed, in gilt and painted frame £150-200 plus 24% BP*
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