Auction Details - AUCTION ALREADY HELD | |||
Antiques and Fine Art | |||
Auctioneer: | Holloway's | Location: | Banbury Auction Rooms, 49 Parsons Street, Banbury, Oxfordshire OX16 5NB |
Contact: | Tel: 01295 817777 Fax: 01295 817701 | ||
Date: | 8th July 2014 | Time: | 11:00AM |
Details: | Viewing: Friday 4th July 9.30am to 5pm Saturday 5th July 9am to 12 noon Monday 7th July 9.30am to 7pm Morning of Sale from 9am |
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Page: | 1 2 3 4 5 6 7 8 9 |
Auction Lots - Page 3 | |||
103 | |||
James Abbott McNeill Whistler (1834-1903) 'Thames Warehouses from Thames Tunnel Pier' etching 7 x 19cm (2 3/4 x 7 1/2in) £300-500 |
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104 | |||
William Green (1760-1823) 'Barrow Cascade', 'Bramerigg Gill', 'Cherry Tree, Stockgill', Study in Stock Gill' and 'Goldrill Crag on the River Duddon' five soft ground etchings, published June 1808 69 x 47cm (27 x 18 1/2in) and slightly smaller (5) £200-300 |
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105 | |||
Jack Millar ARCA RBA NEAC (1921-2006) 'Droguerie, Argenton' screenprint, signed lower right, inscribed with title lower centre, numbered 167/195 lower left 51 x 69cm (20 x 27in) Provenance: The Thumb Gallery, London £80-120 |
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106 | |||
Hiroshi Yoshida (Japanese, 1876-1950) 'Misty Day in Nikko'; and 'Sarusawa Pond' two woodblock prints in colours, both signed lower right and inscribed with title lower left 38 x 25cm (15 x 9 3/4in) and 37.5 x 24.5 (14 3/4 x 9 3/4in) £150-250 |
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107 | |||
Hiroshi Yoshida (Japanese, 1876-1950) 'Yozakura in Rain' and 'In a Temple Yard' two woodblock prints in colours, both signed lower right and inscribed with title lower left 37 x 24.5cm (14 1/2 x 9 3/4in) and 37.5 x 24.5cm (14 3/4 x 9 3/4in) £150-250 |
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108 | |||
Toshi Yoshida (Japanese, 1911-1995) 'Shirasagi Castle' woodblock print in colours, signed lower right, inscribed with title lower left 17 x 24cm (6 3/4 x 9 1/2in) £80-120 |
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109 | |||
Philip Greenwood RE (b. 1943) 'Dawn Mist', 'Dark Oak' and 'Dusk Shade' three aquatints printed in colours, all signed, inscribed and dated two 29 x 29cm (11 1/2 x 11 1/2in) , the third 33 x 27cm (13 x 10 1/2in) £70-100 |
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110 | |||
Frederick Christian Lewis (1779-1856) and George Robert Lewis (1782-1871), after Le Comte d'Orsay A portrait of Lord Byron engraving, with facsimile signature and publisher's blind stamp, published 1845 by Henry Graves & Co and John Mitchell 39 x 31.5cm (15 1/2 x 12 1/2in) together with a portrait of the Duke of Wellington by Samuel Cousins after John Lucas (2) £70-100 |
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111 | |||
Hendrik Goltzius (Dutch, 1558-1617) Christ before Caiaphas, from The Passion engraving, dated 1597 in the plate, inscribed '16' in ink verso and with stamp for Achenbach Foundation for Graphic Arts 19.5 x 13cm (7 3/4 x 5 1/8in) Provenance: Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco £100-150 |
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112 | |||
Jacques or Jacob de Gheyn (Flemish, 1565-1629) Prudentia, one of the virtues engraving, executed in 1593 circular, 14.5cm (5 3/4in) diameter £100-150 |
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113 | |||
Francesco Bartolozzi RA (1727-1815) and Robert Samuel Marcuard (1751-1792), after Angelica Kauffman 'Sleeping Nymphs watched by a Shepherd' and 'Diana and Nymphs' two coloured stipple engravings 28cm (11in) and 26.5cm (10 1/2in) diameter together with a later print after Bartolozzi and Kauffman (3) £100-150 |
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114 | |||
After Louis-Léopold Boilly (French, 1761-1845) 'Les Lunettes', 'Les Antiquaires' and 'La Rosière' three coloured lithographs, all signed in the plate each 25 x 20cm (10 x 8in) £70-100 |
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115 | |||
Francesco Bartolozzi RA (1727-1815), after Giovanni Battista Cipriani Putti at play; and another, its pair two coloured stipple engravings, within decorated borders probably after Michelangelo Pergolesi circular, both 27cm (10 1/2in) diameter overall £100-150 |
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116 | |||
William Ward ARA (1766-1826), after George Morland 'No. 6 - The Dram' coloured engraving, originally published 1796 50 x 40cm (19 3/4 x 15 3/4in) together with two 'Grafton Proof' prints after Morland, 'The Farmer's Visit to his Daughter' and 'The Visit returned to the Country', both published 1920 by the Fine Arts Publishing Co Ltd (3) £70-100 |
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117 | |||
Charles Hunt (1806-) 'The Start' and 'Coming In', plates I and IV from 'The Grand Military Steeple Chase near Newmarket, March 1856 (20 Horses started)' coloured engravings with aquatint, published 1856 by Ackermann, London £70-100 |
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118 | |||
Charles Hunt (1806-), after Francis Calcraft Turner 'A Southerly Wind and a Cloudy Sky - The Fox Chase' the set of four coloured aquatints, with verse below, published 1857 by Ackermann & Co plate size 46 x 56cm (18 x 22in) £80-120 |
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119 | |||
After Charlie Johnson Payne ('Snaffles', 1884-1967) 'Gunners' lithograph with hand colouring, signed in pencil and with snaffles blind stamp lower left 20 x 45cm (8 x 17 3/4in), 38 x 61cm (15 x 24in) overall together with coloured etchings of Anne Hathaway's Cottage and Shakespere's School, Stratford, by Mabel Robinson ARE (3) £100-150 |
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120 | |||
Tadashi Nakayama (Japanese, b. 1927) Abstract composition with horses woodblock print in colours, signed and dated 1963 lower left, numbered 14/65 lower right 25.5 x 76.5cm (10 x 30in) £80-120 |
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121 | |||
Henry Thomas Alken (1785-1851) 'Hunting Incidents' six coloured aquatints plate size 27.5 x 38cm (10 3/4 x 15in) (6) £100-150 |
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122 | |||
Richard Gilson Reeve (1803-1889) and others, after John Frederick Herring and others 'Cadland', 'Bessy Bedlam', 'Birmingham', 'Deception', 'Caravan', 'Phosphorus', 'Rubini', 'Barefoot', 'Meteor', 'Our Nell', 'Little Wonder', 'Cyprian' and 'Charles XIIth' thirteen coloured engravings with aquatint, all cropped, laid on linen and varnished, close-framed in gilt frames with lettered titles each 30 x 41cm (12 x 16in) £200-300 |
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123 | |||
After Cecil Charles Windsor Aldin RBA (1870-1935) 'In the Open' (hunting), 'The First' (shooting) and 'A Likely Spot' (fishing) three chromolithographs each 29.5 x 61cm (11 1/2 x 24in), in original oak frames with lettered oak slips £150-250 Watercolours and Drawings |
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124 | |||
English school, 19th century 'The Roller Press' pen and ink with sepia wash unframed, arched top, 20 x 21cm (8 x 8 1/4in) together with a pen and ink drawing, possibly of Venus, and seven botanical studies in watercolour (9) £70-100 |
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125 | |||
English school, 19th century A ruined abbey watercolour, with an old attribution verso to William Collingwood 13 x 18cm (5 x 7in) together with a watercolour in the style of Samuel Prout, signed 'R.Y.F.' (2) £70-100 |
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126 | |||
Basil Ede (b. 1931) 'Cock chaffinch' watercolour and bodycolour on grey paper, signed lower right 20 x 27cm (8 x 10 1/2in) Provenance: Tryon Gallery, London £100-150 |
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127 | |||
Michael J. Helmy (living) 'Michael' (study of a man's head, possibly the artist's) watercolour and bodycolour, signed and dated '03 lower right 75 x 57cm (29 1/2 x 22 1/2in) Provenance: Singer & Friedlander/Sunday Times Watercolour Competition, 2003 £300-500 |
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128 | |||
Thomas Matthews Rooke RWS (1842-1942) Farm buildings by a pond at Stoke Gabriel, Somerset watercolour, inscribed 'Stoke Gabriel' lower right 22 x 32cm (8 1/2 x 12 1/2in) Provenance: Sanders of Oxford £70-100 |
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129 | |||
Sir William George Gillies CBE RA RSA RSW D Litt (Scottish, 1898-1973) 'Landscape with Pentland Hills' pen, ink and watercolour, signed and dated '59 lower left 37 x 56.5cm (14 1/2 x 22 1/4in) £800-1200 |
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130 | |||
Frank G. Howes (fl. 1938) 'Cranham near Gloucester' watercolour, signed and dated 1938 lower right, inscribed with title on artist's label verso 35 x 53cm (14 x 21in) £100-150 |
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131 | |||
English school, 19th century The Grand Canal, Venice pencil and watercolour heightened with bodycolour, on buff paper 18 x 25cm (7 x 9 3/4in) £100-150 |
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132 | |||
Noel Harry Leaver ARCA (1889-1951) St. Bartholomew's Church, Fingest, Buckinghamshire watercolour heightened with bodycolour, within a black border, signed lower right 38 x 28cm (15 x 11in) £200-300 |
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133 | |||
William Robinson (1835-1895) An extensive view of the Mersey estuary from near Helsby watercolour, signed and dated 1894 lower right 49 x 73cm (19 x 28 1/2in) £150-250 |
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134 | |||
Arthur Reginald Smith RWS RSW (1872-1934) 'Amidst the fells - Thorpe' watercolour heightened with scratching out, signed lower right 22 x 35cm (8 1/2 x 13 3/4in) Exhibited: Royal Society of Painters in Water-colours, Spring 1919, no. 102; Chris Beetles, Summer Show 1998, no. 214 £300-500 |
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135 | |||
William Green (1760-1823) 'Pass at Styhead into Wasdale' watercolour 14 x 20cm (5 1/2 x 8in) Provenance: Abbott and Holder, 2001 £120-180 |
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136 | |||
Sir Ernest George RA (1839-1922) 'Segovia' pencil and watercolour, inscribed 'Segovia' lower right 18 x 12.5cm (7 x 5in) Provenance: Christie's, 9 May 1989, lot 110 £80-120 |
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137 | |||
Sir Edward John Poynter Bt PRA RWS (1836-1919) A study for a figure in 'The Visit of the Queen of Sheba to King Solomon' black and white chalk on ochre paper 19 x 16cm (7 1/2 x 6 1/4in) Provenance: Christie's, 4 February 1986, lot 262 Note: the painting is in the Art Gallery of New South Wales, Sydney £150-250 |
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138 | |||
Joseph Arthur Palliser Severn RI (1842-1931) A view of Coniston Old Man from Brantwood watercolour and bodycolour 24.5 x 34cm (9 3/4 x 13 1/2in) £200-300 |
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139 | |||
Thomas Miles Richardson (1784-1848) A rocky coastline pencil and watercolour on blue-grey paper 17 x 28cm (6 1/2 x 11in) £200-300 |
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140 | |||
Thomas Miles Richardson (1784-1848) The Devil's Bridge, Kirkby Lonsdale pencil, with some watercolour, on grey paper 22 x 28cm (8 1/2 x 11in) £100-150 |
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141 | |||
Thomas Miles Richardson (1784-1848) Four leaves from a sketchbook pencil and watercolour, two with colour and other notes unframed, 21 x 31cm (8 1/4 x 12 1/4in) and smaller £150-250 |
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142 | |||
Walter Crane RWS (1845-1915) The River Blyth at Walberswick, Suffolk watercolour, signed in monogram, inscribed and dated Sept '86 lower left 17 x 25cm (6 1/2 x 10in) Exhibited: Royal Birmingham Society of Artists, Autumn 1887, no. 680 (18 gns.) £800-1200 |
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143 | |||
Augustus John Cuthbert Hare (1834-1880) 'Pitti Palace from the Boboli gardens, Florence' watercolour, with inscription from old backing 33 x 23cm (13 x 9in) £200-300 |
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144 | |||
Charles Branwhite (1817-1880) A stream in a rocky wooded gorge watercolour and bodycolour on buff paper, signed with initials lower right 36 x 52cm (14 x 20 1/2in) £250-350 |
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145 | |||
John Stanton Ward CBE (1917-2007) The New Court, St John's College, Cambridge pencil and watercolour on buff paper, signed lower right 30 x 47cm (12 x 18 1/2in) £200-300 |
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146 | |||
Nora Davison (fl. 1881-1900) Keate's Lane, Eton pencil and watercolour heightened with bodycolour, on textured paper, signed lower left 31 x 36cm (12 x 14in) £100-150 |
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147 | |||
John Varley OWS (1778-1842) Conway Castle pencil and grey wash, signed lower centre 32 x 51.5cm (12 1/2 x 20 1/4in) Provenance: W/S Fine Art, London; Christie's, 10 July 2012, part of lot 172 £200-300 |
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148 | |||
George Price Boyce RWS (1826-1897) A view of Anduze, France watercolour 38 x 33cm (15 x 13in) £800-1200 |
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149 | |||
David Cox OWS (1783-1859) 'Randall's Mill at Nine Elms' watercolour with scratching out, the title and artist's name inscribed on the old backboard 18 x 22cm (7 x 8 3/4in) £500-700 |
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150 | |||
Bernard Eyre Walker ARE SGA (1887-1972) 'Am Bhasteir and Sgurr a'Fionn Choire' (the Cuillin Ridge, Skye) pencil and watercolour, signed lower left, signed again and inscribed on remnant of old backing 25 x 36cm (10 x 14in) Provenance: Arthur Tooth & Sons, London £150-250 |
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151 | |||
Cecil Arthur Hunt RWS (1873-1965) A view of the Matterhorn, two figures on a ridge in the foreground pencil, watercolour and bodycolour on buff paper, signed lower left 37 x 28cm (14 1/2 x 11in) Provenance: The Maas Gallery, London, 2002 £400-600 |
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152 | |||
Circle of Giovanni Battista Lusieri (Italian, 1754-1821) A view of Tivoli, two figures in the foreground pen and ink and watercolour 36 x 48cm (14 x 19in) £300-500 |
Auction Details - AUCTION ALREADY HELD | |||
Antiques and Fine Art | |||
Auctioneer: | Holloway's | Location: | Banbury Auction Rooms, 49 Parsons Street, Banbury, Oxfordshire OX16 5NB |
Contact: | Tel: 01295 817777 Fax: 01295 817701 | ||
Date: | 8th July 2014 | Time: | 11:00AM |
Details: | Viewing: Friday 4th July 9.30am to 5pm Saturday 5th July 9am to 12 noon Monday 7th July 9.30am to 7pm Morning of Sale from 9am |
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Page: | 1 2 3 4 5 6 7 8 9 |