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| Auction Details - AUCTION ALREADY HELD | |||
| Antiques and Fine Art | |||
| Auctioneer: | Holloway's | Location: | Banbury Auction Rooms, 49 Parsons Street, Banbury, Oxfordshire OX16 5NB |
| Contact: | Tel: 01295 817777 Fax: 01295 817701 | ||
| Date: | 8th July 2014 | Time: | 11:00AM |
| Details: | Viewing: Friday 4th July 9.30am to 5pm Saturday 5th July 9am to 12 noon Monday 7th July 9.30am to 7pm Morning of Sale from 9am |
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| Page: | 1 2 3 4 5 6 7 8 9 | ||
| Auction Lots - Page 4 | |||
| 153 | |||
| George Finch Mason (1850-1915) Sir Reginald Gale's horse dies in the hunting field pencil, watercolour and bodycolour, signed lower left, inscribed with verse lower right 25 x 35cm (10 x 13 1/2in) £120-180 |
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| 154 | |||
| George Murray (fl. 1883-1922) 'Calliope' and 'Clio', two designs for lunettes for the Norwich Union offices, 1903-04 pencil, watercolour and bodycolour, inscribed with scheme and artist's name and address each 18 x 35cm (7 x 13 1/2in), in a single frame Provenance: Christie's, 16 December 1986, part of lot 103 (the inscription, presumably now over-mounted, is recorded in the catalogue) £200-300 |
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| 155 | |||
| Sir Robin Vere Darwin KCB CBE RA RSA PRWA NEAC (1910-1974) 'La Route à Vaison' and 'Near St Chinian' a pair of watercolours, signed and dated '58 and '57 respectively 24 x 34cm (9 1/2 x 13 1/4in) Provenance: Agnew's, London £200-300 |
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| 156 | |||
| Ithell Colquhoun (1906-1988) 'Fungus on Tree, Lamorna Turn', an illustration for The Living Stones: Cornwall, 1957 pen, brush and ink 13 x 21cm (5 x 8 1/4in) £100-150 |
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| 157 | |||
| C. O. or O. C. (19th century) Six illustrations for the Legend of Beauty and the Beast pencil, watercolour and bodycolour, all with text, five signed in monogram 32.5 x 24cm (12 3/4 x 9 1/2in) £400-600 |
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| 158 | |||
| After George Frederick Watts OM RA HRCA (1817-1904) 'For he had great possessions' watercolour heightened with bodycolour and scratching out 35.5 x 16.5cm (14 x 6 1/2 in) Note: after the original of 1894 belonging to the Tate Gallery, London £150-250 |
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| 159 | |||
| Alice Marion Mott (1851-1924) 'Tranquility' watercolour heightened with bodycolour and scratching out, signed and dated 1871 lower left 90 x 70cm (35 1/2 x 27 1/2in) £600-800 |
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| 160 | |||
| English school, 19th century Figures outside a church with a lych gate pencil and watercolour, numbered '270' lower right arched top, 42 x 59cm (16 1/2 x 23in) £200-300 |
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| 161 | |||
| Annie Poulter (fl. 1884) A postman delivering to a suburban villa, watched by a dog pencil and watercolour heightened with white and scratching out, signed lower right 26 x 37cm (10 1/2 x 14 1/2in) together with two impressionistic watercolours by J. M. Kuenen (3) £80-120 |
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| 162 | |||
| Ellen Boothby (19th century) A figure drawing water by a mill watercolour heightened with bodycolour and scratching out, signed and dated 1854 lower left 25 x 34cm (10 x 13 1/2in) together with a watercolour by Reginald Parr (2) £70-100 |
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| 163 | |||
| European school, early 19th century A pair of miniature portraits of Elector Maximilian III Joseph of Bavaria (1727-1777) and his wife, Anna Maria Sophia of Saxony (1728-1797) watercolour and bodycolour, probably on vellum unframed, each 6.5 x 8cm (2 1/2 x 3 1/8in) £100-150 |
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| 164 | |||
| Chinese school, probably Canton, 19th century Six scenes with figures, including weavers, musicians, a procession, shooting, an interior and a landscape with a river watercolour and bodycolour on pith paper each 19 x 32cm (7 1/2 x 12 1/2in) £150-250 |
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| 165 | |||
| Chinese school, probably Canton, 19th century Six studies and scenes with figures, including a peacock, junks, acrobats, slaves and two landscapes watercolour and bodycolour on pith paper each 18 x 32cm (7 x 12 1/2in) £150-250 |
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| 166 | |||
| Thomas Hart FSA (d. 1886) A rocky cove, probably in Cornwall watercolour heightened with white, signed lower left 16 x 25cm (6 1/4 x 9 3/4in) £80-120 |
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| 167 | |||
| M. B. H. (late 19th century) A rocky burn at Kirkmichael, Scotland watercolour, signed with initials, inscribed 'Kirkmichael' and dated Sept. 6 1892 lower left 29 x 20cm (11 1/2 x 8in) £70-100 |
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| 168 | |||
| Geoffrey Birkbeck (1875-1954) A windmaill and a church in a open landscape watercolour and bodycolour, signed lower right 25 x 46cm (10 x 18in) £80-120 |
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| 169 | |||
| Leonard Marlborough Powell (fl. 1883-1916) A beach at low tide watercolour heightened with white, signed and dated 1905 lower right 26 x 37cm (10 x 14in) £80-120 |
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| 170 | |||
| Evelyn M. Wilson (early 20th century) A church on the edge of a garden with summer flowers pencil and watercolour, signed lower right 38 x 28cm (15 x 11in) £80-120 |
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| 171 | |||
| John Beer (fl. 1885-1915) 'The Grand National 1906 - Ascetics Silver takes the "Penultimate" in front of Aunt May, Red Lad' watercolour and bodycolour, signed lower right, inscribed with title lower left 25 x 35cm (9 3/4 x 13 3/4in) £200-300 |
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| 172 | |||
| John Beer (fl. 1885-1915) 'The Grand National 1906, The Last Fence' watercolour and bodycolour, signed and inscribed lower left with title and with names of two leading horses 25 x 35cm (9 3/4 x 13 3/4in) £200-300 |
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| 173 | |||
| John Beer (fl. 1885-1915) 'The Grand National 1908, The Canal Turn' watercolour and bodycolour, signed lower right, inscribed lower left with title and with names of four leading horses 27 x 38cm (10 1/2 x 15in) £200-300 |
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| 174 | |||
| John Beer (fl. 1885-1915) 'Desert Chief' taking a fence watercolour and bodycolour, signed and inscribed with horse's name lower left 27 x 37cm (10 1/2 x 14 1/2in) £150-250 |
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| 175 | |||
| John Beer (fl. 1885-1915) Race horses exercising on a beach watercolour and bodycolour on pale buff paper, signed lower right 23 x 34cm (9 x 13 1/4in) £150-250 |
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| 176 | |||
| John Beer (fl. 1885-1915) 'A Visit to the Paddock' watercolour and bodycolour, signed and inscribed with title lower right 25 x 35.5cm (9 3/4 x 14in) £120-180 |
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| 177 | |||
| William Drummond (mid-19th century) A portrait of Queen Victoria in her wedding dress; and A portrait of Prince Albert pencil and watercolour heightened with bodycolour; and watercolour heightened with white, both on buff paper, the first signed lower left 29 x 21cm (11 1/2 x 8 1/4in) and 26 x 17cm (10 1/4 x 6 3/4in) Note: The portrait of Queen Victoria was engraved by William Henry Egleton ('Her Majesty the Queen on her Nuptual Days') and that of Prince Albert by John Henry Robinson. £800-1200 |
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| 178 | |||
| Herman van der Mijn (Dutch, 1684-1741) A portrait of a gentleman, probably a self-portrait pastel, en grisaille 29 x 23cm (11 1/2 x 9in) Provenance: with Agnew's, London (date unknown) £600-800 |
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| 179 | |||
| David Cox OWS (1783-1859) A view of Beeston Castle, Cheshire watercolour on 'Scotch' paper 26 x 37cm (10 x 14 1/2in) Exhibited: Anthony Reed, London, David Cox - Drawings and Paintings, September-October 1976, no. 59 Provenance: (according to Anthony Reed's catalogue) Miss Crabbe, a pupil of the artist; ... Jay's, Fine Art Dealers, Southport; Sean Rice, Liverpool (1931-1997) £1000-1500 |
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| 180 | |||
| Attributed to William Havell (1782-1857) 'Remains of the Temple of Hercules at Cori' watercolour, inscribed with title verso 23 x 30cm (9 x 11 3/4in) Note: an attribution to William Crouch has also been suggested. Provenance: Sean Rice, Liverpool (1931-1997) £200-300 |
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| 181 | |||
| English school, 19th century Two figures and a cart on a track in an extensive landscape watercolour heightened with white 30 x 57cm (12 x 22 1/2in) Provenance: Sean Rice, Liverpool (1931-1997) £80-120 |
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| 182 | |||
| S. Davis (19th century) An extensive beach scene with a stormy sky watercolour heightened with scratching out, signed twice lower left 40 x 64cm (16 x 25in) together with a smaller work by the same hand (2) Note: The lettered mount bears an old attribution to John Scarlett Davis (1804-1845) Provenance: Sean Rice, Liverpool (1931-1997) £120-180 |
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| 183 | |||
| Circle of David Cox OWS (1783-1859) The Skirts of the Forest watercolour and black chalk 52 x 66cm (20 1/2 x 26in) Note: after Cox's oil of 1855-56, now in Birmingham Museum and Art Gallery Provenance: Sean Rice, Liverpool (1931-1997) £200-300 |
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| 184 | |||
| Albert Goodwin RWS (1845-1932) A shepherd and his flock on Portsdown Hill, Hampshire watercolour and bodycolour on grey-buff paper, signed lower right, inscribed 'Porchester & Portsmouth' lower left 18.5 x 27cm (7 1/4 x 10 1/2in) Provenance: Richard Haworth, Blackburn; Sean Rice, Liverpool (1931-1997) £600-800 |
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| 185 | |||
| English school, late 19th/early 20th century A shepherd and his flock in an open landscape watercolour, indistinctly signed (possibly C. W...) lower right 14 x 22cm (5 1/2 x 8 1/2in) Provenance: Sean Rice, Liverpool (1931-1997) £70-100 |
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| 186 | |||
| William Leighton Leitch RI (1804-1883) A view at Castelmare, Italy pencil heightened with white on buff paper, stamped with monogram, inscribed 'Castelmare / July 2 1836' lower right 19 x 28cm (7 1/2 x 11in) Provenance: Sean Rice, Liverpool (1931-1997) £100-150 |
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| 187 | |||
| Follower of Anthony Vandyke Copley Fielding POWS (1787-1855) Cattle watering in a loch watercolour heightened with scratching out 18 x 25cm (7 x 10in) Provenance: Sean Rice, Liverpool (1931-1997) £100-150 |
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| 188 | |||
| Attributed to Joshua Cristall POWS (1767-1847) A figure reclining on a rock in an extensive landscape watercolour heightened with white 40 x 32cm (16 x 12 1/2in) Provenance: Sean Rice, Liverpool (1931-1997) £120-180 |
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| 189 | |||
| Thomas Charles Leeson Rowbotham NWS (1823-1875) A view at Albenga, Italy pencil and watercolour heightened with white and scratching out, signed 'T L Rowbotham' and dated 1863 or 1868 lower left 24 x 36cm (9 1/2 x 14in) Provenance: Sean Rice, Liverpool (1931-1997) £300-500 |
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| 190 | |||
| Anthony Vandyke Copley Fielding POWS (1787-1855) Sailing boats off cliffs, a figure in the foreground watercolour heightened with scratching out, signed lower left 22 x 31cm (8 1/2 x 12in) Provenance: Sotheby's, 23 November 1967 (lot 120); Sean Rice, Liverpool (1931-1997) £200-300 |
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| 191 | |||
| Edwin Aaron Penley (1826-1893) A figure on the shore of a lake watercolour heightened with bodycolour, signed, inscribed 'Cheltenham 1860' and indistinctly inscribed lower right 11 x 32cm (4 1/4 x 12 1/2in) Provenance: Sean Rice, Liverpool (1931-1997) £100-150 |
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| 192 | |||
| Arthur Reginald Smith RWS RSW (1872-1934) A stone bridge seen through trees watercolour, signed and indistinctly dated lower right 15 x 38cm (6 x 15in) Provenance: Sean Rice, Liverpool (1931-1997) £100-150 |
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| 193 | |||
| Attributed to William Huggins (1820-1884) A man in a wheelbarrow outside a cottage watercolour with scratching out, signed lower right 24 x 30cm (9 1/2 x 12in) Provenance: Sean Rice, Liverpool (1931-1997) £80-120 |
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| 194 | |||
| Anthony Vandyke Copley Fielding POWS (1787-1855) Boats at sea in a storm watercolour heightened with scratching out, signed and dated 1847 lower right 16 x 24cm (6 1/4 x 9 1/2in) Provenance: Sean Rice, Liverpool (1931-1997) £200-300 |
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| 195 | |||
| English school, 19th century Two riders and a dog in an extensive landscape, said to be a view of Harrow from Hampstead Heath pencil and brown wash 20 x 28cm (8 x 11in) £70-100 |
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| 196 | |||
| John Hobson Nicholson RI PS (1911-1988) Douglas Bay, Isle of Man pencil and watercolour, signed lower right, inscribed 'Douglas Bay' on fragment of old backing 31 x 44cm (12 1/4 x 17 1/4in) £200-300 |
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| 197 | |||
| John Hobson Nicholson RI PS (1911-1988) Shellag Farm, Isle of Man pencil and watercolour, signed lower right, inscribed 'Shellag' on fragment of old backing 31.5 x 44.5cm (12 1/2 x 17 1/2in) £120-180 |
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| 198 | |||
| John Hobson Nicholson RI PS (1911-1988) The Road to Langness pencil and watercolour, signed lower right, inscribed 'The Road to Langness' and 'Port St. Mary' on fragments of old backing 31 x 41.5cm (12 1/4 x 16 1/4in) £150-200 |
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| 199 | |||
| John Hobson Nicholson RI PS (1911-1988) Niarbyl Bay, Isle of Man pencil and watercolour, signed lower right 31 x 44cm (12 1/4 x 17 1/4in) £120-180 |
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| 200 | |||
| English school, 19th century Figures on a beach on an estuary watercolour heightened with bodycolour on buff paper 16 x 26cm (6 1/4 x 10 1/4in) together with 'The Crag of Ailsa', a coloured aquatint by William Daniell (2) £70-100 |
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| 201 | |||
| Tibetan school, 20th century 'Buddha Shakti' watercolour, gouache and gold paint 62 x 45cm (24 1/2 x 17 3/4in) Provenance: Alain Rouveure Galleries, Todenham £70-100 Oil Paintings |
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| 202 | |||
| English school, 19th century A portrait of a lady, thought to be Mrs Nellie Rawson, née Stansfeld (1743-1837) oil on copper unframed, 36 x 31cm (14 x 12 1/4in) £200-300 |
| Auction Details - AUCTION ALREADY HELD | |||
| Antiques and Fine Art | |||
| Auctioneer: | Holloway's | Location: | Banbury Auction Rooms, 49 Parsons Street, Banbury, Oxfordshire OX16 5NB |
| Contact: | Tel: 01295 817777 Fax: 01295 817701 | ||
| Date: | 8th July 2014 | Time: | 11:00AM |
| Details: | Viewing: Friday 4th July 9.30am to 5pm Saturday 5th July 9am to 12 noon Monday 7th July 9.30am to 7pm Morning of Sale from 9am |
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| Page: | 1 2 3 4 5 6 7 8 9 | ||