Auction Details - AUCTION ALREADY HELD
Silver, Jewellery & Ceramics, Pictures, Furniture, Clocks & Rugs (Day 3 of 3)
Auctioneer: Lawrences, Crewkerne Location: South Street, Crewkerne
Contact: Telephone: 01460 73041 Fax: 01460 279969
Date: 7th April 2017 Time: 10:00AM
Details: Please contact office for viewing details.
Please note that the viewing for each sale will close when the sale has commenced.
Page: 1   2   3   4   5   6   7   8   9   10   11   12  
Auction Lots - Page 1

Pictures

Prints, Drawings and Watercolours

1301
Click to view full image... GEORG BRAUN (1541-1622) & FRANS HOGENBERG (1535-1590) RATZENBURGK; WIISMARIA Two, engravings with hand colouring, the former engraved by Jorgen after Gerdt Hane (1588), apparently from Civitates Orbis Terrarum, published in Cologne, Latin text verso, vertical crease in each where formerly folded Each image 32.5 x 39.5cm. and 37.5 x 50.5cm. (2) ++ Images generally satisfactory; water stains and foxing in margins £150-200 (+ 26.4% BP*)
1302
Click to view full image...Click to view full image... AN INTERESTING MIXED FOLIO OF PRINTS to comprise principally Old Master subjects after Aldegrever, della Bella, Bloemaert, Boilly, Callot, Vivant Denon, Durer, Hogarth, Radel, Rigaud, Van der Borcht, Van Dyck and many others (folio) ++ Mixed condition; some worn; many trimmed, stained etc £200-400 (+ 26.4% BP*)
1303
Click to view full image... A FOLIO OF 'OLD MASTER' PRINTS and other subjects, to include a woodcut of 'Hans Sachs aged 51' after Lucas Cranach, from the original of c.1545, examples by or after P. Boel (ostriches), A. van der Werff (portraits), some leaves of German/Gothic 'incunabula' letterpress with integral woodcuts, a group of nine prints of elephants (after Stradanus and others) and other subjects, various sizes, all unframed (a lot) ++ Mixed; satisfactory £150-200 (+ 26.4% BP*)
1304
Click to view full image... GIOVANNI BATTISTA PIRANESI (1720-1778) DIMOSTRAZIONI DELL'EMISSARIO DEL LAGO ALBANO, from 'DESCRIZIONE.. DELL' EMISSARIO DEL LAGO ALBANO' Etching, 1762, unframed Image 40.5 x 63cm. ++ The full sheet; vertical crease where formerly folded; grubby £200-300 (+ 26.4% BP*)
1305
Click to view full image... AFTER HENRY SALT (1780-1827) A VIEW WITHIN THE FORT OF MONGHYR (pl.IV); A VIEW AT LUCKNOW (pl.VI); RUINS OF THE FORT AT JUANPORE ON THE RIVER GOOMTEE (pl.VII) (from TWENTY FOUR VIEWS OF ST. HELENA, THE CAPE, INDIA ETC.) Three, coloured aquatints by D. Havell, published by William Miller, 1809 Each image 41.5 x 59.5cm. (3) ++ Each with some foxing and spotting; colours faded £200-400 (+ 26.4% BP*)
1306
Click to view full image... WILLIAM PAYNE (1760-1830) COUNTRYFOLK BY A TREE; COTTAGE ON THE RIVER THORN A pair, c.1790-1800, watercolour, oval Each 18 x 23cm. (2) ++ Each needs a light clean £250-350 (+ 26.4% BP*)
1307
Click to view full image... JOHN CHESSELL BUCKLER (1793-1894) GIRL AND A DOG BY A LAKESIDE RUIN Signed, watercolour, mounted circular 28cms diam. with a Lake District scene (?), by Charles F. Buckley, 25.5cm. diam. (2) ++ The former with a little foxing; the latter a little faded £120-160 (+ 26.4% BP*)
1308
Click to view full image... SAMUEL ATKINS (Fl.1787-1808) SAILING VESSELS AND ROWING BOATS IN COASTAL WATERS Signed, watercolour, oval 22.5 x 33cm. ++ Time stained; some fading £150-200 (+ 26.4% BP*)
1309
Click to view full image... SIR CHARLES D'OYLY, Bt. (1781-1848) INDIAN FIGURES BY A LAKE, c.1809 Watercolour 13 x 19.5cm.; with another by the same hand, three seated Indian figures, 9.5 x 15cm., both unframed (2) Provenance: London, Messrs Abbott & Holder ++ The former in good condition; the latter a little stained and faded £350-450 (+ 26.4% BP*)
1310
Click to view full image... AN ANTIQUARIAN'S LOT comprising an ink drawing of a bearded apostle, Italian, 17/18th Century, 11 x 9cm.; three watercolours and drawings from the circle of David Cox, Philip Reinagle and Robert Richard Scanlan; two ink and wash drawings of Venice by Talbot Hicks; another of Gloucester Cathedral by John Burgess, 1943; and a few natural history prints (7 framed, the rest unframed) ++ Mixed condition; generally good £150-200 (+ 26.4% BP*)
1311
Click to view full image... THOMAS ROWLANDSON (1756-1827) VILLAGE LIFE Watercolour with pen and ink over pencil 13 x 21cm. ++ Fading; a few spots and blemishes; mount burn £300-400 (+ 26.4% BP*)
1312
Click to view full image... FOLLOWER OF JOSEPH WRIGHT OF DERBY, ARA (1734-1797) VIEW IN DERBYSHIRE (?) WITH CAVES AND NUMEROUS FIGURES Black and white chalks with grey wash on grey paper 42 x 55.5cm. Provenance: London, Appleby Bros Ltd, Winter Exhibition 1964, no. 6 (as Wright of Derby), label verso ++ Good condition £100-200 (+ 26.4% BP*)
1313
Click to view full image... ATTRIBUTED TO JOSHUA CRISTALL (1767-1847) A FISHERMAN AND TWO FIGURES ON A PATH BY A RIVER Watercolour 54 x 44cm. ++ Generally good condition £150-250 (+ 26.4% BP*)
1314
Click to view full image... PETER LA CAVE (1769-c.1811) COUNTRYFOLK WITH THEIR ANIMALS ON A RIVERSIDE PATH Watercolour with pen and ink 24 x 37cm. ++ Faded; time stained £100-150 (+ 26.4% BP*)
1315
Click to view full image... ATTRIBUTED TO NICHOLAS POCOCK (1740-1821) THE MILKMAID AND THE FISHERBOY IN A LANDSCAPE (YORKSHIRE?) Watercolour 36 x 58.5cm. ++ General fading; some blemishes in the sky £150-200 (+ 26.4% BP*)
1316
Click to view full image... J** TAYLER (Fl.c.1780), AFTER SIR JOSHUA REYNOLDS, PRA (1723-1792) ELIZABETH LINLEY, MRS RICHARD BRINSLEY SHERIDAN, AS ST. CECILIA Inscribed St Cecilia/ from Sir Joshua Reynolds/ by J Tayler, bears inscription and date 1780 on backboard, pastels 56 x 43.5cm.
* A detail from Reynolds's oil of 1775 (Waddedson Manor) ++ Generally good condition £200-300 (+ 26.4% BP*)
1317
Click to view full image... THOMAS C. ROBERTS (Circa 1840) ARMAGH FROM THE PRIMATE'S DEMESNE Signed with initials and dated 1841, watercolour and pencil 33.5 x 47cm. ++ 1cm tear in sky; faded £100-150 (+ 26.4% BP*)
1318
Click to view full image... ATTRIBUTED TO THOMAS WALMSLEY (1763-1805) WOODED RIVER LANDSCAPE WITH RUINS BY A BRIDGE Watercolour and bodycolour 48 x 66cm. ++ Good condition; needs a light clean £150-250 (+ 26.4% BP*)
1319
Click to view full image... CIRCLE OF JOHN LAPORTE (1761-1839) FIGURES BY A WOODED RIVER NEAR RUINS Watercolour and bodycolour 23 x 20cm.; with another small watercolour of salvagers on a rocky shore, style of Paul Jacob Naftel, 10.5 x 16.5cm. (2) ++ 'Laporte' slightly scuffed in the sky; the latter satisfactory £120-160 (+ 26.4% BP*)
1320
Click to view full image... HENRY BRIGHT (1814-1873) A COAST SCENE WITH SHRIMPERS Watercolour heightened with white 22 x 32.5cm. ++ Some slight fading/discolouration £200-300 (+ 26.4% BP*)
1321
Click to view full image... R** S** MOSELEY (Fl.c.1860) GOVERNOR'S HOUSE (?), HONG KONG Signed, dated and initialled 1st Feb 1860. RSM and inscribed Hd. Gr House. Hong Kong, watercolour and pencil 24 x 34.5cm. ++ Some pale spotting and foxing £500-700 (+ 26.4% BP*)
1322
Click to view full image...Click to view full image... A FOLIO OF WATERCOLOURS & DRAWINGS to comprise works by (or from the circle of) Paul Jacob Naftel, John Sell Cotman, 'Freeman Senr', Paul Sandby, John Varley, William Henry (?), Richard Westall, Paul Branson, all unframed (13) ++ Mixed condition; some faded/discoloured and/or worn £100-200 (+ 26.4% BP*)
1323
Click to view full image...Click to view full image...Click to view full image...Click to view full image... JAMES POWELL & SONS (Circa 1990-1920) STAINED GLASS WINDOW DESIGNS nine leaves of watercolours, for churches in Dulwich, Beckenham and Gipsy Hill in south London, various sizes; with the residue of an album of watercolours by C. Louisa Mackay of Hurstmonceux, Chester, Isle of Wight, Dunkeld and Tayside, Torquay, Holyhead, Tenby, Killiney Bay, Bray Head etc, c.1849-1873, 30 leaves; and six engravings of 'Harlot's Progress' by T. Cook after W. Hogarth, all unframed (3) £200-300 (+ 26.4% BP*)
1324
Click to view full image... HENRY G. GASTINEAU (1791-1876) RAGLAN CASTLE; A VIEW IN THE ISLE OF WIGHT Two, watercolours, the latter with pencil 35.5 x 50cm and 30 x 41.5cm. (2) ++ The former faded; the latter generally good but a little pale £400-600 (+ 26.4% BP*)
1325
Click to view full image... FIVE WATERCOLOURS to comprise 'A Highland Glen' attributed to Anthony Vandyke Copley Fielding, 17 x 25cm.; 'Loch Earn' by Arthur Perigal, 18.5 x 25.5cm.; 'A Market Street' attributed to Wiliam Henry Pyne or Charles Claude Pyne, 24.5 x 19cm. [see illus.]; 'The Abbey Door' by George Cattermole, this monogrammed, 28.5 x 41cm.; and an unattributed scene of Indian figures by a tent under trees, c.1860, 17 x 25cm. (5) ++ Each generally faded £200-300 (+ 26.4% BP*)
1326
Click to view full image... FOLLOWER OF WILLIAM JAMES MULLER (1812-1845) THE BASILICA OF STA. MARIA DELLA SALUTE, VENICE Bears a signature, watercolour and pencil 37.5 x 55.5cm.; with a watercolour attributed to William Crouch, of a Continental town scene on a river, 25 x 38cm. (2) ++ 'Muller' needs a very light clean; 'Crouch' a little discoloured and faded £150-200 (+ 26.4% BP*)
1327
Click to view full image... THOMAS SUNDERLAND (1744-1828) EAGLE CRAG IN BORROWDALE; THE BRIDGE IN BORROWDALE Two, blue and grey washes with pen and brown ink Each 32.5 x 44cm. (2) ++ Each with slight fading, some foxing, need a clean; the former with small damage to a 'crag' and a vertical stain £250-300 (+ 26.4% BP*)
1328
Click to view full image... ATTRIBUTED TO FRANCIS OLIVER FINCH (1802-1862) LAKE LANDSCAPE SCENE Watercolour 25 x 34cm. ++ A little pale foxing; needs a clean; small damage extreme upper left corner £100-150 (+ 26.4% BP*)
1329
Click to view full image... ARTHUR GLENNIE, RWS (1803-1890) ROME: A FOLIO OF WATERCOLOURS Nineteen (thirteen pencil, six watercolours) depicting scenes within the city and its environs, many of the drawings with identifying inscriptions, from a dispersed folio of which some were signed, various shapes and sizes ++ The majority in poor/worn condition with paper losses, grubby marks, foxing etc £100-200 (+ 26.4% BP*)
1330
Click to view full image... EDWARD LEAR (1812-1888) STUDY OF A BRAMBLE Artist's pencil note reads 'items all deep red', pen and sepia ink, on a shaped piece of paper (possibly from a sketchbook leaf) Paper 6.5 x 29cm approx. Provenance: London, The Fine Art Society Ltd, The Travels of Edward Lear, October-November 1983 (ex catalogue) ++ A little pale; slight marks at leaf edges; mounted on a support sheet £400-600 (+ 26.4% BP*)
1331
Click to view full image... THOMAS ROWLANDSON (1756-1827) KNAVESMIRE, YORK RACES Inscribed with title and dated 1799, watercolour with pen and ink, traces of pencil in the sky 27.5 x 42.5cm.
* A similar subject at Knavesmire by Rowlandson, signed but undated, is in the Collection of the Yale Center for British Art, New Haven, Connecticut; and there is another at York Art Gallery. Provenance: By descent in the family of the Earls of Zetland, Aske Hall, Richmond Yorkshire ++ Faded £2000-4000 (+ 26.4% BP*)
1332
Click to view full image... GEORGE FREDERICK PROSSER (1805-1882) THE SOLENT AND HURST CASTLE FROM THE PARK OF CUFFNELLS HOUSE Watercolour and pencil 29.5 x 49.5cm. Cuffnells Park was an estate within the New Forest in Hampshire. Lancelot 'Capability' Brown designed the gardens for the house built for Sir Thomas Tancred (c.1759) and it was owned by the Rose family before being acquired by Thomas Hargreaves whose family owned it until 1948. The house was demolished in the 1950's. Provenance: London, J. Sabin, September 1968 ++ Needs a light clean; generally good £500-700 (+ 26.4% BP*)
1333
Click to view full image... JOHANN HEINRICH LUTTRINGSHAUSEN (Swiss, 1783-1857) LISBON Watercolour and pencil, heightened with gum arabic 18 x 28cm. ++ Faded £250-350 (+ 26.4% BP*) 1334 PAUL SANDBY, RA (1725-1809) LLANGOLLEN IN THE COUNTY OF DENBIGH FROM THE TURNPIKE ROAD ABOVE THE RIVER DEE Bears inscription as title on the backboard, watercolour and bodycolour heightened with varnish or gum arabic 45.5 x 60.5cm. Provenance: W. Angerstein; Mrs Norman (c.1843, label verso); D. M. Eccles MP; London, with P. & D. Colnaghi & Co. Ltd (label verso) Exhibited: London, The Arts Council of Great Britain, no date, no.36, from the Bradfer-Lawrence Collection (label verso) This may date to the late 1770's: between 1775 and 1777, Sandby published a series of aquatint views in Wales which were grounded in his solid understanding of topography from his diligent training with the Board of Ordnance. Without any infusion of sentimentality or the lyrical Classicism of artists like Richard Wilson, Sandby's views have the feel of immediate accuracy and truth that would have caught his eye as he worked. A 1776 print exists with the title of this watercolour but it differs in too many respects to be derived directly from it. ++ Some scattered retouching, principally within the sky, over flaked losses £2500-3500 (+ 26.4% BP*)
1335
Click to view full image... FRANCIS TOWNE (1739-1816) FROM POWDERHAM PARK, 1780 Inscribed verso 89 From Powderham Park, pen and black ink with grey wash and pencil 23.5 x 33.5cm.
* Powderham Castle, on the west bank of the river Exe, dates back to c.1400 and was built to the instructions of Sir Philip Courtenay (1355-1406). Considerable extensions were added in the 18th- and 19th centuries, some in the newly fashionable neo-Gothic style under the supervision of Charles Fowler. Powderham was besieged during the Wars of the Roses (1455) and again during the Civil War (1646) when it was used as a Royalist garrison and was attacked by Parliamentarians. Severe structural damage resulted in further renovations. The Castle is the home of the Earls of Devon.
Towne's long associations with Devon have led biographers to believe that he was Devonian by birth but records show that he was born in Isleworth, the son of a grain merchant. William, 2nd Viscount Courtenay (1742-1788) was Towne's principal patron in the 1770's and, having abandoned London in search of rich provincial patronage in a less competitive milieu, Towne could not have wished for a more impassioned supporter. Lord Courtenay was a distinguished figure in Devon society and he admired the more informal style of Towne's works that embraced the new idea of 'retirement'. These more localised subjects were distinct from the ambitious Italianate compositions of Richard Wilson: in this drawing, the empty grassland in the foreground and the soft low Devon slopes beyond the Exe are wholly at odds with Wilson's themes of soaring grandeur and suggest a concern for the 'place' above the Romanticised compositions that had given Wilson such eminence. In addition, Towne's meticulously neat and clean penwork complements this painstaking concern for topographical accuracy. Provenance: London, Spink, £65 (label on backboard) ++ Foxing; light staining £1200-1800 (+ 26.4% BP*)
1336
Click to view full image... WILLIAM JOY (1803-c.1860) BRIGS IN HEAVY SEAS AT SUNSET Watercolour 17.5 x 25.5cm. ++ Faint graze in sky upper right; good colour £400-600 (+ 26.4% BP*)
1337
Click to view full image... WILLIAM WYLD (1806-1889) AMSTERDAM Signed and inscribed Amsterdam, watercolour 9.25 x 14cm. ++ Good condition £300-400 (+ 26.4% BP*)
1338
Click to view full image... JOHN CLEVELEY THE YOUNGER (1747-1786) VESSELS BECALMED OFFSHORE Signed within a cartouche, watercolour with pen and ink 12.5 x 19.5cm. ++ Needs a clean; verre eglomisé mount and period frame £800-1200 (+ 26.4% BP*)
1339
Click to view full image... CHARLES BENTLEY (1806-1854) A 'SEA PIECE' - BOATS IN COASTAL WATERS Watercolour 22 x 30.5cm. ++ A little discoloured £300-500 (+ 26.4% BP*)
1340
Click to view full image... WILLIAM ANDERSON (1757-1837) A BUSY THAMES (?) VIEW Signed and dated 1808, watercolour and pencol 30 x 45cm. ++ Faded £200-300 (+ 26.4% BP*)
1341
Click to view full image... SAMUEL AUSTIN, RWS (1796-1834) FISHERMEN AND THEIR BOATS ON THE SEASHORE Signed, watercolour 24 x 30.5cm. Provenance: London, Sothebys, 13th February 1972, Abel Smith Collection ++ Some fading £150-200 (+ 26.4% BP*)
1342
Click to view full image... GEORGE RICHMOND, RA (1809-1896) PORTRAIT OF THE REV. LANCE Bust length, signed and dated 1851, charcoal and white chalk 60.5 x 47cm.; with another three-quarter length portrait of Mr Porcher, also by Richmond, watercolour, 29 x 22.5cm. (2) Provenance: By descent in the family of the sitters Literature: Raymond Lister, George Richmond (London, 1981) who records that Richmond produced eight portraits of the Porcher family (1833-1856) and five portraits of the Lance family (1823-1851). The Lance portrait was costed at £31 10s. ++ Lance with typical paper discoloration; Porcher faded £300-500 (+ 26.4% BP*)
1343
Click to view full image... ADAM BUCK (1759-1833) PORTRAIT OF CLARA PEARSE, LATER MRS JOHN LANCE; AND ANOTHER, POSSIBLY OF HER SISTER, EACH 1822 A pair, bust length, watercolour vignettes Each 12.5 x 11.5cm. (2) Provenance: By descent in the family of the sitters ++ Some fading; each needs a clean £150-200 (+ 26.4% BP*)
1344
Click to view full image... NEAPOLITAN SCHOOL, 19th CENTURY A QUIET HARBOUR SCENE ON THE ITALIAN COAST Gouache 41.5 x 61.5cm. ++ Some slight creases/rubbing within the sky; details in generally good condition £300-500 (+ 26.4% BP*) Ð 1345. FRANK HENRY MASON (1875-1965) TRAINING SHIP AND OTHER VESSELS IN A BUSY CHANNEL Signed, watercolour heightened with bodycolour and touches of gum arabic 19 x 32cm. ++ Good condition £400-600 (+ 26.4% BP*)
1346
Click to view full image... R. MALCOLM LLOYD (1859-1907) SHIPPING ON THE THAMES NEAR THE TOWER OF LONDON Signed and dated 1891, watercolour 29 x 59cm. ++ Some discoloration £180-250 (+ 26.4% BP*)
1347
Click to view full image... SAM BOUGH, RSA (1822-1878) LEITH HARBOUR A pair, both signed, watercolour and pencil Each 10 x 15cm. (2) ++ A little pale foxing £150-200 (+ 26.4% BP*)
1348
Click to view full image... WILLIAM MINSHALL BIRCHALL (1884-1941) WIND ON THE STARBOARD QUARTER Signed, inscribed with title and dated 1924, watercolour and bodycolour 25 x 17.5cm. ++ Some pale foxing; needs a light clean £120-180 (+ 26.4% BP*)
1349
Click to view full image... ABRAHAM HULK (1813-1897) COMING ASHORE IN BRIGHT WEATHER Signed, watercolour 14 x 22cm. ++ Slight time toning £500-700 (+ 26.4% BP*)
1350
Click to view full image... NICHOLAS CAMILLIERI (c.1762-1860) BRIG CONWAY OF PORTLAND, CHAS. G. SHAYER MASTER, GOING OUT OF MALTA 1832 Inscribed with title in lower border, watercolour with pen and ink and pencil 41.5 x 54.5cm. ++ Old damages, repaired tears, scuffs, faded etc £500-700 (+ 26.4% BP*)
1351
Click to view full image... ANTONIO DE SIMONE (1851-1907) THE STEAM LAUNCH PORTIA IN THE BAY OF NAPLES, VESUVIUS BEYOND Signed and dated 91, inscribed PORTIA, gouache 30.5 x 48cm. ++ Some slight wear lower left corner £250-350 (+ 26.4% BP*)
1352
Click to view full image... REUBEN CHAPPELL OF GOOLE (1870-1940) VERNON OF DUBLIN, CAPT. W. C. JAMES Signed R. Chappell/ Goole and inscribed with title, watercolour and gouache 35.5 x 51cm. ++ Slight fading in the sky; laid down £300-500 (+ 26.4% BP*)
Auction Details - AUCTION ALREADY HELD
Silver, Jewellery & Ceramics, Pictures, Furniture, Clocks & Rugs (Day 3 of 3)
Auctioneer: Lawrences, Crewkerne Location: South Street, Crewkerne
Contact: Telephone: 01460 73041 Fax: 01460 279969
Date: 7th April 2017 Time: 10:00AM
Details: Please contact office for viewing details.
Please note that the viewing for each sale will close when the sale has commenced.
Page: 1   2   3   4   5   6   7   8   9   10   11   12