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Early 20th Century school, naive study of a Lowestoft drifter at sea with harbour and further vessels in the far ground, Drifter LT531, monogrammed and dated 1902, oil on canvas, 46cm x 61cm £300-500
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J.B. Crome, study of figures fishing in a woodland river at sunset with windmill in the far ground, unsigned oil on canvas, 37cm x 30cm. Complete with a letter from Norwich Museum Services stating that in their opinion it is a work by John Berney Chrome £1000-1500
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D. Lightfoot, study of sailing boats and barges off the Suffolk coast, signed oil on board, 49cm x 65cm £60-100
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A 19th Century reverse painting on glass, depicting a country scene, 37cm x 47cm, in decorative gilt frame £80-120
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J Matthews, study of a hunter in a field, signed oil on canvas, dated 1888, 63cm x 75cm £200-400
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G. Montega, study of cavaliers seated in a tavern interior being served wine, signed oil on canvas, 56cm x 78cm, contained in a decorative gilt frame £700-1000
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G. Montega, interior study with cavaliers and serving maid making merry, signed oil on canvas, 56cm x 78cm, contained in a decorative gilt frame £700-1000
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R Fraser, study of a woodland river scene, signed watercolour 38cm x 41cm £40-60
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Sidney Yates Johnson, three rural studies depicting woodland and highland river scenes, including one example with horse and cart, signed oils on canvas, 30cm x 45cm £200-300
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Thomas Underhill, a pair of rural studies depicting cottage, cattle and figures along a river, signed watercolours, 23cm x 32cm £100-150
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Follower of E.R. Smythe, country scene with figure seated before a cottage, church in the far ground, unsigned oil on canvas, 60cm x 45cm £150-250
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19th Century Continental school, study of a young couple arm in arm along the sea shore, indistinctly signed oil on canvas, 65cm x 45cm £100-150
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Attributed to John Moore, unsigned oil on canvas, “View Across The River Orwell” extensive landscape with figures and cattle, shipping on the river, 70cm x 90cm £1000-1500
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Early 19th Century school, study of Stratford Mill, Essex, unsigned watercolour, 12cm x 19cm £40-60
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William Earp, highland loch scenes, a pair, signed watercolours, 24cm x 52cm £150-250
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Thomas Lindsay, 1795-1861, study of Alum Bay, Isle of Wight, signed watercolour, 36.5cm x 26cm £60-100
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Robert Morden, coloured map of Bedfordshire £40-60
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C Gentry, study of Pinn Mill with barges and other vessels, signed oil on canvas, 40cm x 50cm £40-60
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Two pairs of 19th Century stipple engravings; and another, (5) £120-180
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After Myles Birket Foster, study of a harvesting scene, monogrammed oil on canvas, 22.5cm x 29cm £80-120
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A 19th Century coloured map, depicting Gulf of Venice; and a John Speed map of Staffordshire, with the cities of Stafford and Lichfield shown, 38.5cm x 51cm (2) £60-80
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George Bickham, two coloured engravings from “Collection of Birdseye Views of the Several Counties in England and Wales, Huntingdonshire and Bedfordshire” £20-40
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A coloured map of Huntingdonshire, with vignette of Godmanchester Church, 37cm x 22.5cm £20-30
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Attributed to Abraham Hulk Junior, study of figures by a duck pond in front of country cottage, signed oil on canvas, 49cm x 39cm £40-60
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William Taylor, study of racing yachts and a paddle steamer in heavy seas, signed watercolour, 24cm x 34cm £60-80
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H. H. S. G., study of shipping on a river, initialled watercolour, 35cm x 51cm £30-50
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Thomas Churchyard, study of buildings near the quayside Woodbridge, oil on board, 16cm x 19cm £400-600
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Attributed to Thomas Churchyard, study of sailing vessels on the Deben, unsigned watercolour, 21cm x 31cm £200-400
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Attributed to John Moore, study of fishing boats at sea, oil on board, 24.5cm x 32cm £500-800
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John Moore, study of Lime Kiln Quay, Woodbridge, 17cm x 22cm £400-600
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Alfred David Williamson, study of rear of the Boat Inn, Quayside, Woodbridge, initialed and dated 1931 £30-50
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George Roe, study of Martlesham Creek, harvesting and sheep being herded in the meadows, watercolour, 21cm x 34cm £150-250
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Thomas Churchyard, study of Brightwell Church with figures and sheep stood on the bank, horse and cart and cattle in the adjoining road, watercolour, 27cm x 40cm £300-500
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George Frost, study of seated lady, pencil sketch, 20cm x 14cm £40-60
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After Thomas Churchyard, study of a house in Cumberland Street, Woodbridge with walled garden, 14.5cm x 19cm £100-150
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A D Williamson, study of Glovers Yard, Woodbridge, unsigned pencil sketch, 15cm x 21cm £30-50
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Aline M Williamson, 1906 - 1987, study of fair at Fenn Meadow, Woodbridge, watercolour, 17cm x 23cm £80-120
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After Thomas Churchyard, study of Glevering Mill, unsigned watercolour, 17cm x 24.5cm £100-150
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Joseph W. Simpson 1879 - 1939, dry point etching depicting “Jorrocks”, pencil signed to mount, 3/100, 25.5cm x 21cm £30-50
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Joseph W. Simpson 1879 - 1939, dry point etching “The Fur Cap”, pencil signed to mount, 17cm x 14cm; a further example 22/50, 27.5cm x 19cm; and a similar, probably of the same child (3) £70-100
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Joseph W. Simpson 1879 - 1939, dry point etching, study of Lucy in Galloway, pencil signed to mount, 28/75, 32cm x 22cm £30-50
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Joseph W. Simpson 1879 - 1939, dry point etching of Mr Pryde, pencil signed to mount, 73/75, 32cm x 21.5cm £30-50
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Joseph W. Simpson 1879 - 1939, dry point etching “A Highlander”, pencil signed on mount, 25/75, £30-50
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Joseph W. Simpson 1879 - 1939, dry point etching depicting a gentleman wearing fur coat, pencil signed to mount, 21/75, 26.5cm x 20.2cm £40-60
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Joseph W. Simpson 1879 - 1939, “Hoggle Jock”, dry point etching, pencil signed to the mount, 37/75, 23.5cm x 31cm £30-50
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Joseph W. Simpson 1879 - 1939, dry point etching, pencil signed to mount, “Sportsman” 57/75, 33cm x 23cm £40-60
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Joseph W. Simpson 1879 - 1939, dry point etching depicting the artist, pencil signed to margin, 8/40, 32.5cm x 26cm £40-60
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Joseph W Simpson 1879 - 1939, coloured etching, pencil signed, study of John Peel, 34/100, 34cm x 25cm £60-100
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Joseph W. Simpson 1879 - 1939, dry point etching “The Shawl”, pencil signed on mount, 2/50, 21.5cm x 22cm; another entitled “The Cloak”, pencil signed, 20/60; and another depicting a lady wearing a hat, 11/75 (badly foxed), (3) £40-60
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Joseph W. Simpson 1879 - 1939, pencil signed dry point etching “Betty”, 53/75; and another of a lady holding a cat, 32cm x 26.5 (2) £40-60
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