|
A George IV antique sterling silver candlestick, Sheffield 1827 by William Watson & Thomas Bradbury
The column embellished with foliate scroll decoration, upon a weighted circular base with scroll decoration, removable sconce with similar decoration.
Height-25.5cm / 10 inches
£150-200 *plus fees
|
|
|
A late Victorian antique sterling silver table cigar lighter, Birmingham 1896 by A & J Zimmerman
Of spherical form with screw affixed top modelled as a flame, inscribed 'To H T from W.A.L.F & M.C.P 5th April 1899', weighted.
Height-10 cm / 4 inches
Weight-322 grams / 10.35 ozt
£100-150 *plus fees
|
|
|
A large George V antique sterling silver capstan inkwell, Birmingham 1917, A & J Zimmerman Ltd
Of conventional form, the base rim with depressed sections acting as a pen supports.
Diameter-8 inches / 20 cm
£150-250 *plus fees
|
|
|
A Victorian antique sterling silver goblet, Birmingham 1879 by George Unite
Decorated over all with embossed decoration of fruit bunches and C scrolls, the base of the globlet lightly gadrooned, the central with central knop and embossed decoration to the base.
Height-22 cm / 8.6 inches
Weight-255 grams / 8.2 ozt
£180-240 *plus fees
|
|
|
Three antique sterling silver Jewish Kiddush cups, the large Birmingham 1912
Of typical form, with tool engraved liner decoration, makers mark obscured. Together with two smaller examples similarly decorated, Birmingham 1907 by Jacob Fenigstein.
Height-16.6 cm / 6.5 inches (tallest)
10 cm / 4 inches (shorter)
Weight-239 grams / 7.68 ozt
£100-150 *plus fees
|
|
|
A mixed group of antique sterling silver including a George III wine funnel
The wine funnel with removable strainer and muslin ring, initialled WJM, marks worn London probably 1772. Together with an embossed decorated late Victorian silver half pint mug, London 1890 by John Aldwinckle & Thomas Slater, and a George V shaped salver on three knurled feet, with inscription, Chester 1930 by S Blanckensee & Sons Ltd. (3)
Salver diameter-25.5 cm / 10 inches
Wine funnel height-9.5 cm / 3.75 inches
Total weight-832 grams / 26.75 ozt
£300-400 *plus fees
|
|
|
An Edwardian antique novelty sterling silver mounted whiskey jug / decanter, Sheffield 1903 by Walker and Hall
The body of straight panelled form with Whiskey in engraved script, the silver mounted collar with pouring lip and shaped everted rim, with a silver plated WMF stopper.
Height-23 cm / 9 inches
£250-350 *plus fees
|
|
|
A pair of Edwardian "Kuttrolf" type glass silver-mounted glass decanters, London 1903, by Heath & Middleton
With flared silver collars and faceted lid.
Height <\!a> 29 cm
£200-300 *plus fees
|
|
|
Stuart Devlin-A pair of modern silver gilt novelty eggs, London 1972/3
One with chased textured exterior, revealing a clown's head on spring to interior, London 1972 Number 129, the other with plain burnished exterior, opening to reveal a seated figure on wooden floor with a pie, London 1973 number 29.
Height-7.5 cm / 2.95 inches
Combined weight-326 grams / 10.48 ozt
£300-400 *plus fees
|
|
|
An antique George IV sterling silver goblet, London 1827 by William Collins or William Chawner II
Of globular form with a fluted mid-section, upon a single pedestal circular foot.
Height-14 cm / 5.5 inches
Weight-227 grams / 7.3 ozt
£350-400 *plus fees
|
|
|
A Victorian antique sterling silver four light candelabra, London 1899 by C F Hancock & Co
With shaped octagonal column upon a shaped weighted base, the central section with capitals and drip pans held on twisted arms, each with removal sconces.
Height-39 cm / 15.5 inches
£700-900 *plus fees
|
|
|
Omar Ramsden-An antique arts and crafts pair of sterling silver pin dishes in presentation case, London 1937
Each of circular form upon ring foot, the turned over rim with pinched sections, the body planished with a central boss modelled as a Tudor rose surrounded with a rope twist enhanced with red enamel work. Engraved underneath 'Omar Ramsden Me Fecit' in a fitted original wooden case marked to the lining Omar Ramsden Artist Goldsmith London, England.
Diameter <\!a> 11 cm / 4.4 inches
Weight-152 grams / 4.89 ozt
£600-800 *plus fees
Provenance-the gift of Mr and Mrs Sydney Parks thence by descent. Parkes, later knighted, was Director Chief General Manager of Lloyds Bank, Chairman of the National Bank of New Zealand and Crosse & Blackwell.
|
|
|
An Edwardian sterling silver inkwell, London 1905, by the Goldsmiths & Silversmiths Co Ltd
Of circular form, with gadrooned rim and hinged cover, on a disc base, fitted with a glass bottle
Weight <\!a> 195 grams / 6.27 ozt
Diameter <\!a> 11 cm / 4.2 inches
£150-250 *plus fees
|
|
|
An antique George V sterling silver water or cordial jug, London 1916, by Goldsmiths & Silversmiths
Of bellied form with flat lid and sparrow beak lip, the strap handle terminating in a scroll thumbpiece, marked underneath.
Height-14 cm / 5.5 inches
Weight-587 grams / 18.87 ozt
£300-500 *plus fees
|
|
|
A George V antique sterling silver fruit stand / bowl, London 1910 by Goldsmiths & Silversmiths
Of panelled font form, the dodecagonal bowl with everted lip seated upon on a similarly formed standing central foot.
Height-15.75 cm / 6.25 inches
Diameter-17.5 cm / 6.8 inches
Weight-744 grams / 23.92 ozt
£250-350 *plus fees
| Art Deco Excellence | |
|
|
Charles Boyton-An impressive Art Deco sterling silver twin handled tray / salver, London 1938
The circular tray form with stepped geometric handles mounted with thick ivory block similarly of stepped curved form, enhanced with inlaid silver thumb grips. The silver with a planished surface, the tray set on four curved block feet, hallmarked to the reverse with facsimile signature.
Length-45 cm / 17.75 inches
Weight <\!a> 1806 grams / 58.06425 ozt
£5000-7000 *plus fees
Subject to Cites
The firm of Charles Boyton has its route going back to 1809 producing general table silver of all kinds, the firm closed in 1933 when the then director Charles Boyton set up his own firm in Marylebone Lane. The pieces produced by him largely have a strong art deco design, utilising curved as well as geometric forms. His facsimile signature is known upon silver pieces from 1930 until 1947 when operations ceased.Boyton is particularly noted for several art deco tea sets.
For a similar smaller tray, without ivory handles see Bonhams, Knightsbridge, 28/11/2012 Lot 185
| Women Silversmiths
from the 18th century to present day | |
Eliza Godfrey | |
|
|
Elizabeth Godfrey-An impressive set of twelve George II antique sterling silver dinner plates, London 1741
Each of decagonal rounded from with gradrooned border highlighted with acanthus motifs, each engraved with the coat of arms comprising a baron's coronet surmounting griffins flanking a shield azure, three crescents on each an ermine spot sable, with motto 'Servata fides cineri' (Faithful to the memory of my ancestors) for the Ryder Family, Baron (now Earl) of Harrowby, county Lincoln. Each distinctly hallmarked to the reverse and with scratch weights.
Diameter-24.5 cm / 9.6 inches
Weight-6850 grams / 220.23 ozt
£16,000-18,000 *plus fees
These plates once belonged to either first Baron Harrowby, created in 1776 for Nathanial Ryder (3 July 1735-20 June 1803) or second Baron Harrowby, created Earl Harrowby in 1809, Dudley Ryder (22 December 1762-26 December 1847).
Nathanial Ryder was the son of Sir Dudley Ryder, Lord Chief Justice of the King's Bench from 1754 to 1756, he married Elizabeth Terrick, daughter of the Right Reverend Richard Terrick, Bishop of London, in 1762. Their other children; Richard Ryder was Home Secretary between 1809 and 1812 and their youngest son, Henry Ryder, became Bishop of Gloucester (from 1815 to 1824) and Bishop of Lichfield (1824 to 1836).
Dudley Ryder, Second Baron, was a prominent English politician, married Lady Susanna Leveson-Gower, daughter of the first Marquess of Stafford, in 1795. In 1804 he was Secretary of State for Foreign Affairs, after previously being joint Paymaster of the Forces as Vice-President of the Board of Trade before ascending to the barony in June 1803. In 1827, Earl Harrowby declined George IV the role of Prime Minister upon the death of George Canning. Earl Harrowby contributed to the Reform Bill of 1832 and was in favour of the Slavery Abolition Act of 1833.
The family seat is Sandon Hall, near Stafford, Staffordshire, the Earlship continues with the present 8th Earl.
Elizabeth Godfrey
Also known as Eliza Godfrey, she is regarded as the most prominent woman goldsmith from the 18th century. Born into a silversmithing family, and widowed twice in her lifetime she went on to gain Royal Patronage and developed a style superior to others. Born Elizabeth Pantin, to Simon Panin a notable Huguenot silversmith, she is believed to have learned the trade in her father's workshops, which were run by her mother Mary Pantin in 1733 following the death of her brother Simon II. She married Abraham Buteux on Feb 11 1720, who upon his presumed death she registered her first mark as Elizabeth Buteux on Nov 15 1731. She carried on this business until her marriage to her journey man Benjamin Godfrey on October 3 1732. Therefore, her mark as Elizabeth Buteux is exhaustively rare having been used little over a year.
Her mark as Elizabeth Godfrey was registered on June 29th 1741, presumably upon the death of Benjamin Godfrey. Her last recorded activity is in 1758 which may denote retirement or death. The quality of work bearing her marks attests to the status of her patrons, most notably H.R.H the Duke of Cumberland as stated on her trade card (previous page). Godfrey's work reflects the height of rococo design which swept through the British Isles in the 1730s and 40s.
| Elizabeth Jones | |
|
|
Elizabeth Jones-A scarce pair of antique sterling silver chambersticks, London 1783
Each with circular bases, and a removable sconce, the handle with fluted decoration leading to a detachable conical snuffer. Beaded rims and decoration throughout, both the base and snuffer with contemporary initials SF. Fully marked underneath, the snuffers with maker's mark and lion passant, the removable sconce with makers mark only.
Length inc handle-16 cm / 16.5 inches
Height-11 cm / 4.25 inches
Weight-474 grams / 15.24 ozt
£600-800 *plus fees
Elizabeth Jones registered her mark on January 15th 1783 of Bartholomew Close, she is believed to be the widow of Robert Jones. She specialised in the production of waiters and trays, although others are known a pair of chambersticks are rare by her. A waiter with the very rare duty drawback mark is known by her (The Arthur Holder Collection, Wooley and Wallis 25/10/16 lot 383) showing that the business sold abroad. A tray is shown in the collection of The National Museum of Women in the Arts, see Women Silversmiths 1685 -1845' P49.
| Dorothy Langlands | |
|
|
Dorothy Langlands <\!a> A rare antique provincial sterling silver mint sauce boat, Newcastle circa 1810
Of conventional plain form with a thick C shaped handle. Some gilding to the interior, marked next to the handle no date letter.
Length-13.5cm / 5.25 inches
56 grams / 1.8 ozt
£150-250 *plus fees
Dorothy Langlands, maiden name Dorothy Storey of Soho, London, was the widow of John Langlands II, her mark is found circa 1804-1814. Her mother-in-law, Margret Langlands similarly ran the family firm in partnership with John Robertson (I) from 1793-95. His widow, Anne Robertson also ran their firm between 1801-14. The Langlands business consisted of two distinct areas, the retailing side and manufacturing.
| Anne Smith & Nathaniel Appleton | |
|
|
Anne Smith & Nathaniel Appleton-A pair of George III antique sterling silver salts, London 1780/81
Of cauldron form, on three legs with stepped hoof feet and stepped knees, traces of gliding to interior.
Diameter-6.5 cm / 2.5 inches
Weight-82 grams / 2.64 ozt
£80-120 *plus fees
Anne Smith registered her mark with partner Nathanial Appleton on July 26th 1771, her marital status at the time is not known. Located on Aldgate Street the partnership appears to have produced only salts and cream jugs. She took out an insurance policy on her premises and stock as a silversmith. For a set of four salts in the collection of The National Museum of Women in the Arts, see Women Silversmiths 1685-1845' P87.
| Rebecca Emes & Edward Barnard | |
|
|
Rebecca Emes & Edward Barnard-An antique George III sterling silver mustard pot, London 1816
Of cylindrical form with gadrooned rim, 'C' scroll handle and disc thumbpiece, the lid engraved with a coat of arms with a blue glass liner.
Length-10.5 cm / 4.1 inches
Weight-124 grams / 3.99 ozt
£250-350 *plus fees
|
|
|
Rebecca Emes & Edward Barnard-A George IV antique sterling silver mustard pot, London 1820
Of cauldron form upon a pedestal foot with, the acanthus scroll handle with a moustached warrior head terminal, the shallow domed lid with shell thumbpiece and berry amongst leaves finial. Decorated throughout with trailing flowers and c scrolls against a stippled ground. The front cartouche with the crest of a crowned lions head erased to sinister. Gilt interior also with a blue glass liner.
Height-9.5 cm / 3.75 inches
Length-12 cm / 4.75 inches
Weight-178 grams / 5.7 inches
£300-400 *plus fees
Rebecca Emes and Edward Barnard, registered their mark on October 14th 1808. She was widow of John Emes, her first mark was registered with her presumed brother-in-law William Emes and used only between 30 June to 14 October 1808. Edward Barnard was her husband's main journeyman, their workshop was one of the largest of the period suppling retailers such as the firm of Rundell, Bridge & Rundell and Cattle & Barber of York. Rebecca Emes is presumed dead or retired from 1829 where upon Edward Barnard registered his own mark with his two sons on Feb 25th.
| Elizabeth Cook | |
|
|
Elizabeth Cooke or Ebenezer Coker-A pair of early George III antique sterling silver waiters, London 1765
Each of shaped undulating gadroon and shell border, upon three paw feet, each with a crest to the centre of crowned lions head erased to sinister flanked by ostrich plumes, marked underneath.
Diameter-17.5 cm / 6.9 inches
Weight-488 grams / 15.69 ozt
£600-800 *plus fees
The mark of a Roman EC with a pellet between is one of some debate on the topic of attribution. Elizabeth Cooke of Foster Lane (Grimwade p.470) registered her mark on January 24 1764, after the death of her husband Samuel Cooke (not Thomas Cooke II). Ebenezer Coker registered his first mark in March 1738 a Roman EC without pellet, another mark in cursive script was registered in June 1739 and again in May 1745.
The E.C mark has been noted on candlesticks and waiters prior to 1763, Cooke's first mark being registered during the use of the 1763 date letter. A salver with a near identical border and the E.C makers mark was offered in these rooms, then attributed to Coker, on 20/9/16 Lot 96. Phillipa Glanvillle writes of the 1767 waiter with this mark in the collection of The National Museum of Women in the Arts as by Elizabeth Cooke, Women Silversmiths 1685-1845 page 34 and 164. Elizabeth Cooke was known to be alive on 23rd September 1773 mentioned as the main beneficiary of the will of Edward Cooke, her brother in law.
| Elizabeth Tookey | |
|
|
Elizabeth Tookey-An early George III antique sterling silver basting spoon, London 1768
Of Hanoverian pattern with an extended drop, initialled to the reverse MAW in cursive script, stem marked with excellent hallmarks.
Length <\!a> 27.5 cm / 10.75 inches
Weight-102 grams / 3.28 ozt
£150-200 *plus fees
Elizabeth Tookey, active 1768-1774 of Silver Street, is the widow of James Tookey and presumably the mother of Thomas Tookey. The Tookey family were prolific spoon makers. She registered two marks.
| Elizabeth Eaton | |
|
|
Elizabeth Eaton-An antique Victorian sterling silver basting spoon, London 1847
Of fiddle pattern, virginal.
Length-31 cm / 12.1 inches
Weight-146 grams / 4.69 ozt
£80-120 *plus fees
Elizabeth Eaton registered her mark in Dec 1845 of Jewin Crescent, Aldersgate, the widow of William Eaton. She registered a second mark in 1854 with her son, John Eaton. The Eatons were a large manufacturing firm of flatware much like the Chawners, see Mary Chawner.
| Louisa Courtauld & George Cowles | |
|
|
Louisa Courtauld & George Cowles-A fine antique George III sterling silver coffee pot, London 1774
Of tall baluster form, the lid with wrythen finial and gadrooned edge. The spout with case escalloped base and acanthus terminal. Wooden handle and circular pedestal base with gadrooned decoration. Crested with an arm brandishing an arrow to sinister.
Height-29 cm / 11.5 inches
Weight total-995 grams / 31.95 ozt
£1200-1600 *plus fees
Crest for the Armsworthy family and others
Louisa Perina Courtauld, maiden name Ogier, the husband of Samuel Courtauld (I) registered her first mark c.1765, a second mark was entered with partner George Cowles c.1768. She registered a second mark on 16th October 1777 with her son Samuel Courtauld II. She died on the January 12th 1807.
| Hester Bateman | |
|
|
Hester Bateman-A George III very large antique sterling salver on four ball and claw feet, London 1781
Of circular form with a cavetto edge and beaded rim, the centre engraved with a monogram of C L in script within a line and dot circle.
Diameter-45.7cm / 18 inches
Height-5 cm / 2 inches
Weight-2208 grams / 71 ozt
£4000-6000 *plus fees
Hester Bateman (1708-1794) is the most well-known of all women within silver, with the Bateman workshop covering a board area of objects. Formerly Hester Neden married to John Batman in May 20th 1732, where upon his death in 1760 she took ahold of the workshops registering her first mark on April 16th 1761.
Hester Bateman (1708-1794) is the most well-known of all women within silver, with the Bateman workshop covering a board area of objects. Formerly Hester Neden married to John Batman on May 20th 1732, a 'chain-maker', where upon his death in 1760 she took hold of the workshops registering her first mark on April 16th 1761. Although Hester or 'ester' as known to her family was illiterate as seen in the often-cited register entry for her mark showing a naively initialled H and B in place of a signature, the business grew greatly. The Bateman business through her entire family became one of the great success stories of the 18th century. Her daughter-in-law Anne Bateman registered marks with her sons Peter and William Bateman, her granddaughter Sarah Clarke, married her apprentice Crispin Fuller and registered her mark April 22nd 1765.
A similar circular salver with beaded edge is shown in the collection of The National Museum of Women in the Arts, see Women Silversmiths 1685 -1845' P49. For further reading see Hester Bateman-Queen of English Silversmiths by David S. Shure (1959)
|
|
|
Hester Bateman-An antique sterling silver nutmeg grater, circa 1780-90
Of oval form with internal grill, one cap with bright cut decoration and a vacant cartouche, the bottom with hinged lid. Interiors of both lids marked with marker mark only.
Length-4.5 cm / 1.75 inches
Weight-32 grams / 1.03 ozt
£600-800 *plus fees
For a similar nutmeg grater by Hester Bateman dated 1786/7 see page 39 'The Robert and Meredith Green Collection of Silver Nutmeg Graters' John D. Davis (2002).
| Mary Sumner | |
|
|
Mary Sumner-An antique set of six sterling silver dessert spoons, London 1809
Old English pattern, engraved E M in cursive script,
Length-17.5 cm / 6.8 inches
Weight-243 grams / 7.81 ozt
£80-120 *plus fees
Mary Sumner registered her mark on March 18th 1807, she was the widow of William Sumner (I) of Clerkenwell close, mostly a spoon maker her mark can also be found in partnership with her daughter Eliza, from 1809 to 1814 approx.
| Mary Chawner | |
|
|
Mary Chawner-A pair of William IV antique sterling silver English asparagus serving tongs, London 1837
Of fiddle and thread pattern, rectangular blades with pierced grill and retaining ring, crested to the terminal with a collared lion head erased to sinister. This combination of hallmarks shows that this piece was assayed between 29th May and the 20th of June in 1837.
Length-26.75 cm / 10.5 inches
Weight-211 grams / 6.78 ozt
£150-200 *plus fees
Mary Chawner registered her mark on April 14th 1834 of Hosier Lane. Mary Burwash before marriage, the sister of William Burwash a silver silversmith known for his partnership with Richard Sibley, she married William Chawner (II). Established as Chawner and Co in 1815 this company became the most productive force in flatware of the 19th century. Upon William's death in 1834 Mary ran the business in readiness for their son William (III), however he entered the church instead. Thus, the business moved to Mary Chawner's son-in-law George Adams, whom they had a brief partnership of 6 months registering their mark in August 1840. Under George Adams the company flourished into the main manufacturer of flatware of the time. | Mary Chawner and George Adams | |
|
|
Mary Chawner and George Adams-An antique Victorian sterling silver stilton scoop, London 1840
Of fiddle and thread pattern, with dual crests of a sword above a crescent moon and a fist clasping a sword.
Length-23.25 cm / 9.1 inches
Weight-90 grams / 2.89 ozt
£200-250 *plus fees
| Angela Cork | |
|
|
'Blown Carafe and two beakers' London 2013
A contemporary British sterling silver whiskey drinks set, hand raised and soldered from 5 separately formed pieces to create the illusion of a panelled form.
Carafe <\!a> 25.5 x 9.2cm / 10 x 3.5 inches
Beakers <\!a> 10.5 x 7 cm / 4.1 x 2.75 inches
£5500-6500 *plus fees
|
|
|
'Waterline Vase' London 2009
A contemporary British sterling silver flower vase, a removable liner for water container, the interior of the water container has been oxidised.
Dimensions-28.4 x 17.2 x 32 cm / 11.25 x 6.75 x 12.5 inches
£3000-4000 *plus fees
|
|
|
'Leaning Vases' London 2013
A contemporary British sterling silver pair of flower vases, with oxidised interiors.
Dimensions-3.2 x 8.7 x 6.7 cm / 1.5 x 3.5 x 2.75 inches
and 3.5 x 8.4 x 6cm / 1.6 x 3.25 x 2.3 inches.
£1000-1500 *plus fees
| Theresa Nguyen | |
|
|
'Awakening I' London 2010
A contemporary British Britannia standard silver box with 18ct Gold detail upon an African Blackwood stand.
Height-30 cm / 12. Inches
Width-26.5 cm / 10.4 inches
Depth-11 cm / 4.3 inches
£6500-7500 *plus fees
|
|
|
'Square to Circle Box' London 2009
A contemporary British Britannia standard silver with 9ct and 22ct gold inlay, hand raised. This box is part of an eight-piece collection made for an exhibition at the Saatchi gallery in 2009.
Height-8.5 cm / 3.35 inches
Width-15 cm / 6 inches
£5000-6000 *plus fees
|
|
|
'Tudror Rose Bowl' London 2009
A contemporary British Britannia standard silver, hand raised.
Height-5.7 cm / 2.25 inches
Width-13.5 cm / 5.3 inches
Depth-13.5 cm / 5.3 inches
£2000-3000 *plus fees
|
|
|
'Square to circle beaker' London 2009
A contemporary British Britannia standard silver with 18ct gold inlay, hand raised. This beaker comes from a family of eight that were also made for an exhibition at the Saatchi gallery in 2009.
Height-8 cm / 3.1 inches
Width-7 cm / 2.75 inches
£1200-1600 *plus fees
| Rebecca de Quin | |
|
|
'Tipsy Vessels' London 2013/15
A contemporary British Sculptural set of three graduated vases in sheet sterling silver.
Height-(Largest) 21 cm / 8.25 inches (shortest) 15 cm / 6 inches
£2500-3500 *plus fees
|
|
|
'Quartet' London 2013
A contemporary British Sculptural table centrepiece in four section, 3 sterling silver the fourth patinated gilding metal with removable lid and candle holder recess.
Diameter-21 cm / 8.25 inches
Height-10 cm / 4 inches
£2500-3500 *plus fees
|
|
|
'Duo 2' London 2013
A contemporary British A sculpture of two interrelated vessels, sterling silver and gilding metal.
Height-16 cm / 6.25 inches
Width-14 cm / 15.5 inches
Depth-12 cm / 4.75 inches
£1500-2000 *plus fees
| Olivia Lowe | |
|
|
'Silhouette vase' London 2012
A contemporary British sterling silver vase.
Height-12 cm / 5 inches
£1500-2000 *plus fees
|
|
|
'Trinity' London 2008
A contemporary British sterling silver tri form vase
Height-20 cm / 7.9 inches
£1500-2000 *plus fees
|
|
|
'Pod Vessel' London 2012
A contemporary British sterling silver vase.
Height-11 cm / 4.2 inches
£700-900 *plus fees
|
|
|
'Coalescence (medium)' London 2007
A contemporary British sterling silver vase.
Height-33 cm / 13 inches
£1200-1600 *plus fees
| Mary Ann Simmons | |
|
| |
'Rhomboid Dish I' London 2016
A contemporary British Britannia standard silver geometric dishes.
Dimensions-16 x 9 x 6 cm / 6.25 x 3.5 x 2.3 inches
£2000-3000 *plus fees
|
|
| |
'Rhomboid Dish II' London 2016
A contemporary British Britannia standard silver geometric dishes.
Dimensions-16 x 9 x 6 cm / 6.25 x 3.5 x 2.3 inches
£2000-3000 *plus fees
|
|
|
'Fruit Bowl' London 2008
A contemporary British sterling openwork fruit bowl.
Diameter-32.5 cm / 12.75 inches
£4500-5500 *plus fees
| Heather O'Connor | |
|
|
'Pathways' Fruit Dish' London 2010
A contemporary British sterling silver fruit bowl with walnut sections.
Dimensions <\!a> 29 x 40 x 6cm / 11.3 x 16 x 2.35 inches
£3500-4000 *plus fees
|
|
| |
'Pathway' Scoop Spoon' London 2012
A contemporary British sterling silver spoon with walnut handle
Dimensions: 18 x 4 cm / 7 x 1.5 inches
£150-200 *plus fees
|
|
