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FRANCESCO SAVERIO SORTINI (ITALIAN, C.1869-1923): A BRONZE FIGURE OF A YOUNG GIRL WITH FLOWERS
the standing figure looking down to the mass of roses in her arms, on an integral canted square base signed Sortini, dark patination,
60.5cm high
£800-£1,200
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PIERRE DE SOETE (BELGIUM, 1885-1948): A BRONZE FIGURE OF VICTORY
the nude male figure wearing a laurel crown and with right arm raised, light brown / goldish patination, signed to the base 'P. de. Soete', raised on a rectangular, stepped marble plinth,
47.5cm high overall
£350-£450
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JEAN-LEON GEROME (FRENCH: 1824-1904): A GILT BRONZE FIGURE OF A NUDE, BETHSABEE (BATHSHEBA)
CAST BY SIOT-DECAUVILLE, PARIS
the standing nude maiden at her toilette, an urn at her feet, on a circular base, signed 'GEROME', numbered L291 and with foundry stamped 'SIOT DECAUVILLE FONDEUR PARIS',
31cm high
This rare gilt bronze figure of Bathsheba, which dates to 1896, is said to have been adapted from Gerome's painting of the same title, recorded in 1889 but now lost.
Related Literature:
Ackerman, p.320, S.37
Auction Comparable:
See Sotheby's, London, 27 April 2001, lot 206 for another example of this model.
£1,500-£2,000
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JOSEF LORENZL (AUSTRIAN, 1892-1950): A GILT BRONZE FIGURE OF A DANCER
the youthful nude girl balance on one foot, with arms outstretched, on a circular base, signed 'LORENZL', raised on an onyx plinth,
18.5cm high overall
£300-£500
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JOSEPH BREITNER (AUSTRIAN, 1864-1930): A BRONZE FIGURE OF ST GEORGE AND THE DRAGON 'ST GEORGE PATRONUS'
the equestrian bronze depicting St George on a rearing horse, spearing the dragon below, on an shaped oval base inscribed to the front 'ST. GEORGUS PATRONIS', dark brown patination, signed 'J. BREITNER WIEN', and numbered 79/103 MADE IN AUSTRIA' raised on a stepped oval black marble plinth,
63cm high
Auction Comparable:
Bonhams, London, 25 July 2018, lot 112.
£2,000-£3,000
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AFTER ANTOINE-DENIS CHAUDET (FRENCH, 1763-1810): A 19TH CENTURY BRONZE BUST OF NAPOLEON
mid brown patination, raised on a Jaune marble rectangular plinth,
43cm high overall
The marble version by Chaudet is now in the Victoria and Albert Museum.
£800-£1,200
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LUCA MADRASSI (ITALIAN, 1848-1919): A BRONZE BUST OF AN ARAB GIRL
the laughing girl wearing an ornate headdress and looking to dexter, wearing a blouse tied at the centre with a ribbon, signed 'L. MADRASSI. PARIS', mid brown patination, raised on an integral cylindrical socle,
45cm high
£800-£1,200
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AFTER GIAMBOLOGNA (ITALIAN, 1529-1608): A PAIR OF LATE 19TH CENTURY BRONZE FIGURES OF MERCURY AND FORTUNA
both raised on a gust of wind from the mouth of Boreas, over Verde Antico marble cylindrical plinths with ormolu bases,
77cm high (2)
£1,500-£2,000
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A LATE 19TH CENTURY FRENCH BRONZE AND WHITE MARBLE FIGURAL CANDLESTICK
the standing figure of Cupid representing Winter with his pelt wrapped around him, holding aloft a single candle nozzle, raised on a cylindrical fluted marble column plinth,
35.5cm high
£150-£200
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AFTER GUILLAUME COUSTOU THE ELDER (FRENCH, 1677-1746): A PAIR OF LATE 19TH CENTURY GILT BRONZE MODELS OF THE 'MARLEY HORSES'
depicting two nude trainers restraining two rearing stallions, on naturalistic bases,
40cm high (2)
£200-£400
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IVAN KLAPEZ (CROATIAN B.1961): A BRONZE GROUP OF THE LAMENTATION OF CHRIST
the kneeling barefoot Virgin Mary cradling the slumped dead body of Christ, her head raised in lamentation, the base signed 'Ivan Klapeź' and dated 1988, also with London foundry mark,
33cm high
£500-£800
112 †
IVAN KLAPEZ (CROATIAN B.1961 AAR): A LARGE BRONZE GROUP OF THE DEPOSITION OF CHRIST
the bearded figure of Joseph of Arimathea supporting the slumped body of Christ, the kneeling Virgin Mary below, the base signed 'Ivan Klapeź' and dated 1988, also with London foundry mark, dark brown patination,
57cm high
£800-£1,200
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BARNEY SEALE (BRITISH, 1896-1957): A BRONZE SELF PORTRAIT
a self portrait of the sculptor looking pensive, with furrowed brow, signed 'Barney Seale 33', mid to dark brown patination, raised on the original carved Serpentine marble plinth with cylindrical socle over faceted base,
the bronze 38cm high, 53cm high overall
Another cast was exhibited at The Fine Art Society, Sculpture in Britain Between the Wars, London 1986.Another example was at Sotheby's, London, 5 February 2019, lot 90.
£500-£800
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A. TITZE (AUSTRIAN, FL. EARLY 20TH CENTURY): A BRONZE BUST OF MOZART
looking to dexter, the bust terminating in a decorative plinth inscribed 'MOZART' at the base, signed 'A. Titze',
23cm high
£120-£180
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CLEMENTE SPAMPINATO (AMERICAN, 1912-1933): A BRONZE FIGURE OF A NATIVE AMERICAN INDIAN FALLING FROM HIS HORSE 'THROWN BY THE REBEL'
the dynamic composition depicting the horses rearing and the man falling and holding his reins, on a naturalistic base, mid brown patination, signed to the base 'Clem. Spampinato', raised on a black marble rectangular plinth with plaquette inscribed 'THROWN BY THE REBEL',
53cm high
£700-£1,000
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A LARGE 20TH CENTURY BRONZE MODEL OF A CAT
mid brown patination, unsigned, raised on a Verde Antico marble, rectangular plinth,
70cm wide x 44cm high
£600-£800
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GEORGES-RAOUL GARREAU (FRENCH B.1885): AN EARLY 20TH CENTURY BRONZE OF A SEA GULL
dark brown patination, signed 'G. Garreau' and raised on a rectangular marble plinth,
72cm wide x 69cm high
£500-£800
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THEODORE COINCHON (FRENCH, 1814-1881): A BRONZE MODEL OF A PANTHER
with silvered decoration to the prowling beast, raised on a naturalistically carved, rocky base, signed to the base 'COINCHON', raised on a later rectangular black marble plinth,
25cm high x 43cm wide excluding marble plinth,
£800-£1,200
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<@>BARBARA TRIBE (1913-2000): LOVERS I, A PATINATED BRONZE FIGURAL GROUP CIRCA 1981
the entwined lovers with their hair flowing and matching the waves below, green patination, signed indistinctly and numbered 2/9, on an associated black marble rectangular plinth,
the bronze 60cm high, 64cm high overall
Number 3 of this small edition of 9 is now on display in the Art Gallery New South Wales, Australia, Accession number 192.1982.a-b.<@><$s$p$t$Y$h$z$k$b$c$f"GillSans"n2o($)L$G$>@:£3,000-5,000
120
ALFREDO PINA (ITALIAN, 1883-1969): A BRONZE STUDY OF AN AFRICAN WOMAN AND CHILD CAST BY SUSSE FRERES, PARIS
the seated woman with the child laying on her legs, on a rectangular integral base signed 'Pina' and with foundry mark 'Susse Frs. Eds. Paris Cire Perdue' stamped 'BRONZE', raised on an ebonised plinth,
the bronze 17cm high x 17.5cm wide
Alfredo Pina was a pupil of Auguste Rodin and is perhaps best known for his portrait busts of Beethoven, Wagner and Victor Hugo. Susse Freres were arguably the best bronze foundry in Paris during the early years of the 20th century.
£600-£800
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AN EARLY 19TH CENTURY MAHOGANY AND BRASS MOUNTED FUSEE BRACKET CLOCK
the case surmounted by a pad top with brass handle, the sides with reticulated brass frets, raised on four ball feet, the painted dial with Roman numerals, the single chain fusee timepiece movement with shouldered plates, anchor escapement and pendulum,
45cm high handle up
The movement is ticking but not fully tested or guaranteed.
£400-£600
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A FINE REGENCY FAUX ROSEWOOD, PARCEL GILT AND BURGUNDY LEATHER OPEN SOFA
the volute scroll ends with acanthus leaf decoration below, with large gilt paw feet and beaded rail, later upholstered in button back burgundy aged leather,
203cm wide x 63cm deep x 82cm high
£2,000-£4,000
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A LATE 19TH CENTURY FRENCH WALNUT, CUT BRASS, ORMOLU AND MARBLE TOPPED LOW BOOKCASE / CABINET
of very narrow design and of breakfront outline, the ends with cupboard doors with cut brass decoration centred by classical female masks, on a plinth base with foliate gilt bronze mount, the central section with open adjustable shelf, with white marble top,
224cm wide x 28cm deep x 75cm high
£1,500-£2,000
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A FINE SECOND QUARTER 19TH CENTURY FRENCH BRONZE AND MARBLE FIGURAL MANTEL CLOCK 'L'EMPLOI DU TEMPS' BY DENIERE, PARIS
AFTER THE MODEL BY LAURENT GUIARD (1732-1788)
in the Louis XVI style, depicting a classical maiden reclining and reading a book, leaning against the clock case which is modelled as a pedestal, raised on a white marble plinth with ormolu mounts depicting Cupids amongst scrolling acanthus leaves, with enamelled dial with Roman numerals and Arabic five minute outer track, signed 'DENIERE FT DE BRONZES PARIS', with twin train movement striking on a bell and numbered 3183, signed 'Deniere', and stamped 'PONS Medaille D'or 1827',
57cm wide x 38cm high
The movement is winding, ticking and striking but not fully tested or guaranteed.
This fine clock produced by the prestigious bronze manufacturer Deniere, probably in the 1830's. The firm was established by Francois Matelin and Jean-François Dénière in Paris in 1803, and records show that it was based at 58 rue de Turenne in 1813 and at 9 rue d'Orléans au Marais by 1820. During this period the firm flourished, employing over two hundred workers, and supplied clocks and candelabra for the French palaces, most notably Versailles and the Grand Trianon. In 1822, Deniere received the title of Provider of the King, Queen, Princes and Princesses and the Conservation of the Crown Furnishings, and also counted among his privileged clients the Duchesse de Berry and the King of Spain. In 1844 Deniere's son Guillaume went into partnership with him and in the following years they exhibited at numerous exhibitions including the Great Exhibitions of 1851 and 1862 in London. At the time they were favourably compared to the great ormolu master Thomire.
Pons was also a highly regarded horologist, they used the 1827 Paris Medaille d'Or stamp which can be found on the present movement between 1827 and 1834, in 1834 they won the gold medal again.
Related Literature:
This model is illustrated in 'French Bronze Clocks', E. Niehuser, p. 81. An 18th century example is shown which also features a cockerel atop the pedestal beside the maiden, a reference to study and the sleepless nights and wakefulness that it requires.
£1,500-£2,000
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A FINE LATE 19TH / EARLY 20TH CENTURY MAHOGANY AND GILT BRONZE MOUNTED BUREAU PLAT
the writing desk with rectangular top fitted with with a gilt tooled leather writing surface, with a long frieze drawer with ormolu Vitruvian scroll mounts flanked by a pair of short drawers each with a pair of lion mask handles holding garlands in their mouths, the back of the desk with faux drawers and matching mounts, on four square, tapering legs hung with fruiting and floral garland mounts, with key,
179cm wide x 88cm deep x 79cm high
£3,000-£5,000
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A LATE 18TH CENTURY GEORGE III MAHOGANY AND BRASS MOUNTED TWIN FUSEE BRACKET CLOCK SIGNED HEITSZMAN CAMBRIDGE
the shallow pad top over the break-arch cornice, with brass swing handle, with brass reticulated sound frets to the sides and front, on bracket feet, the painted dial signed and with Roman numerals, the twin fusee movement with verge escapement, with finely engraved backplate decorated with scrolling foliage, striking on a bell, with pear shaped bob pendulum, with winder and case keys,
43cm high
The movement is winding, ticking and striking but not fully tested or guaranteed.
£1,500-£2,000
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A 19TH CENTURY MAHOGANY AND BRASS MOUNTED FUSEE BRACKET CLOCK SIGNED 'DAVID MORICE, LONDON'
the late 19th century case with pinecone finial and lion ring handles, on bracket feet, the later dial signed 'DAVID MORICE LONDON' with Roman numerals, the associated late 18th / early 19th century twin chain fusee movement striking on a bell, the backplate signed 'David Morice LONDON', within an oval border with lambrequin engraved decoration, the backplate with matching border, the pendulum with adjustable rod and large engraved brass bob,
48cm high
The movement is winding, ticking and striking but not fully tested or guaranteed.
£800-£1,200
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A PAIR OF EARLY 19TH CENTURY DUTCH MAHOGANY AND MARQUETRY INLAID CORNER CABINETS
the upper display cabinet sections with break-arch cornices over bevelled glass doors flanked by borders of entwined circles, with silk lined interior and shelves, the cupboards below with marquetry inlay depicting shells flanked by floral paterae,
189cm high x 45cm deep x 77cm wide (2)
£2,000-£3,000
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A SMALL 19TH CENTURY ITALIAN EBONISED AND PAINTED GESSO CONSOLE TABLE WITH MARBLE TOP
the ebonised frieze with gilt brass beaded border, with marble top, raised on a support modelled as lion monopedia,
86cm high x 73cm wide
£300-£500
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A LATE 19TH CENTURY FRENCH EMPIRE STYLE GILT BRONZE AND MARBLE LYRE CLOCK
the lyre surmounted by a mask of Zeus flanked by swan necks, raised on a stepped rectangular plinth base, the 12 pieces enamelled dial with Arabic numerals, the twin train movement with outside countwheel striking on a bell (now lacking),
49cm high
The movement is ticking and striking but lacking bell and pendulum, not fully tested or guaranteed.
£1,000-£1,500
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A VERY LARGE FRENCH GILT BRONZE PORTICO CLOCK SIGNED 'HOTEL DE CHOISEUL A PARIS', THE CASE 19TH CENTURY, THE MOVEMENT AND DIAL 18TH CENTURY
the case with he dentil cornice over four free standing columns raised on a stepped plinth base with foliate cast ormolu border, the acanthus cast bezel enclosing the white enamelled dial signed 'Hotel de Choiseul A Paris' with Roman numerals, the 18th century twin train movement with flat bottomed plates, previously with silk suspension now with Brocot type suspension, with outside countwheel striking on a bell, with later pendulum,
63cm high
The inscription on the dial 'Hotel de Choiseul' refers to the Parisian mansion of that name. Originally known as the Hotel de Crozat, it came into the possession of the Duke of Choiseul through his marriage to Louise-Honorine Crozat in 1750. He soon turned it into one of the most lavishly decorated and famous buildings in Paris, housing an important and large art collection. in 1780 the Duke was forced to divide and sell the mansion due to financial difficulties, and so the inscription on the dial presumably dates to before 1780.
£2,000-£3,000
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A FINE PAIR OF MATCHED FRENCH TRANSITIONAL STYLE KINGWOOD, ROSEWOOD, PARQUETRY AND ORMOLU MOUNTED CABINETS, ONE LATE 18TH CENTURY, ONE LATE 19TH CENTURY
of identical form, the late 19th century example presumably made to match the earlier cabinet / bookcase, each of rectangular form with canted front angles over a frieze drawer with parquetry inlay, over a pair of glazed cupboard doors enclosing shelves, with gilt bronze mounts cast as shells, fruiting garlands and acanthus leaves,
94cm wide x 39cm deep x 96cm high
£4,000-£6,000
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A LATE 19TH CENTURY EMPIRE STYLE VERDE ANTICO MARBLE AND ORMOLU MOUNTED MANTEL CLOCK
the case of arched form over a rectangular, stepped plinth with gilt bronze relief mounts of classical scenes, the gilt bezel enclosing the white enamelled dial with Roman numerals, the twin train movement stamped 'A.D. MOUGIN DEUX MEDAILLES', with outside countwheel striking on a bell,
49cm high
The movement is winding, ticking and striking but not fully tested or guaranteed.
£1,200-£1,800
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A FINE LATE 19TH CENTURY FRENCH GILT BRONZE, GLASS AND SILVERED METAL MANTEL CLOCK
the architectural case surmounted by a gilt bronze model of a pair of putti, the corners with free standing foliate wrapped columns, over a shaped plinth base mounted with a further putto, the front, back and sides glazed and with pierced engraved and silvered panels depicting floral scrolls below, the white enamelled dial with Roman numerals and Arabic five minute markers, the twin train movement striking the half hour and the hours on a bell, stamped 'CHLES MT', and with Japy Freres stamp,
38cm high
The movement is winding and striknig but not fully tested or guaranteed.
£2,000-£3,000
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A 17TH CENTURY WALNUT TABLE WITH MARBLE TOP AND LATER EBONISED DECORATION
the moulded rectangular top enclosing an early panel of coloured Breccia marble, the marble with uneven, worn surface, raised on a quadripartite base formed of four volute scrolls,
107cm wide x 53cm deep x 79cm high
£600-£800
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A THIRD QUARTER 19TH CENTURY FRENCH NAPOLEON III EBONISED AND CUT BRASS MOUNTED CABINET IN THE BOULLE STYLE
of rectangular form with canted front angles, and shaped Belgian Black marble top above, the sides with ormolu mounts of ribbon-tied musical trophies, the panelled doors with intricate cut brass inlay (some lifting), the interior mahogany lined and with two adjustable shelves,
120cm wide x 44cm deep x 112cm high
£1,000-£2,000
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AN EARLY 20TH CENTURY FRENCH GILT BRONZE LOUIS XVI STYLE CARTEL CLOCK BY SAMUEL MARTI, PARIS
the case of typical form with a hanging loop at the back and numbered 5844, surmounted by an urn with fruiting finial, the sides with pierced, trellis decoration, hung with laurel leaves and with a white enamelled dial with Roman numerals and Arabic five minute markers, the twin train movement also numbered 5844, striking on a bell with pendulum, stamped 'Samuel Marti MEDAILLE D'OR PARIS 1900'
40cm high
The movement is winding, ticking and striking but not fully tested or guaranteed.
£400-£600
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A THIRD QUARTER 19TH CENTURY FRENCH GILT BRONZE FIGURAL MANTEL CLOCK
depicted a seated maiden reading a book, a vase of flowers beside her, on a rectangular plinth with foliate scroll mounts, raised on a giltwood plinth, the white enamelled dial with Roman numerals, the twin train movement with outside countwheel striking the hours and half hour on a bell, stamped 'Japy Freres 1855', with pendulum,
48cm high x 52cm wide
The movement is winding, ticking and striking but looks as though it would benefit from a clean and service, not fully tested or guaranteed.
£500-£700
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A LATE 19TH CENTURY FRENCH KINGWOOD, OLIVEWOOD AND GILT BRONZE MOUNTED SIDE TABLE
in the Louis XVI style, the shaped top with decorative scrolling veneer, the frieze with a sliding leather covered writing surface with gilt tooled decoration, raised on cabriole legs with a matching under tier, on cartouche cast feet,
71cm high x 38cm wide
£600-£800
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A FINE SECOND QUARTER 19TH CENTURY FRENCH ROSEWOOD AND GILT BRASS MOUNTED MANTEL CLOCK WITH THERMOMETER SIGNED 'BROCOT'
the egg and dart moulded ormolu bezel over foliate scrolls and mounted on a rosewood and fruitwood marquetry plinth set with a silvered thermometer 'Selon Reaumur', on a rectangular base over an oval pedestal, the silvered Roman dial with recessed centre revealing the Brocot escapement with jewelled pallets, the twin barrel movement with unusual rise and fall regulation, striking on a bell, the backplate signed 'Brocot BREVETE', the movement covered with a glass dome, with twin tube mercury pendulum, with winder,
57cm high
The movement is winding, ticking and striking but not fully tested or guaranteed.
£800-£1,200
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A 19TH CENTURY GEORGE III STYLE MAHOGANY, SATINWOOD AND EBONISED KNIFE BOX MODELLED AS AN URN
the domed and hinged cover surmounted by a flaming finial with lappet carving over a border of satinwood and ebonised inlay, the interior now void and red velvet lined, the baluster body rotating on the lappet carved, circular foot, raised on a square plinth base with similar inlay,
64cm high
£600-£800
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A LATE 19TH CENTURY ITALIAN CARVED ALABASTER URN ON STAND
of baluster form, the body carved with pairs of griffins and foliage, with a pair of scrolling handles, raised on a ringed, cylindrical pedestal over a square base, comes apart in numerous sections,
102cm high x 50cm wide
£400-£600
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AN 18TH CENTURY DUTCH AMBOYNA AND EBONISED CABINET ON LATER STAND
the upper section with ripple moulding and with six short drawers centred by a locking column securing the drawers, with key, with pierced brass handles, raised on a later stand with spirally turned legs united by a scrolling stretcher,
117cm high x 95cm wide x 34cm deep
£800-£1,200
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A LATE 19TH / EARLY 20TH CENTURY DARK GREY SCAGLIOLA AND WHITE MARBLE PEDESTAL
with white marble circular top over the cylindrical column shaft with waisted base, raised on a stained wood plinth,
the top 33cm diameter, 90cm high
£500-£800
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A LATE 19TH / EARLY 20TH CENTURY FRENCH SEVRES STYLE PORCELAIN LAMP BASE
of slender baluster form, with raised gilt decoration to the dark blue ground, the centre with a painted scene of a courting couple, the reverse with a lake scene, on a spreading cylindrical socle over a shaped gilt bronze base, fitted for electricity,
60cm high
£600-£800
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A 19TH CENTURY FRENCH SEVRES STYLE PORCELAIN AND GILT BRONZE MOUNTED URN AND COVER
decorated with an 18th century style scene of a couple playing blind man's buff in the manner of Fragonard, signed indistinctly 'Poiteries', on a dark blue ground with in a raised gilt border, the reverse painted with a lake scene with roses, the domed cover repaired and surmounted by an ormolu fruiting finial, the sides with bronze foliate mounts, raised on a cylindrical socle over a square base and toupie feet,
80cm high
£700-£1,000
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A LARGE LATE 19TH CENTURY FRENCH BRONZE AND CHAMPLEVE ENAMEL EIGHT LIGHT CHANDELIER
the foliate ceiling rose above the champleve enamel decorated shaft, with circular outer frame hung with laurel garlands interspersed with flaming urn finials, the interior with eight branches fitted for electricity,
123cm drop x 89cm diameter
£600-£800
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A ROCOCO STYLE GILT AND PATINATED BRONZE MANTEL CLOCK MODELLED AS AN ELEPHANT AND RIDER
the elephant carrying an Oriental figure holding a parasol, raised on a Rococo base ornamented with foliage, shellwork, rocailles and C scrolls, the twelve piece enamel dial with Roman numerals, the twin train movement with outside countwheel striking on a bell, stamped ' Japy Freres G Med d'Honneur', with pendulum
56cm high
£800-£1,200
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A LATE 19TH CENTURY FRENCH SEVRES STYLE PORCELAIN AND GILT BRONZE MOUNTED CLOCK GARNITURE
the clock surmounted by a porcelain urn and flanked by a pair of female caryatid columns over a plinth base, the sides with porcelain panels depicting Arcadian landscapes, the front panel depicting a shepherdess playing a flute, the dial with Roman numerals flanked by Cupids, the twin train movement stamped 'JAPY FRERES', striking on a gong, with pendulum, the garniture urns with matching decoration, the porcelain decorated with courting couples,
the clock 41cm high (3)
The movement is ticking but not fully tested or guaranteed.
£2,000-£3,000
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A LATE 19TH / EARLY 20TH CENTURY JAPANESE SATSUMA PORCELAIN VASE WITH ORMOLU MOUNTS
the Meiji period baluster vase decorated with various figures within complex gilt borders, with pierced gilt bronze mount to the rim and raised on a circular gilt bronze base,
40cm high
£300-£500
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AN EARLY 20TH CENTURY VIENNESE COLD PAINTED SPELTER FIGURE OF A DONKEY ADAPTED AS A LAMP BASE
with gilt bridle and saddle cloth, on an oval base, with later lamp fitment with brass shade,
41cm high including shade
£200-£300
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A PAIR OF EARLY 20TH CENTURY FRENCH GILT BRONZE ROCOCO STYLE WALL LIGHTS
the triple branch wall appliques modelled as three foliate branches with leaf cast nozzles, later drilled for electricity,
55cm high including faux candles (2)
£200-£300
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