|
JOHN FREDERICK LEWIS, RA (1805-1876) STUDIES FOR 'AND THE PRAYER OF FAITH SHALL SAVE THE SICK' Two, each numbered and one indistinctly inscribed, pencil drawings on prepared (gesso) bevelled French panels, unframed 19 x 24.5cm. and 19.5 x 24.3cm. (2) * Studies for the oil painting, 90.8 x 70.8cm, exhibited at The Royal Academy, 1872, no.242 (New Have, Yale Center for British Art) Provenance: By descent through the Hewitt and Nicholas families. Sarah Ann Nicholas (1854-1934) was a companion to Marian Lewis, the artist's wife. We are most grateful to Briony Llewellyn for her assistance with the cataloguing of this lot and lot 1972 ++ Each with some chips, scuffs and soiling; each needs a clean £800-1200
|
|
|
JOHN FREDERICK LEWIS, RA (1805-1876) SPANISH (?) GROUP OF FIGURES Pencil, with black and red chalks on coarse buff paper, unframed Image size approx. 10 x 11cm. Provenance: see previous lot We are most grateful to Briony Llewellyn for her assistance with the cataloguing of this lot and lot 1971 ++ Upon a larger folded, worn sheet; tears at edges, creases, pale water stain etc £150-200
|
|
|
WILLIAM PAGE (1794-1872) TWO GREEKS WITH ALBANIAN PAGE Watercolour 28 x 37cm. ++ Faint crease within image at right; needs a light clean £500-700
|
|
|
SAMUEL PHILLIPS JACKSON, RWS (1830-1904) FISHING BOATS AND OTHER VESSELS, POSSIBLY IN THE BRISTOL CHANNEL NEAR FLAT HOLM Signed and dated 1868, watercolour and pencil with scratching out 35.5 x 58cm. ++ Slightly pale £500-700
|
|
|
SIR EDWIN HENRY LANDSEER, RA (1802-1873) PAGES FROM A SKETCHBOOK, c.1823-1824: THREE STUDIES OF A HORSE'S LEG [see illus.]; STUDIES OF A LADY'S CALF; FIGURE STUDIES; STUDY OF A SPANIEL; HEAD AND FIGURE STUDIES; A BIRD IN A TREE Eight leaves, two signed with initials and one also dated 1823, pencil, unframed 24 x 16cm. and smaller (8) Provenance: London, Sothebys, June 2nd, 1965, lot 14 ++ Generally rather slight; one sheet worn but generally satisfactory £500-800
|
|
|
JAMES HOLLAND (1800-1870) VARIOUS LEAVES OF STUDIES, COMPRISING ARCHITECTURAL, BOAT AND RIVER SCENES AT ROUEN Twenty leaves, one initialled, many inscribed with artist's notes, fourteen dated (from days in August 1850), various media, mainly pencil, two ink on tracing paper, some with watercolour, pastel, white chalk etc, unframed 18 x 25.5cm and smaller, some cut/irregular shapes Provenance: London, Sothebys, July 29th, 1964, lot 226 ++ Mixed condition; satisfactory overall but some spots, stains etc £400-600
|
|
|
WILLIAM CALLOW, RWS (1812-1908) A FOLIO OF 29 PENCIL DRAWINGS, COMPRISING VIEWS OF BRITAIN (inc. BERRYNARBOR, BOSTON, CHEPSTOW, CONISBROUGH CASTLE, CORFE CASTLE, DOVER, ILFRACOMBE, LYME REGIS, LYNN, MADELEY MANOR, MATLOCK, MONMOUTH, PORTLAND, TEWKESBURY, 1842-1851), FRANCE (DINANT, MARSEILLE, 1846, 1867) and ITALY (BAVENO, CASTEL LETTERE, FLORENCE [see illus.], PESCHIERA, VERONA, 1840-1876) Some signed or initialled, many inscribed and dated, pencil, various sizes, unframed The majority 27 x 38cm. approx. or smaller Provenance: London, Sothebys, January 12th, 1966, lot 2 ++ Some with scattered handling marks, tape and rust stains etc £1500-2500
|
|
|
GEORGE CHINNERY (1774-1852) SEVEN STUDIES OF CHINESE ARTISANS Inscribed with a few notes in artist's shorthand, pencil 14 x 19.5cm.; with a 'Study for a Male Portrait' by the same hand, pen and ink, 11.5 x 9.5cm., both unframed (2) Provenance: London, Sothebys, March 19th, 1970, lot 4; The latter only from the Collection of Sir Bruce Ingram ++ The former with some losses at the edges, laid down onto a support sheet; the latter with a few old pale stains, small punctures etc £1000-1500
|
|
|
WILLIAM HENRY HUNT (1790-1864) THE FISHERMAN'S CHILDREN Signed, watercolour and pencil 35.5 x 24cm. ++ Needs a light clean; some pale foxing and slight discoloration £1500-2000
|
|
|
THOMAS HEARNE (1744-1817) A FOLIO OF STUDIES, COMPRISING BEACH SCENES WITH BOATS, ROCKY BLUFFS, TREES, LANDSCAPE VIEWS WITH TOWNS, BUILDING AND A SCENE AT ISCHIA [see illus.] Eleven, one grey wash and pencil, the others pencil, unframed Ischia 12.5 x 18cm. plus original washline mount; others 24 x 33cm. or smaller (11) Provenance: London, Sothebys, January 12th, 1966, lot 2 ++ Slight handling marks at edges; some slight spotting and old tape stains etc £400-600
|
|
|
SIR EDWIN HENRY LANDSEER, RA (1802-1873) GOAT, WITH KID Ink and brush, heightened with white, on thin card, unframed 44.5 x 56cm. Exhibited: Windsor, Loan Exhibition, 1881, (as 'Goat'), lent by Lord Wriothesley Russell Provenance: Lord Wriothesley Russell (1804-1886), son of the 6th Duke of Bedford, Canon of Windsor, (1840-1886); the Rev. G. Edwards (of The Cloisters, Windsor Castle), by 1886 ++ Needs a light clean £2000-3000
|
|
|
MELTON PRIOR (1845-1910) A FOLIO OF TOPOGRAPHICAL DRAWINGS: ST. MARY'S ISLAND, AZORES; FORT ISLAND, ESSEQUIBO (Guyana); 'CUTTING DOWN AND COLLECTING BUNCHES OF BANANAS'; GOVERNMENT HOUSE, BARBADOS, RESIDENCE OF SIR CHARLES LEES; LANDING OF BAKER PASHA AT MASSOWAH (prob. Massawa, Eritrea) [see illus.]; ROUTE OF BAKER PASHA'S ARMY OFFICERS COMPELLING HIS MEN TO REMAIN ON SHORE; GENERAL BAKER PASHA VISITING AND INSPECTING FORT AT MASSOWAH (Eritrea); INTERIOR OF A BEDROOM AT A FARM HOUSE, LAUGARDALUR, ICELAND; H M PENAL SETTLEMENT AT MASSARONI, CONVICTS GOING TO BATHE (Guyana); MENDING ROADS IN BARBADOS, WOMEN WORKERS; GOVERNMENT HOUSE, MELBOURNE, FROM RUSSELL STREET [see illus.]; PORTAGE OF WHALE BOATS AT BAB-EL-KEBIR (Egypt) [see illus.]; GENERAL VIEW OF BHAMO (Myanmar) [see illus.] Thirteen, all signed or initialled, all inscribed, mainly pencil, one pen and ink, unframed 27.5 x 44.5cm. and smaller * Prior was a prolific artist and War Correspondent, working for the Illustrated London News for over thirty years until his retirement in 1905. Alongside his colleague William Simpson (whose drawings from the Crimea War were used extensively in the Illustrated London News), Prior worked in Africa during the Zulu Wars, the Boer War and throughout campaigns in the Sudan and Somaliland. He travelled on Royal tours to Athens and Canada in 1875 and 1901 and visited Iceland in the entourage of the King of Denmark. Prior was admired by his editors for his swiftness and ability to capture a scene with accuracy and human interest. The clarity and neatness of his draughtsmanship allowed his despatched artwork to be readily understood, re-drawn and quickly engraved on woodblocks for printing in London. As these drawings show, he observed domestic and civilian life with just as keen an eye and the scope of his travels - all five principal continents are represented here - was remarkable. ++ Laid onto card, some discoloured and/or time stained £5000-7000
|
|
|
THOMAS BUSH HARDY (1842-1897) A QUIET HARBOUR Signed and inscribed with title, watercolour with scratching out 19.5 x 37.5cm. ++ Faded and discoloured in the sky; some pale foxing; needs a clean £250-350
|
|
|
ANTHONY VANDYKE COPLEY FIELDING (1787-1855) OFF HASTINGS Signed and dated 1833, watercolour heightened with scratching out 24.5 x 34cm. ++ Some discoloration £500-800
|
|
|
ARTHUR WILDE PARSONS (1854-1931) FISHING BOATS OFF A PIER Signed and dated 93, watercolour and pencil 49 x 74.5cm. ++ Some fading; gum stains at edges £200-300
|
|
|
WILLIAM COOK OF PLYMOUTH (Fl.1870's) FISHERFOLK ON A ROCKY SHORE Signed with initials and dated 1871, watercolour heightened with white 21.5 x 38cm. Provenance: Gloucestershire, Heather Newman, 1974 ++ A little foxing; needs a clean; faint graze in the sky £120-160
|
|
|
CHARLES WILLIAM WYLLIE (1853-1923) BARGES NEAR TOWER BRIDGE Signed, washes en grisaille over pencil 32.5 x 25cm. ++ Some slight foxing and light staining £150-250
|
|
|
CHARLES SIM MOTTRAM (Fl.1876-1903) THE GREAT MEWSTONE ROCK, PLYMOUTH SOUND Signed and dated 1900, watercolour heightened with white 42 x 71cm. ++ Good condition; original gilt frame £600-800
|
|
|
ENGLISH SCHOOL, 1895 HMS RAMILLIES, MALTA HARBOUR, FROM THE BARRACCA Inscribed and dated on label affixed to backboard, watercolour and pencil 29 x 24.5cm.; with another of the vessels at Valletta, by the same hand, 16.5 x 23.5cm.; a 'Souvenir of Malta' (book of 32 small black and white photographs, c.1950); and a modern colour print of a drawing of Malta Harbour in 1764. (4) ++ A little foxing in the watercolours £200-300
|
|
|
DAVID WEST, RWS (1868-1936) MIST CLEARING Signed, watercolour 26 x 35cm.; with a watercolour, probably of Biarritz, by Conrad R. Andreae, 22 x 29.5cm. (2) ++ The former in good condition; the latter with foxing £150-250
|
|
|
GEORGE WEATHERILL (1810-1890) WHITBY: WRECK ASHORE; THE HARBOUR, EVENING, MOONRISE; ON THE SEA SHORE Three, watercolour Each 8.5 x 12.5cm. (3) ++ The second and third faded; spotted with foxing £400-600
|
|
|
GEORGE HENRY ANDREWS, RWS (1816-1898) SCENE ON A DUTCH RIVER Signed and dated 66, watercolour and bodycolour over pencil 29.5 x 49.5cm. ++ Good colour; slight time staining £400-600
|
|
|
WILLIAM LIONEL WYLLIE, RA (1851-1931) ANTWERP FROM THE SCHELDT Signed and inscribed Antwerp, watercolour 12.5 x 39cm. ++ Neat details; a little faded and foxed; needs a clean £800-1200
|
|
|
FOUR WATERCOLOURS comprising a view near Bellagio by Charles Rowbotham, 16.5 x 21.5cm.; a Surrey common (Banstead, nr. Epsom) by Robert Angelo Kittermaster Marshall, 26.5 x 43cm.; a lady in a garden by F. Evans, 21 x 29.5cm.; and a scene at Scarborough by a follower of Anthony Vandyke Copley Fielding, 14.5 x 21cm. (4) ++ Each with some fading, foxing or discolouration £250-350
|
|
|
CHARLES ROWBOTHAM (1856-1921) UNTERSEEN, SWITZERLAND, ON THE LAKE OF THUN Signed and dated 1904, bears inscription verso, watercolour and bodycolour, on card, unframed 13 x 19.5cm. ++ A little foxing/mat burn; good colour £200-300
|
|
|
CHARLES ROWBOTHAM (1856-1921) AT ANTIBES, FRENCH RIVIERA Signed, bears inscription verso, watercolour and bodycolour, on card, unframed 12.5 x 19cm. ++ A little mat burn; generally good colour £200-300
|
|
|
CHARLES ROWBOTHAM (1856-1921) MOLA, COAST OF GENOA Signed and dated 1904, bears inscription verso, watercolour and bodycolour, on card, unframed 13 x 19.5cm. ++ A little foxing/mat burn; good colour £200-300
|
|
|
CHARLES ROWBOTHAM (1856-1921) LAKE COMO, ITALY Signed, bears inscription verso, watercolour and bodycolour, on card, unframed 12.5 x 19cm. ++ A little mat burn; generally good colour £200-300
|
|
|
CHARLES ROWBOTHAM (1856-1921) NEAR CASTELLAMARE, BAY OF NAPLES Signed and dated 1904, bears inscription verso, watercolour and bodycolour, on card, unframed 15.5 x 30.5cm. ++ A little mat burn; generally good colour £200-400
|
|
|
CHARLES ROWBOTHAM (1856-1921) NESSO, LAKE OF COMO Signed and dated 1904, bears inscription verso, watercolour and bodycolour, on card, unframed 15.5 x 31cm. ++ A little mat burn; generally good colour £200-400
|
|
|
ALBERT MOULTON FOWERAKER (1873-1942) MOONLIGHT, CORDOBA Signed, titled on tab of paper affixed to backboard, watercolour 53 x 35.5cm. ++ Very good colour; good condition £500-800
|
|
|
J. LAURENCE HART (1830-1907) SHEEP IN THE DUNES Signed and dated 1903, watercolour 45 x 74.5cm.; with another by the same hand, sheep in a vale, signed, 24.5 x 36.5cm. (2) ++ The former with some pale foxing; the latter faded; original gilt frames £300-400
|
|
|
GABRIELLI CARELLI (1820-1900) THE TEMPLE OF VESTA, ROME Signed, watercolour 9.5 x 16cm. ++ A few very pale spots of foxing; good colour £200-300
|
|
|
Ð FABBIO FABBI (1861-1946) THE ARAB DANCER Signed, watercolour 43.5 x 29cm. ++ A little pale; needs a light clean £1200-1500
|
|
|
*** LANZI (19th CENTURY) SCENE ON THE NEAPOLITAN COAST Signed, watercolour and pencil 42 x 74cm. ++ A few retouched spots of damage in the sky; good colour £300-400
|
|
|
WILLEM STEELINK (1856-1928) SHEPHERD AND FLOCK AT TWILIGHT Signed, watercolour 35.5 x 50.5cm. ++ Some grazes and scratches; needs a light clean £250-350
|
|
|
Ð ADRIANUS JOHANNES GROENEWEGEN (1874-1963) MILKING IN THE MEADOW Signed, watercolour and pencil 32.5 x 45cm. ++ Pale mount staining at right £400-600
|
|
|
Ð ADRIANUS JOHANNES GROENEWEGEN (1874-1963) MILKING TIME, EVENING LIGHT Signed, watercolour and pencil 20 x 28.5cm. ++ Generally good condition £300-400
|
|
|
Ð ADRIANUS JOHANNES GROENEWEGEN (1874-1963) SHIP BUILDING, ENKHUISEN Signed, watercolour and black pencil 30 x 40cm. ++ Slightly faded in the sky; pale damp marks £300-400
|
|
|
MARGARET FELKIN (Fl.c.1910-c.1937) BOATS AT A WATERFRONT, SINGAPORE (?) Signed and dated 1911, inscribed in Malay(?), watercolour 36.5 x 52.5cm.; with a small colour print of a temple in Singapore, after Felkin. (2) ++ Faded and a little discoloured £200-400
|
|
|
CHARLES HARRINGTON (1865-1943) HORSE AND CART WITH FIGURES ON A HEATH Signed, watercolour 23.5 x 29.5cm. ++ Some foxing; fading and discoloration £80-120
|
|
|
CLARA IRWIN (Fl.1891-1916) BALLINTOY CARRICK-A-REDE, CO. ANTRIM; TOWNEY BAY, KILCAR, CO. DONEGAL A pair, both signed, watercolour and pencil Each 20 x 27cm. approx. (2) ++ Each with some foxing £100-150
|
|
|
CHARLES TOPHAM DAVIDSON (1848-1902) NORTH CORNWALL Signed, inscribed with title verso, watercolour and pencil 30.5 x 47cm. ++ A little pale in the sky £150-200
|
|
|
HENRY ANDREW HARPER (1835-1900) HERDING SHEEP ON A MOORLAND ROAD Signed and dated 1876 (or 1896), watercolour 22.5 x 49.5cm. ++A little faded £150-250
|
|
|
WALLER HUGH PATON, RSA (1828-1895) A SCOTTISH VALE AT SUNDOWN, WITH A CHURCH Signed, watercolour 9.5 x 20.5cm. ++ Grazed and nicked right of centre £100-150
|
|
|
Ð WYCLIFFE EGGINTON (1875-1951) COLLECTING THE FLOCK, DARTMOOR Signed, watercolour 50 x 72.5cm. ++ Good colour; a few spots of foxing £400-600
|
|
|
PERCY FRENCH (1854-1920) LOWERING MISTS Signed, also initialled and dated 1913 (? last digit unclear), watercolour 11.5 x 16.5cm. ++ A little foxing; needs a clean; colour satisfactory £200-300
|
|
|
PERCY FRENCH (1854-1920) TWILIGHT AMONGST THE HILLS Signed faintly, watercolour 16 x 23.5cm. ++ Evident foxing; needs a clean; colour satisfactory £300-500
|
|
|
LUMB STOCKS, RA (1812-1892) A SKETCHBOOK Containing twenty leaves of pencil studies (anatomy, life studies, history/costume/fancy figure studies, studies after the Antique etc), including one notably fine ink drawing of a cat possibly after Landseer (12 x 10cm, see illus.), most pages 23 x 29cm.; with the book 'Master of the Burin' by R. Browning Stocks, publ.1993 (2) ++ Some handling marks and slight wear £300-400
|
|
|
WILLIAM CRUICKSHANK (1848-1922) FALLEN BIRDS A pair, both signed, watercolour and pencil, mounted oval Each 21.5 x 33cm. (2) ++ Slightly faded; a little foxing; verre eglomise mounts £200-300
|
|