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J C Halfpenny, “A June Evening”, study of harvesters and a young child standing in a cornfield, cottages in the far ground, 18.5cm x 39cm £100-150
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Leonard Russell Squirrel, pencil signed etching, rural scene with church in the foreground,32.5cm x 35cm; and Leonard Russell Squirrel study of Thomas Eldred’s house, Fore Street, Ipswich, signed drawing, 14.5cm x 22cm, (2) £80-120
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H.C. early 19th Century, study of a lake scene with cattle and figures, ruined castle on a cliff nearby, initialed oil on canvas, dated 1829, 24cm x 37cm £200-400
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C. Harrison, study of sailing ships in heavy seas, signed watercolour, dated 1866, 21.5cm x 26.5cm £60-80
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Follower of P.J. De Loutherburg, study of a ship wreck off the coast, bears signature, oil on canvas, 70cm x 105cm (See cover illustration) £1500-2500
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19th Century school, expansive landscape study depicting horses beside a river, unsigned oil on canvas, 84cm x 154cm, unframed, (in need of restoration) £100-200
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P. Martinado, study of a busy Mediterranean market scene, signed watercolour, 31cm x 48cm £80-120
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After Messonier, portrait study of a seated figure smoking a pipe, unsigned oil on canvas, 53cm x 43cm £80-120
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19th Century school, study of a country gentleman holding a gun stood with attendant hounds in landscape, unsigned oil on canvas, unframed, 112cm x 86cm £100-200
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19th Century Continental school, landscape study beside a lake with figures sheltering under an umbrella, ships on the lake and rolling hills in the far ground, unsigned oil on canvas, 78cm x 116cm, unframed, (in need of restoration) £200-400
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M E Eldridge, study of goldcrests, watercolour, signed and dated 1974, 18.5cm x 25cm £20-40
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Isaac Johnson, a rare and unusual study of Wickham Market Church, Suffolk, mounted as an oval, 19cm x 15.5cm dia.; together with a double sided 18th Century map depicting the road from Ipswich to Yoxford via Wickham Market; and sections of the road from London to Bury St Edmunds; and London to Ipswich, from Pattersons itinerary (2)N.B. Isaac Johnson was born at Pettistree Lodge, in 1754. He surveyed and drew maps of most of the estates in East Suffolk, and made drawings of at least 514 Suffolk churches, and drew and painted many antiquities and historic buildings. He died in Aldeburgh, 1835. See information verso on the painting. £300-500
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R. Thornton, study of Assisi, signed gouache, 36cm x 30cm £70-100
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19th Century school, study of the Countess of Oxford after Hoppner, unsigned oil on canvas, 75cm x 62cm £250-450
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19th Century school, a pair of portrait studies of gentleman, unsigned oils on canvas, unframed, 77cm x 85cm £200-400
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John Duval, study of a bay horse in a stable, signed oil on canvas, 40cm x 50cm £500-800
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19th Century English school, “A tiring read”, unsigned oil on panel, 32cm x 19.5cm £80-120
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E. Easterton-Smelt, By the sea shore at Folkestone, oil on canvas, 30cm x 50cm £200-300
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E.R. Smythe, study of a horse with seated figure and dog beside a riverbank, cottage and fields in the far ground, signed oil on board, oval, 52cm x 62cm in extremes £300-500
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John Moore/Christopher Maskell, study of a thatched cottage in rural landscape, initialled oil on board, 13.5cm x 21cm £100-150532 3Edward Brian Seago, RWS RBA 1910-1974, a Norfolk farmhouse under stormy skies, signed with initial S, oil on board, 22cm x 27cm. Provenance: Given by the artist himself to Mark and Nada Cheyne as a wedding present, July 9th 1947. See Bonhams “The East Anglian View” sale Wednesday 5th October, 2005, Lot 315. £5000-8000
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Borough Johnson, 1886-1949, study of a figure and dogs in woodland with cottage and barn near by, signed oil, 35cm x 24cm £40-60
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C M Williams, coastal village with moored boats, signed watercolour and body colour, 35cm x 50cm £30-50
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A Rajasthan wall hanging £20-40
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19th Century school, study of a figure walking along a country path, cattle in the far ground, indistinctly signed oil on canvas £150-200
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Snaffles, “Getting cantankerous”, Indian pig sticking scene, pencil signed coloured print with back stamp to the margin, image 25cm x 44cm £100-200
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R. Thorne Waite, 1842 - 1935, North East coastal scenes, depicting fishing vessels and figures on beaches, signed watercolours, a pair, dated 1888, 32cm x 92cm £100-200 | Clock and Barometers |
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A William IV rosewood banjo shaped wall barometer, with silvered dial, signed J. Fagioli, 3 Great Warner Street, London, (damaged pediment), 96cm £80-120
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A brass lantern type mantel clock, having foliate engraved dial, inscribed “J. Brown, London”, steel chapter ring supporting an 8 day twin fusee movement, 40cm high £400-600
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A French tortoise shell, brass inlaid and gilt metal mounted mantel clock, in the manner of Boulle, having 8 day striking movement, circular white enamel and blue Roman numeral dial, 28cm high £300-500
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An Edwardian mahogany and inlaid cased 8 day mantel clock, of lancet shape, 37.5cm high £30-50
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A Victorian walnut regulator type wall clock, the circular brass and enamel Roman numeral dial flanked by turned columns, 100cm high overall £60-80
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A Regency mahogany cased bracket clock, by John Barwise, the ebony strung lancet shaped case enclosing a circular painted Roman numeral dial supporting an 8 day twin fusee movement with trip repeat, raised on four brass ball feet, 48cm high £500-800
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A George III oak long case clock, by J Juler of North Walsham, with painted dial and 8 day movement, full length trunk panelled door, raised on a box base, 215cm high £300-500
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John Stratton of London, lacquered and chinoiserie decorated long case clock, having arched pagoda type hood, surmounted by three gilt orb finials, enclosing a silvered dial with date, seconds and strike silent subsidiaries, supporting an 8 day movement striking on a bell, 250cm high £3000-4000
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A Victorian oak cased time piece, of small proportions, by Clerke, Royal Exchange, London, the 8in enamel Roman numeral dial supporting a fusee movement £200-300
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A 19th Century mahogany brass inlaid drop dial twin fusee wall clock, with painted Roman numeral dial above visual pendulum aperture, flanked by carved fruit decoration, 61cm £300-500
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A bird’s eye maple stick barometer, by Holland of London, with ivory scale, 98cm £300-500
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A 19th Century rosewood wheel barometer, by J Anthony of St. Ives, having 8in silvered dial beneath convex mirrored panel, thermometer and dry/damp dial, surmounted by a scrolled arch pediment and brass finial, 113cm £200-300
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A mahogany and boxwood strung stick barometer, surmounted by a broken arch pediment and brass finial, silvered scale dial, 94cm £200-300
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A 19th Century rosewood cased banjo barometer, by Taylor of Diss, 95cm £100-150
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An 18th Century oak long case clock, by William Mayhew of Woodbridge, brass spandrel dial with steel chapter ring supporting a 30 hour movement, 203cm high £300-500
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An 18th Century oak long case clock, brass 30 hour movement by Hargrave of Sleaford, 190cm £400-600
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A 19th Century mahogany cased single fusee wall clock, the convex white enamel Roman numeral dial measuring 30cm £200-400
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A Tabriz pattern carpet, having central medallion on a magenta coloured ground, dark blue spandrels, border with guards, (worn), approx. 440cm x 320cm £100-200
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A Turkish rug, in the Caucasian manner, with stylised floral decoration on a predominately blue and orange ground, approx. 244cm x 167cm £150-200
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A Khotan carpet, having central medallion surrounded by stylised flowers and objects within geometric borders, on deep red and blue ground, approx. 2 metres x 1.6 metres £100-200
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An Eastern prayer mat, with stylised floral decoration on a red and beige ground, approx. size 105cm x 210cm £60-100
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A large Mahal carpet, having allover stylised floral decoration within multi borders on a predominately red ground, approx. 4m x 3m £200-400
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A reproduction walnut Queen Anne style ladies writing bureau, the fall front opening to reveal an interior arrangement of drawers and pigeon holes, two short drawers below, raised on a stand with cabriole supports and pad feet, 60.5cm wide £80-120
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