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George Hawkins (fl. early 19th Century) - Pair of lithographs - "The South East and the East Views of Rugby School", each 8.75ins x 14.25ins, published July 1st 1817, by Geo. Hawkins, 21 Panton Street, Leicester Square, and William Day (1797-1845) and Louis Haghe (1806-1895) - Lithograph - "Ante-Chapel, Eton", 10.25ins x 8.5ins, published by T. Eigalton, Eton, July 1st 1944, all in gilt frames and glazed £150-200
Provenance: The Parker Gallery, 2 Albemarle Street, London W1
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Day & Sons after Capt. G.F. Atkinson - Twelve lithographs - Scenes of Colonial Indian Life, each 6.25ins x 8.5ins, published by Day & Sons, Lithographer to the Queen, in modern gilt frames and glazed £150-200
Provenance: Mr Ronald Daubeny O.B.E., formerly of Linton Park, Linton, Maidstone, Kent and thence by family descent
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Thomas Sutherland (fl. early 19th Century) after Henry Alken (1785-1851) - Two aquatints - "Ascot Heath - Preparing to Start" and "Ipswich - Weighing", each 8.25ins x 25.25ins, published by R. Ackermann at The Eclipse Sporting Gallery, 191 Regent Street, in grained wood gilt decorated frames and glazed £150-200
Provenance: Sir Philip and Lady Haldin, formerly of Lympne Place, Lympne, Hythe, Kent and thence by family descent
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Henry Pyall (1795-1833) after James Pollard (1797-1867) - Coloured lithograph - "Gentleman on horseback taking wine outside an Inn", 14ins x 17.25ins, published by Thos. McLean, No. 26 Haymarket, 1829 (margins cropped), and Charles Hunt (born 1806) - Coloured lithograph - "The Red Rover, Southampton Coach", 12.5ins x 19.75ins, published August 1st 1851, by B. Moss & Compy., Lemon St., Goodmans Field, both in grained wood and gilt decorated frames and glazed £200-300
Provenance: Sir Philip and Lady Haldin, formerly of Lympne Place, Lympne, Hythe, Kent and thence by family descent
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Tom Merrifield (born 1932) - Two pastel full length portraits of a ballet dancer, 25.5ins x 9.75ins, and of a dancer, 23.5ins x 7.75ins, both signed, in modern gilt moulded frames and glazed £250-400
Provenance: Wylma Wayne Gallery, Bond Street, London
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18th Century French School - Pastel drawing - Young woman seated at a table drinking hot chocolate, 15.5ins x 12ins, unsigned, in gilt moulded leaf pattern frame and glazed £500-700
Provenance: Sir Philip and Lady Haldin, formerly of Lympne Place, Lympne, Hythe, Kent and thence by family descent
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Peter Scott (1909-1989) - Two limited edition coloured prints - "Pintails Dropping in a Rush", 15ins x 17.75ins, and "Only Sixteen Geese left the Shore that Morning", 14ins x 20.75ins, published by Arthur Ackermnn & Sons Ltd, 3 Old Bond Street, London W1X 3TP, 1938 and 1941, in moulded limed wood frames and glazed £150-200
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Alfred John Munnings (1878-1959) - Limited edition coloured print - "The Drummer" – The Life Guards Drum Major on horseback, 17.25ins x 16ins, signed in pencil to lower right corner, published by Frost & Reed, 1929 £100-150
Provenance: The Tryon Gallery, 41/42 Dover Street, London, W1 (Ref. No. B.9144)
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Hugh Casson (1910-1999) - Pair of limited edition coloured prints - "Eton College - Fellows Eyot" and "Eton College - College Field", each 9ins x 12.75ins, signed in pencil, both No. 198 of edition of 650, in modern gilt frames and glazed £100-150
Provenance: Solomon & Whitehead Ltd, Lynn Lane, Shenstone, Staffordshire (No. KN 15688) published 1988
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Arthur Hogg (fl. 1913-1929) after Gabriel Metsu (1629-1667) - set of eight coloured mezzotints - 17th Century Interior Scenes, various sizes, all signed in pencil to margins, in Hogarth frames, mostly glazed £300-400
Provenance: Published by The Museum Galleries, 55 Shorts Gardens, Drury Lane, London, WC2
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H. Meyer after G.H. Harlow - Pair of engravings - "The Proposal" and "Congratulations", each 9.25ins x 7.5ins, in gilt frames and glazed £80-120
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19th Century English School - Pencil and body colour heightened in white - "The Crucifixion", 27ins x 20ins, indistinctly signed and dated 1873, in gilt frame £120-160
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Philip Boileau (1863-1919) - Charcoal and pastel drawing - "The cigarette girl", 9.5ins x 14ins, signed, in gilt frame and glazed £100-150
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Late 18th/early 19th Century French School - Pair of mezzotints - "L'Optique" - Interior scene with mother and child viewing prints, and "L'Amour Couronne" - Interior scene with two women and figure of cupid, each 21ins x 17.5ins (with some slight discolouration and foxing), in modern gilt square frames and glazed £150-250
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C. Wilkin after Sir William Beechey (1753-1839) - Engraving - Children relieving a Beggar Boy, 18ins x 15ins, published by W. Beechey, No. 8 George Street, Hanover Square, May 1st 1796, in gilt moulded and swept frame and glazed, and a copy of Kenneth Clark - "Civilisation", published by B.B.C. and John Murray, London, third impression 1969, signed by author (one red cloth volume with dust wrapper - dust wrapper torn - the book providing further background information regarding Beechey's original painting and this subsequent print) £200-300
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Thomas McClean (publisher) - An early 19th Century bound volume of hand coloured satirical prints - "The Looking Glass or Caricature annual, 1836. Vol 7.", containing a series of four lithographs for each month of the year (1 sheet missing for the months of August and December) £200-300
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Late 18th Century English School - Coloured engraving - "The Recruiting Party" with patriotic song, published 1st March 1796, by Lauie & Whittle, 53 Fleet Street, London, 13.75ins x 10ins, framed and glazed £200-300
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A. R Burt after Thomas Baxter - Coloured engraving - "Britannia crowning the bust of our late hero Lord Nelson", published December 5th, 1805, by A.R. Burt, 18, St John's Lane, Clarkenwell, 18.75ins x 14.5ins, in gilt moulded frame and glazed £200-300
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19th Century School - Five coloured engravings of Napoleonic interest - "Prise d'Alexandrie", "Siege de Toulon", "Reddition de Madrid", "Camp de Boulogne", and "Alliance avec la Republic de St. Marin", each 5.75ins x 8ins, and six others of Napoleonic interest, various, all framed and glazed £200-300
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Robert Henry Smith (19th/20th Century) - Six etchings - "The Homeward Bounder", "A Haunt of Ancient Peace", "The Mill on the Ridge", "Craft at their Moorings at Brixham", "A Peep at Lincoln" and "Boats Underway off Leigh", each 6.5ins x 9ins and 8.25ins x 10.25ins, signed in pencil in margins, all unframed (in folio) £80-120
Note: Printed label to each gives details of artist's work and edition as "Strictly Limited"
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Edward Jackson Stodart (1879-1929) after William Hogarth (1697-1764) - Three coloured stippled engravings - "Chairing the Members", "Canvassing" and "The Polling", each 14ins x 18.5ins, published 1933 by The Museum Galleries, 55 Short's Gardens, Drury Lane, London WC2, signed in pencil to margins, in gilt frames and glazed £80-120
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Antoine Calbet (1860-1944)- Pair of coloured etchings- Reclining female figures, each 10.5ins x 13.25ins, signed, in wood frames and glazed £150-200
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Louis Wain (1860-1939) - Ink and watercolour - Head of Newfoundland dog, 7ins x 6.5ins, signed (unframed) £450-600
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Edward Duncan (1803-1882) after C. Henderson - Coloured mezzotint - "Returning from Ascot Races", 14.75ins x 32.75ins (unframed) £80-120
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Late 19th/early 20th Century coloured lithograph - "The Army and Navy" - A conversation between Wellington and Nelson, 23.75ins x 16.5ins, framed and glazed £70-100
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A. W. (?) (18th Century School) - Pen and watercolour - Estate Plan - "A Mapp of Two Farms in the Parish of Yalding, Kent, plain described in the year 1702", 24ins x 28.5ins (faded and stained), in later oak frame and glazed £300-400
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Alexandre Colin (1798-1875) - Two pencil drawings - Figure and head studies, 8.5ins x 11.25ins, and study of a peasant woman, 7ins x 3.5ins, both with red stamps, framed and glazed £100-150
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Alfred Dehodeucg (1822-1882) - Charcoal drawing - Standing figure study with face turned away, 8.5ins x 5.75ins, in gilt frame and glazed £120-160
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Paul Gouvarni (1806-1866) - Pen, brush, watercolour and gouache - Study of a standing figure, 11.5ins x 7.25ins, signed, in gilt frame and glazed £100-150
Note: Typed label to verso gives details of artist and subject - "Une Masque, vous de Dos" and in ink "Probably for Carnaval 1847"
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John Stanton Ward (1917-2007) - Artists proof etching - "Piazzella San Marco, Venezia", 15ins x 22.5ins, signed in pencil to margin, in modern gilt moulded frame and glazed £80-120
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18th/19th Century Continental School - Sanguine and pencil drawing - Neo-classical frieze, 9.25ins x 22.5ins, apparently unsigned, in modern gilt frame and glazed, and 18th/19th Century French School - Aquatint - Putti at various pursuits, 12.5ins x 18.5ins, in modern gilt moulded frame and glazed £200-300
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William Renison (1866-1940) - Two etchings - Mountain view, 9ins x 14ins (No. 23 of 75), farm workers with mountain to background, 10ins x 7ins, and William Walker, 20th Century - etching - Parkland setting with grand house to distance, 8ins x 11ins, all signed in pencil, framed and glazed £150-200
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William Renison (1860-1940) - Two etchings - European courtyard scene with tall houses, 9ins x 11.75ins, signed in pencil and dedicated to "George Scott", Maison Jeanne de'arc, 15ins x 12.75ins, signed and titled in pencil and two other engravings, all framed and three glazed £150-200
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After James Gillray (1756-1815) - Four engravings - "The Rakes Progress at the University", each 8.5ins x 13.5ins, published October 22nd 1806 by H. Humprey, 27 St James Street, London, in modern brown and gilt Hogarth pattern frames and glazed £120-160
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After William Hogarth (1697-1764) - Engraving - "Pit Ticket. Rural Sport", 12ins x 14.75ins, in Hogarth frame and glazed £150-200
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Frank Paton (1856-1909) - Set of four prints - "British Interests", "Our Grandfather's Hobbies", "The Pleasures of Hope" and "Notice to Quit", all signed in pencil, each approximately 8ins x 10ins. in ebonised frames and glazed £250-350
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Charles Cooper Henderson (1803-1877) - Five coloured lithographs - "Waking Up", "Pulling up to un-skid", "The Olden Time", "Alright" and "Changing Horses", all 17.5ins x 27ins, from "Fores' Coaching Recollections" engraved by J. Harris and C. Hunt, framed and glazed £200-300
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After Benjamin Marshall (1767-1835) - Three coloured lithographs - "Peace", "Ready for Battle" and "War", each 18ins x 14ins, in gilt and ebonised frames and glazed £300-400
Note: The subject for "War" was taken from his painting of 1821 - "The Trimmed Cock"
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Robert Wallace Hester (19th/20th Century) after Harington Bird (1846-1936) - Coloured engraving - "Simonian and Fullerton" - Studies of two greyhounds, 12.5ins x 16.5ins, published 1st July 1898 by MacQueen & Sons, Tottenham Court Road, London, in Hogarth frame and glazed £70-100
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Samuel and Nathaniel Buck (1965-1775) - Coloured engraving - "The North-West Prospect of Maidstone in the County of Kent", 9.5ins x 30.5ins, framed and glazed £250-300
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Samuel & Nathaniel Buck (1696-1779 and 1695-1775) - Coloured engraving - "The North-West Prospect of the City of Rochester", 9.5ins x 30.5ins, framed and glazed £250-300
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J Sanders (18/19th Century) - Aquatint - "Westbrook from Mrs Hill's", 10.5ins x 14.5ins, framed and glazed £150-200
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After Hermann Vogler (born 1859) - Pair of crystoleums - Society figures outdoors, each 7ins x 10ins, in ebonised and gilt frames of Art Nouveau design £120-160
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Eugene Bejot (1867-1931) - Etching - "Londres 1902", 7.5ins x 6.125ins, signed in plate, and Leon Gaucheral (1816-1886) - Etching - "Charing Cross", 4.375ins x 6.25ins, signed in plate (both unframed but mounted) £80-120
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Francesco Bartolozzi (1727-1815) after The Right Honorable Lady Diana Beauclerk - Mezzotint - Girl carrying a basket on her head, 6.25ins diameter, in modern silvered frame and glazed, an Indo-Persian manuscript panel depicting four figures seated in a garden, 7.25ins x 4.75ins, and three other engravings, various £100-150
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Graham Clarke (born 1941) - Limited edition coloured etching - "Modus Cantiana" - An Historical Aspect of the City of Canterbury, herewith in 1990, 16.75ins x 21.5ins No 7 of edition of 300, signed, titled and numbered in pencil to lower margin, in modern gilt moulded frame and glazed £150-200
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Graham Clarke (born 1941) - Five Limited edition coloured etchings - "Dogmatic" No. 154 of edition of 400) "Parrot Fashion" (No. 156 of edition of 400), and "May", "July" and "August", (all No.106 of edition of 400) each 5ins x 6.5ins, all signed, titled and numbered in pencil, framed and glazed £150-200
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Graham Clarke (born 1941) - Artists proof coloured etching - "Bon Chance", 16ins x 21ins, signed and titled in pencil to margin, framed and glazed £150-200
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