| |
James Hardy, 20th century oil on canvas laid on board - an American ship off the coast, signed, in gilt frame, 48cm x 74cm
£200 - 300
|
|
| |
James Hardy, 20th century oil on canvas laid on board - a Naval sea battle, signed, in gilt frame, 50cm x 76cm
£200 - 300
|
|
| |
James Hardy, 20th century oil on canvas laid on board - an American ship off the coast, signed, in gilt frame, 48cm x 73.5cm
£200 - 300
|
|
| |
James Hardy, 20th century oil on canvas laid on board - two ships in battle, signed, in gilt frame, 50cm x 69cm
£200 - 300
|
|
| |
James Hardy, 20th century oil on canvas laid on board - racing yachts off the coast, signed, in gilt frame, 60cm x 88cm
£300 - 500
|
|
| |
James Hardy, 20th century oil on canvas laid on board - shipping off the Dover coast, signed, framed, 45cm x 55cm
£100 - 200
|
|
|
George III period English School, oil on copper panel - portrait of a gentleman, Joseph Hadfield, in glazed gilt frame, label verso, 29cm x 24cm
£300 - 500
|
|
| |
Edward Calvert (1799 - 1883), watercolour - figures and a dog on a track with Carnarvon Castle beyond, signed, in glazed gilt frame, 15cm x 20cm
£60 - 80
|
|
| |
J. A. Mackay, pair contemporary oils on board - steam train in a station and a Second World War plane, signed and indistinctly dated, in painted frames, 25cm x 60cm and 21.5cm x 60cm
£100 - 150
|
|
|
Follower of Sir Peter Lely, oil on canvas - portrait of a lady with pearl drop earrings and string of pearls, in gilt frame, 76.5cm x 61.5cm
Provenance: Ex Appleby Castle, Cumbria
£1500 - 2000
|
|
| |
William Daking of Bocking, early Victorian oil on canvas - portrait of Miss Lydia Smith, aged 6, inscribed verso and dated 1837, in gilt frame, 60cm x 50cm, together with another Victorian oil on canvas - portrait of a boy with a hawk, in gilt frame, 60cm x 49cm (2)
£100 - 200
|
|
|
Johann Dallinger Von Dalling (1741 - 1806), oil on panel - three horses grazing in extensive landscape, signed, in gilt frame, 28cm x 35cm
£800 - 1200
|
|
| |
George Cruickshank, early 19th century hand-coloured etching - 'Puzzled Which to Choose!! or, The King of Tombuctoo offering one of his daughters in marriage to Capt._______', published 10th October 1818 by George Humphrey, in glazed gilt frame, 25cm x 35cm
£120 - 180
|
|
| |
Late 19th century English Naive School, oil on panel - a prize sow, unframed, 16.5cm x 20.5cm
£60 - 100
|
|
| |
Henry R. Hall, oil on canvas - Highland cattle on the River Eden near Carlisle, signed and inscribed verso, in gilt frame, 60cm x 91cm
£120 - 150
|
|
| |
Mid-19th century English School, pastel portrait of a pretty young child, in gilt frame, 37cm x 26cm
£60 - 100
|
|
| |
Early 19th century English School, oil on canvas - river landscape with a figure on a bridge by a farmhouse, in gilt frame, 49cm x 60cm
£120 - 150
|
|
| |
Alwyn Crawshaw (b. 1934), two oils on canvas - Summer Valley, 39.5cm x 49.5cm and another - Walk To The Farm, 39.5cm x 59.5cm, both signed, in gilt frames
£100 - 150
|
|
| |
A. Vetherwood, late Victorian oil on canvas - street view with harbour beyond, signed, in gilt frame, 60cm x 39.5cm
£100 - 150
|
|
| |
Arthur De Breanski, late Victorian oil on canvas - swans on the river at dusk, signed, in gilt frame, 59.5cm x 89.5cm
£200 - 400
|
|
|
*Donald McIntyre (1923 - 2009), oil on board - Anglesey Harbour, signed, in painted frame, 39.5cm x 49.5cm.
Exhibited: The Royal Society of Marine Artists, purchased by the vendor in 1959
£4000 - 6000
|
|
| |
Klimo, 20th century mixed media on board - coastal landscape, in glazed gilt frame, labels verso, 58.5cm x 82cm
£200 - 300
|
|
| |
Sam J. Ntiro (1923 - 1993), oil on board - Climbing Mount Kilimanjaro, signed, framed, inscribed verso, 46cm x 41cm. Exhibited: The Piccadilly Gallery, December 1964, labels verso, together with the original exhibition catalogue
£150 - 250
|
|
| |
*John Hitchens (b. 1940), oil on board - Empty Shore, signed and dated, inscribed verso, in glazed frame, 50cm x 70cm
£400 - 600
|
|
|
*John Piper (1903 - 1992), signed limited edition lithograph - San Moise, Venice, 16 / 50, in glazed frame, 68cm x 49.5cm
£400 - 600
|
|
| |
Victorian English School, oil on canvas - portrait of a lady in black dress with lace trimming, in gilt frame, 27cm x 23cm
£100 - 150
|
|
| |
18th century Venetian School, oil on canvas - Vision of St. Bernard, in gilt frame, Agnews label verso, 28cm x 17.5cm
£150 - 200
|
|
|
Attributed to Sebastian Pether (1790 - 1844), after Abraham Pether oil on canvas - figure fishing by moonlight, in gilt frame, label verso, 23cm x 33cm
£400 - 600
|
|
| |
*Michael Honnor (b. 1944), watercolour - Isles of Scilly: Ebb Tide 1992, signed, in glazed frame, 25cm x 29cm. Exhibited: The Sue Rankin Gallery, London
£150 - 250
|
|
| |
Late Victorian English School, oil on canvas - Unloading the Catch, Whitby Harbour, initialled and dated 1887, framed, 60cm x 90cm
£300 - 500
|
|
| |
Late Victorian / Edwardian English School, oil on canvas - The Letter, a female figure on a beach, monogrammed, in gilt frame, 48.5cm x 35.5cm
£80 - 120
|
|
| |
19th century Continental School, oil on canvas - Rotterdam Fish Market, indistinctly signed, in gilt frame, 66.5cm x 103cm
£200 - 300
|
|
| |
George Lane (20th century), oil on canvas board - Yachts at sea, signed, 34cm x 49cm, framed
£150 - 200
|
|
| |
William Yates, Victorian oil on canvas - figures beside a pond, in pastoral landscape with windmill beyond, in gilt frame, 40cm x 60cm
£150 - 200
|
|
| |
Robert Finlay McIntyre, Victorian watercolour - fisherfolk on the shore, signed, in original gilt frame, 51cm x 76cm
£150 - 200
|
|
|
Harry Wanless (1873 - 1933), watercolour - fishing boats at the harbour wall, signed, in original glazed gilt frame, 50cm x 75cm
£300 - 500
|
|
|
|
| |
*Julian Barrow (1939 - 2013), oil on canvas - village near Palaia, Tuscany, signed, in painted frame, 14.5cm x 19cm
£200 - 300
|
|
| |
*Salliann Putman (b. 1937), watercolour and gouache - Campo San Stefano, signed, framed, 11.5cm square
£100 - 150
|
|
|
Helen Simmonds (b. 1962), oil on canvas - still life of lemons and carnations, signed and dated '08, unframed, 18cm x 22.5cm, together with three exhibition catalogues
£300 - 400
|
|
| |
William Walcot (1874 - 1943), signed black and white etching - Bull-Fight: Seville, label verso, in glazed frame, 17cm x 36cm
£100 - 150
|
|
| |
David Shapiro (1944 - 2014), contemporary oil on paper - Reflections in the lake, signed and dated '05, 26.5cm x 34.5cm, together with another - Abstract Farm, signed and dated '06, 29cm square - both framed and glazed
£100 - 200
|
|
| |
Barbara Crowe (b. 1942), watercolour and gouache - still life of flowers, 'Autumn Day', signed, in glazed frame, 53cm x 74cm.
Exhibited: The Chelsea Art Society
£80 - 120
|
|
|
Maia Ramishvili, contemporary mixed media on canvas - Queen, signed and dated 2002, inscribed verso, framed, 98cm x 89cm.
£300 - 500
|
|
| |
William Lionel Wyllie (1851 - 1931), pair signed etchings - shipping on the river, in original mounts (one framed), 16cm x 24cm
£100 - 150
|
|
|
*Dame Laura Knight (1877 - 1970), ink sketch - A Juggler, signed, in glazed frame, 9cm x 13cm. Exhibited: Milne & Moller, London, labels verso
£300 - 500
|
|
|
Benjamin Williams Leader (1831 - 1923), oil on board - cottage interior, in oak frame, 23cm x 30cm.
Provenance: A gift to Beatrice Leader Easter 1969 from a Mr & Mrs Basset. Handwritten labels verso stating: 'Painted by my father B. W. Leader about 1869 and presented to me...'
£800 - 1200
|
|
| |
George Percival Gaskell (1868 - 1934), oil on canvas - woodland clearing with a goat herder and goats grazing, signed and dated 1905, 85cm x 111cm
£400 - 600
|
|
| |
Lady Mary Augusta Aubrey-Fletcher (1887 - 1963), watercolour - still life of flowers in a vase, in glazed ebonised frame, label verso, 40cm x 52cm
£80 - 120
|
|
| |
Late Victorian English School, oil on canvas - The S.S. F. T. Barry towing another steamship, indistinctly signed, in gilt frame, 48cm x 73.5cm
£100 - 150
| Collection of Works acquired from the Artists | |
|
