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Page from Pynson's 'Froissart', 1523 £50-80
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Page from Foxes Book of Martyrs, 1576 £50-80
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Pair of Regency rosewood bar back open armchairs with cane seats £100-200
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French carved and gilt wood armchair on shaped cabriole legs £200-300
See Illustration
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French carved and gilt wood three seater sofa £300-500
See Illustration
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French carved and gilt wood armchair on cabriole legs £150-250
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French carved and gilt wood armchair on cabriole legs with shell decorated back top rail £200-300
See Illustration
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Pair of French 20th century mahogany and parquetry lamp tables, two tiered, of oval form, each with two drawers, 59cm x 56cm x 41cm £100-200
See Illustration
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Pair of 19th century mahogany fold-over tea tables on turned and reeded supports, 74cm x 92cm x 45cm £600-1000
See Illustration
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20th century mahogany rectangular coffee table on carved cabriole legs, 55cm x 138cm x 76cm £50-80
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French gilt wood chair with upholstered seat and back, on cabriole legs £60-100
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French marquety inlaid oval two tier occasional table with a single drawer, on square tapering supports, 74cm x 61cm x 45cm £40-60
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19th century gilt wood pier table with red and white veined marble top over a carved frieze on turned and reeded supports and stretchered base, 91cm x 105cm x 45cm £500-800
See Illustration
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Pair of 19th century cast iron twin handled urn shaped vases, on pine stands, 98cm high £600-1000
See Illustration
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19th century gilt wood and gesso wall mirror with shell and scrolling foliage decoration and bevelled rectangular plate, 99cm x 87cm £200-300
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Mahogany footed low stool upholstered in floral fabric, 29.5cm wide £30-50
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Persian style rug with ivory ground and twelve medallions, decorative borders, 283cm x 210cm £80-120
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Persian style mocha ground rug with a single central medallion and numerous decorative borders, 98cm x 108cm £50-80
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Brass Corinthian column oil lamp, with glass shade and fluted column, 93cm high £60-100
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Brass Corinthian column oil lamp with glass reservoir, glass shade and flute, 83cm high £60-100
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Pair of brass easel form picture holders with scrolling decoration, 21cm high £80-120
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Spelter figural lamp stand shaped as a lady in classical dress, with brass lamp and glass shade, 75cm high £80-120
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19th century brass thread and cotton-reel holder with pin cushions, nine cotton-reel holders on ebonised base with glass dome, 43cm high (including dome) £100-150
See Illustration
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Small carved stone figure on wooden stand, figure with head on knees and arms over head £40-60
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18th century green glass wide necked bottle, 21cm high £50-80
See Illustration
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18th century hand-blown octagonal green glass wine bottle, paper label inscribed by hand and reading 'My father's rum bottle carried off by burglars from the farmhouse...... Darlington, I was only six years old.....', 26cm high £200-300
See Illustration
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Studio pottery bowl and studio pottery dish and cover, bowl 15cm diameter dish and cover 13cm diameter £40-60
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Pair of Bristol blue glass decanters, each with its own stopper one marked Whisky and the other Brandy, 22.5cm high £80-120
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Dutch marquetry inlaid decanter in box with six gilt decorated decanters and stoppers and two glasses, 23cm high, 28cm wide, 19cm deep £400-600
See Illustration
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P.J. Mene, cast bronze figure of a horse with a small dog at its feet signed and marked, P. Barbedienne Fondeur, 45cm x 65cm £2500-3500
See Illustration
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Antoine-Louis Barye, bronze figure of a tiger, on rectangular base, signed to base, 42cm long £1000-1500
See Illustration
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J.Moigniez bronze figure of a bird on foliage, on oval base, 25.5cm high £400-600
See Illustration
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Cast bronze figural group of two herons on rockwork, signed E. De La Brierre, on oval base, 17.5cm high £400-600
See Illustration
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Ambroise Louis Garneray, (French, 1783-1857), Prison hulks in Portsmouth Harbour, oil on canvas, 53cm x 107cm. Plaque on frame of the picture reading 'Portsmouth Harbour 1790-1807, painted by Ambroise Louis Garneray French prisoner of war, this view of West End of Portchester Creek, shows the French and Spanish Hulk's that were used for confining the Prisoners of war'. Guards can be seen on the hulks which are flying Red Ensigns. One hulk appears to be flying a Spanish flag and a small sailing craft on the right hand side is flying the White Ensign.
Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel 'Belle Poule' in 1806 and not given the privilege of parole he was sent to the prison hulk 'Prothee' in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814. On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925). See 'A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole', Clive Lloyd, ACC Art Books, 2007.
Provenance: The Clive Lloyd Collection. Formally believed to have been in the Sir Eric Fullerton Collection. £2500-3500
See Illustration
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Ambroise Louis Garneray, (French, 1783-1857), Prison hulks and other shipping in Portsmouth Harbour, oil on canvas, showing detail of hulks and other warships including one under sail, 53cm x 102cm. Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel 'Belle Poule' in 1806 and not given the privilege of parole he was sent to the prison hulk 'Prothee' in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814. On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925). See 'A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole', Clive Lloyd, ACC Art Books, 2007.
Provenance: The Clive Lloyd Collection, believed to have been formally from the collection of the Duchess of Sutherland. £3000-5000
See Illustration
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Auguste Garneray, (1785-1824), figures in a graveyard in an Indian port, signed and dated Auguste Garneray 1813, pencil and watercolour, 13cm x 18cm £400-600
See Illustration
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Circle of Charles Francois Grenier de la Croix dit la Croix de la Marseilles, figures on the quayside, oil on panel, in gilt wood frame with oak leaf decoration, 10cm x 13cm £800-1200
See Illustration
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William Anslow Thornley, shipping off the coast, signed, oils on canvases, pair, 35cm x 29cm £1200-1800
See Illustration
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Ambroise Louis Garneray (French, 1783-1857). Portsmouth Harbour, early morning view of the prisoner of war hulks in Portchester Creek, oil on canvas, c1812, 51cm x 107cm.
With plaque showing artist's name as 'Hoppey Turner', this was believed to be the way in which the British officer who dealt with, and made money from, Garneray's works, kept secret their source (see 'A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole', Clive Lloyd, ACC Art Books, 2007).
Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel 'Belle Poule' in 1806 and not given the privilege of parole he was sent to the prison hulk 'Prothee' in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814. On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925).
Provenance: The Clive Lloyd Collection. £3000-5000
See Illustration
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Bernard De Hoog (1866-1943), 'Maternal Duties' signed B. De Hoog, oil on canvas, 53cm x 46cm £1500-2500
See Illustration
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Ambroise Louis Garneray (French, 1783-1857), Prison hulks lying in Portsmouth Harbour, oil on canvas, 53cm x 107cm.
With plaque showing artist's name as 'Hoppey Turner', this was believed to be the way in which the British officer who dealt with, and made money from, Garneray's works, kept secret their source (see 'A History of Napoleonic and American Prisoners of War 1756-1816 - Hulk, Depot and Parole', Clive Lloyd, ACC Art Books, 2007).
Ambroise Louis Garneray (1783-1857): Born in Paris in 1783, the son of Jean Francoise Garneray (himself a student of Jacques-Louis David). Most of the Garneray family were professional artists, but Ambroise (known as Louis) persuaded his parents to let him go to sea aged thirteen. Taken Prisoner on the French vessel 'Belle Poule' in 1806 and not given the privilege of parole he was sent to the prison hulk 'Prothee' in Portsmouth Harbour. From 1812 he was allowed to live ashore in a parole area from which he painted a series of views of prison hulks and shipping in Portsmouth Harbour, released in 1814. On returning to France Garneray had a successful career as a marine artist and became director of the Museum of Fine Arts in Rouen in 1833. The paintings offered for sale in this auction are from this series of works by Garneray, very few are known to exist and this is believed to be the largest single collection of this series of paintings in existence. Similar views of Portsmouth Harbour by Garneray can be found in the National Library of Australia, Canberra (see E.H.H. Archibald, Dictionary of Sea Painters, 1980, plate 324), and a further three in the National Maritime Museum, Greenwich, London (work references: BHC1923, BHC1924 and BHC1925).
Provenance: The Clive Lloyd Collection. £3000-5000
See Illustration
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M. Donat, figures by a copse, oil on panel, signed, 9.5cm x 14.5cm £500-800
See Illustration
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19th century, figures with horses, signed, oil on wooden panel, 8.5cm x 12.5cm. £250-350
See Illustration
| END OF SALE | |
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