|
After C. Gabe (?) (19th Century Continental School) - Oil painting - Marine scene - Three sailing boats at anchor with rowing boats unloading and cliffs to background, board 13ins x 18ins, indistinctly signed and inscribed and dated "Janvier 1869" to back, in deep gilt moulded frame £150-200
|
|
|
Sidney Hugh Parker (19th Century English School) - Oil painting - Marine scene with two sailing ships in rough seas, board 8.5ins x 11.5ins, signed, in gilt moulded frame and glazed £80-120
|
|
|
***Phillip Sanders (born 1938) - Oil painting - "Grey Arab" - Study of a standing grey mare, panel 14.5ins x 16.5ins, signed, in gilt moulded frame £400-500
|
|
|
19th Century English School in the style of Thomas Sidney Cooper (1803-1902) - Oil painting - River landscape with cattle and sheep watering and resting by a tree, relined canvas 14.25ins x 18ins, in gilt moulded frame with applied shell motifs to corner £150-200
|
|
|
19th Century Flemish School - Oil painting - Farmyard scene with chicken by a basket of fruit and watering can, canvas 7.25ins x 12.75ins (relined), monogram "LY" and dated '94 £200-300
|
|
|
|
***John Bulloch Souter (1890-1972) - Oil painting - "Red Roses in a Stone Jar", board 16ins x 12ins, signed in red to upper right, in original painted and moulded swept frame £400-600 Provenance: Purchased in 1953 from the artist's London gallery by the vendor's late father and thereafter by descent Note: Typed label to verso gives authorship and title
|
|
|
***Huibert Antonie Ravenswaaij (1891-1972) - Oil Painting - Still life with vase of chrysanthemums, canvas 31.75ins x 23.75ins, signed, in gilt frame £250-350
|
|
|
E. Shakespear (19th Century) - Oil painting - Still life with birds, Doulton jug and pussy willow spray, canvas 17ins x 21ins, signed and dated 1885, in gilt frame £200-300
|
|
|
Van Jakob (20th Century School) - Oil painting - Still life of flowers and bird's nest, 23.5ins x 19.5ins, signed, in ornate moulded gilt frame £80-100
|
|
|
20th Century School (in the manner of John Bratby) - Oil painting - Still life of sunflowers, canvas 34ins x 28ins, indistinctly signed and dated £70-100
|
|
|
|
*** Derek Gordon Johnson (20th Century) - Oil painting - Woodland scene, panel 24ins x 32ins, signed, in painted frame £100-150
|
|
|
*** Francesco Carbonell (20th Century) - Oil painting - Spanish hill town scene with river, canvas 23.5ins x 51ins, indistinctly signed, in white painted frame £100-150
|
|
|
Attributed to Sadanand Bakre (1920-2007) - Oil painting - Abstract, canvas 20ins x 16ins, inscribed in paint "Bakre", unframed £200-300 Provenance: By repute a gift direct from the artist, and thence by family descent
|
|
|
ARR Donald McIntyre (1923-2009) - Oil painting - "Evening Light" - Abstract work of figures in a landscape, board 6.75ins x 7.75ins, initialled, in white painted frame £700-1000 Note: With inked title and name of artist to verso and price of 25 Guineas. Purchased fifty years ago from a gallery in Itchen Abbass
|
|
|
ARR John Bratby (1928-1992) - Oil painting - Girl with birds in undercroft, canvas 38ins x 48ins, small stamped signature to lower right, framed £1000-1500
|
|
|
|
William Harris Weatherhead (1843-1903) - Watercolour - "The Skipper's Wife", 28.5ins x 16ins, signed, in gilt frame and glazed £500-700 Note: Royal Institute of Painters in Watercolours label to verso gives title, artist's name and purchase price of £30
|
|
|
Attributed to Joseph Henderson (1830-1908) - Watercolour - Profile portrait of a young man wearing a brown felt hat, 8.5ins x 6.25ins, monogrammed and dated '77, framed and glazed £200-300
|
|
|
Elizabeth Heahley (?) (19th Century) - Watercolour - Study of three young girls with doll, 11ins x 8.75ins, indistinctly signed and dated 1837, in painted and gilt frame and glazed £150-200
|
|
|
***Leslie Ward (also known as "Spy" - 1841-1922) - Three watercolours - Half-length portraits of young girls, all in blue dresses, each oval 12ins x 9.5ins, signed in pencil and dated "Sept. 1878", in gilt frame and glazed £600-800
|
|
|
*** John Doyle (born 1928) - Watercolour - A view of Canterbury Cathedral with the monastic ruins to foreground, 21.75ins x 15.5ins, signed, in oak frame and glazed £200-300
|
|
|
William Bowden (Circa 1880-1956) - Watercolour - "Yoxall, Staffordshire" - Country scene with river and bridge to foreground. 5.25ins x 8ins, framed and glazed £120-160
|
|
|
Baragwanath King (1864-1939) - Watercolour - "Gossmoor Hall", 11ins x 17.5ins, signed, in gilt frame and glazed £60-80
|
|
|
Norman Olley (20th Century) - Four watercolours - "Summer Glade", 12ins x 16ins, "Riders in Cobham Woods", 12.75ins x 10ins, "Harvesting Scene", 9.75ins x 17.5ins, and "River Scene with Tree's", 15.5ins x 11ins, all signed and variously dated between 1983 and 1985, in gilt frames and glazed £150-200
|
|
|
Willie Stephenson (1857-1938) - Watercolour - Landscape with farm buildings and cattle by a ford, 13.75ins x 27.75ins, signed, in gilt frame and glazed £150-200
|
|
|
Late 18th/early 19th Century English School - Gouache - River scene with sailing boat to foreground and three arched bridge to background, 8.5ins x 12.25ins, unsigned, on paper mounted on to canvas, in modern gilt and ebonised moulded frame and glazed £150-200
|
|
|
George Barker (19th Century) - Watercolour - "The Incoming Tide", signed, 12.75ins x 21ins, in wood frame and glazed £120-160 Note: Label to verso gives title and date, 25th of June 1895
|
|
|
George Sheringham (1884-1937) - Watercolour and pastel - Seascape with boat and foreshore, 7ins x 9.75ins, signed, in gilt moulded frame and glazed £80-120
|
|
|
H.W. Osburn (19th/20th Century) - Watercolour - "H.M.S. Empress of India", 19ins x 14ins, in gilt frame and glazed £100-150 Note :The H.M.S. Empress of India was one of seven Royal Sovereign Class battleships commissioned in 1893. Taken out of service in early 1912, she was sunk as a target ship in 1913
|
|
|
***Ralston Gudgeon (1910-1984) - Watercolour - "Flighting" - Lapwing preparing to land, 20.5ins x 14ins, signed, in gilt frame and glazed £120-160
|
|
|
Cheverton White (19th Century) - Watercolour - Study of three fancy pigeons in a landscape, 17.5ins x 22.25ins, signed in red and dated 1869 (unframed) £100-150
|
|
|
Minna Twentyman (19th Century School) - Pair of watercolours - Birds by their nests of eggs, each 6.5ins x 9.75ins, signed and dated May 16th and July 4th 1878, in gilt frames and glazed £80-120
|
|
|
R.K (20th Century) - Three gouache Paintings - Triple portrait, 10ins x 14ins, monogrammed and dated '58, abstract giraffe, 11.25ins x 7.25ins, fishing boat with inlet and building to background, 4.25ins x 8.5ins, monogrammed and dated '58, all with pencil signature (indecipherable) and dated '58 to mount and two titled in pencil, in gilt frames and glazed £150-200
|
|
|
20th Century British School - Acrylic - An interesting collecting of twenty-two original art works for the Look & Learn magazine, published by I.P.C. in the 1970s, including - Artists Ken Langstaff, Roger Payne, and David Dimmox, various sizes (all unframed) £300-400
|
|
|
No lots
| PRINTS AND DRAWINGS |
|
|
|
Joseph Bishop Pratt (1854-1910) after Luke Flides - Engraving - Full length portrait of Edward VII in full regalia, entitled "In Remembrance of your Vigil, May 17th-20th 1910", 29ins x 19ins, signed pencil by George V to lower margin, in Hogarth pattern frame and glazed, and a Royal Gift of a gold coloured metal, rose diamond and ruby set bar brooch formed as the crowned letter "E" enclosing the figure "7", 1.5ins overall £250-400 Note: The engraving was the gift to Colonel Willford Neville LLoyd, Household Cavalry, who stood at the Vigil of the Coffin of Edward VII in Westminster Abbey, and the brooch was a gift for his wife
|
|
|
19th Century lithograph - Shoulder length portrait of Lady Emma Purey-Cust (nee Bligh - daughter of the Earl of Darnley (born 1832), oval 24ins x 19ins, in gilt ribbon pattern frame with ribbon pattern cresting, and a Victorian walnut table top bookcase belonging to Lady Emma Purey-Cust with fretted cresting and spiral turned front columns, 19ins wide x 7ins deep x 14ins high, containing fifteen volumes of political and other works by Elizabeth Browning, Mrs Hemans, etc, all in lather bindings with oval presentation plaque to back engraved "The Lady Emma Cust, Feby. 3rd 1862 etc and a copy of " Century of Emblems" by Rev. G.S. Cautley, presented by Mary Cautley to Emma Purey-Cust £150-200
|
|
|
Leon Bakst (1866-1924) - Lithograph heightened in watercolour - Costume design - "Mademoiselle Pavlov in the role of Diana", 9.25ins x 6.5ins, signed in plate and dated 1910 (unframed) £100-150
|
|
|
J. Faber Jnr (18th Century), after John Ellis (1701-1755) - mezzotint - "Mr John Broughton" - half-length portrait of the famous 18th Century pugilist, 12.75ins x 9ins, published by W. Richardson, 174 Strand, 1787, after William Hogarth (1697-1764) - mezzotint - "John Broughton - Prize Fighter" 18ins x 11ins, published by W & G Smith, Leicester Square, 1842 and J.R. Cruikshanks (18th/19th Century) - aquatint - "A Visit to the Fives Court" - showing a boxing match with spectators, 6.75ins x 9ins, all framed and glazed £80-120
|
|
|
Sir Edward Coley Burne-Jones (1833-1898) - Collotype with gouache - "Love in a Mist", from "The Flower Book", 9.5ins x 8ins, in gilt frame and glazed £80-120 Note: This illustration is No. 1 of 38 published posthumously by Burne-Jones' wife, Georgiana, in 1905
|
|
|
Samuel and Nathaniel Buck (1696-1779 and 1695-1775) - Pair of coloured engravings - "The South West View of Battel-Abbey in the County of Sussex" and "The North East View of Bodiham-Castle in the County of Sussex", each 6ins x 14ins, framed and glazed £200-300
|
|
|
Johannes Kip (1653-1722) - Engraving - "The West Prospect of the Cathedral Church of Canterbury", 14ins x 10.25ins, and Daniel King (1622-1664) after Thomas Johnson - Engraving - "St. Augustine's Abbey, Canterbury", 7ins x 11.5ins (from Dugdale's "Monasticon Anglicanum") both framed and glazed £120-160
|
|
|
"The Oxford Almanack" - Four engravings with views of Oxford, variously dated, 22.5ins x 14.5ins to 20.5ins x 18.5ins, all framed and glazed £120-160
|
|
|
William Heath (1795-1840) - Coloured engraving - "The New Master of the Crown Inn discharging Betty the Head Chambermaid", satire showing William IV, Lord Coningham and Elizabeth Coningham, Marchioness Coningham, 9.25ins x 3.25ins, framed and glazed, two further satires with the Coninghams (one with William IV), and three items of ephemera, various (one unframed) £80-120 Provenance: The Collection of the late Dr L.L. Boyle of Patrixbourne
|
|
|
E. Goodall, after J.M.W. Turner (1775-1851) - Engraving - Harvest Scene with Oxford in the Distance, 12.75ins x 18.5ins, and twelve other engravings, various, all framed and glazed £100-150
|
|
|
John Andrews (1736-1809), Andrew Drury and William Herbert - Pair of coloured engravings - Plate 9 "Whitstable" and Plate 20 "Dover", from "A Topographical Map of the County of Kent in Twenty Five Sheets on a Scale of Two Inches to a Mile from an Actual Survey...", published January 1st 1769, each 17.5ins x 26ins, framed and glazed £150-200
|
|
|
Early 18th Century coloured engravings after Harris's History of Kent - "The Isle of Thanet in Kent", and "Mappa Thaneti Insule", 14ins x 18ins and 15.5ins x 13.5ins, framed and glazed £120-160 Note: The first edition to this work was published in 1719 and both prints are taken from volume one of that work.
|
|
|
John Ogilby (1600-1675) - Coloured engraving - Map of "The Road from London to Weymouth", 13.5ins x 19ins, framed and glazed and After Giovanni Battista Brostolini (1712-1796) - Coloured restrike engraving - "S. Georgii Majoris Ecclesiae Prospectus", 12ins x 17ins, and two other Italian coloured engravings (restrikes), all framed and glazed £120-160
|
|