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19th century Continental School oil on copper panel - The Flower Seller, in gilt frame, 16cm x 13cm
£80 - 120
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Amy Miller-Watt (1900 - 1956), oil on canvas - portrait of a lady, in gilt frame, 60cm x 50cm
£100 - 150
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*Edward Kington Brice (1860 - 1948), watercolour - lambs beneath an apple tree, signed, in gilt frame, 33.5cm x 24.5cm
£80 - 120
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Late 19th / early 20th century watercolour - cattle at dusk, indistinctly signed, in glazed frame, 27cm x 31cm
£80 - 120
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Continental School oil on canvas laid on panel - still life of summer flowers in a vase, bearing signature, in gilt frame, 30cm x 40cm
£100 - 150
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William Edward Webb (c. 1862 - 1903), oil on canvas - Harbour scene, signed, 31cm x 61cm, unframed
£150 - 250
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19th century Continental School oil on canvas - portrait of Philip IV of Spain, framed, Vienna stamp verso, 48cm x 38cm
£250 - 350
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Attributed to Lionel Edwards (1878 - 1966), pair of chalk studies of riders, horses and hounds, in wooden frames, each 25cm x 35cm
£150 - 200
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After John Constable, Joseph Paul (1804 - 1887), oil on canvas - a view of Salisbury Cathedral, in gilt frame, 35cm x 29cm
£200 - 300
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Circle of Marius Adrianus Koekkoek (1707 - 1870), oil on panel - a wooded landscape with a figure by a barn, in gilt frame, 25cm x 30cm
£150 - 200
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*Sir Alfred James Munnings P.R.A. (1878 - 1954), oil on French artist board - a sketch of a river lock, possibly on the Stour, farm building beyond, signed and numbered on label verso, in gilt frame, 22cm x 29cm
£500 - 700
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William Ward Gill (1823 - 1894), oil on board - a wooded river landscape with figures in the foreground, abbey ruins beyond, signed, in gilt frame, 37cm x 48cm
£150 - 200
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*William Watt Milne (1865 - 1949), oil on canvas - a river landscape with trees by a church, signed, in oak frame, 40cm x 35cm
£400 - 600
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C. F. Welsens, oil on canvas board - still life of fruit and a jug, signed, in gilt frame, 60cm x 40cm
£60 - 100
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William Shayer Snr. (1787 - 1879), oil on canvas - a stable interior with horses, a goat and a dog, in ornate original frame, 43cm x 59cm
£300 - 500
| By Direction of a Gentleman | |
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Edgar Bundy A.R.A. (1862 - 1922), oil on canvas - seated lady with a guitar and a male admirer, entitled - 'Flirtation', signed, in original gilt frame, 66cm x 48cm.
Provenance: Direct family descent
£1000 - 1500
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Edgar Bundy A.R.A. (1862 - 1922), oil on canvas - My Lady Disdain, signed, titled and signed verso, in giltwood frame, 44cm x 63cm.
Provenance: Direct family descent
£800 - 1200
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Edgar Bundy A.R.A. (1862 - 1922), oil on canvas - sketch for The Morning of Sedgemoor, initialled, titled and signed verso, in gilt frame, 51cm x 42cm.
Provenance: Direct family descent.
N.B. See The Tate Collection for the finished work. Presented to The Tate by the Trustees of the Chantrey Bequest in 1905
£500 - 800
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Edgar Bundy A.R.A. (1862 - 1922), watercolour and gouache - A Lady and her Faithful Attendants, signed, in gilt frame, 56cm x 79cm.
Provenance: Direct family descent. This painting is one of several depicting a similar subject matter, some in oils and some in watercolours. The female model is Elizabeth Bundy the wife of Edgar. It was painted in the south studio of the original farmhouse of St. John's Wood circa 1890
£400 - 600
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Walkern Wright, contemporary oil on board - Parisian street view, signed, framed, 60cm x 50cm
£100 - 200
| Other Owners | |
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Wendy Brooke-Smith, contemporary oil on canvas - Spirit Yacht Reflections, initialled, signed, titled and dated 2013 verso, framed, 91cm x 71cm
£100 - 150
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John Henry Henshall (1856 - 1928), watercolour - figure sitting in a street, smoking and clutching a wine glass, signed and dated 1878, in glazed gilt frame, 36cm x 44cm
£100 - 150
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Attributed to Jan Van Der Meer (1656 - 1705), watercolour - figures gathered on a hillside with goats and sheep, signed, in gilt frame, 25cm x 31cm
£200 - 300
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Walter Stuart Lloyd (1875 - 1929), watercolour - fishing boats on a lake before cottages, signed, in glazed gilt frame, 75cm x 125cm
£600 - 800
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Victorian English School oil on canvas - portrait of a Merchant Navy Officer, in gilt frame, 78cm x 52.5cm
£150 - 200
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William Joy (1803 - 1867), monochrome watercolour - Fishing Boats Landing At Yarmouth, inscribed verso and dated 1854, in glazed frame, 12.5cm x 22cm
£80 - 120
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*Dame Laura Knight (1877 - 1970), oil on canvas - The Green Shawl, signed, framed, 61cm x 51cm.
Provenance: J. W. Hilham, Auctioneers, Gorleston-on-Sea, September 2nd 1971 - Lot 37. Sold with a copy of the original receipt and catalogue
£2000 - 3000
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Follower of Sir Joshua Reynolds (1723 - 1792), ink and wash sketch - a lady among trees, bearing signature, in glazed gilt frame, 19cm x 13.5cm.
Provenance: Markswood Gallery, April 1981. Sold as being by J. Reynolds, with a copy of the original receipt
£80 - 120
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Edward Armfield (1817 - 1896), pair oils on canvas - Otter Hunting, signed, in gilt frames, 37cm x 49.5cm
£300 - 500
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Alan Kenny (b. 1965), oil on canvas - Wicklow landscape, signed, in glazed gilt frame, 41cm x 51cm
£100 - 150
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Alan Kenny (b. 1965), oil on canvas - Connemara landscape, signed, in gilt frame, 36cm x 46cm
£100 - 150
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*Robert Colquhoun (1914 - 1962), pen and ink study - a figure with feathered headdress, in glazed frame, 49cm x 39cm.
Provenance: Acquired direct from the artist
£200 - 300
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*Robert Colquhoun (1914 - 1962), pen study - a male figure, in glazed frame, 47.5cm x 27.5cm.
Provenance: Acquired direct from the artist
£150 - 200
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Augustus Walford Weedon (1838 - 1908), watercolour - The Pool, Lymington, signed, in glazed gilt frame, 33.5cm x 52cm
£100 - 150
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18th century English School oil on paper laid on canvas - a portrait of a lady and her dog, believed to be Queen Charlotte, in original gilt frame, 28cm x 22cm
£400 - 600
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Edward Armfield (1817 - 1896), oil on canvas - a grey hunter and three dogs by a stile, signed, in gilt frame, 34cm x 49cm
£300 - 500
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Robert Burrows (1810 - 1885), oil on panel - cattle watering by the Orwell, in gilt frame, 19cm x 23cm
£120 - 180
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Cyril Tempest, 19th century oil on canvas - fishing vessels off Dover Harbour, signed and inscribed verso, in gilt frame, 49cm x 75cm
£200 - 300
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Late 19th century English School oil on board - 'Beau', a Red Setter, initialled - C. G. and inscribed, in gilt and painted frame, 11cm x 10cm
£60 - 100
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Manner of William Hogarth, oil on panel - a gentleman seated reading at a table and holding a candle which has set fire to his hat, in Hogarth frame, 20cm x 15cm
£80 - 120
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Robert Cleminson (act. 1864 - 1903), 19th century oil on canvas of a gun dog with a pheasant in a reed bed, signed, in original gilt frame, 30cm x 45cm
£200 - 300
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William Graham Buxton, pair oils on canvas - a harvest scene and a bluebell wood, signed, in gilt frames, each 30cm x 46cm
£200 - 300
| By Direction of The Victor Batte-Lay Foundation | |
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*Keith Stuart Baynes (1887 - 1977), oil on canvas - Hotel Du Portugal, signed and dated 1954, also signed verso, framed, 51cm x 61cm
£200 - 300
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*Keith Stuart Baynes (1887 - 1977), oil on canvas - Verengeville, signed, titled, dated 1938 and signed verso and inscribed - London Group, framed
£200 - 300
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*William Whitehead Ratcliffe (1870 - 1955), ink and watercolour - High Street, Hampstead, in glazed frame, 38cm x 46cm.
Provenance: A gift to The Victor Batte-Lay Trust in 1963 from the Colchester Contemporary Art Society by the then curator of the Minories, Jack Wood Palmer. The work had been included in the 1954 exhibition at Letchworth Museum and Art Gallery, priced at 10 guineas
£400 - 600
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*Eduardo Paolozzi (1924 - 2005), signed limited edition print - Composition, dated 1974, in glazed frame, 79cm x 58cm.
Provenance: A gift to The Victor Batte-Lay Trust in 1979
£50 - 70
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*Ethelbert White (1891 - 1972), watercolour - River Wey, Guilford, signed, 35cm x 46cm, mounted
£100 - 150
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Elizabeth Kenyon, collection of sixteen linocuts depicting views of Dedham, Flatford, Stratford St. Mary and others, framed as six displays, various sizes.
Provenance: Presented to The Victor Batte-Lay Trust by P. L. Goldsmith, a custodian of The Minories and Brigadier L. Kenyon, the artist's son
£150 - 200
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*Ian McKeever (b. 1946), pencil on paper and photograph - 'Sand and Sea' series no. 8 - near Cromer Norfolk, Summer '77, titled and signed, in glazed frame, 98cm x 148cm.
Provenance: Presented to The Victor Batte-Lay Trust by the Contemporary Art Society 1979, labels verso.
Exhibited: Nigel Greenwood Inc. Ltd
£300 - 500
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John Sell Cotman (1782 - 1842), collection of forty-eight engravings from Liber Studiorum; A Series of Sketches And Studies, mostly mounted, published by Henry Bohn 1838.
Provenance: Presented to The Victor Batte-Lay Trust by Robert Bevan Esq
£300 - 500
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