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ELLIOTT SEABROOKE (1886-1950) STUDY WITH TREES Signed in pencil, oil on board 48 x 40cm.; with a pastel, 'Rabbit Farm', by the same hand, 26.5 x 31.5cm. (2) ++ Each in good condition £150-200
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ENGLISH SCHOOL, Circa 1900 HEAVY SEA, WITH FIGURE ON A BEACH Signed with a monogram (possibly ESB or EFB in unison), inscribed on fragmented label verso (avy sea a/...nswick), oil on canvas 24 x 75cm.
* Possibly a view at Runswick, Yorkshire coast ++ Some slight craquelure; under glass in original gilt frame; needs a light clean £250-350
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WILLIAM ROBIN JENNINGS (b.1927) A SILVER MORN Signed and dated 77, oil on canvas 60 x 90.5cm.
* To be sold for the benefit of the Rotary Club of Radlett, Hertfordshire ++ Small flaked loss in the sky £200-300
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DIMITRIE GAVRILEAN (1942-2012) A WINTER SCENE IN ROMANIA Signed and dated 69, oil on board 58 x 47.5cm. ++ Needs a light clean £150-200
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JOHN THOMAS NIGHTINGALE ROWELL (Australian, 1894-1973) SUMMER MORNING, MORNINGTON, AUSTRALIA Signed, oil on canvas 44.5 x 59.5cm. ++ Good condition £300-500
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NICK MACE (b.1949) DUCK SHOOTING IN WINTER Signed, oil on board 49.5 x 74.5cm. £150-200
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A** PAUL (Fl.c.1920) FISHERMEN'S COTTAGES ON THE COAST Signed, oil on canvas, cut down 51 x 40.5cm. ++ A little craquelure; needs a light clean £80-120
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NICK MACE (b.1949) SHEPHERDING ON THE HEATH Signed, oil on board 49.5 x 59.5cm. ++ Good condition £100-200
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ATTRIBUTED TO LUIGI LANZA (b.1860) A VENETIAN BACKWATER Oil on canvas board 60.5 x 44.5cm. ++ Slight unevenness on canvas lower left; needs a light clean £250-350
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RAYMOND SUTTER (1920-1988) STILL LIFE WITH FRUIT AND FLOWERS BY A CHINESE JAR Signed, oil on board 62.5 x 43.5cm. ++ Craquelure; risk of slight flaking lower left corner £200-300
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HEDVIG BRANDT (Danish, 1881-1946) STILL LIFE OF A VASE OF LILACS, WITH VEGETABLES Signed with initials, oil on canvas 59 x 59cm. ++ Good condition £150-200
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ATTRIBUTED TO FORTUNINO MATANIA (1881-1963) THE HOMECOMING: SOLDIER NEAR ST MARTIN'S IN THE FIELDS, LONDON Oil sketch on canvas 49.5 x 39cm. ++ Small hole near lower edge; scattered minor flaws £150-200
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HELEN STUART WEIR (1915-1969) A CHINESE JAR OF FLOWERS Signed, oil on canvas 66 x 51cm. ++ A little craquelure; needs a clean £250-350
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JULIAN HALSBY (b.1948) 18th CENTURY INTERIOR IN THE CAMONDO MUSEUM, PARIS Oil on board 44.5 x 31.5cm. Exhibition: (Halsby) Stockbridge, The Wykeham Gallery, 'Easton, Halsby & Howell', November 2002, no.30 ++ Good condition £100-150
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TERENCE LOUDON (Fl.1921-1940) AN URN OF SUMMER FLOWERS Signed, oil on canvas 49.5 x 39cm. ++ Good condition £400-600
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AFTER SIR ALFRED JAMES MUNNINGS, PRA, RWS (1878-1959) THE FORD AT DUSK Oil on ply panel, modern 29.5 x 39.5cm.
* After Munnings's original of 1910 ++ Good condition £50-80
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AMBROSE McEVOY (1878-1927) PORTRAIT OF A LADY IN PROFILE Signed, oil on canvas 56 x 46cm. ++ Lined; needs a light clean £800-1200
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BARRY CRAIG (1902-1951) DOUARNENEZ, 1946 Signed, also signed and inscribed verso, oil on board 50 x 67.5cm. Exhibited: London, New Art Centre, 1987 (from the artist's family; purchased by Gordon Apsion); London, Thomas Agnew & Sons Ltd ++ Good condition £400-600
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HERBERT ROYLE (1870-1958) WARFEDALE [sic] SUNSET Signed, further indistinctly inscribed and dated, bears signature and inscription verso, oil on panel 34 x 44cm. ++ A little bloom; generally good £400-600
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HERBERT ROYLE (1870-1958) MAN AND A HORSE ON A COUNTRY LANE Signed, oil on canvas 34.5 x 45cm. ++ A little craquelure £500-700
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JULIUS OLSSON, RA (1864-1942) OFF THE LIZARD Signed, oil on canvas 60 x 75cm. ++ Three patched repairs verso; some flaked losses; bloom and craquelure £800-1200
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JOHN MILLAR WATT (1895-1975) A FOX TERRIER Signed, oil on board 41.5 x 49.5cm. ++ Good condition £400-600
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WILLIAM MARK FISHER, RA (1841-1923) THE CORNER OF THE FARM Signed, oil on canvas 44 x 64cm. ++ Old lining; some scattered retouching £500-700
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WILLIAM MARK FISHER, RA (1841-1923) CATTLE IN MEADOW Signed and dated 92, oil on canvas 34 x 46cm. Exhibited: London, The Royal Academy, Winter Exhibition, 1928 ++ Lined; some craquelure; a little scattered retouching £500-700
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GEORGE FAULKNER WETHERBEE (1851-1920) THE SHEPHERD PIPER Signed, oil on canvas 57 x 113cm.
* Similar to Wetherbee's 'A Happy Valley' (Birkenhead, Williamson Art Gallery), 1896 ++ Good condition £1200-1800
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SIR FRANK WILLIAM BRANGWYN, RA, RWS (1867-1956) BUITENGRACHT ST, CAPE TOWN Signed with initials and dated 91, inscribed with title verso, oil on panel 42 x 31cm. In 1891, Brangwyn was invited by a London dealer to visit a foreign country of his choosing and produce work for an exhibition upon his return. The artist selected South Africa and chose to travel with the artist, writer, and poet William Hunt. The two men sailed for Cape Town in late summer with £250 to take them as far as they could go and, it was hoped, last them a year. Brangwyn and Hunt travelled inland from Cape Town to the diamond fields of Kimberley, riding by cart. The money ran out after just five months and the two men cabled London asking for extra funds. None was forthcoming so the men returned to Britain and went into self-enforced hiding to avoid meeting their sponsor. Initially infuriated by the trickery when they were found, the dealer mounted an exhibition at the Japanese Gallery on Bond Street in March 1892 and - mercifully for all concerned - it was a critical and commercial success. ++ Some bloom; slight grazes £2000-3000
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ARTHUR HACKER, RA (1858-1919) FISHERMEN, OLD AND YOUNG Signed twice (one signature partially strengthened), oil on canvas 49 x 39cm. ++ Lined; scattered retouching; some craquelure £1200-1800
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TOON KELDER (1894-1973) KOP LEX: PORTRAIT STUDY OF A LADY Signed, painted c.1931, oil on canvas 39 x 31cm. Provenance: Collection of P. Rykens, Brockham Park, Betchworth, Surrey (label on stretcher) ++ A few superficial surface marks £1000-1500
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NIKI KANAGINI (Greek, b.1933) UNTITLED Signed and dated 63 on overlap/stretcher, oil on canvas 25 x 30.5cm. ++ Slight surface blemishes; needs a light clean £500-600
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EWAN McCLURE (b.1975) SELF PORTRAIT Signed, oil on canvas laid on board 13 x 19cm.
* A copy of McClure's portrait, painted whilst he was Artist in Residence at Broughton House, which won a Glasgow Art Fellowship Award and sold at the Royal Glasgow Institute annual exhibition in 2009. This picture was acquired from the artist by the owner in October 2013. ++ Good condition £200-300
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DONALD McINTYRE (1923-2009) SUNLIT BEACH Signed with initials, acrylic on board 15.5 x 21cm. Provenance: Henley on Thames, Bohun Gallery (from whom purchased by the owner) ++ Good condition £800-1200
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CAMPBELL ARCHIBALD MELLON (1876-1955) A SUNNY DAY AT HOPTON Bears title on the frame, possible date Aug/27 in pencil verso, oil on panel 22 x 29.5cm. ++ Very slight warp in the panel; good condition £1200-1800
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CAMPBELL ARCHIBALD MELLON (1876-1955) LATE JULY, SUNLESS DAY, HOPTON Signed, bears title verso, a sketch of a windmill and boats verso has been lightly painted over, oil on panel 21.5 x 29cm. ++ Good condition £2000-3000
| Furniture, Clocks and Carpets | |
Clocks and Scientific Instruments | |
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BRASS FOUR PANE CARRIAGE CLOCK, the ivorine chapter ring inside a floral enamelled frame, on a brass eight day, half hourly striking and repeating movement, striking to a gong, with reeded corner pillars, height excluding handle 17cm (with leather bound carry case) £400-600
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FRENCH FOUR PANE CARRIAGE CLOCK, the enamelled dial inscribed 'Elkington and Co', with an eight day half hourly striking movement, the case with engraved inscription, height excluding handle 11.5cm (with leather bound carry case) £150-250
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FRENCH BRASS FOUR PANE CARRIAGE TIME PIECE, the dial with floral spandrels, the side with printed enamelled romantic scenes, height excluding handle 11cm £100-150
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FRENCH BRASS AND PORCELAIN MOUNTED CARRIAGE CLOCK, late 19th century, the dial with black roman numerals on a painted and jewelled panel, the top and sides with similarly painted and jewelled panels, on a brass eight day movement hourly striking to a gong, height excluding handle 13.5cm £400-600
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REGENCY SEDAN CLOCK, the enamelled dial with arabic numerals inside a mahogany frame with concentric brass banding and string inlay, replacement movement, 16cm diameter £60-100
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MAHOGANY SEDAN STYLE WALL CLOCK, 19th century, the 3" silvered dial inscribed Manning Southampton on a brass eight day movement similarly inscribed, in a cylindrical case, diameter 12.5cm £200-300
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JAEGER LE COULTRE MARINA DESK CLOCK, serial number 352, the lucite and brass body with angel fish design, dagger hour markers, baguette movement, with original fitted case, height 20cm £300-500
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ENGLISH MANTEL CLOCK, by Elliott, 20th century but in the early 18th century style, the brass dial with silvered chapter ring on an eight day movement with Westminster and Whittington chimes, in an ebonised case with caddy top and gilt metal mounts, retailed by Brufords, height excluding handle 28cm £150-250
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LOUIS XV STYLE MANTEL CLOCK, 19th century, the 4" enamelled dial on a brass eight day half hourly striking movement stamped Marti, in a scrolling case with floral inlay and gilt metal mounts, height 44cm £100-150
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BRASS LANTERN CLOCK, late 17th century and later, with 6 1/4" chapter ring, alarm dial and single hand beneath a pierced gallery inscribed James Jefferis fecit on a twin train movement with crown escapement striking to a bell on an arching support, with later wall bracket, height 43cm £1500-2000
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VICTORIAN WALNUT AND GILT BRASS MOUNTED MANTEL CLOCK, the arched silvered 5 1/2" dial with scrolling foliate decoration, inscribed Renner, London, on a brass, eight day single fusee movement, the domed case with scrolling fretwork and foliate pilasters and feet, height 44cm £100-150
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BRASS LANTERN CLOCK, the 6" silvered dial with single pierced hand and foliate carved centre on a two train movement striking to a bell above a fish pierced gallery, the movement probably early 18th century, the case 20th century, height 40cm, depth 15cm £400-600
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VICTORIAN GOTHIC MANTEL CLOCK, by Barrands and Lund, London, the silvered 7" dial with Gothic style roman numerals and numbered 1373 inside a gilt frame on an eight day movement, also numbered 1373, striking and chiming on nine bells, in a mahogany case with glazed ogee front door beneath scrolling foliage and castellated top, the sides with rose window piercing and glazed back door, height 57cm, width 40cm, depth 24cm £500-700
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GEORGE III BRACKET CLOCK, the 8" brass dial with date aperture, inscribed George Williams, Bristol, beneath a landscape painted arch, on a brass eight day, hourly striking, twin fusee movement with verge escapement also inscribed George William Bristol, in an ebonised mahogany case with caddy top and brass mounts, height excluding handle 50cm £600-800
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19th CENTURY MAHOGANY WHEEL BAROMETER, with thermometer, 10" main dial and spirit level inscribed G AGOUSTI, FALMOUTH, height 106cm £100-150
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VICTORIAN ROSEWOOD STICK BAROMETER, with scrolling pediment and silvered gauge, the trunk with two key adjustments, thermometer and bow fronted reservoir, height 106cm £400-600
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MAHOGANY LONGCASE CLOCK, circa 1800, the 12" painted dial inscribed Thomas Gregory, Marlow, with subsidiary seconds dial and date aperture on a brass eight day hourly striking movement, height 240cm Provenance: Evelyn Waugh Esq label attached £200-300
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