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JEAN BAPTISTE CLAUDE CHATELAIN (1710-1758) & THOMAS BOWLES (c.1695-1767) A VIEW OF CONSTITUTION HILL, BUCKINGHAM HOUSE &c; A VIEW OF COVENT GARDEN, LONDON; A VIEW OF CLIEFDEN HOUSE, IN BUCKINGHAMSHIRE; A PERSPECTIVE VIEW OF THE BOWLING GREEN &c AT GUBBINS IN HERTFORDSHIRE Four, engravings with hand colouring, all mid-18th Century, period frames 24.5 x 43cm. and slightly smaller (4) ++ Some soiling, small tears in margins etc; generally good £200-300
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DOMINICUS CUSTOS (d.1615) EITEL FRIEDRICH II, HOHENZOLLERN COUNT OF KUPFER; AND FIVE SIMILAR SUBJECTS Engravings with later hand colouring, after Giovanni Battista Fontana, published Innsbruck, c.1601 Each 42.5 x 29cm. (6) ++ Good condition; one with a few spots of mould; modern matching frames £300-400
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WILLIAM HOGARTH (1697-1764) THE HUMOURS OF AN ELECTION: AN ELECTION ENTERTAINMENT (pl.1); CANVASSING FOR VOTES (pl.2) Two, from the set of four, engravings by the artist or by C. Grignion, published 1757 Each 40 x 53.5cm. (2) ++ The former good; the latter with foxing £100-200
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GIOVANNI BATTISTA PIRANESI (1720-1778) DEDICATION TO POPE CLEMENT XIII (from 'LAPIDES CAPITOLINI..') Etching, 1762 49.5 x 34.5cm.; with a mezzotint of 'The Bradshaw Children', by V. Green after Joseph Wright of Derby, 1769, 43.5 x 37cm. (2) ++ Piranesi generally good, some time toning and pale marks; Wright mounted to image on three sides £150-200
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AFTER ANTON RAPHAEL MENGS (1728-1779) (VATICAN FRIEZES) Two, engravings by D. Cunego after designs by C. Espinosa, with later hand colouring, published c.1783 Each 37.5 x 83cm.; with two engravings of decorated urns with later hand colouring, probably after Sir William Hamilton, 47 x 32.5cm. (4) ++ Images good; the former pair with some pale stains in margins; each pair in modern matching frames £200-300
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JAMES ABBOTT McNEILL WHISTLER (1834-1903) RAG PICKERS, QUARTIER MOUFFETARD, PARIS (Kennedy 23) Etching, c.1857-1858, from Douze Eaux Fortes apres Nature ('The French Set') 15 x 8.5cm. ++ Slight time toning; a little pale foxing £150-250
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AFTER DAVID ROBERTS, RA (1796-1864) THE CITADEL OF JERUSALEM (pl.24) Tinted lithograph, by L. Haghe, from the first edition, published by G. F. Moon, 1841/2 32 x 49cm. ++ Slight water marks in margins on right and left £100-200 B 1508. THOMAS DANIELL, RA (1749-1840) ORIENTAL SCENERY: TWENTY FOUR VIEWS IN HINDOOSTAN - PART OF CHERINGHEE, CALCUTTA (part 2; pl.VI) (Abbey Travel 420, no.32) Aquatint with hand colouring by T. and W. Daniell, published by the artist, 1798 42.5 x 60cm. ++ Faded; needs a light clean; slight time-toning; not laid down £300-500
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MANNER OF FRANCIS BARLOW (1624-1704) ANIMALS NEAR NOAH'S ARK Charcoal with coloured chalks or wash 50.5 x 61.5cm. ++ Foxing and some stains; needs a clean £100-200
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ATTRIBUTED TO *** ROSALBA (Fl.c.1821) THE MACKINNON CHILDREN WITH A DOG AND A CAT Watercolour over traces of pencil 44 x 54.5cm.
* An old label verso reads: a Sketch of/ Wm Ar Mackinnon/ L. B. Mackinnon/ E. M. Mackinnon/ L H. Mackinnon/ Taken by Rosalba/ the 1st of March, 1821/ at Milbrook by desire/ of their Aunt DuPont Provenance: By descent in the family of the sitters ++ A little fading and foxing £200-300
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ENGLISH SCHOOL, Circa 1860-1880 MARINE SUBJECTS Two, each signed or initialled indistinctly (G. C.?)and dated indistinctly, watercolour with pen and ink 21 x 29cm and 20 x 30cm. (2) ++ Each with staining, foxing, fading £50-80 B 1512. HENRY ALKEN (1785-1851) HUNTSMAN AND A HOUND; A CHALLENGING DITCH Two, watercolour and pencil 24 x 33cm. and 26 x 36.5cm. (2) ++ Each needs a light clean; the latter with some fading £300-500
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FRENCH SCHOOL, Circa 1700 A SHEET OF STUDIES OF THREE TULIPS Watercolour and bodycolour 35.5 x 23.5cm. Provenance: Sothebys Amsterdam, June 16th 1998, lot 115 Illustrated: Anna Pavord, 'The Tulip' (Bloomsbury 1999), p.200 ++ Old soiling; soft creases and handling marks; one or two small tears at sheet edges £400-600
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JAMES HOLLAND (1800-1870) FLOWER STUDIES Two, both signed, dated 1827 and 1828, watercolour vignettes Each 14 x 19cm approx (2) ++ Some slight foxing and pale damp stains; images good £100-200
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WILLIAM LEIGHTON LEITCH, RWS (1804-1883) THE S. MARIA DELLA SALUTE, VENICE Signed and inscribed Venice, watercolour and pencil 14 x 27cm. ++ Needs a light clean £600-800
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AFTER SIR THOMAS LAWRENCE, PRA (1769-1830) PORTRAIT OF JANE, LADY MUNRO (c.1790-1850) Watercolour and pencil 72 x 48.5cm.; with a watercolour of 'An Interpretation of Turner' attributed to Hercules Brabazon Brabazon, 16.5 x 24cm. (2)
* The prime version of the portrait of Lady Munro was painted in c.1826; the Brabazon was in Christies' Studio Sale in 1927 and at Phillips in London in July 1998 ++ Each faded and/or foxed and discoloured £120-180
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EDWARD DUNCAN, RWS (1803-1882) CUTTING ICE IN WINTER Signed and dated 1848, watercolour and pencil 32.5 x 49.5cm. ++ Faded; surface a little rubbed £250-350
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FRANCIS NICHOLSON (1753-1844) THE SPA AND SOUTH BAY, SCARBOROUGH Watercolour 28.5 x 40cm. ++ Good condition £500-700
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CIRCLE OF HENRY ROBERT MORLAND (1716-1797) A SLEEPING GIRL Pastels 37 x 44cm. ++ A little surface dirt; period gilt frame £800-1200
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CARL HAAG (1820-1915) GOATHERD AND HER FAMILY ON THE ROMAN CAMPAGNA Signed and dated 1852 (incised), watercolour 53 x 73cm. ++ Some pigment discolouration (eg fleshtones); some fading; needs a clean £700-900
| Property From The Collection Of The Late William Young Carman, FSA, FRHS (1909-2003), Lots 1521-1529 | Lots 1521 to 1529 are from the collection of the distinguished military historian, the late William Young Carman, FSA, FRHS (1909-2003). Carman nurtured a keen interest in the subject from the 1930's and, after service with The Essex Yeomanry during the War, he joined the staff of the Imperial War Museum in 1950, subsequently becoming Deputy Director of the National Army Museum at The Royal Military Academy, Sandhurst (later at Chelsea) until he retired.
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A FOLIO OF VARIOUS COSTUME AND UNIFORM PRINTS to comprise examples in various media by or after H. Bunbury, J. Green, W. Heath, H. Martens, R. R. Reinagle, C. Vernet, E. Walker [see illus] and many others, including c.42 small Ackermann subjects, many coloured, principally 19th Century (folio, approx. 90) Carman made and sold his own flat and solid model soldiers and was considered a leading expert in military uniforms of the 18th- and 19th Centuries. He contributed many articles on the subject to the Journal of the Society for Army Historical Research. Amongst his numerous publications, he wrote 'Richard Simkin's Uniforms of the British Army: The Cavalry Regiments & The Infantry Regiments', 'British Military Uniforms from Contemporary Pictures', 'The Ackermann Military Prints: Uniforms of the British and Indian Armies 1840-1858', 'Light Horse and Mounted Rifle Volunteers', 'Indian Army Uniforms', 'Uniforms of the Foot Guards from 1661 to the Present day' and 'Headdress of the British Army'. ++ Mixed; fair overall; many with noticeable wear £200-400
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A FOLIO OF VARIOUS PRINTS, SOME ON A MILITARY THEME to comprise examples in various media by or after R. Dighton, W. Heath ('Grand Review in Hyde Park', see illus), W. Hogarth and others, some coloured, one framed (folio, approx. 20) ++ Generally only fair; some poor £80-120
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A FOLIO OF VARIOUS BATTLE AND MILITARY PRINTS to comprise examples in various media by or after P. Decker, H. Martens, J. Rigaud, W. Simpson, R. Westall, W. H. Pyne, 'Military Evolutions..' by C. Ziegler after Gessner and many others, to include some Battle of Waterloo subjects [see illus], many coloured (folio, approx. 40) ++ Mixed; many trimmed; larger subjects worn; generally fair/good £200-400
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A FOLIO OF 20th CENTURY MILITARY WATERCOLOURS & DRAWINGS to comprise works by or attributed to E. C. Booker, G. Brennan, E. A. Campbell, W. Y. Carman, B. Foster, E. Ibbetson, H. Payne [see illus], G. Woodbridge and others, most depicting uniforms (folio, approx. 25, with two of Carman's books on uniforms) ++ Generally good; a few with foxing etc £200-400
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ANGLO-INDIAN SCHOOL, EARLY 19th CENTURY SOLDIERS OF THE INDIAN ARMY Ten, a few inscribed in faint pencil ('Tippoo .../ of the Body Guard' [see illus], 'Belonging to Tippoo/ Soldier', 'Bengal Seapoy', 'One of Tippoo's Soldiers', 'An attendant of the Rajah of Tanjore', 'Free Booter or common booty', 'Tippoo's body guard', 'Soldier of Tippoo' and 'an Hindoostan Seapoy/ or/ Matchlock Pion'), and one photo of a similar subject, all unframed Mounted to show as 38 x 22cm or slightly smaller; or as 31 x 19cm approx. (11 items) ++ A little worn and grubby at sheet edges; images generally good; pale staining £500-800
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A GROUP OF ASSORTED FRAMED WATERCOLOURS & PRINTS to comprise a few military subjects by H. Martens, G. Heath ['2nd Life Guards, Waterloo', 44.5 x 31cm, see illus] and others; figures in a church interior in the style of Louis Haghe, a lithograph of St Paul's by T. S. Boys and other military prints by or after J. A. Atkinson, R. Dighton, T. Rowlandson, G. Walker and others, various sizes (16) ++ Mixed; generally fair-good but prints with some foxing and stains etc £200-300
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A FOLIO OF MILITARY WATERCOLOURS & DRAWINGS to comprise works by or attributed to J. M. Atkinson, W. Heath, R. Simkin (8, see illus) and others, including an unascribed ink drawing of 'Our encampment at/ Scutari B. Battery June 1st 1854/ Taken from my tent Tight division only seen', this 25 x 40cm; various sizes (folio, approx. 19, with two of Carman's books on Simkin's work) ++ Mixed; generally fair-good £300-500
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HENRY MARTENS (1828-1860) THE 4th (QUEEN'S OWN) LIGHT DRAGOONS: OFFICER IN FULL DRESS Signed with initials, oil on canvas 29.5 x 24.25cm. Provenance: London, Tryon Gallery, from whom purchased February 2003 ++ Lined; some associated retouching £500-700
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ORLANDO NORIE (1832-1901) AN INTERESTING GROUP OF WATERCOLOURS to comprise 'Regimental Staff', 29 x 45cm.[see illus]; Officers at a Camp, 28 x 40cm.; 7th Hussars, 20 x 16cm.; Royal Artillery, c.1875, 17.5 x 16cm.; Royal Engineers Officers, c.1876, 25.5 x 21.5cm.; and another of a mounted officer, attributed to Norie, 27 x 21cm., each but the last signed, one unframed (6) Provenance: some with Tryon Gallery and Malcolm Innes, London ++ Some fading, mat staining etc; generally good £500-800
| Property From A Private Collection, West Country Lots 1530-1538 | |
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A COLLECTION OF SATIRICAL CARTOONS The trenchant humour exacted by the French upon the English with considerable 'ton d'ironie', ridiculing their gluttony, their social graces (or lack thereof) and customs, the 'family', their love of fashion and high self regard; titles to include Le Supreme Bon Ton (3), La Famille Anglaise au Museum a Paris, Le The Anglais, Rencontre d'Anglais a la Promenade, Camp des Anglais, Famille Anglaise en Voyage, Les Epoux Anglais a Paris, Graduation de la Famille Anglaise [see illus], Les Anglais chez le Restaurateur a Paris, Les Dames Anglaises apres-dine [see illus], Voila les Anglais! Quelles Drolles, various French artists and publishers, none dated but all c.1800-1810, various sizes, all framed (12) ++ Generally fair-good £500-800
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JAMES GILLRAY (1756-1815) THE BRIDAL NIGHT Etching with hand colouring, published by H. Humphrey, 1797 28.5 x 44cm.; with 'The Kitchen of a French Post House', etching by H, Bunbury, 1771, 38 x 41.5cm.; and 'An Early Lesson of Marching' by Thomas Rowlandson, 20.5 x 33.5cm. (3)
* The Gillray subject lampoons the wedding of The Princess Royal and The Prince of Wurttemberg on May 17th 1797. The etching was published on the day after the wedding itself. ++ Gillray a little grubby with a few tears in the margins; the others stained with other small damages £200-400
Ð 1533
LEWIS BAUMER (1870-1963) CHARITY; 'I SAY! THIS BOTTLE'S CORKED!' Two, both signed, pen and ink with pencil captions beneath 19.5 x 27.5cm. and 21.5 x 34cm.; with a pastel drawing of a knight lancing King John, signed JG, c.1880, 23 x 15.5cm.; a watercolour of two sportsmen espying a bird to shoot, signed indistinctly, c.1900, 36 x 30.5cm; and an ink and watercolour drawing of 'Two Soldiers', indistinctly signed, c.1910, 40 x 23cm. (5) ++ Baumers a little grubby and foxed; 'King John' good; 'Sportsmen' grubby and a little stained; 'Soldiers'rubbed and time stained £200-400
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WILLIAM FLETCHER THOMAS (Fl.1890-1907) SKATING: AN ILLUSTRATION FROM ALLY SLOPER'S HALF-HOLIDAY, MARCH 8th 1902 Signed, also signed and inscribed on a label verso, pen and ink, unframed Sheet 30.5 x 26.5cm. ++ Some light-staining; a little foxing and fading £150-250
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GEORGE DU MAURIER (1834-1896) THE 'YOUNG GENIUS' AND HIS MOTHER Pen and ink and pencil 15 x 23cm.; with a monogrammed drawing by Charles Samuel Keene of 'Ploughing the Main', 19 x 29cm.; and a drawing of a 17th Century soldier by Ernest Crofts, stamped, 26 x 18.5cm. (3) ++ Du Maurier and Crofts good; Keene a little faded, light-stained and foxed £150-250
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SYDNEY HERBERT SIME (1867-1941) MORE BIRDS OF A FEATHER Signed, charcoal and white gouache 49 x 34cm. Published: The Idler, March 1896 Illustrated: 'Sidney Sime' by Simon Heneage and Henry Ford, London, 1980 Provenance: Godalming, Potter Books Ltd. ++ Good condition £500-800
Ð 1537
F** W** ILLINGWORTH (Fl.c.1914) THE PRIEST AND THE EAGER GIRL Signed, watercolour with pen and ink 24 x 18cm.; with an ink illustration by John Kettlewell for Manon Lescaut, 1909, 33 x 20.5cm.; an ink drawing of a jolly boatman by Lady Anne Charteris, 16 x 10cm.; and an ink drawing of a lady, signed MT, c.1900, 20 x 14cm. (4) ++ All satisfactory but 'boatman' with foxing £200-300
Ð 1538
WILLIAM LEIGH RIDGEWELL (1881-1937) 'PARDON, IS THAT CORNER SEAT OCCUPIED?' 'OBVIOUSLY!' Signed, pen and black ink 33 x 22.5cm.; with a watercolour of 'The Bristlewoods' by Frank Reynolds, 32 x 24.5cm. (2) ++ Both in generally good condition £200-300
| Property From A Private Collection, London, Lots 1539-1546 | |
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RICHARD NEWTON (1777-1798) A FOLIO OF WATERCOLOURS & ETCHINGS to comprise four watercolours of 'Amusement in Winter Quarters' [see illus.], 'Farming at Windsor', four sketches of 'Xmas Boxes' and 'Seeing is Believing [see illus]'; and fifteen etchings, incl. 'Soliciting a Vote', 'An Apparition', 'The First Interview..', 'A Race on the Sands at Waymouth', 'Over Weight..', 'Contrasted Lovers', 'On a Journey to a Courtship in Wales', 'An Undertaker's Visit', 'Which Way shall I Turn Me', 'Babes in the Wood' 'Progress of a Scotsman' [see illus] and others, various sizes (19 items)
* Newton died young, well before his style had time to mature and so he is usually seen merely as a Gillray imitator. However, his work had the sort of ribald humour that complemented the mood of the other caricaturists of the late 18th Century and this lot offers an unusually good survey of his necessarily small output. His works are sometimes misattributed to G. M. Woodward, occasionally with specious signatures (see 'Seeing is Believing') ++ Some with wear, paper losses etc; generally satisfactory £500-1000
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A FOLIO OF CARTOONS & CARICATURES to comprise drawings and watercolours by or attributed to Tim Bobbin (study for 'A Disappointment' with the etching of same, 1773); Thomas Rowlandson ('A Patent Extinguisher' showing a woman snuffing out a candle with a blast of her flatus, with the aquatint of the same, c.1801, see illus.); a portrait of the comedian Charles Mathews (1776-1835); William Heath (sketch for 'A Kiss at the Congress', c.1818 and 'Signs of the Zodiac', 1826); George M. Woodward (sketch for 'The State Rocking Horse', c.1804); Henry, Edward & Charles O'Connor ('Disappointed Dandies, 1819); Henry W. Bunbury (a clever rebus); E. P. Fulcher ('Psalm Singing'); and a few other similar items, various sizes ++ Mixed condition; generally satisfactory £500-1000
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SATIRE & CARICATURE: AN INTERESTING FOLIO OF ETCHINGS etc. comprising varied and representative examples of the genre, including works by or after Tim Bobbin; Henry Bunbury; William M. Craig ('The Complete Instructor..'); George Cruikshank ('The Drunkard's Children' and 'The Bottle'), Isaac, Robert and George Cruikshank Junr; Pietro Leone Ghezzi (including a portrait of the artist, see illus.); James Gillray ('Fortune Hunting see illus.', 'A Bravura Air' [2] and 'Germans Eating Sour Krout'); C. Goodnight; S. H. Grimm; William Hogarth ('An Election Entertainment' and many others); T. Rowlandson ('Fire at an Inn'); six Vanity Fair prints of caricaturists (inc. 'Ape', Beerbohm, Dore, 'Spy' and Tenniel); Thomas M. Woodward ('The Genius of Caricature'); Four unascribed 16/17th Century Italian engravings of jesters and buffoons; and other assorted items of a similar nature, folio ++ Mixed condition, but generally good £800-1200
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JOHN NIXON (c.1750-1818) A LADY, FALLEN IN THE STREET Ink and grey wash 13.5 x 20cm.; with two caricature heads by Francesco Nenci, c.1810, 14 x 18.5cm.; and an ink drawing of two heads, formerly ascribed to William Hogarth, ex Reitlinger Collection, 12 x 7.5cm. (3) ++ Dixon satisfactory; Nenci creased where formerly folded; 'Hogarth'a fragment with glue stains £150-250 B 1543. GEORGE CRUIKSHANK (1792-1870) A DOORSTEP WOOING Signed, watercolour with pen and ink 27 x 21.5cm.; with another sheet of mainly pencil figure studies, also by Cruikshank, 20.5 x 24cm approx.; two ink drawings of Victorian folk by John Leech, 10.5 x 10.5cm and 11 x 17cm.; and three sundry pictures to include a small icon of St George (7) ++ Cruikshanks each a little grubby; Leeches with a few stains; others mixed £400-600
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SIR NATHANIEL DANCE, Bt. RA (1734-1811) AN ENCOUNTER WITH EGYPTIAN ANTIQUITY Pencil 17.5 x 31.5cm.; with an ink sketch of 'The Flirtation' by Thomas Rowlandson, 10 x 15cm.; a drawing in the style of Rowlandson of a 'disgruntled gent', 17 x 13.5cm.; and a chalk drawing in the style of James Gillray of an ugly woman, 17.5 x 13cm. (4) ++ Dance good; 'Gent' good; the others creased/stained/faded £200-300
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A FOLIO OF CARTOONS AND CARICATURES to comprise drawings and watercolours by George du Maurier ('A Private View', probably for 'Punch' see illus); Edward Tennyson Reed ('Dan Leno's Light Horse', 1902); Gordon Browne ('Sketch at a School Treat', 1895); 'Cynicus' [Martin Anderson] ('The Band of Hope', 'At Home; Abroad'); Ernest Griset (man on a rubbish cart); Edmund J. Sullivan ('Old Bone must go Outside..', 1900); Henry Ospovat (caricatures of comedian and dancer Harry Relph as Little Tich, Herbert Beerbohm Tree, James Welch and Irene Vanbrugh); Nina Hamnett ('After the Funeral', 1923); Phil May (an inscribed proof engraving of 'The Old Firm', 1897); and a German school drawing, various sizes (14 items) ++ Mixed condition; some fading, handling marks etc; generally fair-good £500-1000
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JOHN NASH (1893-1977) A WORLD OF MEN AND WOMEN Pen and black ink, laid down on support sheet Sheet 20 x 24cm. Provenance: The artist Albert Rutherston (1881-1953), his collector's stamp on the support sheet ++ Generally good; some slight time-toning £300-500
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FRENCH SCHOOL, 19th CENTURY A FOLIO OF FOURTEEN CARICATURES OF BIZARRE GENTLEMEN Watercolours 32 x 24.5cm. ++ Some damp stains, foxing, marks, a few tears etc. but colours generally good £250-350
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RICHARD SIMKIN (1850-1926) COLDSTREAM GUARDS, c.1900 & c.1910: OFFICERS, REVIEW ORDER AND UNDRESS; OFFICER, REVIEW ORDER; PRIVATE, REVIEW ORDER Three, two signed, watercolour 20 x 15cm. and two 13 x 7.5cm. approx. (3) ++ Some foxing and/or light staining £600-800
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HENRY ANDREW HARPER (1835-1900) WASHERWOMEN BY A ROCKY RIVER Signed and dated 66, watercolour and bodycolour 37 x 55.5cm. ++ One or two faint grazes £200-300
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HELEN CORDELIA COLEMAN, ARWS (1847-1884) ARUM LILY; FRESH FLOWERS Two, both signed, watercolour and bodycolour 17 x 24.5cm and 15 x 26cm (2)
* Coleman sometimes exhibited under her married name, Mrs John Angell. ++ Good condition £400-600
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ALFRED LEYMAN (1856-1933) THE BUTTER WALK, DARTMOUTH Signed, watercolour 53.5 x 36cm. ++ Some foxing £150-200
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VINCENT CLARE (1855-1930) STILL LIFE OF GRAPES AND PLUMS Signed, watercolour 16.5 x 33.5cm.; with a watercolour of a man ploughing a field, by Walter Duncan, signed, 13 x 18cm. (2) ++ Clare faded; Duncan with slight mat burn £80-120
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GEORGE MARKS (Fl.1876-1922) GOLDEN GORSE Signed, also signed and inscribed with title on artist's label on backboard 19.5 x 29.5cm. ++ Faded in the sky £300-500
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WALTER STUART LLOYD (1875-1929) MALLING CASTLE, KENT Signed, watercolour 108 x 82cm. ++ Needs a light clean; period gilt frame £200-400
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DONALD A. PATON (1879-1949) LOCH AILORT (EARLY AUTUMN) Signed (a pseudonym for Edward H. Thompson), watercolour 30.5 x 60.5cm. ++ Needs a clean; some pale foxing £300-400
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THOMAS COLMAN DIBDIN (1810-1893) THE FOUR SEASONS Four, each signed and dated (one legible as 1867), watercolour heightened with white Each 49.5 x 35.5cm.; with three further works by the same hand: figures by ruins, 1860; figures in a street, 1882; and a cart on a lane, this one unsigned, various sizes. (7) ++ Each faded and/or discoloured £200-300
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