|
FREDERICK WILLIAM NEWTON WHITEHEAD (1853-1938) THE MEADOWS NEAR FORDINGBRIDGE Signed and dated 1895, also signed and inscribed on a label on the stretcher, oil on canvas 29.5 x 49.5cm. ++ Needs a light clean £800-1200
|
|
|
W. GEORGE GOVER (Fl.c.1908) THE LOGGING TEAM Signed and dated 1908, oil on canvas 75 x 125.5cm. ++ Unlined; some craquelure £200-400
|
|
|
ALFRED DE BREANSKI (1852-1928) ETON COLLEGE FROM THE THAMES Signed and dated 1882, oil on canvas 53.5 x 73.5cm. Provenance: London, Sothebys, March 18th 1987, lot 63 (£900) ++ Lined; some retouching £800-1200
|
|
|
SCANDINAVIAN SCHOOL (?), 19th/20th CENTURY FOUR DEER IN A WOODLAND CLEARING Oil on canvas 131 x 173cm. ++ Lined; retouching £300-600
|
|
|
HERBERT GUSTAVE SCHMALZ (1856-1935) A SOLDIER'S VISION OF CHRIST AT ARRAS Signed, oil on canvas 149 x 216.5cm. Provenance: Presented by the 4th Royal Tank Regiment to the Garrison Church, Munster, on the 60th anniversary of the Battle of Cambrai, November 20th 1977 ++ Lined and extensively restored £800-1200
|
|
|
Ð KEN HOWARD, OBE, RA (b.1932) BELLEEK Signed, inscribed and dated 73, oil on canvas 39.5 x 49.5cm.; with an ink drawing of armoured vehicles at Omagh, 1973, signed, 28 x 21.5cm. (2) ++ The oil in good condition; the ink drawing faded to pink £300-400
|
|
|
Ð WILLIAM CUNNINGHAM (b.1946) MOURNES FROM RIVER BANN Signed, oil on canvas 49.5 x 75cm. ++ Good condition £150-250
|
|
|
Ð FRANK EGGINTON (1908-1990) THE TWELVE PINS, CONNEMARA Signed and dated 87, inscribed with title on the stretcher, oil on canvas 59.5 x 89.5cm. ++ Good condition £600-1000
|
|
|
HEREWARD HAYES TRESIDDER (Fl.1905-1912) SWAN POOL Signed and inscribed on a label verso, oil on board 31 x 39cm.; with an unsigned scene of the Helford Estuary, possibly by the same hand, oil on canvas, 29 x 36.5cm. (2) ++ Each needs a clean; the former with some craquelure £150-250
|
|
|
SIR ALFRED EAST, RA (1849-1913) GENTLE EVENING Signed, inscribed with title verso, oil on canvas 60 x 91cm. Provenance: By descent in the family of the artist ++ Needs a light clean £700-1000
|
|
|
Ð CLEMENCE DANE (1888-1965) LANDSCAPE NEAR MIDHURST Oil on canvas 69.5 x 82cm.
* Pseudonym of the novelist and playwright Winifred Ashton, noted for 'Regiment of Women' (1917) and 'Bill of Divorcement' which was made into a film in 1932, starring Katharine Hepburn and John Barrymore. ++ Lined; a little associated retouching £300-400
|
|
|
Ð FRANCIS HELPS (1890-1972) A FISHING VILLAGE Signed, oil on canvas, unfarmed 39 x 49cm. Provenance: The collection of the artist Frank Griffith (1889-1979) ++ Needs a light clean £100-200
|
|
|
Ð PERCY STURDEE (fl.1885-1939) JAPANESE FIGURE IN A WOOD Signed and dated June 1891 (date unclear), oil on panel 28 x 20.5cm. ++ Good condition £200-300
|
|
|
Ð ARTHUR FRIEDENSON (1872-1955) CLOUD STUDY, 1912 Signed with initials, also signed, inscribed and dated on a label verso, oil on board 20 x 25.5cm. ++ Good condition £250-350
|
|
|
ARTHUR HACKER, RA (1858-1919) HOEING Signed and dated 1909, also faintly signed and inscribed verso, oil on panel 26 x 35cm. ++ Needs a light clean; original gilt frame £500-800
|
|
|
ATTRIBUTED TO ARTHUR HACKER, RA (1858-1919) A GIFT OF FLOWERS Bears inscription Mrs Mary Clarke/ Xmas 1924 verso, oil on panel 34.5 x 24.5cm. ++ The panel slightly extended at the top to fit the (original gilt) frame £400-600
|
|
|
GEORGE HARCOURT SEPHTON (Fl.1885-1923) A QUIET WALK WITH GRANNY Signed and dated 1891, also signed and dated verso, oil on canvas 49.5 x 59.5cm. ++ Good condition £450-600
|
|
|
Ð LESLIE KENT (1890-1980) LOOE, CORNWALL Signed, oil on canvas 49.5 x 59.5cm. ++ Lined; retouching £300-500
|
|
|
Ð SIR OSWALD HORNBY JOSEPH BIRLEY, MC, RA (1880-1952) PORTRAIT OF MRS ALEX. COWAN Quarter length, in profile, wearing an evening dress, signed and dated 1904, also inscribed with sitter's name and dated verso, oil on canvas, oval 71 x 57.5cm. ++ Needs a light clean £800-1200
|
|
|
HARRY PERCY HAIN FRISWELL (b.1857) WAITING FOR THE FERRY Signed, oil on canvas 42 x 55cm. ++ Lined; a little retouching £600-800
|
|
|
ANNA JULIA PERTZ (Fl.1880-1911) PORTRAIT OF MISS ANNE COBDEN Bust length, wearing a brown dress with frilled collar, signed and inscribed with artist's address and sitter's name on label verso, also inscribed on the panel itself, oil on panel 26 x 20.5cm. Exhibited: London, The Royal Academy, 1884, no.233 ++ A little craquelure; needs a light clean £200-400
|
|
|
Ð FREDERICK VICTOR BAILEY (1919-1996) A GLASS BOWL OF MIXED BLOOMS UPON A LEDGE Signed with initials, oil on ply panel 80.5 x 55cm. ++ Good condition £600-900
|
|
|
MONA HOPTON BELL (Fl.c.1903-1920) THE GREEN PARASOL Signed, oil on canvas laid on board 73 x 54cm.
* The sitter was a Liverpudlian flower seller. Provenance: By direct descent in the family of the artist. ++ Needs a light clean £150-200
|
|
|
Ð MAURICE ALFRED DECAMPS (1892-1953) A VASE OF BLOOMS Signed, oil on canvas 37 x 44.5cm. ++ Needs a light clean £200-300
|
|
|
Ð JOHN LANCASTER (Fl.c.1950-1970) A BOWL OF MIXED FLOWERS Signed and dated 1959 oil on board 19.5 x 24cm. ++ Generally good condition; needs a light clean £150-250
|
|
|
Ð WILLEM JACOBUS ALBERTS (1912-1990) WHISPERING REEDS Signed, oil on canvas 39.5 x 49.5cm. Provenance: Eastbourne, E Stacy-Marks Ltd, 1978 ++ Good condition £100-150
|
|
|
Ð DAVID DIPNALL (b.c.1940) SHOWERS ON THE DOWNS Signed, oil on canvas 69.5 x 90cm. Provenance: Eastbourne, E Stacy-Marks Ltd, 1982 ++ Good condition £300-500
|
|
|
Ð LUCIANO GUARNIERI (b.1930) THREE APPLES, AN ORANGE AND A JUG Signed, oil on canvas 69 x 98.5cm.; with another similar, entitled 'Reflections' (three apples and a book), 58.5 x 78.5cm. (2) Provenance: Eastbourne, E Stacy-Marks Ltd, 1970 & 1971 ++ Good condition £300-500
|
|
  |
Ð JEAN AXATARD (b.1931) THE FLOWER SELLER; THE COLLISION A pair, both signed, oil on canvas Each 21 x 26.5cm. (2) Provenance: Eastbourne, E Stacy-Marks Ltd, 1981 ++ Each in good condition £600-900
|
|
|
Ð JEAN BATUT (1904-2012) CHEMIN EN FORET DE COMPIEGNE Signed, oil on canvas 70.5 x 57.5cm. Provenance: Eastbourne, E Stacy-Marks Ltd, 1979 ++ Good condition £80-120
|
|
|
Ð CHARLES ERNEST CUNDALL, RA, RWS (1890-1971) OLD PARIS Signed and dated 1923 (last digit indistinct), oil on board 33 x 39cm. ++ Needs a light clean £500-800
|
|
|
Ð BERNARD MENINSKY (1891-1950) PORTRAIT OF A GIRL Signed and dated 49, oil on canvas laid on board 44 x 33cm. Provenance: London, Austin Desmond Fine Art ++ Needs a light clean £600-800
|
|
|
Ð LUCY KEMP-WELCH (1869-1958) REFLECTIONS: WHITE LINEN Signed recto by the artist (when requested by owner, c.1955), also signed with initials verso, oil on canvas 65.5 x 48cm. ++ Some craquelure £1000-1500
|
|
|
Ð JAMES ARDEN GRANT (1885-1973) STANDING FEMALE NUDE Signed, oil on canvas 74.5 x 49.5cm. ++ A few minor dabs of retouching near left edge £300-400
|
|
|
JOHN ROBERTSON REID (1851-1926) DADDY'S HOME! Signed and dated indistinctly (probably 07), oil on canvas 59 x 90cm. Exhibited: possibly London, Royal Academy, 1907, no.589, as 'The Fisherman's Daughter' ++ One patched repair lower left; a little craquelure; needs a clean £1200-1800
|
|
|
Ð NORMAN HEPPLE, RA (1908-1994) LADEN DONKEYS, SPAIN Signed, oil on canvas 59 x 69cm. ++ Needs a light clean; scattered dabs of retouching £800-1200
|
|
|
HARRY FIDLER (1856-1935) THE PLOUGH TEAM Signed, also signed verso, oil on canvas 21 x 24.5cm. ++ Typical encrusted impasto £1200-1500
|
|
|
Ð BARNETT FREEDMAN, CBE (1901-1958) DESERTED COTTAGE Signed and dated 1928, oil on canvas 50 x 70cm. Exhibited: London, The New English Art Club (fragmented label on frame) ++ Good condition £1000-1500
|
|
|
Ð ANTHONY FROST (b.1951) "GROW FINS" (C.BEEFHEART), 1993 Signed and inscribed verso, acrylic upon a section of tongue and groove floorboard, unframed 23 x 16cm.
* Frost's work is often inspired by his favourite rock music, in this case a track called 'Grow Fins' from Captain Beefheart's 'The Spotlight Kid' album of 1971 ++ Good condition £200-300
|
|
|
Ð WYCLIFFE EGGINTON (1875-1951) HOLNE BRIDGE ON THE DART Signed, also signed and inscribed on the overlap, oil on canvas 54.5 x 74cm. Exhibited: London, The Royal Academy, 1942, no.372 ++ Unlined; generally good condition; needs a light clean £700-900
|
|
|
Ð STANHOPE ALEXANDER FORBES, RA (1857-1947) THE YOUNG PIANIST Signed and dated 1926, oil on canvasboard 44 x 32.5cm.
* Traditionally identified as a portrait of a nephew of the artist. ++ Good condition £4000-6000
|
|
|
HENRY SCOTT TUKE, RA, RWS (1858-1929) THE CUTTY SARK, MOORED IN FALMOUTH HARBOUR Oil on canvas laid on masonite 30 x 45cm.
* The Cutty Sark was meticulously restored by Captain Wilfred Harry Dowman (1879-1936) whilst she was moored in Falmouth from 1924-1936. Dowman had purchased the vessel - the last of the great working clippers - from her Portuguese owners for £3750 in 1922 after Cutty Sark had been pulled into Falmouth following a storm. Dowman used the ship as a training vessel and welcomed paying visitors before she was relocated to Greenwich in 1936. Tuke executed a number of watercolours of Cutty Sark whilst in Falmouth. It was said that he much admired her 'beautiful lines'. ++ A few grazes; needs a clean £2500-3500
|
|
|
Ð FRANK WOOTTON, OBE (1911-1998) EARLY RESTRAINT Signed, also signed and inscribed with title verso, oil on canvas 54.5 x 90.5cm. Provenance: Eastbourne, E. Stacy Marks Ltd, 1993 ++ Good condition £2000-3000
|
|
|
Ð PETER CURLING (b.1955) NECK AND NECK Signed and dated indistinctly, apparently 1970, oil on board 59 x 69.5cm.
* A typed label on the reverse reads: 'This impression of two Race Horses was painted by Peter Curling at the age of sixteen, when he was a pupil at Milfield [sic] School. It was bought at the Milfield Open Day, 1971, by PMG as a present for BAG for £45.00. Peter Curling's mother told us that he painted it one evening in her kitchen'. Whilst still a schoolboy, Curling painted and sold pictures to contribute to his school fees. The date suggests that Curling painted this aged 15 and sold it when he was 16. ++ Good condition £1000-1500
|
|
|
Ð PATRICK HENNESSY, RHA (1915-1980) ESTUARY, CO. CORK Signed, oil on canvas 62.5 x 88cm. Exhibited: probably Dublin, Royal Hibernian Academy, 1969 Provenance: Dublin, David Hendriks Gallery
* Hennessy was born in Cork and studied under James McIntosh Patrick RSA in Dundee. He established himself as an artist in Ireland in 1939 and explored a variety of subjects. Horse themes were a particular favourite, inspired by his studies of the animal in France and Morocco, and he favoured a crisply realistic style. Horse breeders admired the precision of Hennessy's technique and his sound knowledge of equine anatomy. Commissions flooded in. However, in many of Hennessy's horse pictures, the animal is often a humble pony rather than a portrait of a distinguished thoroughbred and it is the Irish location (rather than the horse itself) that determines the picture's title. ++ Good condition £3000-5000
| CLOCKS AND BAROMETERS | |
|
|
A CARRIAGE CLOCK dial white enamel, signed Snow & Ashworth, Harrogate, movement lever escapement, striking on a gong, 5 3/4ins. (14.5cms.) high £130-180
|
|
|
A CARRIAGE CLOCK dial white enamel, subsidiary alarum dial, signed Charles Frodsham, London, movement cylinder escapement, striking on a gong, 6 1/4ins. (16cms.) high £120-160
|
|
|
A CARRIAGE TIMEPIECE dial white enamel, movement with cylinder escapement, 4 1/2ins. (11.5cms.) high £100-120
|
|
|
A CARRIAGE TIMEPIECE dial cream annular, set amongst chased foliate and floral scrolls, movement lever escapement, case with beaded edges, 5ins. (13cms.) high £130-160
|
|
|
A CARRIAGE CLOCK dial white enamel, movement cylinder escapement, striking on a gong, 5ins. (13cms.) high £100-120
|
|
