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A pair of modern silver plated electric table lamps of candlestick form, with shades, 24ins high overall (some wear to plate) £100-120 plus 24% BP* |
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A pair of Italian glass framed wall mirrors of shaped outline, with clear class moulded flowers and rope twist to borders, the plates with cut decoration, 24ins x 12ins, and a similar mirror with moulded flowers and C-scrolls, 19ins x 12ins (some loss and damage) £120-160 plus 24% BP*
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A pair of 19th Century gilt framed oval girandoles with oval boss and leaf scroll carved crestings and conforming aprons, the frames moulded and carved with oval boss, bead and strapwork ornament, each with three scroll branches and inset with later bevelled mirror panels, 36ins x 21ins overall £250-350 plus 24% BP*
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A late 19th Century carved oak framed rectangular wall mirror with bold leaf scroll carved frame and inset with bevelled mirror panel, 32ins x 24ins overall £100-150 plus 24% BP*
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A 19th Century mahogany framed rectangular wall mirror with shaped cresting and gilt inner slip, inset with plain mirror panel, 37.5ins x 23ins overall (lacking lower side brackets and apron), a similar mirror with shaped cresting and apron, inlaid with oval shell motif and inset with bevelled mirror panel, 32ins x 20ins overall, and one other similar smaller mirror, 26.5ins x 14.25ins (both with slight damage) £200-300 plus 24% BP*
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Francois Godebski (fl. 1960-1997) - Resin - Pyramid, signed and dated 12.1971, 5.75ins square x 6.25ins high £150-200 plus 24% BP*
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Betty Shadwell - Three plaster relief panels - "Relief No. 8", dated 1975, 25.25ins x 8ins, "Relief No. 10", dated 1976, 25ins x 8.25ins, and one other, 26ins x 8.75ins, all with ink inscribed paper labels to verso and ink signatures and dates to verso, in painted and hessian covered frames £150-200 plus 24% BP*
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David Spielman (born 1944) - Wood carving - Organic form, on ebonised base, 14ins high, signed to base £120-160 plus 24% BP*
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A late 19th Century spelter figure - "Arion", after Louis Moreau, the classical figure with lyre and supporting a light fitting to his right hand, 37ins high, signed (repair to right arm) £250-300 plus 24% BP*
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A 19th Century French cream veined alabaster and brass mounted square pedestal, on cylindrical column with Corinthian pattern capital and square stepped base with bracket feet, 11ins square x 41.25ins high (chipped) £150-200 plus 24% BP*
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A late 19th Century French carriage clock retailed by Clerke, 1 Royal Exchange, London, the white enamel dial with Roman and Arabic numerals, to the eight day two train movement striking, repeating striking on a gong and with alarum, contained in gilt brass and bevelled glass rectangular case with bobbin turned pillars to corners and moulded base, on turned feet, 6.75ins high (with later escapement) £400-600 plus 24% BP*
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A late 19th/early 20th Century French carriage clock, No. 206, the white enamel dial with Roman numerals and inscribed with retailers name "W.H. Oswin" of Paris, to the eight day two train movement striking on a gong, contained in brass and bevelled glass rectangular case of plain form, 6.25ins high (top and top bevelled glass panel loose and lacking key), and one other 20th Century French carriage clock, the white enamel dial with Roman numerals, to the eight day two train movement striking and repeating on a gong, contained in lacquered brass and bevelled glass rectangular case, 4.75ins high (front bevelled glass panel loose and generally in need of restoration - lacking winding key), and leather travelling case for same £200-300 plus 24% BP*
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A late 19th Century French miniature carriage timepiece with alarum, the white enamel dial with Roman numerals, to the eight day single train movement, alarum bell to base, contained in gilt brass and bevelled glass rectangular case of Corniche pattern, with shaped folding handle, 4ins high, and an associated red leather covered travelling case (dial a little discoloured and cracked and travelling case not original) and a late 19th Century French carriage clock, the white enamel dial with Roman numerals, to the eight day two train movement striking on a gong, contained in gilt brass and bevelled glass rectangular case of Corniche pattern, 5ins high (lacking winding key) £100-150 plus 24% BP*
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A Le Coultre chrome metal cased travelling timepiece, patent No. 365884, the cream enamelled dial with gilt Arabic numerals and subsidiary date aperture, to the eight day Swiss movement, 2.125ins x 1.875ins overall, contained in brown crocodile leather covered case stamped with patent No. 28027 (initialled "G.M" in gilt to cover), and a late 19th/early 20th Century gilt metal cased desk timepiece by The Doxa Watch Manufactory, No. 104085, the 1.625ins diameter silvered chapter ring with Arabic numerals, the dial painted with tree lined river landscape, to the eight day Swiss movement, contained in red slip and gilt metal easel pattern case, 4ins high £150-200 plus 24% BP*
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A 19th Century brass framed skeleton style mantel timepiece, the 3.5ins diameter white enamel dial with Roman numerals (damaged and repaired), to the eight day single train movement, on shaped twin brass supports, 7ins high, mounted on ebonised oval base and with glass oval dome for same, 9.25ins high overall, with spare glass dome for same £100-150 plus 24% BP*
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An early 20th Century French brass and bevelled glass cased oval "Four Glass" mantel clock, No. 165752, the 3.5ins diameter white enamel dial with Arabic numerals and painted with floral swags, to the eight day two train movement with mercury compensated pendulum striking on a gong, contained in case with moulded top and base, 11.75ins high £400-500 plus 24% BP*
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A 19th Century French ormolu and porcelain mounted mantel clock by Vincenti & Cie, No. 1281, the 3.25ins diameter silvered dial with Arabic numerals within cast gilt circular slip, to the eight day two train movement striking on a gong, contained in ormolu case inset with porcelain panels painted with a young couple in a rowing boat and landscape scene with chateaux, the domed top with turned and feather pattern finials and with Corinthian columns to corners, on shaped apron and bracket feet, 13.25ins high £600-800 plus 24% BP*
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A good early 19th Century rosewood cased mantel clock of small proportions, by Richard Ganthony, 83 Cheapside, London, the silvered dial with Roman numerals, to the eight day two train chain and fusee movement striking on a gong, contained in rosewood case of Gothic design, with brass inlaid twin pinnacles and bronzed metal quadruple cluster columns to front, 9.5ins high (front glazed door replaced with perspex - one finial loose and in need of some restoration)
Note: Richard Pinfold Ganthony (son of Richard Ganthony) recorded working Cheapside 1821, Master of The Clock Makers Company, and died 1845 £1500-2000 plus 24% BP*
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An early 20th Century French rosewood cased mantel clock by Vincenti & Cie, No. 14050 58, the 4.75ins diameter white enamel domed dial with Roman and Arabic numerals, to the eight day movement striking on a gong, contained in two-handled lancet pattern case inlaid with stringings and oval fan motif, on bracket feet, 12ins high £200-300 plus 24% BP*
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A late 19th Century Continental walnut cased "Cuckoo" clock, the 6ins diameter painted metal dial with Roman numerals, to the wooden framed movement operating two bellows and cuckoo, contained in case with arched and moulded top, 15ins high £100-150 plus 24% BP*
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A mid-Victorian mahogany mantel clock by Sellman of St Leonard's, the 7.5ins diameter silvered dial with Roman numerals, to the eight day two train movement with heavy brass plates striking on a gong, contained in figured mahogany case with shaped outline, the front with applied carved leaf paterae and leaf scroll ornament, on rectangular plinth base, 19.25ins high
Note: Aaron Sellman recorded working St Leonard's 1851-1878 £350-500 plus 24% BP*
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A Victorian walnut cased mantel clock by John Walker, 203 Regent Street, London, the 18ins arched silvered dial with Roman numerals and with chime/silent dial and regulation dial to arch, to the eight day three train chain and fusee movement striking and chiming on eight bells and a gong, contained in walnut rectangular case with moulded cornice, plain arched glazed door and cant corners, fretted side panels and on plinth base, 21ins high (suspension to pendulum damaged) £700-900 plus 24% BP*
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An early 18th Century French red tortoiseshell and Boulle mantel clock of Louis XIV design with 19th Century movement by Vincenti & Cie, No. 2566, the 8.5ins diameter gilt brass dial with raised and blue and white enamel numeral cartouches with Roman numerals, to the eight day two train movement striking on a bell, contained in case with shaped top, surmounted by a cast gilt brass figure of an angel playing a trumpet, with flambeau finials, the base with dragon and scroll pattern feet, 33ins high (some Boulle missing in places and in need of restoration) £1500-2000 plus 24% BP*
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A 20th Century brass cased bulkhead wall clock, the 12ins diameter painted metal 24 hour dial with Arabic numerals, to the eight day movement, contained in brass cylindrical case with cast brass bezel inset with bevel glass face and flanged rear, 14.75ins diameter, 4.25ins deep £150-200 plus 24% BP*
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A late 19th Century Continental walnut cased "Vienna Regulator", the 7ins diameter cream enamel dial with Roman numerals and subsidiary seconds dial, to the eight day single train weight driven movement with single brass weight, wooden pendulum rod with brass bob, contained in walnut case with moulded cornice, enclosed by glazed panelled door and with shaped apron, 48ins high £120-160 plus 24% BP*
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A mahogany cased tavern clock, the 14ins diameter painted metal dial with Roman numerals and subsidiary seconds dial, containing 19th Century chain and fusee two train movement with heavy brass plates striking on a bell, the pendulum rod with heavy brass bob and heavy single weight, contained in modern mahogany case with wide turned bezel, the rectangular trunk with shaped door inset with circular glass lenticle and with chisel base, 61ins high £350-450 plus 24% BP*
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An 18th Century oak longcase clock by Thomas Wolley of Charing, the 12ins square brass dial with wide chapter ring with Roman and Arabic numerals, matted dial centre with inset seconds hands and date aperture, to the eight day two train five pillar movement striking on a bell, contained in plain oak case with heavy moulded overhanging cornice and plain turned pillars to hood, trunk door inlaid with herringbone banding and on plinth base, 81ins high (including gilt finials)
Note: Thomas Woolley of Charing (near Ashford, Kent) recorded working circa 1750 £600-800 plus 24% BP*
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An early 19th Century mahogany longcase clock by Jefferys of Canterbury, the 12ins arched painted dial with Roman numerals, subsidiary seconds and calendar dials to the eight day two train movement striking on a bell, contained in a mahogany case, probably made by Goulden of Canterbury, the shaped cresting above arched and moulded cornice, and with turned and fluted pillars to hood, shaped trunk door, the plinth base with moulded panel and on shaped bracket feet, 86ins high (including gilded wood finials)
Note: James Jefferys recorded working in Canterbury in 1823-1865 £600-800 plus 24% BP*
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A 19th Century figured mahogany longcase clock by Burton of Eastry, the 12ins arched painted dial with Roman and Arabic numerals and with subsidiary seconds dial and calendar aperture, the spandrels decorated with flowers and gilt, to the eight day two train movement striking on a bell, contained in figured mahogany case probably by Goulden of Canterbury, the hood with shaped cresting and brass finials and with turned and fluted pillars, arched trunk door, on shaped plinth base, 84ins high (including finials)
Note: Burton recorded working at Eastry (near Dover, Kent) circa 1820 £750-1000 plus 24% BP*
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An 18th Century oak longcase clock, the 11ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre engraved with three birds, to the thirty hour brass framed movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, plain trunk door, the base with raised panel and on bracket feet, 85.5ins high £250-350 plus 24% BP*
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An 18th Century oak longcase clock by John Snelling of Alton, the 12ins square brass dial with wide chapter ring with Roman and Arabic numerals, engraved dial centre with subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in plain oak case with moulded caddy top, blind fret frieze and with plain turned pillars to hood, plain trunk door, 83ins high (dial loose from movement and in need of restoration - case also in need of restoration with loose side moulding and trunk and split plinth)
Note: John Snelling recorded working as a Clock and Watchmaker in Alton, Hampshire 1761-1795
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A late 18th Century oak and mahogany banded longcase clock by Peter Walker of London, the 12ins square brass dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, with matted dial centre, to the eight day single train movement (other train missing), contained in oak and mahogany case with scroll pediment, above moulded and dentil cornice and with turned and fluted pillars to hood, shaped trunk door flanked by fluted quarter columns, the base with raised astragal panel and on bracket feet, 88.5ins high (movement altered and case associated) £200-300 plus 24% BP*
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An 18th Century oak longcase clock by John Day of Wakefield, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the silvered dial centre engraved with leaf scroll ornament, inset with aperture showing phases of the moon above calendar aperture, to the eight day two train movement striking on a bell, contained in oak case, the hood with shaped pediment and three later brass finials and plain pillars, plain trunk door, on plinth base, 94ins high (including finials)
Note: John Day recorded working in Wakefield, Yorkshire - Born 1729 - Died 1801 £800-1200 plus 24% BP*
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A 19th Century "Scottish" oak longcase clock by Brysons of Edinburgh, the 13ins diameter silvered dial with Roman and Arabic numerals, subsidiary minute and seconds dial to the eight day two train movement striking on a bell, with additional chiming mechanism striking and chiming on four bells, contained in oak and mahogany case with scroll pediment, plain turned pillars to hood and on ogee bracket feet, 84ins high £250-350 plus 24% BP*
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A walnut longcase clock containing 18th Century movement by Robert Grinling of Yarmouth, the 11ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, matted dial centre, to the eight day two train movement striking on a bell, contained in associated modern walnut case with moulded top and plain narrow pillars to hood, trunk door veneered in five figured walnut panels and banded, 84ins high
Note: Robert Grinling recorded working in Yarmouth and dated 1790 £300-400 plus 24% BP*
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An early 20th Century Continental dark oak longcase clock, the 10.5ins diameter embossed brass dial with Arabic numerals to the eight day two train movement striking on four gongs, wooden pendulum rod with brass bob and two brass cased weights, in dark oak case with slightly arched and moulded cornice and with full length glazed door inset with bevelled glass panel, 85ins high £100-150 plus 24% BP*
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A late 19th Century "Black Oak" longcase clock, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and two dials to arch - Chime/Silent and Cambridge chime/Westminster chime - to the eight day three train movement striking and chiming on eight bells and four gongs, contained in imposing "Black Oak" case, the whole boldly carved with scroll, leaf, floral and ribbon ornament, with carved curved cresting, the trunk front and sides boldly carved with three poses of flowers, the base panel carved with lions mask, on plinth support, 96ins high
Note: The gift of William Vansittart Bowater to his wife Eliza Jane Bowater (married 1860) £1000-1500 plus 24% BP*
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A Kashan silk rug woven in colours with a bold central lozenge-shaped medallion and conforming spandrels, filled with trailing leaf and palmette ornament, field filled with palmettes and trailing leaf and floral ornament, on a red ground, within seven stripe borders filled with conforming palmettes and trailing leaf ornament, 52ins x 54ins £400-600 plus 24% BP*
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A modern Turkmen silk rug, the centre with bold cross motif filled with geometric motifs, field filled with hooked motifs, on an off white ground, within multi striped borders filled with stylized geometric motifs, 69ins x 45ins £250-350 plus 24% BP*
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A Bidjar rug woven in colours with a central medallion and conforming spandrels, filled with stylised floral ornament, filled with conforming ornament, on a dark red ground, within five stripe borders filled with medallions and trailing floral ornament, 96ins x 52ins £250-350 plus 24% BP*
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A Tabriz rug woven in colours with bold palmettes and trailing floral ornament, on old gold ground, within stripe borders filled with trailing floral ornament, 55ins x 32ins £150-200 plus 24% BP*
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An Indian rug of "Persian" pattern, woven in colours with five floral filled ovoid medallions, field filled with stylised leaf ornament, on an ivory ground, within floral filled five stripe borders, 74ins x 50ins, and a Pakistan "Bokhara" cut rug woven in colours, two rows each of twelve hexagonal medallions, interspersed by lozenge medallions, on an ivory ground, within multi-stripe border, 72ins x 50ins £100-150 plus 24% BP*
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A Senneh rug woven in colours with a central pole medallion and floral field filled within hexagonal stepped opening, on a dark wine field, the spandrels filled with floral and stylised serrated motifs, on a blue ground, within five striped borders, 85ins x 56ins (holed, worn and pile low in places) £150-200 plus 24% BP*
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A North West Persian rug woven in colours with a central floral filled medallion, on a floral filled field and navy blue ground, conforming spandrels, within four stripe borders, 85ins x 56ins £150-200 plus 24% BP*
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A Hamadan rug woven in dark colours with cross pattern centre medallion, within Herati design, on a dark wine border, within six stripe borders filled with trailing motifs, 81ins x 54ins £150-200 plus 24% BP*
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