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RONALD OSSORY DUNLOP, R.A. (1894-1973)
Nude seated by stove
signed and inscribed 'R.O. Dunlop/"Nude seated by Stove''' (on the reverse)
oil on board, unframed
15 x 20 in. (38.1 x 50.8 cm.)
£150-250
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ARTHUR AMBROSE MCEVOY, A.R.A. (1878-1927)
Study of a young girl
pencil and watercolour
13 x 6 1/2 in. (33 x 16.5 cm.)
£400-600
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PETER HOWSON (B.1958)
The Queen of Hell
charcoal
11 2/3 x 9 in. (30 x 23 cm.)
£400-600
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PATRICK HAYMAN (1915-1988)
Hamlet and Ophelia by the sea
signed and dated 'Hayman. 84' (lower right), inscribed 'Hamlet and Ophelia By The Sea' (upper left), inscribed 'Hamlet & Ophelia/By the SEA/or/the Prince of Denmark/with familiar Spirits/1984' (on the reverse)
gouache
12 x 17 1/2 in. (30 x 44.5 cm.)
£400-600
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CONROY MADDOX (1912-2005)
The Velocipedist
signed and dated 'Conroy Maddox/'54' (lower right)
gouache and collage on paper
10 3/4 x 10 3/4 in. (26.5 x 26.5 cm.)
Exhibited:
London, John Bonham Murray Feely Fine Arts, The Birmingham Seven, 11 June-13 July 1991, no 21.
We are grateful to Mr Silvano Levy for the assistance in cataloguing this lot. The work will be included in the forthcoming catalogue raisonné.
£700-1,000
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JOHN UZZELL EDWARDS (1934-2010)
In flight
signed and dated '1965' (lower right)
oil on canvas
48 1/2 x 36 in. (123.3 x 91.5 cm.)
John Uzzell Edwards was a Welsh artist. He avoided attending art college and spent time painting in Paris and Switzerland. This seagull was probably painted when the artist moved to Tenby, where he focused on painting barges in Burryport, skeletal seagulls washed up on the to beach. The artist said he went 'right back to my Celtic roots for inspiration' which resulted in strong primitive-looking highly colourful images. (See D. Buckman, Artists in Britain since 1945, volume 2, Bristol, 1998, p. 1615.)
£500-700
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DAVID TINDLE, R.A. (B.1932)
Child with eye shade moving head
signed, inscribed and dated 'David Tindle 64/Child With eye shade/Moving head' (on the reverse)
charcoal and gouache on paper laid down on board
19 3/4 x 19 3/4 in. (50.3 x 50.3 cm.)
Provenance:
with The Piccadilly Gallery, London, by 1966.
Peter Adcock.
Private collection.
£400-600
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ANTHONY BROWN (20th Century, British)
Fossil Rocks
signed and dated 'BROWN 55' (lower right)
oil on canvas
16 1/4 x 24 in. (41.3 x 61 cm.)
£700-1,000
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JULIAN GORDON MITCHELL (B.1952)
Surrealist still life
signed 'JULIAN/GORDON/MITCHELL' (on the reverse)
oil on canvas, unframed
30 x 40 in. (76.3 x 101.7 cm.)
£400-600
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CECIL BIRTWHISTLE (1910-1990)
Portrait of a boy
signed 'Cecil Birtwhistle' (lower right)
oil on board, unframed
14 3/4 x 10 1/4 in. (37.5 x 26 cm.)
£150-250
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FLORENCE ST JOHN CADELL (1877-1966)
Learning to walk
signed and dated 'S. John Cadell/1935' (lower right)
oil on canvas
30 x 22 in. (76.2 x 55.8 cm.)
Cousin of Francis Campbell Boileau Cadell, Florence St John Cadell was a figurative painter, who often signed St John Cadell to disguise her femininity. She exhibited widely in the Royal Scottish Academy and the Alpine Club Gallery.
£400-600
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JOHN MCCUTCHEON, R.O.I. (1910-1995)
Flowers in a Vase
signed 'F.MCCUTCHEON' (lower right)
oil on board
20 x 16 in. (50.8 x 40.6 cm.)
£500-700
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KATE WYLIE (1877-1941)
Still life
signed 'Kate Wylie' (lower right)
oil on canvas, unframed, inscribed 'B' (on the reverse)
24 x 17 in. (61 x 43.2 cm.)
£400-600
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CECIL BIRTWHISTLE (1910-1990)
Street scene, Richmond, London
oil on canvas, unframed
35 3/4 x 28 in. (90.8 x 71 cm.)
£400-600
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ANTHEA CHAPMAN (B.1933)
A walk in the field
signed 'Anthea C.' (lower left)
oil on board
35 3/4 x 47 1/2 in. (90.7 x 120.6 cm.)
£300-500
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LOUISE BALAAM, R.W.A., N.E.A.C. (B.1954)
Coast high, wind and surf; and Deep brown and Ochre ground
(i) signed and inscribed on the reverse; (ii) signed and inscribed on the reverse;
oil on board
(i), (ii) 19 1/2 x 19 1/2 in. (49.5 x 49.5 cm.)
(2)
£800-1,200
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JACOB BORNFRIEND (1904-1975)
Flowers
signed and dated '64/J.Bornfriend' (lower left)
oil and sand on board
14 x 9 1/2 in. (35.6 x 24.2 cm.)
Provenance:
with Roland, Browse and Delbanco, London.
£1,000-1,500
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JOHN BOLAM (1922-2009)
Landscape with orange and brown
oil on board
10 x 16 in. (25.4 x 40.6 cm.)
Provenance:
with Liss Fine Art, London.
£150-250
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JOHN BOLAM (1922-2009)
Nocturnal landscape
signed with initial 'B' (lower right)
ink and watercolour
9 3/4 x 13 3/4 in. (24.8 x 35 cm.)
£80-120
"It is not a question of painting .. as realistically as I can, but to get the right tonality, so that memory and presence are very close."
David Tindle, 1985
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DAVID TINDLE, R.A. (B.1932)
Still life with a fish
signed and dated 'David Tindle 1957' (upper right)
oil on canvas
45 3/4 x 34 in. (115.8 x 116.2 cm.)
The focus on tonality and composition is present in David Tindle's early works: Still life with fish was completed two years after Tindle's first solo exhibition in London. As noted by Rachel Cooke in an exhibition review in November 2016: 'by the critics' account, [Tindle] was coming up hard on the heels of Prunella Clough, Francis Bacon, Lucian Freud and Keith Vaughan.' Friends with John Minton, Tindle was introduced to Freud and Vaughan who played a key role in his stylistic development. The artist's early works are celebrated for his almost sacramental arrangement of objects where the human presence is only suggested by the present objects. Still life with fish with its muted tonality, strong lines and masterful rendering of light and shadow possesses a particular presence of its own which places the work amongst the most accomplished early pieces by the artist.
£3,000-5,000
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CRAIGIE AITCHISON, R.A. (1926-2009)
Daffodils and candlestick
signed in white ink 'Cragie Aitchison' (in the margin, lower right), numbered '30/75' (in the margin, lower right)
screenprint
Image: 19 1/2 x 15 in. (49.5 x 38.1 cm.)
Published in 1998 in an edition of 75 plus 12 artist's proofs.
£300-500
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MARY BALLANTINE (Exhib. 1910-1920)
Summer flowers and apples
signed and dated 'M.BALLANTINE/1944' (lower left)
oil on canvas, unframed
28 x 36 in. (71.1 x 91.5 cm.)
£400-600
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PHILIP SUTTON (B.1928)
Cristina
oil on canvas, unframed
40 x 40 in. (101 x 101 cm.)
Painted circa 1963.
Provenance:
with Roland Browse & Delbanco, London.
John Moores.
Private collection, UK.
Exhibited:
Liverpool, The Walker Gallery, John Moores Exhibition, 1963, no. 22, catalogue untraced.
£1,000-1,500
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PASCOAL DE SOUZA (B.1928)
Portrait of a girl
signed 'Pascoal de Souza' (lower left)
oil on canvas, laid down on board
31 1/4 x 24 in. (79.4 x 61 cm.)
£400-600
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VICTORIA RUSSELL (B.1962)
Head Study (Lou Lou III)
oil on board
8 x 6 in. (20.3 x 15.3 cm.)
Provenance:
with Cassian de Vere Cole Fine Art, London, where purchased by the present owner.
The winner of the National Portrait Gallery's BP Portrait Award in 2000, Russell is a widely recognised portrait painter whose commissions include Dame Shirley Williams and the Queen of Denmark, HM Margarethe II. She is also known for her works focusing on theatre audiences and social projects. Head Study (Lou Lou III) is an accomplished study showcasing Russell's masterful treatment of the human head.
£1,000-2,000
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PETER KINLEY (1928-1988)
Standing nude
pencil and oil on paper
9 x 6 3/4 in. (22.3 x 17 cm.)
Provenance:
The artist's estate.
£800-1,200
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PETER CLOSSICK (B.1948)
Fé
signed and inscribed 'Peter Clossick/"Fé"' (on the reverse)
oil on canvas
10 x 8 in. (25.4 x 20.3 cm.)
Peter Clossick studied at Camberwell School of Art and Goldsmiths College during the early 1970s and has been engaged in professional fine art practice since. He is a member and Past President of The London Group an artist collective established in 1913 and a member of The New English Art Club under the Federation of British Artists.
£1,500-2,500
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SIR EDUARDO PAOLOZZI, R.A. (1924-2005)
Large head
plaster
17 3/4 in. (45 cm.), high
Provenance:
A gift from the artist to the present owner.
£1,200-1,800
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SIR EDUARDO PAOLOZZI, R.A. (1924-2005)
Pair of feet, left and right
plaster
each 3 1/2 in. (9 cm.), high
(2)
Provenance:
A gift from the artist to the present owner.
£300-500
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SIR EDUARDO PAOLOZZI, R.A. (1924-2005)
Female Head
signed 'E.Paolozzi' (on the back)
plaster
7 1/2 in. (19 cm.), high
Provenance:
A gift from the artist to the present owner.
£400-600
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SIR EDUARDO PAOLOZZI, R.A. (1924-2005)
Josephie Baker
signed and inscribed
plaster with lacquered finish
12 in. (30 cm.), high
Provenance:
A gift from the artist to the present owner.
Josephine Baker (1906-1975) was an American-born French expatriate singer and dancer, cabaret artiste and movie star, Civil Rights activist and international symbol of black emancipation. She became Paolozzi's first historical female portrait. In the summer of 1948 Paolozzi wrote in a letter from Rome that he had just seen Josephine Baker. Many versions of the head of Josephine Baker were developed and the present study was given to Paolozzi's assistant as a gift when working on the sculpture later installed in Selfridges.
£1,500-2,500
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SIR EDUARDO PAOLOZZI, R.A. (1924-2005)
John Smith
signed with initials and inscribed ' J.S./E.P./SFM' (on the reverse)
segmented plaster
15 in. (38 cm.), high
Provenance:
A gift from the artist to the present owner.
£800-1,200
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SIR EDUARDO PAOLOZZI, R.A. (1924-2005)
Krokodeel
signed with initials, inscribed and dated 'EP KROKODEEL 1998' (on the base)
plaster
8 3/4 in. (22 cm.), long
Provenance:
A gift from the artist to the present owner.
£300-500
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SIR EDUARDO PAOLOZZI, R.A. (1924-2005)
Rat with whiskers; and Hare
plaster
(i) 6 1/2 in. (16 cm.), long; (ii) 8 1/2 in. (22 cm.), long
Provenance:
A gift from the artist to the present owner.
£300-500
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SIR EDUARDO PAOLOZZI, R.A. (1924-2005)
Large flayed horse
plaster
20 in. (50 cm.), high, including the base
Provenance:
A gift from the artist to the present owner.
Original plaster model for a one-off bronze produced for the owner of an Italian Restaurant patronised by Paolozzi.
£1,500-2,500
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CLIVE BARKER (B.1940)
King of diamonds
signed 'Clive Barker' (lower right)
pencil and gouache
14 x 10 in. (35.5 x 25.4 cm.)
Provenance:
Acquired directly from the artist by the present owner.
£200-400
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STANLEY WILLIAM HAYTER (1901-1988)
Untitled
signed and dated 'Hayter/30.6.46.' (lower right)
ink
21 1/4 x 28 in. (54 x 71 cm.)
£800-1,200
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SIR PETER BLAKE, R.A. (B.1932)
New ways in history - 2
signed, inscribed and dated 'New Ways in History - 2/Drawing and collage/Peter Blake JULY 1966.' (lower right)
ink, collage and white paint
17 5/8 x 12 1/2 in. (44.8 x 31.8 cm.)
Provenance:
with Robert Fraser Gallery, London.
The Collection of Mr and Mrs Lester Francis Avnet, and by descent.
Exhibited:
New York, Museum of Modern Art, on loan.
£8,000-12,000
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SIR PETER BLAKE, R.A. (B.1932)
Some of the sources of Pop Art V
signed in pencil 'Peter Blake' (in the margin, lower right), numbered in pencil '104/175' (in the margin, lower left)
screenprint in colours
Image: 20 x 20 in. (50.7 x 50.8 cm.)
£2,000-4,000
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CLIVE ARROWSMITH (B.1952)
David Hockney
signed, inscribed and dated 'David Hockney/Arrowsmith/2015' (in the margin, lower right), numbered '1/50' (on the artist's label, on the reverse)
digital print
Image: 12 x 12 in. (30.5 x 30.5 cm.)
£500-700
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SIR PETER BLAKE, R.A. (B.1932)
Some of the sources of Pop Art VI
signed in pencil 'Peter Blake' (in the margin, lower right), numbered in pencil '104/175' (in the margin, lower left)
screenprint in colours
Image: 20 x 20 in. (50.7 x 50.8 cm.)
£2,000-4,000
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SIR PETER BLAKE, R.A. (B.1932)
Summer days
signed in pencil 'Peter Blake' (in the margin, lower right), numbered in pencil '56/175' (lower left)
screenprint in colours
Image: 35 x 17 in. (88.8 x 43.2 cm.)
£1,000-2,000
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SIR PETER BLAKE, R.A. (B. 1932)
Union Flag
signed in pencil 'Peter Blake' (lower right), numbered '33/75' (lower left)
screenprint with glitter printed in colours
Image: 21 1/2 x 32 in. (55 x 82 cm.)
Printed in 2016 at Coriander Studio in an edition of 75 to celebrate the Queen's 90th birthday.
£1,200-1,800
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SIR PETER BLAKE, R.A. (B.1932)
Sgt. Pepper's Lonely Hearts Club Band Poster
signed in pen 'Peter Blake' (lower right)
35 1/2 x 23 3/4 in. (90 x 60 cm.)
£200-400
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THEO MENDEZ (1934-1997)
The Land
signed, inscribed and dated 'Theo Mendez. 1959/The Land' (lower right)
oil on board
47 1/2 x 47 1/2 in. (120.7 x 120.7 cm.)
Provenance:
The artist's estate.
Exhibited:
London, Whitfield Fine Art, Theodore Mendez: The late 1950s & early 1960s, February 2010.
Contemporary of Gillian Ayres, Terry Frost and Howard Hodgkin and Euan Uglow, Mendez studied at Camberwell School of Art. The Land was painted a few years after a successful solo show at the Redfern Gallery and a show of the artist's textile designs in the V&A.
£1,000-1,500
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HOWARD HODGKIN (1932-2017)
Blood
signed in pencil with initials, numbered and dated '23/50 HH 83' (lower centre)
colour lithograph with handcolouring in watercolour and gouache
31 x 39 3/4 in. (78.5 x 101 cm.)
Published in 1983 by the Petersburg Press.
Provenance:
with Alan Cristea Gallery, London.
Literature:
Tate Gallery, Howard Hodgkin: prints 1977-1983, London 1985, no. 41.
£2,000-4,000
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TONI SCRIVENER (B. 1944)
Blackors Hole
signed 'TonyScrivener' (lower left)
pencil and oil on card
7 x 7 1/2 in. (17.8 x 18.4 cm.)
Provenance:
with Gordon Hepworth Fine Art, Devon.
Art for life, charity sale; Christie's, 13 March 2006, lot 212, where purchased by the present owner.
£200-300
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BRYAN INGHAM (1936-1997)
Summer evening (First Study)
signed, inscribed and dated 'Summer Evening/1987 (1st study)/Bryan Ingham' (on the reverse)
oil and collage
27 1/4 x 3 in. (69.3 x 7.7 cm.)
£2,000-4,000
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LEO DAVY (1924-1987)
Figures Deconstructed
signed and dated 'Leo Davy/'56' (lower right)
oil on paper
30 1/8 x 26 5/8 in. (76.3 x 67.6 cm.)
Provenance:
The estate of the artist.
Exhibited:
London, Piano Nobile Gallery, 22 May-28 June 2014, no. 12.
£3,000-5,000
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LEO DAVY (1924-1987)
Blue abstract
signed and dated 'Leo Davy 57' (lower right)
oil on paper
29 3/4 x 21 in. (75.5 x 53.5 cm.)
Provenance:
The estate of the artist.
Their sale, Sotheby's, London, 25 March 2015, lot 239.
Exhibited:
London, Piano Nobile Gallery, 22 May-28 June 2014, no. 12.
£3,000-5,000
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