|
A** STOM (19th Century) THE EDGE OF THE CORNFIELD Signed, oil on canvas 60 x 50cm. ++ Retouched and patched damage by tree on left; needs a light clean; Watts-type frame £150-200
|
|
|
A** MARTENS (Circa 1910) FEEDING THE CHICKENS Signed, oil on canvas 59 x 79cm.
* Dutch artists called Albert and Anton Martens are each recorded as painting similar subjects. ++ Five payched repairs verso, with associated retouching £250-350
Ð 1666
DANIEL VAN DER PUTTEN (b.1949) OLD HAYSTACK AT GAYTON Signed, oil on panel 31 x 44cm. Provenance: Stretton on Fosse, Astley House Fine Art, October 1985, acquired by the owner ++ Good condition £150-200
Ð 1667
DANIEL VAN DER PUTTEN (b.1949) FARM NEAR FARTHINGSTONE Signed and dated 1981, also signed and inscribed with title on a label verso, oil on board 17 x 24.5cm. Provenance: Windsor, Omell Galleries ++ Good condition; needs a very light clean to remove a few pale spots £200-300
|
|
|
CHARLES GOGIN (1844-1931) L'HOMME DE LA SALLE, from LES CONTES D'HOFFMANN (OFFENBACH) Inscribed verso, oil on board 29.5 x 45.5cm. ++ Trimmed at corners; scattered retouching; a little thin on places; needs a clean £150-200
|
|
|
CHARLES GOGIN (1844-1931) THE FORTUNE TELLER Oil on board 30.5 x 47.5cm.
* Apparently a study for Gogin's 1886 oil (sold at Christies, London, November 9th 2001, lot 49, £32,000) ++ Scattered retouching £200-300
|
|
|
MEXICAN SCHOOL, 20th CENTURY A MUSICAL PARTY Oil on canvas 52 x 71cm. ++ Lined; some associated retouching £800-1200
Ð 1671
EZIO MARZI (1875-1955) JUST DESERTS Signed and inscribed Firenze, also signed and inscribed verso, oil on canvas 32.5 x 42.5cm. ++ Good condition £250-350
Ð 1672
HANS A TRIER (1877-1962) VENICE: PALAZZO DUCALE Signed, oil on board 20.5 x 33.5cm. ++ Good condition; under glass in gilded oak 'Whistler' frame £500-700
|
|
|
GIUSEPPE CARELLI (1858-1921) FISHING BOATS IN THE BAY OF NAPLES Signed, gouache, in a period 'Florentine' frame 26 x 39.5cm. ++ Generally good; needs a light clean £800-1200
|
|
|
CHARLES JACQUE (1813-1894) POULTRY IN A BARN Signed an dated 66, oil on canvas 21 x 37cm. ++ Unlined; some craquelure; needs a clean; original frame £1000-1500
|
|
|
GUIDO SIGRISTE (1864-1915) MANOEUVRES Signed and dated 1895, also signed and inscribed verso, oil on panel 42.5 x 68.5cm.
* From left to right: Division General, Colonel (Hussars), Colonel (Dragoons) and Colonel (Artillery) ++ Needs a clean; some craquelure at left £1500-2000
|
|
|
HERMANN KERN (1839-1912) THE BLACKSMITH Signed and dated 1898, oil on canvas 40.5 x 51.5cm. ++ Unlined; some craquelure £1000-1500
|
|
|
HENRY BRITTAN WILLIS, RWS (1810-1884) CATTLE RESTING BY A RIVER Bears another signature and date (T. Sidney Cooper RA/ 1883), oil on canvas 68.5 x 89.5cm. ++ Lined; a little craquelure; generally good condition £3000-5000
| Property From A Private Collection, Surrey, Lots 1678-1693 | |
|
|
RAOUL DE LA NEZIERE (Fl.c.1900-1920) LADY ON A BEACH Signed and dated 1887, watercolour and pencil 27 x 13.5cm.; with a watercolour of a lady with a parasol in a field, style of A. A. Glendening Junr, 32.5 x 17cm. (2) ++ Former a little faded; latter with foxing and water spotting £180-250
|
|
|
FOLLOWER OF JOHN JOSEPH BARKER OF BATH (1824-1904) THE POULTRYMAN AND HIS DAUGHTER Oil on canvas 29 x 24cm. ++ Needs a light clean £100-200
|
|
|
HARRY JOHN JOHNSON (1826-1884) THE JOYS OF SUMMER Signed with monogram, oil on canvas 40 x 30cm. ++ Lined; a little associated retouching £200-400
|
|
|
MARK WILLIAM LANGLOIS (Fl.1862-1873) WATCH OUT BEHIND! Signed with initials, oil on canvas 29.5 x 24.5cm. ++ Good condition £400-600
|
|
|
JOHN FALCONAR SLATER (1857-1937) AWAITING THE FLEET Signed, oil on canvas 39 x 29cm. ++ Some craquelure; Watts-type frame £400-600
Ð 1683
ERWIN EICHINGER (1892-1950) THE SCHOLARLY CARDINAL Signed and inscribed Wien, oil on panel 17.5 x 13.5cm. ++ Good condition £400-600
|
|
|
ELLEN PARTRIDGE (Fl.1880-1894) WATERING HORSES AT THE FORD Oil on canvas 39 x 59.5cm. ++ Lined; some associated retouching £300-500
|
|
|
INNES FRIPP (1867-1963) THE FISHING PARTY Signed and dated 1903, oil on canvas 49 x 59cm. ++ Four small patches verso; a little associated retouching; some craquelure £400-600
|
|
|
JOSEPH THORS (Fl.1863-1900) THE OLD COUNTRY HOME Signed, also signed verso, oil on canvas 22 x 29.5cm. ++ Wax lined; generally good condition £500-800
|
|
  |
JOHN MULCASTER CARRICK (1833-1896) AT COMBOURG, BRITTANY, CHATEAUBRIAND IN THE DISTANCE; IN THE MARKET PLACE, POITOU, BRITTANY A pair, both signed and dated 1888, each also signed and inscribed with title verso, oil on board Each 12.5 x 17.5cm. (2) ++ Each in good condition £500-700
|
|
|
JOSEPH ATHANASE AUFRAY (1836-1885) FEEDING THE PET BIRD Signed, oil on panel 26 x 20cm. ++ Signature a little rubbed £1000-1500
|
|
|
PAUL PAEDE (1868-1929) THE LITTLE ARTIST Signed, oil on panel 48 x 37cm. ++ Good condition £500-700
|
|
|
CIRCLE OF ROBERT FOWLER (1853-1926) THOUGHTFUL MOMENTS Oil on canvas 62 x 37.5cm. ++ Craquelure; some scattered retouching; small damage upper left £300-500
|
|
|
CHARLES EDWARD MARSHALL (Fl.1872-1903) THE YOUNG STUDENT Signed and dated 1880, bears inscribed labels on the stretcher, oil on canvas 70 x 39cm. ++ Lined; a little associated retouching £700-900
|
|
|
ALFRED FOWLER PATTEN (1829-1888) THE BIRD'S NEST IN DANGER Signed and dated 1885, also signed and inscribed with title on a label on the stretcher, oil on canvas 50 x 45cm. ++ One patch lower centre; a little associated retouching; slight bitumen damage £1000-1500
|
|
|
CESARE AUGUSTE DETTI (1847-1914) THE OCCASIONAL DENTIST Signed and inscribed Detti C: 72/ ROMA, oil on panel 30 x 21.5cm. ++ A little scattered retouching £2000-3000
| Modern Pictures And Prints | Ð 1694
AFTER SIR FRANK BRANGWYN, RA, RWS (1867-1956) INTERIOR OF CANNON STREET STATION Lithograph, 1923, printed by Theophile Alexandre Steinlen and coloured by the artist or his studio 31.5 x 47.5cm. with a monotype entitled 'Heimkehr von Feld' by Helen Kruger, signed and titled on mount, 30 x 62cm. (2) ++ Each in good condition £100-150
Ð 1695
NORA S. UNWIN (1907-1982) TEAZELS AND GRASSES Wood engraving, signed, inscribed with title and dated 15/50 178.2 x 12.5cm. ++ Foxing £80-120
Ð 1696
BLAIR R. HUGHES-STANTON, RA (1902-1981) ARRIVAL Wood engraving, 1930, signed, dated, titled and numbered 1/12 7.5 x 8cm. ++ Slight time-toning of paper £80-120
Ð 1697
NORBERTINE BRESSLERN ROTH (1891-1978) A TIGER CUB Woodcut, c.1921, signed in pencil and inscribed Handdruck 16.5 x 23cm. ++ Good condition £200-300
Ð 1698
NORBERTINE BRESSLERN ROTH (1891-1978) DUCKS IN REEDS Colour woodcut, 1927, signed in pencil and inscribed Handdruck, taped at sheet edges, unframed 14 x 18.5cm. ++ A few minor surface blemishes £200-300
Ð 1699
CHRIS ORR, MBE, RA (b.1943) THE HOUSE OF COMMONS, JULY 24th, 1986 Aquatint with etching, with hand colouring, signed and dated 1986, inscribed artist's proof 34 x 54cm. ++ A little foxing; generally good condition £120-180
Ð 1700
PATRICK PROCKTOR, RA, RWS (1936-2003) CHATEAUX: MOUTON ROTHSCHILD; PRIEURE LICHINE; CERTAN; RAUZAN SEGLA Four, colour aquatints, each signed and inscribed with title, unnumbered (possibly aside from the published edition of 150) Each 29.5 x 40cm. (4) ++ Some foxing £300-400
Ð 1701
GRAHAM CLARKE (b.1941) LOST SOLE; THE VERY PLAICE; PROPER JOB; T4-2 Four, coloured etchings, each signed, titled and numbered 39/350 Each 12.5 x 16cm (4) ++ Slight mat burn in margins £200-300
Ð 1702
TOM PHILLIPS, RA (b.1937) O RAISINS O CHATEAUX Five colour lithographs, published by Wine Arts, 1989, each signed and numbered 126/150 Sight 41 x 53cm. (5) ++ Some foxing £120-180
|
|
EMMANUEL RADNITSKY, called MAN RAY (1890-1976) MAN ON THE MOON Aquatint with screenprint in colours, signed in pencil and numbered 98/100 45 x 30cm. ++ Some time- and light-staining £100-200
|
|
|
EMMANUEL RADNITSKY, called MAN RAY (1890-1976) MAGIE DE L'IMAGE Colour etching with aquatint, 1971, signed in pencil and numbered 2/100 49 x 39.5cm. ++ Slight time toning of paper £100-200
|
|
|
EMMANUEL RADNITSKY, called MAN RAY (1890-1976) MONOCOPTER Colour etching with aquatint, 1971, signed in pencil and numbered 12/100 49 x 39.5cm. ++ Good condition; slight time toning of the paper £200-400
|
|
|
EMMANUEL RADNITSKY, called MAN RAY (1890-1976) LE PONT NEUF Colour lithograph, 1970, signed with initials and numbered 6/99 37.5 x 52.5cm. ++ Some time- and light-staining £200-300
|
|
|
EMMANUEL RADNITSKY, called MAN RAY (1890-1976) JULIE Colour lithograph, 1972, signed in pencil and inscribed EA (epreuve d'artiste, aside from the edition of 110) 47 x 37cm.
* The subject depicts the artist's wife, Juliet Browner, as a Spanish dancer. ++ Some slight time- and light-staining £200-300
|
|
|
WILFREDO LAM (1902-1982) LA REUNION; TROIS PERSONNAGES Two, etchings with aquatint, printed in colours, c.1973, both signed, the former inscribed B.A.T (bon a tirer), the latter numbered 13/100 and with the blindstamp of Art Et Gravure, Geneva, 36.5 x 64.5cm. and 37.5 x 47.5cm. (2) ++ The latter with a little foxing £200-300
Ð 1709
RICHARD BAWDEN, RWS (b.1936) FIZZ Colour linocut, signed, titled and numbered 77/95 44.5 x 66.5cm. ++ Good condition £100-150
Ð 1710
AFTER JOHN NASH, CBE, RA (1893-1977) WINDOW PLANTS Colour lithograph, 1945, from the 'School Prints' series 49.5 x 76cm.; with 'Drifter and Paddle Steamers' after Felix Kelly, from the same series, 1946, 41 x 68.5cm. (2) ++ Nash laid down, some foxing; Kelly slightly faded, some wear in margins £150-200
Ð 1711
SIR HENRY RUSHBURY, RA, RWS (1889-1968) AMBERLEY CASTLE, SUSSEX (Rushbury 24) Drypoint and engraving, 1916, edition of 30, signed in pencil 18.5 x 29.5cm.; with 'Chateau Gaillard' (R. 37), drypoint, 1921, edition of 50, signed in pencil, this unframed, 20.5 x 27.5cm. (2) ++ Former with slight time staining; latter needs a light clean £200-300
Ð 1712
WILHELMINA BARNS-GRAHAM, CBE (1912-2004) MILLENNIUM SERIES: BLUE Screen print, 2000, printed by Graal Press (and with their blindstamp), signed, dated and numbered 47/75 23.5 x 30cm. ++ Good condition; float mounted £350-450
Ð 1713
TRACEY EMIN, RA (b.1963) GO FORWARD Polymer gravure, 2013, signed, titled and dated, with number 173/200, unframed 22.5 x 21cm.
* To be sold for the benefit of Ferne Animal Sanctuary, Chard, Somerset ++ Good condition £150-200
Ð 1714
GRAHAM CLARKE (b.1941) HISTORY OF ENGLAND, PART 1: ALBERT ALL; CANTER'S CHAUCERBURY; D'ARTHUR; DUNROAMIN'; FIREWORKERS; GOING WEST; GOOD LORD!; HASTINGS JOB; JOLLY GOOD ROBIN HOOD; HAMPTON TENNIS COURT; MEN OF KENT; READY SIR?; ROMANS DO; RUFUS SPRATLING CHRONICLE; STEAMERS; WATERLOO VOLUNTEERS; THE WOODEN 'O' Eighteen, coloured etchings, 1985-1986, the 'Portfolio Edition', each signed, titled and numbered 29/200, printed by Ebenezer Press, published by Christies Contemporary Art and Alex Gerrard Fine Art, with accompanying texts for 12 of the subjects Each image 43 x 34.5cm. (19) ++ Good condition £2000-3000
|
|
|
AFTER ALEXEJ VON JAWLENSKY (1864-1941) TETE DE FEMME (MEDUSE) Bears a signature, watercolour 26 x 19.5cm.
* After the original oil, 1936, 42 x 34cm. (Musee des Beaux Arts, Lyon) Provenance: London, Brook Street Gallery (label verso) ++ Good condition £50-100
Ð 1716
RALPH THOMPSON, MBE (1913-2009) ZEBRA MARE AND FOAL Signed (legible but slightly smudged), watercolour and gouache 48 x 38cm. Provenance: London, The Tryon Gallery Ltd; John Aspinall; by whom given to the vendor ++ Good condition £200-300
Ð 1717
WALTER ERNEST WEBSTER (1878-1959) THOUGHTS FROM AFAR Signed, watercolour 53.5 x 39.5cm. ++ God colour; a little foxing £400-600
|
|
|
THERESE LESSORE (1884-1945) THE THINKER Signed and dated 1921, watercolour and pencil 22 x 19cm. ++ Time staining and slight fading £200-300
Ð 1719
ALEXANDRE ISTRATI (1915-1991) UNTITLED ('GOUACHE 1960') Signed, gouache with pen and black ink on nacreous paper 26 x 27cm.; with a charcoal nude study by MM, 59.5 x 87cm.; an abstracted figure study, ink and brush with pencil and incised line, 78 x 93cm.; and an 'Op Art' design in silver paint, signed indistinctly, 32 x 32cm. (4) Provenance: (Istrati) London, The Hanover Gallery, purchased by M. Corioq ++ Istrati laid down, needs a clean; others good £200-300
Ð 1720
KENNETH MAHOOD (b.1930) “DON'T WORRY IF YOU REALLY WANTED A MAN - I'M A TRANSVESTITE” Ink and wash cartoon, captioned in pencil, trimmed paper on support card Card 27.5 x 27.5cm; with eight further original Mahood cartoons relating to the Sex Discrimination Act, 1975, one signed; and a cartoon by Michael Ffolkes ('I see Bosky's license has been endorsed again'), various sizes, all unframed. (10) ++ Some slight foxing, pale spots and stains etc £400-600
Ð 1721
ERNEST GREENWOOD (1913-2009) A WHITE VILLAGE IN THE AUVERGNE Signed and dated 1984, watercolour and gouache with pen and ink, varnished 40 x 70.5cm. Provenance: London, Bankside Gallery ++ Good condition £120-180
Ð 1722
DAVID WILLIAM GENTLEMAN (b.1930) THE WELLINGTON ARCH, BY HYDE PARK, LONDON Signed, watercolour with pen and ink 35 x 49.5cm. ++ Good condition £150-200
Ð 1723
ARTHUR HENRY KNIGHTON-HAMMOND (1875-1970) BROOKLYN BRIDGE Watercolour and pencil 49 x 73cm. ++ Generally good condition; needs a light clean £250-300
Ð 1724
ERIC 'DICK' STURGEON (1920-2001) A VRAICKING TEAM Signed, watercolour and pencil 47.5 x 68cm. ++ Good condition £200-400
Ð 1725
ERIC 'DICK' STURGEON (1920-2001) CLOVELLY Signed, watercolour and pencil 47.5 x 63.5cm. ++ Good condition £400-600
Ð 1726
KEITH A. JORDAN (20th Century) LA COUVERTOIRDE; ST LEONARD DE NOBLAT (HAUTE VIENNE); MAMERS (SARTHE) Three, each signed, watercolour and pencil The largest 50.5 x 66.5cm.; and a print after the same artist. (4) Provenance: (the first two) London, Langton Gallery Ltd, c.1976; each but the print also with Gallery 20, Brighton ++ Good condition; print faded £150-200
Ð 1727
EDWARD WESSON (1910-1983) SNOW OVER EAST CLANDON; WILTSHIRE HARVEST A pair, both signed, watercolour Each 32 x 49cm approx (2) ++ Good condition £300-500
Ð 1728
GORDON MANSELL (20th Century) STUDY; CRASHED HURRICANE, c.1941, FROM MEMORY, 73; CRASHED HURRICANE, c.1940, 74; (CRASHED HEINKEL BOMBER); CRASHED HEINKEL HE111, c.1940; CRASHED HURRICANE NIGHT FIGHTER, c.1940, ARTIST PROOF, II STATE; CRASHED HEINKEL HE111, c.1940, 4th STATE PROOF WITH CHALK, 74 Six, five signed, inscribed and dated; watercolour, pencil or coloured crayon, the last two are lithographs, all c.1973-1974 The largest 77.5 x 98cm. (6) Provenance: purchased from an auction of items from the Richard Shuttleworth Collection, Bedfordshire ++ Good condition £150-250
Ð 1729
JOHN SKEAPING, RA (1901-1980) NECK AND NECK Signed and dated 67, watercolour, varnished 71.5 x 53.5cm. Provenance: The family of the artist ++ Slight time toning in the paper £400-600
Ð 1730
JOHN SKEAPING, RA (1901-1980) BEFORE THE START Signed in pencil, watercolour 45.5 x 73.5cm. Provenance: The family of the artist ++ Good condition £400-600
Ð 1731
ITHELL COLQUHOUN (1906-1988) HILL FOREST, 1971 Signed with monogram and dated 71, collage (self adhesive labels) on orange card 22.5 x 20cm.
* This work is listed on the website for the artist (www.ithellcolquhoun.co.uk) ++ A few small areas of superficial damp/mildew marks £300-400
|
|
|
GEORGES ANATOLIEVICH POGEDAIEFF (1899-1971) COSTUME DESIGN FOR A FEMALE FIGURE Signed with Russian monogram, watercolour over pen and ink 34.5 x 22.5cm. Provenance: Cambridge, Magdalene Street Gallery, October 1968. Two other drawings by the same artist with the same provenance were sold at Sothebys, July 18th, 1968 as lots 57 and 58. ++ Some handling marks and time staining; some foxing; slightly faded £2000-4000
Ð 1733
DAVID MORGAN (b.1964) PATH TO A DISTANT VILLAGE Signed, oil on canvas 44.5 x 59.5cm. Provenance: Exexter, Fred Keetch Ltd, from whom purchased April 1991 ++ Very good condition £100-200
Ð 1734
TED DYER (b.1940) SUMMER EVENING, HELFORD Signed, inscribed with title on stretcher, oil on canvas 75 x 75cm Provenance: Falmouth, Beside The Wave Gallery, 'Cornish Colours' Exhibition, from whom purchased September 2000 ++ Very good condition £300-500
Ð 1735
GEORGE FAGAN BRADSHAW (1887-1960) NORTHERLY GALE Signed, oil on canvas 75 x 99cm. Exhibited: possibly The Society of Marine Artists (label on stretcher) ++ Good condition; period gilt frame £200-300
Ð 1736
HELEN TABOR (b.1960) FARM TRACK Signed, oil on board 33 x 45cm.; with another, a still life, acrylic on card, by the same hand, 27.5 x 25cm. (2) Provenance: Bristol, Affordable Art Fair, May 2009, 2010 ++ Good condition £100-200
Ð 1737
HELEN TABOR (b.1960) AFTERNOON NAP I Signed, oil on canvas 49.5 x 49.5cm. Provenance: Aldeburgh, Thompson's Galleries ++ Good condition £100-200
Ð 1738
TED DYER (b.1940) CHILDREN WITH KITES, DURGAN Signed, inscribed Durgan on overlap, oil on canvas 44.5 x 60cm. ++ Good condition £200-300
Ð 1739
ROWELL TYSON (b.1926) ST. MARGARET'S BAY Signed and dated 49; signed TYSON verso, also signed and inscribed on a label verso, oil on canvas 50 x 76cm.
* The bay is at Cliffe, between Deal and Dover in Kent. ++ Good condition; needs a light clean £300-500
|
|
|
AFTER CLAUDE MONET (1840-1920) LES MEULES Bears a signature, oil on canvas 60.5 x 101cm. ++ Good condition £200-300
Ð 1741
MORRIS MEREDITH WILLIAMS (1881-1973) BUILDING THE HAYRICK; A SHADY RIVER Two, oil on board Each 31.5 x 39cm. approx. (2) ++ Each needs a very light clean only £120-180
Ð 1742
CAMILLE MATISSE (Fl.c.1930-1970) STILL LIFE OF A VASE OF CHRYSANTHEMUMS Signed, oil on canvas 51.5 x 41cm. ++ Unlined; generally good condition £200-300
|
|
|
LUCIEN MIGNON (1865-1944) STUDY OF PINK ROSES Signed, oil on canvas board 26.5 x 36.5cm.
* Mignon studied under Jean-Leon Gerôme but, in later years, he developed a close friendship with Renoir at Cagnes. Mignon's flower subjects and some of his figure groups show the strong influence of his friend and mentor. ++ Some scattered retouching; signature slightly strengthened £400-600
Ð 1744
DEMETRE DE BEREA (1908-1975) STILL LIFE IN AN INTERIOR Signed, inscribed indistinctly and dated 50, oil on canvas 45.5 x 37.5cm. ++ Good condition £200-300
Ð 1745
CHRISTINE NISBET (1902-1990) 'TWENTIETH CENTURY 1b': ADAM AND EVE Signed, bears typed label on stretcher, oil on canvas, lath frame 101 x 76cm. ++ Good condition £150-200
Ð 1746
ADRIENNE DEAK HENCZE (1890-1956) RECLINING NUDE Signed, oil on canvas 48.5 x 68.5cm. ++ Some craquelure £250-300
Ð 1747
JOHN CHRISTOPHOROU (b.1921) PORTRAIT D'UN ANGE 1989 Signed and dated 89; also inscribed with title and dated 1989 verso, oil on canvas 130.5 x 97cm. Provenance: Collection of Sir Michael Culme Seymour Bt. (1909-1999) ++ Some bloom; needs a clean £500-800
Ð 1748
J. ALFONSO TOFT (1866-1964) RIVER LANDSCAPE SCENE Signed, oil on canvas 49.5 x 59.5cm. ++ Good condition; needs a light clean; the frame boldly carved with leaves £400-600
|
|
|
J. ALFONSO TOFT (1866-1964) MISTY LANDSCAPE VIEW Signed, oil on canvas 45 x 60cm. ++ Generally good condition; some incipient flaking in sky; one or two small flaked losses; the frame boldly carved with leaves £400-600
|
|
|
BARRY CRAIG (1902-1951) DOUARNENEZ, 1946 Signed, also signed and inscribed verso, oil on board 50 x 67.5cm. Exhibited: London, New Art Centre, 1987 (from the artist's family; purchased by Gordon Apsion); London, Thomas Agnew & Sons Ltd ++ Good condition £400-600
|
|
|
TOM MOSTYN (1864-1930) ROMANCE Signed, oil on canvas 49.5 x 67cm. Provenance: London, The Fine Art Society Ltd, February 1950 ++ Needs a light clean; generally good condition £1500-2000
Ð 1752
LAURENCE BIDDLE (1888-1968) A BOWL OF BLOOMS Signed and dated 55, oil on canvas laid on board 34.5 x 52.5cm. ++ A littler scattered retouching, principally at the edges £800-1200
|
|
|
RICHARD HAYLEY LEVER (American, 1876-1958) BOATS AT ST IVES Bears a signature, also bears signature and inscription verso, oil on canvasboard 24.5 x 30.5cm. ++ Impasto slightly flat; needs a clean £1500-2000
|
|
|
JULIUS OLSSON (1864-1942) A STILL NIGHT Signed, oil on canvas 60 x 74.5cm. ++ Lined; replaced stretchers; associated retouching £1000-1500
|
|
|
KEVIN 'PRO' HART (Australian, 1928-2006) BATTLE ON THE DIGGINGS Signed PRO HART (incised), inscribed with title verso, oil on masonite 59.5 x 59.5cm. ++ Needs a light clean £1500-2000
|
|
|
TADEUSZ MAKOWSKI (1882-1932) STREET MUSICIANS Signed, a small sketch of the subject verso, oil on board 28.5 x 21cm. Provenance: The property of a Polish aristocrat; from whom acquired by the vendor's father in c.1935-1938 when he was an attache in arms procurement and intelligence at the Polish Embassy in Paris. ++ Needs a clean; the surface slightly rubbed £4000-6000
Ð 1757
GERALD LESLIE BROCKHURST, RA (1890-1978) MAUREEN Signed, bears inscription verso “Maureen”/ Ireland - 1916 Painted age 23 years, oil sketch on panel 49.5 x 38.5cm. ++ Good condition £2500-3500
|
|
|
AMBROSE McEVOY (1878-1927) PORTRAIT OF A LADY IN PROFILE Signed, oil on canvas 56 x 46cm. ++ Lined; needs a light clean £1500-2000
Ð 1759
MARY NEWCOMB (1922-2008) MAD PRINCE WITH OAK APPLES Signed and dated 72; also signed, inscribed with title and dated verso, oil on masonite 26 x 26.5cm. ++ Grazes at left and upper centre £1500-2000
Ð 1760
EDWARD SEAGO, RWS (1910-1974) THE ALKMAAR CANAL, AMSTERDAM Signed, oil on board 50 x 64.5cm. Provenance: London, R. & D. Colnaghi; Toronto, Laing Galleries, whereat purchased by Major R. A. Lyons, MC, DCM, May 1954; thence by descent until 2010; Private Collection, England ++ Good condition £10000-12000
| The South West Heritage Trust, Lots 1761-1793 | The South West Heritage Trust is to create an exhibition and publication on the Camden Town Group and their work on the Blackdown Hills. The exhibition will include works by Spencer Gore, Charles Ginner and Robert Bevan. 'The Camden Town Group in the Blackdown Hills' is being curated by Dr. Denys Wilcox and Richard Emeny and will run from 5th March 2017-11th June 2017 at The Museum of Somerset, Taunton. Lawrences is waiving its commission and donating the proceeds from the sale of the following 34 lots to fund the development of this exhibition which celebrates a very significant moment in the art of the West Country. All the lots have been donated from various sources and are offered without reserve.
Ð 1761
ANDRE ALBERT MARIE DUNOYER DE SEGONZAC (1884-1974) THE SENTRY Signed, signed and dated 19 15.5 x 10cm approx (bevelled plate) ++ Good condition £40-80
Ð 1762
AFTER PABLO PICASSO (1889-1973) HOMME COUCHE ET FEMME ASSISE (23.8.42) Photogravure, bears signature in green gouache, numbered 67/250 40.5 x 51cm. ++ Time-toning of paper, mounted to image £100-200
Ð 1763
GARNET RUSKIN WOLSELEY (1884-1967) A VASE OF FLOWERS Signed, watercolour and pencil 35.5 x 27cm.; with a watercolour of moored boats by M. Fasken, 27.5 x 34.5cm. (2) ++ Wolseley with a little foxing; Fasken foxed £50-70
|
|
ALBERT GOODWIN, RWS (1845-1932) CLOVELLY Signed with monogram and dated 86, inscribed Clovelly, watercolour and black ink, heightened with pastel 15.5 x 22.5cm. Provenance: Henley in Arden, The Chadwick Gallery ++ Good condition £300-400
|
|
|
ARTHUR CLAUDE STRACHAN (1865-1929) CHURCH STEPS, MINEHEAD Signed, watercolour and bodycolour 35.5 x 26cm. ++ A little faded, notably in the sky £200-300
|
|
|
CHARLES TOPHAM DAVIDSON (b.1848, fl.1870-1902) SHEEP RESTING AT EARL SOHAM, SUFFOLK Signed, watercolour and pencil 31 x 48cm. ++ Needs a light clean £120-180
|
|
|
GEORGE CHARLES HAITE (1855-1924) A BOSHAM SKETCHBOOK, 1888 now containing approx. 27 leaves of studies of buildings, boats, figures etc, most double sided, some inscribed and/or dated, all but one executed in pencil 12 x 20cm. ++ Fair; some wear, handling marks etc £60-100
Ð 1768
ELSPETH BUCHANAN (1915-2011) A LARGE FOLIO OF WATERCOLOURS, PASTELS AND DRAWINGS, c.1936-1950 the subjects to include many life studies and portrait studies, landscapes, still lifes, a few animal studies, a gouache of an ice cream seller, 44.5 x 57.5cm [see illus], some signed and/or dated (folio) ++ Some a little worn or creased etc; most in fairly good condition £150-300
|
|
|
MARGARET HUBBARD (Fl.c.1951-1971) BOMBED BUILDINGS A carefully produced volume of neat handwriting assessing the damage to, and rebuilding of, some of London's landmarks damaged during the War (18 sides of manuscript), with a drawing or watercolour on the facing page (16 in total), deckle edges, velour covered binding, 4to ++ Gum stains; generally good and clean £100-150
|
|
|
BERNARD SICKERT (1863-1932) CHURCH INTERIOR Signed, watercolour with pen and ink 31.5 x 27cm.; with four further assorted pictures and prints by various hands. (5) Provenance: (Sickert) Nether Stowey, The Court Gallery ++ Good condition £80-120
Ð 1771
FIVE DRAWINGS to comprise 'Figure Studies' by Viola Paterson, pencil, 16 x 20.5cm.; 'Street Scene, Ilchester' by Roland Batchelor, ink and wash, 17 x 23.5cm.; 'Cannes' by Charles Cundall, watercolour and pencil, 15.5 x 24.5cm.; 'Quite Optional' by Adrian Hill, signed, charcoal, 19 x 25cm.; and 'Trees' by Frank Runacres [see illus], ink and wash, 25 x 38cm.; all unframed (5) Provenance: all Edinburgh, Louise Kosman ++ Good condition £100-200
Ð 1772
PIERRE MARRAST (b.1900) COMPOSITION FUTURISTE Pencil 25 x 20.5cm. ++ Paper time-stained; needs a light clean £80-120
|
|
