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Attributed to Robert Burrows (1810 - 1883), oil on canvas - boy and dog resting beneath a tree in extensive landscape, indistinctly signed, in gilt frame, 30cm x 25cm
£80 - 120
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Joseph Paul (1804 - 1887), oil on canvas - Norfolk landscape, in original Norwich School frame, 35cm x 47cm
£200 - 300
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Joseph Paul (1804 - 1887), oil on panel - landscape with Norwich Cathedral beyond, in gilt frame, 26cm x 36cm
£150 - 200
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John Moore of Ipswich (1820 - 1902), oil on panel - figures walking in a lane in extensive landscape with windmill beyond, signed, in oak frame, 15cm x 27.5cm
£300 - 500
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H. Bright, late 19th century oil on board - a town, believed to be an East Anglian one, signed and dated 1888, in gilt frame, 30.5cm x 35.5cm
£80 - 120
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Henry Bridgman (1831 - 1909), oil on canvas - thatched cottages in landscape, in gilt frame, 29.5cm x 24.5cm
£100 - 150
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Henry Bridgman (1831 - 1909), oil on canvas - Henny Mill and surrounding buildings, in gilt frame, 29.5cm x 44.5cm
£200 - 300
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Michael Chase (1915 - 2001), ink and watercolour - Lane to the School, signed and dated 1955, in glazed frame, label verso, 39cm x 47cm
£100 - 150
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Arthur James Stark (1831 - 1902), watercolour - St. Benets Abbey, in glazed gilt frame, 14cm x 23cm. Exhibited: Aldeburgh Fine Arts, label verso
£100 - 150
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Arthur James Stark (1831 - 1902), watercolour - Broadstairs, inscribed, in glazed gilt frame, 12cm x 17cm.
Exhibited: Aldeburgh Fine Arts, label verso
£70 - 100
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Arthur James Stark (1831 - 1902), oil on board - sea and sky, framed, 16cm x 24cm. Exhibited: Aldeburgh Fine Arts, label verso
£150 - 250
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Robert Ladbrooke (1770 - 1842), watercolour - cattle watering, in glazed gilt frame, 22cm x 32cm.
Exhibited: Flint House Art Gallery, Norwich, 1967
£150 - 250
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Martin Hardie (1875 - 1952), watercolour - Grey Day Sizewell Beach, signed and dated 1922, in glazed gilt frame, 24cm x 32cm
£100 - 150
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Thomas Churchyard (1798 - 1865), watercolour - Jessups Dock, Woodbridge, in glazed gilt frame, 10cm x 16cm
£150 - 250
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Thomas Churchyard (1798 - 1865), sepia watercolour - Trees, labels verso inscribed 'Copy of Old Crome, the original oil painting of which was in the possession of Churchyard', in glazed gilt frame, 25cm x 17cm
£200 - 300
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Patrick J. Fisher, 1970s oil on board - Harwich Buoy Yard, November, signed and dated '74, titled verso, framed, 58cm x 77cm
£150 - 200
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Henry Collins (1910 - 1994), oil on canvas - Repair Yard, Harwich, label verso, framed, 101cm x 76cm
£250 - 350
| Ronald Ronaldson (1919-2015) |
Born in Newcastle upon Tyne, Ronald Ronaldson started painting in the 1940s during his time as a Royal Navy seaman. Settling in Suffolk in 1950, he painted for leisure during a long career in the medical laboratories of West Suffolk hospital. His painting continued apace in retirement and his reputation continued to grow, exhibiting widely including in Chappel Galleries, Langham Fine Art and Gainsborough House. Ronald Rolandson's work celebrates the landscapes of his adopted home of Suffolk and follows in the rich tradition of East Anglian art.
The following works are offered from the artist's estate.
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Ronald Ronaldson (1919 - 2015), oil on board - Coastal scene with Boatyard, signed, framed, 51cm x 61cm. Exhibited: Chappel Galleries, label verso
£100 - 150
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Ronald Ronaldson (1919 - 2015), oil on board - Landscape from elevated viewpoint, framed, 47cm x 57cm.
Exhibited: Chappel Galleries, label verso
£100 - 150
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Ronald Ronaldson (1919 - 2015), oil on board - Fishing Boat leaving the Harbour, signed, framed, 48cm x 58cm. Exhibited: Chappel Galleries, label verso
£100 - 150
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Ronald Ronaldson (1919 - 2015), oil on board - Boats in the Reeds, signed, framed, 58cm x 68cm.
Exhibited: Chappel Galleries, label verso
£100 - 150
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Malcolm Root (b. 1950), oil on canvas - Bradfield Station, circa 1920s / 1930s, signed and dated 1991, framed, 60cm x 75cm
£1200 - 1800
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After John Constable, oil on board - The Leaping Horse, inscribed verso 'Copied by Warner-Allen in 1951 from a copy made by R. C. Leslie, for his father C. R. Leslie R.A. (the biographer of Constable) in 1841...', in oak frame with The Rowley Gallery Ltd. label verso, 19cm x 29cm
£80 - 120
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Allan Walton (1891 - 1948), oil on canvas - The Haystacks, in gilt frame, 76cm x 63cm
£500 - 700
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Joyce Pallott (1912 - 2004), collection of unframed works in various mediums - including botanical, mythical and geometric shapes
£100 - 150
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Manner of John Moore of Ipswich, 19th century oil on canvas - fishing boats off the coast, in gilt frame, 45cm x 60cm
£200 - 300
| Ron Sims (1944-2014) |
Ron Sims was born in Burnham-on-Crouch and initially trained at Colchester Art School, before postgraduate studies at Manchester Art School and the Royal Academy Schools, he counted John Nash, Eduardo Paolozzi, Edward Bawden, William Scott, Humprey Spender and Peter Blake amongst his various teachers during this period, the direction of Ron's work was indelibly influenced by Paolozzi, Scott and Blake, the pop art and hard edge experimentation of the 60s coloured Ron's artistic development and a highly distinctive style emerged with pared down modernist compositions, executed in rich complimentary tonal planes. During a long and successful career Ron Sims exhibited extensively at the Royal Accademy, Mall Galleries, Burlington Fine Art, The Minories, Chappel Galleries, Gainsborough House and many others. Ron taught printmaking at Colchester Art School and when created President of the Colchester Art Society he joined a select elite group of artists including John Nash, Cedric Morris and Roderic Barrett, confirmation of the high regard which fellow artists held of his works and career.
The present works are to be offered directly from the artist's estate.
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Ron Sims (b. 1944), acrylic - Young Female Model, in glazed frame, 45cm x 61cm.
Exhibited: Colchester Art Society
£200 - 300
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Ron Sims (b. 1944), acrylic - Winter Flatford Deer, in glazed frame, 51cm x 40cm.
Exhibited: Mall Galleries 2011
£150 - 250
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Ron Sims (b. 1944), oil on board - Southend Wheel, 1965, framed.
Exhibited: Visual Genetics, Human and Animal, The Minories Galleries January - March 2013 - see page 27 of the exhibition catalogue
£200 - 300
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Ron Sims (b. 1944), oil on board - War Memorial, Burnham-on-Crouch, 1965, framed, 55cm x 86cm. Exhibited: Visual Genetics, Human and Animal, The Minories Galleries January - March 2013 - see page 27 of the exhibition catalogue
£200 - 300
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Ron Sims (b. 1944), oil on canvas - African Dog, framed, 53cm x 61cm
£200 - 300
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Ron Sims (b. 1944), oil on board - The Last Supper, in glazed frame, 28cm x 26cm
£100 - 150
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Roderic Barrett (b. 1920), signed limited edition linocut - Deserted house with two jeering characters, 3 / 15, titled, signed and numbered in pencil, in glazed frame, 35cm x 53cm. Exhibited: Colchester Art Society
£200 - 300
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*Denis Wirth-Miller (1915 - 2010), oil on canvas - Buffalo in the heat, unframed, 76cm x 91cm.
Provenance: A gift from the artist to the vendor's father
£1000 - 1500
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*Denis Wirth-Miller (1915 - 2010), oil on canvas - Deserted Valley, 1970 - 71, framed, 115cm square. Exhibited: The New Art Centre, cat. no. 14, label verso, purchased by Michael Clark Esq
£2000 - 3000
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*Peter Godfrey Coker (1926 - 2004), signed limited edition lithograph - Paris, 8 / 95, in glazed frame, 78cm x 53cm, together with a framed Royal Academy Peter Coker exhibition poster (2)
£100 - 150
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Terry Jeffrey, watercolour - view of Nayland with Stoke by Nayland beyond, signed and dated 1989, in glazed gilt frame, 33cm x 61cm
£80 - 120
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Thomas Bush Hardy (1842 - 1897), watercolour - Yarmouth Fishing Boats, signed, dated 1896 and titled, in glazed gilt frame, 43cm x 72cm
£400 - 600
| Property of a Private Collector |
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Henry Davy (1793 - 1865), watercolour - The Martlesham Lion, 1852, in glazed gilt frame, 17cm x 25cm
£200 - 300
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Henry Davy (1793 - 1865), watercolour - Rushmere Vicarage, signed and dated 1851, in glazed gilt frame, 16cm x 27cm
£200 - 300
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Henry Davy (1793 - 1865), watercolour - The Red House, Witnesham, signed and dated 1858, in glazed gilt frame, 22cm x 33cm
£200 - 300
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George James Rowe (1810 - 1883), pair watercolours - The Fynn near Great Bealings, initialled, 1849 and Near The Skee Bridge, Great Bealings, 1849, in glazed gilt frames, 14cm x 19cm and 20cm x 15.5cm
£100 - 150
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Roderic Barrett (b. 1920), pencil portrait of a gentleman, signed and dated 1939?, in glazed frame, 33cm x 22cm
£100 - 200
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Henry William Bunbury (1750 - 1811), ink and watercolour - The Forge, signed and dated '84, in glazed gilt frame, 22cm x 17cm
£80 - 120
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George James Rowe (1810 - 1883), oil on panel - view from Stratford Bridge, Dedham, signed and inscribed verso, in gilt frame, 12.5cm x 17cm
£150 - 250
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Early 19th century East Anglian School oil on panel - The Red Barn, Polstead, inscribed verso, in ebonised frame, 10.5cm x 14cm
£80 - 120
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Thomas Churchyard (1798 - 1865), oil on canvas laid on panel - boats at low tide, inscribed Emma and Kate verso, unframed, 11.5cm x 14cm
£200 - 300
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Thomas Churchyard (1798 - 1865), oil on panel - thatched farmhouse and buildings, unframed, 9.5cm x 16.5cm
£200 - 300
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Thomas Churchyard (1798 - 1865), oil on board - landscape, a further landscape verso, unframed, 11.5cm x 15cm
£150 - 200
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Thomas Churchyard (1798 - 1865), oil on panel - Aldeburgh, signed and inscribed verso, 12cm x 15.5cm
£100 - 200
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