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A late 18th Century mahogany longcase clock by Atwood of Lewis, the 11ins cream painted dial with Roman and Arabic numerals, subsidiary seconds dial, oval paterae and scroll ornaments to spandrels, to the thirty hour weight driven movement striking on a gong, contained in plain case with moulded pediment and split turn columns to hood, and with raised panel to plinth base, 80.25ins high (top of pendulum broken)
Note: W. Atwood recorded working Lewes in late 18th Century £250-350 plus 24% BP*
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A 19th Century mahogany "North Country" longcase clock by Whiteley of Ripponden, the 14ins arched painted dial with Roman numerals and subsidiary seconds dial and calendar dial, the arch painted with a young lady reclining on a sofa, to the thirty hour movement striking on a bell, contained in ornate figured case with moulded scroll pediment and turned pillars to hood, shaped trunk door flanked by triple cluster columns, the base with raised astragal panel and on bracket feet, 96ins high
Note: Probably by Thomas Whiteley of Ripponden (1829-1871) known as "Tom Clock" £250-400 plus 24% BP*
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A 19th Century mahogany longcase clock, the 12ins arched painted dial with Roman numerals, subsidiary minute and seconds dial, painted floral spandrels and swan to arch, to the eight day two train movement striking on a bell, contained in mahogany case, the hood with arched and moulded cornice, with turned acorn pattern finials and fluted pillars, shaped trunk door and on plinth base with shaped apron and bracket feet, 80ins high £300-400 plus 24% BP*
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An early 19th Century oak and mahogany longcase clock by James Harper of Nottingham, the 13ins arched painted dial with Roman and Arabic numerals and with subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in oak and mahogany case with moulded scroll pediment and slender turned pillars to hood, shaped trunk door and crossbanded in mahogany, flanked by canted corners, on plinth base, 80ins high (including later brass finial)
Note: James Harper recorded working as a Clock and Watchmaker in Nottingham in 1815 £300-400 plus 24% BP*
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A 19th Century oak and mahogany longcase clock by W. & J. Southey of Leicester, the 13ins arched painted dial with domed centre, painted with Roman numerals and with subsidiary seconds dial and date aperture, the arch and spandrel painted with a romantic landscape of a castle and cottages, to the eight day two train movement striking on a bell, contained in oak case banded in figured mahogany, inlaid with star motif, the hood with moulded scroll pediment and turned pillars, shaped trunk door with canted corners, on bracket feet, 88ins high
Note: J. Southey recorded working Leicester 1849 £350-500 plus 24% BP*
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A late 18th Century oak longcase clock by Baker of Malling, the 12ins arched brass dial (formerly silvered) with chapter ring with Roman and Arabic numerals and with subsidiary seconds dial and calendar dial, to the eight day two train movement striking on a bell contained in an oak case with shaped cresting above moulded cornice and fluted canted corners, arched trunk door and on bracket feet, 82ins high (including later wooden finial)
Note: Thomas Baker record working West Malling 1768-late 18th Century, a maker of repute. £500-700 plus 24% BP*
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An 18th Century oak longcase clock by Phillips of Bromyard, the 12ins square brass dial with wide chapter ring with Roman and Arabic numerals, the engraved dial centre with subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in plain oak case, the hood with moulded cornice and blind fret frieze and slender turned pillars to hood, plain trunk door, on plinth base, 76ins high, and with copy of a book - "Herefordshire Clockmakers and Watchmakers" by Tony Branston and John Eisel, published by Mayfield Books 2005 - see Pg. 126-128
Note: John Phillips recorded working Bromyard circa 1760-1806 £500-700 plus 24% BP*
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A 19th Century figured mahogany longcase clock by Burton of Eastry, the 12ins arched painted dial with Roman and Arabic numerals and with subsidiary seconds dial and calendar aperture, the spandrels decorated with flowers and gilt, to the eight day two train movement striking on a bell, contained in figured mahogany case probably by Goulden of Canterbury, the hood with shaped cresting and brass finials and with turned and fluted pillars, arched trunk door, on shaped plinth base, 84ins high (including finials)
Note: Burton recorded working at Eastry (near Dover, Kent) circa 1820 £500-700 plus 24% BP*
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An 18th Century mahogany longcase clock by George White of Bristol, the 12ins arched brass dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon, to the eight day two train movement striking on a bell, contained in mahogany case, the hood with moulded arched top and scroll carved ornament, turned and fluted columns to sides, shaped trunk door, on plinth base with bracket feet, 85ins high
Note: George White recorded working Bristol circa 1774-1814 £500-700 plus 24% BP*
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An early 20th Century mahogany longcase clock of "Georgian" design, the 12.5ins arched brass dial with silvered chapter ring and with raised brass Arabic numerals within circular cartouches, with subsidiary seconds dial, to the eight day three train movement striking and chiming on five gongs, contained in mahogany case inlaid with boxwood stringings, with shaped and moulded cornice, shaped trunk door inlaid with figured panel and with conforming plinth base, on bracket feet, 85ins high £900-1200 plus 24% BP*
1109-1113
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