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Hubert Lindsay Wellington (1879 - 1967), oil on board - The Woodland Path, framed, 18cm x 23.5cm
£100 - 150
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Hubert Lindsay Wellington (1879 - 1967), oil on board - Rural Landscape, framed, 20.5cm x 25.5cm
£100 - 150
| Other Owners | |
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*Augustus Edwin John (1878 - 1961), signed black and white etching - Various Studies, in glazed gilt frame, 19.5cm x 13.5cm.
Exhibited: The Leicester Galleries November 1971, no. 58, label verso
£300 - 500
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*Jeremy Barlow (b. 1945), oil on board - Fenland, signed, in gilt frame, labels verso, 17cm x 23cm
£100 - 150
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Erna Jackson (1888 - 1985), collection of oils - including two portraits, oil study of mushrooms and others (7).
N.B. Erna Jackson was the mother of Joanna Shelton (see lots - she attended Whiteleys College South London and was a member and exhibitor at the Richmond Art Group
£100 - 150
| Joanna Shelton nee Jackson (1916-1991) was the daughter of Erna Jackson (see Lot 1184) and the wife of Harold Shelton (see Lots 1189-1193). She studied at the Kingston School of Art from 1934-36 and the Royal College of Art - Princess of Wales Scholar 1936-39. She was also a lecturer in Fine Art at the Carlisle College of Art, Hornsey College, St Martin's School of Art and the Central School of Art | |
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Joanna Shelton (nee Jackson 1916 - 1991), oil on board - still life of mackerel on a plate, in painted frame, together with another oil - still life of mushrooms, 30cm x 45cm and 25cm x 35cm (2)
£100 - 150
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Joanna Shelton (nee Jackson 1916 - 1991), oil on board - portrait of a mother and child, 65cm x 44cm, another of a lady seated in a chair, 50cm x 35cm and one other oil portrait (3)
£80 - 120
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Joanna Shelton (nee Jackson 1916 - 1991), oil on canvas - a garden, signed, in painted frame, 24.5cm x 30cm and two other oils - Lymore Brook and a still life of plant pots
£100 - 150
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Joanna Shelton (nee Jackson 1916 - 1991), oil on canvas - still life with a boulle work clock, in painted frame, 65cm x 42cm
£100 - 150
| The following works are from the studio of Harold Herbert Shelton (1913-1994) who was at the Wallasey School of Art from 1934-36 and the Royal College of Art - School of Engraving and Industrial Design from 1936-39. He exhibited at the Royal Academy in 1939 and was a Fellow and Associate of many other art and design societies. He was also Principal of Carlisle College of Art from 1947-1957 and Principal of Hornsey College from 1957-1973. He exhibited continually and collaborated privately with Lord Snowdon. His private papers are deposited with the Victoria & Albert Museum. | |
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Harold Herbert Shelton (1913 - 1994), collection of unframed works - watercolours, gouaches and other sketches including rural views, tree studies and figures
£100 - 200
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Harold Herbert Shelton (1913 - 1994), collection of twenty-three unframed works - watercolours, pencil and pen and ink including hay making scene, rural landscapes and farmsteads
£100 - 200
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Harold Herbert Shelton (1913 - 1994), collection of nine watercolour and ink studies - still life of flowers and fish, together with other unframed works by fellow artists and students, some with Royal Society of Art Competition labels
£80 - 120
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Harold Herbert Shelton (1913 - 1994), ink and watercolour - rocky coastline, signed and dated '55, in glazed frame, 54cm x 75cm, together with a pen and ink sketch of a pear tree and another pencil sketch, both framed (3)
£60 - 100
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Harold Herbert Shelton (1913 - 1994), collection of unframed ink and watercolours and gouache studies - figures and portraits (14)
£100 - 200
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Morray Barker, late Victorian oil on board - Returning Home, a rural landscape, signed, in gilt frame, 34cm x 49cm
£200 - 300
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Early 19th century English School, oil on canvas - extensive landscape with fishing boats off the shore, in gilt frame, 46cm x 72cm
£180 - 220
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William Russell Flint (1880 - 1969), print - figures before a water mill, with blindstamp, in glazed frame, 52cm x 68cm
£100 - 150
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Francis Russell Flint (1915 - 1977), signed print - My Father Painting, with blindstamp, in glazed gilt frame, 56cm x 77cm
£150 - 200
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Giovanni Battista Piranesi (1720 - 1778), engraving, 'Scala di Palmi XL', plate 38cm x 46cm, in glazed frame
£60 - 100
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Abraham Bosse (1602 - 1676), engraving 'Return of the Prodigal Son', 25.5cm x 32cm, in glazed frame, together with Henri Mauperche - Adoration of the Magi in an architectural setting (2).
Provenance: Both purchased from Christopher Mendez, London 10th April 1973
£60 - 100
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Abraham Bosse (1604 - 1676), three etchings: 'Les Virges sages s'entretiennent des felicites celestes' 1635, 'Les Voeux de roi et de la reine a la Viege' 1638, 'La benediction de la table' 1635, all unframed.
Provenance: Purchased from Christopher Mendez, London 25th April 2005, offered with original receipt
£100 - 150
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William Hogarth (1697 - 1764), engraving - Strolling actors dressing in a barn, 41cm x 53cm frame to the margins, in glazed frame
£60 - 100
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William Hogarth (1697 - 1764) and Luke Sullivan, engraving - The March to Finchley 1750 with Hogarth's alterations 1761. Accompanying receipt states 'Lifetime impression plate', 44cm x 54cm, in glazed frame
£60 - 100
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William Hogarth (1697 - 1764), set of four black and white engravings - Four Times Of The Day: Morning, Noon, Evening and Night, published March 25th 1738, in glazed Hogarth-style frames, 45cm x 37cm
£200 - 300
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Sherree Valentine-Daines (b. 1956), pair of signed limited edition prints - The Cricket Match 669 / 850 and Henley Regatta 365 / 850, both with blindstamps, in glazed frames, 36cm x 52cm
£80 - 120
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Claude Hayes (1852 - 1922), collection of seven watercolours - rural views, tree-lined streams and cattle grazing, each signed, mounted, 16.5cm x 24cm
£200 - 300
| Henry Potter Stevens (1875-1965)
Henry Potter Stevens was born at Park Lane, London 1875. He gained a first class Chemistry degree at Oxford and then a PhD from Heidelberg University in Germany in 1899 before commencing a stellar career as a chemist, working in the burgeoning rubber industry. He published two academic books 'The Paper Mill Chemist' (1908) and 'Rubber' (1915) and was a consultant to the Rubber Growers Association for over thirty years up to the start of the Second World War. Away from work H. P. Stevens was a significant antique collector and authority on Japanese lacquer work. He was also a talented amateur artist, exhibiting works at the Royal Academy and Colnaghi's. He was a member of Ipswich Art Club from 1942-1953. He died in Suffolk in 1965. The present collection comes by descent from his family, and demonstrates the breadth of his range, comprising oils, watercolours and etchings, the quality is testament to a genuine polymath. | |
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Henry P. Stevens, collection of thirty-four unframed watercolours spanning from the Edwardian period to the 1960s - views including Kent, Sussex, Cotswolds and the Waveney Valley, signed and inscribed, contained in a drawings box
£100 - 150
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Henry P. Stevens, collection of twenty-five unframed watercolours spanning the 1940s - 1960s - including views of Sussex and Kent and fishing boats at Southwold, signed and inscribed
£100 - 150
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Henry P. Stevens, collection of twenty-five unframed watercolours spanning the 1930s - 1960s - including views of Sussex, Surrey and Yarmouth, signed and inscribed
£100 - 150
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Henry P. Stevens, collection of approximately one hundred unframed pencil sketches spanning the 1920s - 1950s - including portraits, rural landscapes, farmsteads and others, some inscribed, contained in a drawings book
£100 - 150
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Henry P. Stevens, collection of ten signed black and white etchings from the 1920s onwards - rural views, portraits and a nude, together with thirty-seven original engraved plates relating to some of the above images, also some unengraved plates
£100 - 150
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Henry P. Stevens, watercolour - The Fire Bird, signed and dated 1961, in glazed frame, label verso, 44cm x 60cm
£80 - 120
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Henry P. Stevens, oil on board - Temple in Borghese Villa, Rome, signed and dated 1912, in painted frame, inscribed verso, 29cm x 39cm
£50 - 80
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Henry P. Stevens, oil on canvas - wooded track, two other oils on board - Highgate Ponds 1912 and an oil on board 'The Red Cap' (4)
£50 - 80
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Henry P. Stevens, two oils on canvas - wooded landscapes and another 'A Wet Afternoon', each framed
£60 - 100
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Henry P. Stevens, collection of seven framed watercolours - The Ploughed Field, The Orchard, other rural scenes and still life studies of flowers
£80 - 120
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Henry P. Stevens, collection of four framed watercolours - The Lower Gates, Nayland, Rainbows Pool (Exhibited at the Festival Exhibition of Art Council Norwich Castle 1951), 'The Stranger in a Storm' and still life of chrysanthemums
£100 - 150
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Henry P. Stevens, three framed watercolours - A decoration of dead leaves 1952, another similar and another - Fallen Leaves 1952, each signed
£80 - 120
| Picture Frames | |
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Early 19th century gilt and gesso frame, internal measurements 77cm x 64cm
£100 - 150
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Early 19th century ornate gilt and gesso frame for a circular oil, internal diameter 33cm
£80 - 120
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Late 18th century carved giltwood frame, internal measurements 21.5cm x 18cm
£100 - 150
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Early 19th century gilt and gesso frame, internal measurements 31cm x 40.5cm
£60 - 100
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Late 19th century ornate gilt and gesso frame, internal measurements 36.5cm x 47cm
£80 - 120
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Late 19th century ornate gilt and gesso frame, internal measurements 51cm x 38.5cm
£60 - 100
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Victorian rosewood frame with decorated gilt slip, internal measurements 45cm x 35cm
£60 - 100
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Early 19th century ebonised and gilt Hogarth-style frame, internal measurements 37cm x 52.5cm, together with two other later gilt frames (3)
£60 - 100
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Victorian gilt and gesso frame with reeded borders, internal measurements 60cm x 100cm
£80 - 120
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Victorian gilt and gesso frame, internal measurements 78cm x 65cm
£80 - 120
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18th century gilt and gesso carved Florentine frame, internal measurements 47.5cm x 38cm
£100 - 150
| Clocks and Barometers | |
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1973 Garrard-Elliott English limited edition reproduction 17th century-style basket-top bracket clock, striking quarters and hours on two gongs, floral engraved back plate signed - Reg. no. 24, F. W. Elliott London, gilt metal dial with wheatear borders, signed - Elliott London, silvered chapter ring and applied signed cartouche, in an ebonised case with gilt metal mounts and with original fitted carrying case, together with original Garrard Certificate of Guarantee 738674 no. 24 of 100 and 1991 Insurance Valuation, 34cm overall height (key present).
N.B. The Elliott Jubilee clock was made to celebrate fifty years of clock making by F. W. Elliott
£800 - 1000
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