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Robert Winchester Fraser (1848-1906) - Pair of watercolours - “Near Bostin Lines” and “Near Acle....” - River landscapes, each 7ins x 15ins, signed and titled, in gilt frames and glazed, and one other wash drawing - River landscape, 5.25ins x 8.5ins £150-200
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*** Graham Clarke (born 1941) - Two ink drawings and watercolours - Hilly rural landscape with cottages, and a male figure walking up a steep winding path, 7.25ins x 9.5ins, signed, and “Open Beach” - Fishing vessels pulled up on to a beach, 8.5ins x 10.5ins, signed and titled in ink, both framed and glazed £150-200
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E. Collins (19th Century) - Pair of watercolours - Country views with children, each 12.5ins x 17.75ins, signed, in gilt frames and glazed £300-400
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John Macpherson (active 1858-1884) - Watercolour - Cattle watering, 6.75ins x 17.25ins, signed, and late 19th Century British School - Watercolour - River landscape with young girl to foreground and mountains to background, 10.5ins x 14.5ins, monogram signature and dated 1872, both in gilt frames and glazed £150-200
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S.J. (Toby) Nash (1891-1960) - Two pen, ink and watercolour sketches - “View of Swalecliffe Church”, 8.25ins x 14.5ins and “Westgate Towers, Canterbury”, 9ins x 11.25ins (both signed in black - on inscribed), in narrow wood frames and glazed, and one other - Gouache - View of a thatched cottage, 8ins x 10.5ins, signed in black, in later metal frame and glazed £150-200
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David Holt (20th Century) - Ink, wash and pastel on green paper - “Group of houses with mountainous landscape to rear”, 15ins x 20ins, signed in pencil, framed and glazed £120-160
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Constance H. Cumming (fl. 1895-1910) - Thirteen watercolours - Arabian views, various sizes from 5.5ins x 3.5ins to 18ins x 11ins, all signed, framed and glazed £100-150
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19th Century English School - Watercolour - Seated girl with posy of flowers, oval 8ins x 6ins, in gilt metal slip and easel pattern frame £120-160
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Early 19th Century English School - Watercolour - “Norris The Old EKH (East Kent Hunt) an Earthstopper” - Study of an elderly white haired gentleman wearing a top hat and scarlet coat, 7.25ins x 8ins, titled in pencil, in sycamore frame and glazed £60-80
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William Sidney Cooper (1854-1927) - Watercolour - “Cattle grazing beside the River Stour, Kent”, 9.5ins x 13.75ins, signed and dated 1923, in gilt frame and glazed £200-300
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Florence Jay (fl. 1905-1920) - Watercolour - Study of a seated foxhound puppy, 9.5ins x 8.5ins, signed, framed and glazed £200-300
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*** Marjory Cox (1915-2003) - Pastel - “Jamie and Emma” - Studies of a Poodle and a Labrador, 19ins x 17.5ins, signed and dated 1973, in wood frame and glazed £80-120
Provenance: The Rowley Gallery, 115 Kensington Church Street, London W8 7LN
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Richard Grasby (20th Century British) - Four ink and pastel studies of British wildlife - Badgers, Fox, Pheasants and a Setter, all 12ins x 19ins, signed, framed and glazed £100-150
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Monica Duckworth (20th Century British) - Pair of watercolours - Still life studies of flowers, each 15ins x 11ins, one signed, both framed and glazed, and an acrylic - Still life with flowers, canvas 18ins x 15ins, signed “Monica” and dated 2000, in painted frame £80-120
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Late 19th/early 20th Century British School - Watercolour - Still life with bound copies of sheet music resting on a table with deeply carved frieze, 10ins x 12ins (unframed) £120-160
Note: Verso inscribed “Harmony” and dated 1912
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Early 20th Century School - Gouache - Ship portrait - “R.M.S. Orama” in choppy seas, 14.25ins x 23.25ins, unsigned, in painted and gilt moulded frame and glazed £200-300
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Early 20th Century School - Gouache - Ship portrait - “R.M.S. Ormuz” in choppy seas, 15ins x 23.5ins, unsigned, in birdseye maple frame and glazed, complete with a black and white photograph showing the crew in the uniform of the Orient Royal Mail, 9.75ins x 11.5ins (unframed) £200-300
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Veni Gligorova-Smith (20th Century) - Watercolour and pencil - “Nude”, 30ins x 21.75ins, signed and dated ’89, in painted frame and glazed £80-120
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Bert Isaac (20th Century) - Two watercolours - “Quarry Edge” and “Welsh Quarry”, each 22.25ins x 29.5ins, both signed in pencil and dated 1985 and 1982, in silvered frames and glazed £150-200
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ARR Harmsen Van De Beek (1897-1953) - Three small watercolour illustrations for “Noddy’s Tall Pink Book” by Enid Blyton - “Tale of What a Surprise - No-one liked Noddy’s Car when it was raining - they got Wet”, “But one day Noddy felt puzzled - his car went so slowly and he would not Stop” and “Then the sun came out brightly....”, each 3.125ins x 3.75ins, unsigned but sold with copy of book published 1960, all in one frame and glazed
Note: Purchased at a Charity Auction held on 14th December 1996 on behalf of The Variety Club of Great Britain - “Auction of Noddy Artwork and Enid Blyton Manuscripts from the Enid Blyton’s company archives” £1200-1600
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No Lots
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AAR Graham Sutherland (1903-1980) - Ink and chalk with pink wash - “Thorn head on pink ground”, 9ins x 7ins, squared, signed and dated 1948 in pencil, in oak and gilt frame and glazed £7000-9000
Provenance: Roland Browse & Delbanco, 19 Cork Street, Old Bond Street, London W1. Marjorie Parr, 285 Kings Road, Chelsea, London SW3 5EW. Purchased by present vendor August 1976
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*** John Piper (1903-1992) - Limited edition screen print in colours - “Bethesda Baptist Chapel”, 23.25ins x 32ins, signed in pencil, (No.1 of 75), in silvered frame and glazed £300-500
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***John Piper (1903-1992) - Screen print in colours - “Wymondham, Norfolk (1971)”, 27.5ins x 15.375ins, in silvered frame and glazed £300-500
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Don Rankin (20th Century Australian) - Limited edition coloured lithograph - “Near Southport”, 14.5ins x 14.25ins, signed, titled (No. 2 of 10) and dated 1986, all in pencil, in painted frame and glazed £200-300
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*** Edward Ardizzone (1900-1979) - Limited edition lithograph - “Old Ladies on the Green” (No. 23 of 30), 7.75ins x 10ins, signed, titled and numbered in pencil outside the plate, framed and glazed (circa 1953) £70-100
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Fortunino Matania (1881-1963) - Wash and gouache drawing - “Cease Fire” - Three quarters length portrait of a soldier blowing a bugle, 13ins x 11ins, signed, in gilt frame and glazed £600-800
Note: Label to verso states “Cease Fire. Original drawing by F. Matania which was reproduced in the Daily Sketch on 12th May 1945. Presented to H.M. Queen Mary by Lord Kemsley”
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Charles Hunt (1803-1877) after J.F. Herring Senior (1795-1865) - Coloured lithograph - “The Start for the Memorable Derby of 1844”, 21ins x 43ins, in rosewood frame and glazed £600-800
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R.G. Reeves (19th Century) after Francis Calcraft Turner (1782-1846) - Coloured lithograph - Racing scene, 13.5ins x 24ins, in gilt moulded frame and glazed £80-120
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C. Parsons (19th Century) after S. Walters (19th Century) - Coloured lithograph - “U.S. Mail Steamship Atlantic”, 21ins x 34.5ins, framed and glazed £400-600
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William Ward (1766-1826) after Thomas Weaver (1774-1843) - Mezzotint - Portrait of the Blyth Comet Ox, 21.75ins x 28.75ins, published by Charles Chambers of Blyth, 30th July 1818, framed and glazed £150-200
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Thomas Burke (1749-1815) after Angelica Kauffman (1741-1807) - Coloured mezzotint - “Jupiter and Calista”, 11.5ins diameter, published May 1st 1790 by I. Paine, New Road, Fitzroy Square, London, framed and glazed £100-150
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Angelica Kauffman (1741-1807) - Engraved by Bartolozzi (1727-1815) - Coloured mezzotint - “Selim or The Shepherd’s Moral”, 14ins x 18ins, and William Hamilton (1751-1801) - Engraved by Chapman - “The Antient English Wake”, 14ins x 18ins, both framed and glazed £100-150
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William Alexander (1767-1816) - Aquatint - “This Representation of the Dinner given by His Lordship to the Kentish Volu(part)nteers, in the presence of Their Majesties and the Royal Family”, 15.25ins x 22.5ins, published March 1st 1800 by Messrs Simmons & Co, Canterbury, Mr J. Blake, Maidstone and by William Alexander, Poland Street, and five other engravings, various, all framed and glazed £150-200
Note: Five thousand three hundred and nineteen Volunteers dined outside at tables after having been reviewed by George III on 1st August 1799 at Mote Park (Lord Romney’s Seat), Maidstone, Kent
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Francesco Bartolozzi (1727-1815) after Thomas Gainsborough (1727-1788) - Coloured mezzotint - “Lavtnia”, 17.5ins x 13.75ins, F. Bartolozzi after Thomas Lawrence (1769-1830) - Coloured mezzotint - Portrait of Elizabeth Farren, 18.5ins x 12ins, and four other late 18th Century coloured mezzotints, various, all framed and glazed £150-200
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William Alexander Ansted (fl. late 19th Century) - Etching - “Birds-eye view taken from above Dover Castle of the National and Commercial Harbours of Dover as they will appear when completed”, published by Waterlow & Sons Ltd, London Wall, London, 21.75ins x 34.5ins, in plain oak frame and glazed £80-120
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19th Century English School - Coloured engraving of Masonic interest - Full length portrait of two figures in a landscape within Masonic Compass and oval borders, variously worded, 10.5ins x 16.5ins, published by William Darton, 58 Holborn Hill, London, in wood frame and glazed £80-120
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Thomas Sutherland (fl. early 19th Century) after Henry Alken (1785-1851) - Four aquatints - “Newmarket - Training”, “Epsom - Running”, “Ipswich - Weighing” and “Ascot Heath - Preparing to Start”, each 8.25ins x 25.25ins, published by R. Ackermann at The Eclipse Sporting Gallery, 191 Regent Street, in ebonised frames and glazed, and T. Fielding after Henry Alken - Coloured engraving - “Leicestershire - The Meeting”, 11.75ins x 18.75ins, published January 7th 1827 by J. Watson, 7 Vere Street, in ebonised frame and glazed £250-300
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Robert Sayer (active 1750-1780) and Bennett (18th Century) - Three coloured mezzotints - “Corporal Cartouch teaching Miss Camp-Love her manual exercise”, “The Musical Charmer” and “The Angelic Angler”, all approximately 12.5ins x 9.75ins, framed and glazed £100-150
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Robert Samuel Marcuard (1751-1792) - Late 18th Century coloured mezzotint of a female figure kneeling at the feet of a man and a woman, after William Hamilton, 12ins diameter, and a similar by Thomas Burke (1749-1815) - Standing figure before two seated figures, after Angelica Kauffmann, 11.25ins diameter, both in gilt frames and glazed £80-120
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After William Hogarth (1697-1764) - Eight engravings - “The Rake’s Progress”, each 12.675ins x 15.25ins, each unframed £400-500
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Late 18th/early 19th Century English School - Three pencil and wash drawings - Scenes from Henry McKenzie’s sentimental novel - “The Man of Feeling”, each 3.5ins x 2.75ins, in rosewood frames and glazed £100-150
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Frank Kelton (20th Century American) - Pastel - “Magnolia”, 17.5ins x 23.5ins, signed and dated ’71, in painted frame and glazed £200-300
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***Dorothea Harvey (20th Century) - Pastel - “Strings and bows”, 21.75ins x 14.75ins, signed in monogram, in white painted frame and glazed £200-300
Note: Typed label to verso gives title of work, artist’s name and address and the date July 1965
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***Joseph-Victor Roux-Champion (1871-1953) - Pastel and watercolour wash drawing - French river scene with town to background, 12.5ins x 18.75ins, signed in black to lower left corner, in modern gilt frame and glazed £200-300
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