|
James Ferrier (fl.1840-1883) - Watercolour - Rural landscape with ruined cottages and cattle, with bridge to background, 7ins x 13.5ins, signed, in gilt frame and glazed, and three other 19th Century watercolours, various £250-350 plus 24% BP*
|
|
  |
William Stanley (19th Century school) - Pair of oil paintings - "The Angler's Rest" and "A Chat by the Way", relined canvases 11.5ins x 9.5ins, unsigned, in gilt moulded frames
Provenance: The Cider House Galleries £200-300 plus 24% BP*
|
|
|
Samuel Prout (1783-1852) - Watercolour - Continental street scene with column and figures, 25.5ins x 18ins, unsigned, in gilt frame and glazed £200-300 plus 24% BP*
|
|
|
Giovanni Giordano Lanza (1827-1890) - Watercolour - Landscape looking towards the bay of Naples, figure on horseback and two other figures on track to foreground, 16.25ins x 28.5ins, indistinctly signed to lower right corner, in gilt moulded frame and glazed £150-250 plus 24% BP*
|
|
|
John Varley (1778-1842) - Two watercolours - A view of the Thames, 5ins x 6.75ins, and river landscape, 5ins x 9.25ins, both signed, framed and glazed
Provenance: View of the Thames - F.R. Meatyard, 32, Museum Street, London, WC1, labelled to verso £150-200 plus 24% BP*
|
|
|
John Varley (1778-1842) - Watercolour - Landscape with figures to foreground and ruined castle to background, 6.25ins x 9.75ins, signed and dated 1839, in gilt frame and glazed £120-160 plus 24% BP*
|
|
|
***David Arbus (born 1941) - Watercolour - The South-West View of Canterbury Cathedral, 21.75ins x 26.5ins, signed and dated '09, framed and glazed £120-160 plus 24% BP*
|
|
|
***Barry Kirk (born 1933) - Watercolour - "A Place in France", 16.75ins x 21.75ins, signed, in gilt frame and glazed £80-120 plus 24% BP*
|
|
|
S. J. (Toby) Nash (1891-1960) - Ink and watercolour - "Mercery Lane Canterbury", 7.25ins x 5ins, signed, framed and glazed £80-120 plus 24% BP*
|
|
|
D.H. Sexton (20th Century British School) - Watercolour - Interior of a barn, 19.75ins x 13.75ins, signed, in gilt frame and glazed £80-120 plus 24% BP*
|
|
|
George Barret (1767-1842) - Watercolour - Classical river landscape with five figures in a rowing boat, 7ins x 10ins, unsigned, in gilt moulded frame and glazed £70-100 plus 24% BP*
|
|
|
Charles Hayes (19th/20th Century British school) - Two watercolours - Harvesting scene, 8ins x 10.5ins, signed, and horse-drawn cart in a field, 6.25ins x 9.25ins, signed, both framed and glazed £70-100 plus 24% BP*
|
|
|
Thomas R. Colman Dibdin (1810-1893) - Watercolour - Country scene with figure by a cottage and church beyond, 8ins x 11ins, signed and dated 1861, in gilt frame and glazed £60-80 plus 24% BP*
|
|
|
After David Roberts (1796-1864) - Three modern coloured reprints - "The Great Sphinx, Pyramids of Gizeh, July17th 1839", 12.75ins x 18.75ins, "The Hypaethral Temple at Philae, Called the Bed of Pharoah", 13.25" x 19" and "Grand Portico of the Temple of Philae-Nubia", 13.25" x 19", all in gilt moulded frames and glazed £150-200 plus 24% BP*
|
|
|
|
|
William Harris Weatherhead (1843-1903) - Watercolour - "Contemplation" - Full-length portrait of a young girl standing in an open cottage door, 16ins x 11.25ins, signed, in gilt frame and glazed £200-300 plus 24% BP*
|
|
|
20th Century Continental school - Pastel - A novitiate reading from a sacred book while three elders look on, 28.5ins x 23ins, indistinctly signed, framed and glazed £100-150 plus 24% BP*
|
|
|
Vincenzo D'Esposito (1886-1946) - Watercolour and gouache - The Grand Harbour, Valletta, 4.5ins x 9.25ins, signed, in ebonised frame and glazed £150-200 plus 24% BP*
|
|
|
H. Branston Freer (fl. 1870-1915) - Watercolour - "Ramsgate Harbour", 13.25ins x 23ins, signed and titled, in gilt frame and glazed £120-160 plus 24% BP*
|
|
|
Stanislas Lepine (1835-1892) - Watercolour - Beach scene with fishermen and fishing boat, 6.25ins x 9.75ins, signed, in gilt frame and glazed £100-150 plus 24% BP*
|
|
|
D. Watts (late19th/early 20th Century school) - Watercolour - Harbour scene with fishing vessels and figures to shoreline, 9.75ins x 6.5ins, signed, unframed £80-120 plus 24% BP*
|
|
|
Alfred Montague (1832- circa 1883) - Watercolour - Beach scene with figures on shoreline, 7.5ins x 12.5ins, unsigned, in gilt frame and glazed £70-100 plus 24% BP*
|
|
  |
W. Charles (19th Century English school) - Watercolour - Fishing boats at sea, 13.5ins x 20ins, signed and dated '76 in gilt frame and glazed, and B. Moore (19th Century) - Watercolour - Fishing boat in a choppy sea, 14ins, signed and inscribed '78, framed and glazed
Note: Possibly Barlow Moore (1834-1897) £150-200 plus 24% BP*
|
|
|
T. Hodson (19th/20th Century) - Pair of watercolours - Fishing boats and steam vessels in choppy seas, each 9.5ins x 13.75ins, signed and dated 1894; E. Tudor Lane (19th/20th Century) - Watercolour - Sailing barges with castle to background, 6.5ins x 13.5ins, signed, and Vic Trevett (20th Century) - Watercolour - Buildings overlooking a bay, 17.25ins x 24.5ins, signed, all framed and glazed £120-160 plus 24% BP*
|
|
|
|
|
Joseph Denovan Adam (1842-1896) - Watercolour - Water meadow with cattle resting and grazing by trees, 13ins x 19ins, signed and dated 1884, in gilt frame and glazed £350-500 plus 24% BP*
|
|
|
Nathaniel Hughes J.Baird (1865-1936) - Ink, watercolour and gouache - "Tordown", 11.5ins x 18ins, signed with monogram, in gilt frame and glazed
Provenance: Eland's Art Gallery, Exeter
Note: Used as an illustration for E.W.L Davies - "Memoir of the Rev John Russell and his Out-of-Door Life", published by Chatto & Windus, 1902 £200-300 plus 24% BP*
|
|
|
Nathaniel Hughes J. Baird (1865-1936) - Ink, watercolour and gouache - "Russell at Bath in 1826", 11ins x 16ins, signed with monogram, in gilt frame and glazed
Provenance: Eland's Art Gallery, Exeter
Note: Used as an illustration for - E.W.L Davies - "A Memoir of the Rev John Russell and his Out-of-Door Life", published by Chatto & Windus, 1902 £200-300 plus 24% BP*
|
|
  |
***David Armitage (born 1943) - Four watercolour and pencil studies - Seated nude woman, 10.75ins x 9.5ins, signed and dated, a seated nude female looking at reflection, 14.5ins x 8.75ins, no visible signature, pair - Reclining nude female, 10.5ins x 8.75ins, and standing female nude, 10.5ins x 9.5ins, both signed and dated, all framed and glazed
Provenance: Purchased directly from the artist who was a good friend of the family £200-300 plus 24% BP*
|
|
|
***Peter Firmin (1928-2018) - Ink and watercolour - Ivor the Engine with Jones the Steam on the footplate talking to Owen the Signal, 6.5ins x 7.75ins, signed in pencil and dated '84, framed and glazed £200-250 plus 24% BP*
|
|
|
***Peter Firmin (1928-2018) - Ink and watercolour - Jones the Steam getting into Ivor the Engine while Dai Station rushes out of the station with a candy stripe box tied with a blue ribbon, 6.5ins x 7.75ins, signed in pencil and dated '84, framed and glazed £200-250 plus 24% BP*
|
|
  |
***J. L. Carstairs (20th Century English) - Two watercolours - "The Window on the Stair", and lamp post by a building, each 7.5ins x 5.5ins, one titled and both signed, framed and glazed £150-200 plus 24% BP*
|
|
|
***Anthony McGuire (20th Century) - Watercolour - "Horse Troopers Whitehall", 10ins x 9ins, signed, framed and glazed £80-120 plus 24% BP*
|
|
|
|
|
***Laurence Stephen Lowry (1887-1976) - Limited edition coloured lithograph - "The Fever Van", 16.25ins x 20ins, signed outside the image in ballpoint pen to lower right and with Fine Art Trade Guild stamp and "BLK" to lower left, framed and glazed £1500-2000 plus 24% BP*
|
|
|
Richard Estes (born 1932) - Limited edition coloured screen print - "Qualicraft Shoes (The Chinese Lady)", 33ins x 46.5ins, signed and numbered 19 (of 100) within the image, in metal frame and glazed
Provenance: DM Gallery, 72, Fulham Road, London, SW3 £1000-1500 plus 24% BP*
|
|
|
Richard Estes (born 1932) - Artist's proof coloured screen print - "Nass Linoleum", 15ins x 18ins, signed in pencil to lower margin and numbered R/A-Y (indicating number 18 of 25), in metal frame and glazed £800-1200 plus 24% BP*
|
|
|
Richard Estes (born 1932) - Artist's proof coloured screen print - "560", 15.5ins x 23.5ins, signed in pencil to lower margin and numbered G/A-Y (indicating number 7 of 25), in metal frame and glazed £800-1200 plus 24% BP*
|
|
|
Robert Cottingham (born 1935) - Limited edition coloured lithograph - "Tattoo", 34ins x 34ins, signed and dated '75 to lower margin and numbered 9 (of 50), framed and glazed £600-800 plus 24% BP*
|
|
|
Robert Cottingham (born 1935) - Limited edition coloured silk screen - "Fox", 1973, 21ins x 21ins, signed and numbered 78 (of 100) in pencil to lower margin, blind stamp lower left, framed £200-300 plus 24% BP*
|
|
|
Claudio Bravo (1936-2011) - Limited edition lithograph - "Fur Coat (Front)", 30ins x 22.5ins, signed, dated 1976 and numbered 29 (of 75) in pencil, framed £150-200 plus 24% BP*
|
|
|
Claudio Bravo (1936-2011) - Limited edition lithograph - "Fur Coat (Back)", 22.5ins x 30ins, signed, dated 1976 and numbered 29 (of 75) in pencil, framed and glazed £300-500 plus 24% BP*
|
|
|
Sidney Robert Nolan (1917-1992) - Limited edition lithograph - Man and goat, 19.75ins x 25.75ins, signed and numbered 52 (of 70) in pencil, framed and glazed £100-150 plus 24% BP*
|
|
|
***Eric Malthouse (1914-1997) - Wash drawing - Abstract scene with figure looking upwards surrounded by birds, 6.75ins x 5.5ins, monogrammed EM, in silver frame and glazed £100-150 plus 24% BP*
|
|
|
|
|
***John Knapp-Fisher (1931-2015) - Limited edition print - Seascape with low horizon, 4.75ins x 21ins, No.129 of edition of 850, signed, in silver frame and glazed £80-120 plus 24% BP*
|
|
|
***Phil Greenwood (born 1943) - Three limited edition aquatint etchings - "Heath Trees", 16.75ins x 20ins, signed, dated '78 and numbered 131 (of 200) in pencil, "Drystone Wall", 17.25ins x 21.75ins, signed, dated '75 and numbered 97 (of 150) in pencil, and "Border Country", 12.75ins x 18.5ins, signed, dated '80 and numbered 149 (of 350) in pencil, all framed and glazed £100-150 plus 24% BP*
|
|
  |
***Eric Malthouse (1914-1997) - Two limited edition colour prints - "Prynu dol: rav prynu dol" and "Prynu dol: tri y crys glau", each 13ins x 6.5ins, each No. 20 of edition of 20, signed and dated 1970, in silver frames and glazed £150-200 plus 24% BP*
|
|
|
***Terence Tenison Cuneo (1907-1996) - Two limited edition coloured prints - "Simplon-Orient-Express in the 1930s", 19ins x 22.5ins, published by Richard Lucraft 1992 (No. 342 of an edition of 850), and "Le Shuttle", 19ins x 24.5ins, published by Richard Lucraft 1994 (No. 512 of an edition of 850), signed by Sir Alastair Moreton and Andre Benard, co-Chairmen of Eurotunnel, both with certificates and signed by the artist to lower right margin, both in gilt frames and glazed £100-150 plus 24% BP*
|
|
|
After Basilius Besler (1561-1629) - Two coloured engravings - "Aloe", and "Aloe Americana", each 21ins x 17.5ins £80-120 plus 24% BP*
|
|
