|
Ernst Hantich & Co. Haida. 'Johnolyth' vase, 1930's, cased glass, typical Johnolyth pattern between layers, underwater scene with tropical fish, signed 'Jonolyth' on base 20cmH (af) £80-100
| asian and african works of art | |
|
|
A 19th century Indian Bidri ware hookah base, of typical baluster form damascened with foliate-scroll throughout, 21.5cm £40-60
|
|
|
A 20th century West African bronze ceremonial pipe, probably Benin, in the form of an elephants head, 41cm £60-80
|
|
|
A 20th century African bronze bust of a tribal female in head dress, probably Benin, 51cmH £40-60
|
|
|
A pair of Islamic copper and enamel rose water sprinklers, 14.5cmH, with a brass and enamel tray, the reverse engraved IZI, 18cmW £40-60
|
|
|
A Satsuma jardiniere and stand, Meiji period, decorated with fighting samurai warriors, gilt enriched, 70cmH £200-300
|
|
|
A Satsuma ovoid vase, Meiji period decorated with gourds and tendrils, gilt enriched, 33cmH £100-200
|
|
|
A late 19th century Japanese Okimono Meiji period ivory figure of a fisherman, holding a fish and a knife, with marks to base, 13cmH, with two other carved ivory Okimono figures £100-200
|
|
|
An early 20th century carved Japanese figure of a Samurai, standing on a grotesque figure, 20cmH £80-120
|
|
|
A 19th century carved ivory figure of a man bound by serpent with a basket of fish, with a carved ivory hippo, and two carved ivory elephant trains, (4) £80-120
|
|
|
A 19th century Japanese ivory group of a cavalryman trampling a soldier £60-80
|
|
|
A late 19th/early 20th century Japanese Okimono ivory group, Meiji period (1868-1912), depicting five workers carving out a dragons head, 8.5cmW x 4cmH £150-250
|
|
|
A vintage Balinese xylophone / gamolan of Belok tuning style, with twenty keys, with decorative gilt surround and dragon side, 151cmW £240-280
| clocks, mirrors and lighting | |
|
|
A George III longcase clock, the dial signed Jn Harding Ringwood, gilt metal dial with Roman numerals and date aperture, 12in dial £600-800
|
|
|
A George III longcase clock, painted metal dial with Arabic numerals and date aperture, in mahogany effect pine case with gilt mounts £150-200
|
|
|
A George III longcase clock, painted metal dial with Roman numeral and date aperture, signed Smith & Son, Reading, with gilt mounts £150-200
|
|
|
A late 19th century gilt metal mantel clock, three boys sitting atop vines, enamel dial with Roman numerals signed to bottom, gilt foliate-scroll throughout, centred with cherubs mask, 30cmH £300-500
|
|
|
A 19th century French gilt metal garniture clock, the classical figural case stamped P.H. Mourey, 8cm painted enamel dial, Roman numerals, movement stamped H. Marc, Paris, with keys clock 41cmW £200-300
|
|
|
A George III mahogany bracket clock, arched silver dial with strike/silent and date aperture and Roman numerals, signed Rich.d Young, London the mahogany case with brass carrying handle, pineapple finials, fret work sides and bracket feet, 48cmH £1200-1500
|
|
|
An early 20th century French bronze champleve enamel and green onyx garniture clock, with bevelled glass panels, with two urns decorated with floral enamel borders, 32cmH £800-1200
|
|
|
A late 19th century George III style gilt metal mounted quarter striking bracket clock, silvered dial with an 8 day movement, with Fast/Slow and Chime/Silent (Westminser) and the dial named Bracher & Sydenham, Reading, with Roman and outer Arabic numerals, the oak case with gilt brass spindle gallery to top with acorn finials, over four Corinthian style columns at each corner, bevelled glass side panels, raised on stepped plinth with gilt brass mask, with scrolling gilt brass bracket feet, 33cmW x 45cmH, (dial 17cm) £200-400
|
|
|
An early 20th century brass cased carriage clock, signed Matthew Norman London, enamel dial with Roman numerals, bevelled glass panels to front sides and back, retailed by Garrard & Co., 11cmH £100-200
|
|
|
A French faux bamboo design carriage clock, the front and side porcelain panels painted with classical scenes of nude ladies, the dial with Roman numerals, the base stamped 5, 13cmH £80-100
|
|
|
A late 19th / early 20th century French mantel clock, the enamel dial with Roman numerals and outer Arabic numerals, in gilt wood case painted with a Classical scene of man playing an instrument under a tree, with brass mounts, 24cmH £100-150
|
|
|
A Victorian mahogany cased wall clock, signed J.G. Dear Baldock, enamel dial with Roman numerals £80-120
|
|
|
The movement of a verge pocket watch, signed Samson, London, modified into a mahogany cased mantle clock, with brass dial engraved John Ellicott, London, 12cm x 21.5cm £30-50
|
|
|
The movement of a 19th century pocket watch, converted to a miniature longcase clock, with silvered dial and Roman Numerals, the dial engraved James Wishart, Glasgow, 33cmH £100-150
|
|
|
A selection of horology / clock makers tools, including a bow milling tool stamped D.R.G.M no.358656, in original leather case, a G.Boley vice and tools, a No.50 Balance Staff Remover staking tool by K&D in wooden box, with several other tools and vices £80-100
|
|
|
A 19th century Portuguese gilt-bronze mounted kingwood cheval mirror, in the Empire style, circa 1840, in the style of Pierre Barthelemy Dejante, rectangular plate with swivel frame, turned supports, raised on down scroll feet and gilt metal mounts £800-1000
|
|
|
A 20th century gilt framed mirror, decorated with foliage with anthemion crest £60-80
|
|
|
An Edwardian mahogany, kingwood and boxwood strung toilet mirror, of shield form, on serpentine base with three short drawers, 48cmW x 68cmH £40-60
|
|
|
A Chippendale style gilt gesso wall mirror, multiple scrolling branches centred by oval mirror plate £200-300
|
|
|
A Regency giltwood pier mirror, the moulded cornice with ball applied decoration above a pair of Egyptian terms, the rectangular plate beneath an unusual moulded panel decorated with primitive rustics and sheep in a field 62cmW x 100cmH £500-700
|
|
|
A Regency giltwood pier mirror, the ball applied cornice above a moulded frieze depicting a classical triumphal procession, above three original bevel glass panels flanked by leafy pilasters, gilding refreshed, 108cmW x 60cmH £200-300
|
|
|
A 1920's brass seven branch chandelier, S-scroll arms with applied fern leaf decoration, 70cmDiam £250-300
|
|
|
A Japanned laquered standard lamp, decorated with gilt village scenes £60-80
|
|
|
A pair of early 20th century white alabaster light shades, circa 1920, of circular bowl form, with carved bead and reel borders and metal rosette fittings for suspension, 39cmDiam £80-120
|
|
|
A 19th century mahogany torchere, converted to electricity £40-60
|
|
|
A Louis XVI style gilt metal six branch electrolier, circa 1900, in the form of a quiver of arrows issuing acanthus cast s-scroll arms and two Putto musicians, 40cmD x 47cmH £120-140
| books and wine | |
|
|
Burns, Robert. Songs chiefly in the Scottish Dialect. London: John Sharpe, 1824, engraved title and 6 plates, full calf, spine with raised bands and gilt title label £30-50
|
|
|
Lettres De Madame De Maintenon. Paris 1756. Vols 1 - 4 and 6 - 8. Calf (7) £20-30
|
|
|
Hastings, Viscount. The Golden Octopus Legends of the South Seas. illustrations by Blamire Young. 1928 Eveleigh, Nash and Grayson, London. Limited edition of 750 of which 700 were sold. £20-30
|
|
|
George Otto Trevelyan, The Life and Letters of Lord Lacaulay, two volumes, Longmans, Green & Co, London 1877, fine binding £40-60
|
|
|
Francoise Sagan "Toxique", profusely illustrated throughout by Bernard Buffet, 72 pages, printed circa 1965 by The Souvenir Press London £20-30
|
|
|
Aulton, Margaret. Fair Touraine: Stories & Legends of the Loire. (John Lane, London 1925) Hardcover, 90 illustrations £10-15
|
|
|
'The Modern Carpenter and Joiner and Cabinet Maker', Volumes 1-8 a set of Gresham journals prepared by G. Lister Sutcliffe, with covers designed by Talwin Morris, 24.5 x 26cm £50-80
|
|
|
KINGLAKE, Alexander William (1809-91). The Invasion of The Crimea Its origin, and An Account of Its Progress down to the Death of Lord Raglan. Bernhard Tauchnitz, Leipzig, 1863. . Vols 1 - 14 bound as 7. Marbled edges, 1/2 marbled bds. glt. spines £100-120
|
|
|
Sévigné, Madame de. Lettres choisies de MMmes de Sévigné, de Grignan, de Simiane ett de Maintenon. 3 Volumes. Paris, Chassaignon, 1820. Leather spine with gilt detail. Rousseau, J.J.; Émile ou de l éducation. Paris 1894; Villon, Francois; Oeuvres Completes de Francois Villon. Paris, Flammarion, 1900 (5) £10-20
|
|
|
Jowett, B. The Dialogues of Plato translated into English. Clarendon, Oxford 1875. 5 Vols, original cloth hardcovers with gilt. Vol I signed and inscribed in pencil "Florence Nightingale Sept.7.1875"; Volume II signed and inscribed "Florence Nightingale 1875"; Volume III signed and inscribed "To A.H.C. (Arthur Hugh Clough) from Aunt Florence (Nightingale) 1877"; Volume IV signed and inscribed "A.H.C. from F.N. Jan.1877"; Volume V signed and inscribed "A.H.C. from F.N. Jan.1877" (5)Arthur Hugh Clough (1819 - 1861) was an English poet, an educationalist, and the devoted assistant to Florence NightingaleProvenenace: From the library and estate of John Anderson and thence by descent through the family £200-300
|
|
|
Jowett, B. The Dialogues of Plato translated into English. Clarendon, Oxford 1875. 5 Vols, original cloth hardcovers with gilt. Volume II signed and inscribed "A.H.C. (Arthur Hugh Clough) from Aunt Florence (Nightingale) 1877"; (5)Arthur Hugh Clough (1819 - 1861) was an English poet, an educationalist, and the devoted assistant to Florence NightingaleProvenenace: From the library and estate of John Anderson and thence by descent through the family £100-120
|
|