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JOHN SHAPLAND (1865-1929) A WINTER DAY ON DARTMOOR Signed, watercolour 50 x 75cm. ++ A few very slight spots of foxing in the sky; otherwise good £250-300
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FREDERICK JOHN WIDGERY (1861-1942) LEA BAY, NR. LYNTON Signed and inscribed with title, gouache 36 x 52.5cm. ++ Good condition £180-250
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ALBERT MOULTON FOWERAKER (1873-1942) NEAR PADSTOW, CORNWALL Signed, watercolour 17 x 24.5cm. ++ Generally good condition; pale foxing mark on right hand chimney £150-250
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HENRIETTA COCKRAN (Fl.c.1871) CHORUS SINGERS Watercolour, repousse gilt metal mount Image 9 x 11.5cm. Exhibited: Exhibition of Pictures by the Late Louisa, Marchioness of Waterford, n.d., no.256 (label verso) ++ Good condition £80-120
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HENRY M. COOPER (Fl.1842-1872) A KITTEN AT PLAY Signed, also signed and inscribed verso, watercolour 26.5 x 33.5cm. ++ Generally good condition; a little time staining £150-200
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FOLLOWER OF SIR EDWARD BURNE-JONES, Bt. ARA (1833-1898) PORTRAITS OF THREE ACTRESSES, TRADITIONALLY IDENTIFIED AS ELLEN TERRY, BRAIN VILLAR (sic) AND ADELAIDE DUNCAN Three, watercolours, framed as one, indistinct inscription on backboard Each 9 x 9cm. ++ A little discoloured/faded £80-120
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MARGARET RAYNER (1837-1920) THE YOUNG HISTORIANS; THE HOLY WELL Two, both signed, gouache on handmade paper 48.5 x 31.5cm. and 36 x 25.5cm. (2) ++ Good condition £300-400
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MARGARET RAYNER (1837-1920) THE CHAPEL AT HADDON HALL; THE LONG GALLERY AT HALL Two, both signed, gouache on handmade paper 39 x 58cm. and 24 x 32cm. (2) Illustrated: both pictures were illustrated in an article about the Rayner family published in 'Derbyshire Countryside', April-June 1955. Photocopies of the relevant pages accompany this lot. ++ The former in good condition; the latter with some crazing/flaking £300-400
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HENRY CHARLES FOX (1860-1929) UNLOADING THE HAY Signed and dated 1911, watercolour 54.5 x 37.5cm. ++ Good condition £220-280
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BENJAMIN D. SIGMUND (Fl.1880-1904) THE SHEPHERD SISTERS Signed, watercolour 35.5 x 25.5cm. ++ Good colour but pale scattered foxing, particularly in sky £300-400
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FABBIO FABBI (1861-1946) THE ARAB DANCER Signed, watercolour 43.5 x 29cm. ++ A little pale; needs a light clean £800-1200
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OSCAR RICCIARDI (1864-1935) MARKET SCENES IN NAPLES A pair, both signed (one very faint), one inscribed Napoli, watercolour Each 29.5 x 21cm. approx. (2) ++ One with a little foxing; generally good £100-150
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DAVID WOODLOCK (1842-1929) A MARKET CORNER, PARIS Signed, watercolour and pencil 29 x 19.5cm. ++ Generally good and original; a little pale £300-400
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G** LOUIS GROVER (Fl.c.1917) TEN CHARACTERS FROM CHARLES DICKENS: ALFRED JINGLE; FAGIN [see illus]; CAPT CUTTLE; TROTTY VECK; SARAH GAMP; DICK SWIVELLER; MR MICAWBER; BARNABY; SAM WELLER; URIAH HEEP Ten each signed and dated 1917, each inscribed with a caption from the relevant book, watercolour and pencil vignettes Each 28 x 22cm. (10) ++ Each needs a light clean; each a little faded £200-300
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CHARLES HENRY SLATER (c.1820-c.1890) APPLE BLOSSOM; PRIMROSES A pair, the latter signed, watercolour heightened with bodycolour, mounted circular Each 16.5cm. diam. (2) ++ Good condition £250-350
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CHARLES HENRY SLATER (c.1820-c.1890) STILL LIFES: MELONS, GRAPES, PLUMS, POMEGRANATE; PINEAPPLE AND PLUM A pair, both signed, watercolour Each 22.5 x 33cm. (2) ++ Each in good condition; original gilt frames £600-800 T
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Ð ROLAND GREEN (1890-1972) VIOLET-CRESTED WAXBILLS; YELLOW-COLLARED IXULUS Two, both signed, watercolour 29 x 18cm. and 25 x 17.5cm. (2) ++ Generally good condition £200-300
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ARCHIE G. McGREGOR (Fl.1884-1905) VILLAGE CHATTER Signed, watercolour and pencil 35 x 40cm. ++ Good condition £120-180 1632 EVELYN INCE (c.1886-1941) A BUNCH OF FLOWERS Signed, also signed and inscribed on a label on the backboard, watercolour 34 x 30cm. ++ Good condition £100-200 1633 JAMES KAY, RSA (1858-1942) THE THAMES AT BATTERSEA Signed, watercolour 19.5 x 29cm. Provenance: London, The Fine Art Society PLC, 1994 ++ Good condition £150-200
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EMILE CAGNIART (1851-1911) A WALK BY THE GARDEN WALL; SCENE IN THE TUILERIES, PARIS, EVENING Two, both signed, the latter also inscribed En Tuileries, pastels 21.5 x 31cm. and 22 x 32cm. (2) ++ Good condition £300-500
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ANNE T. BENTHALL (Fl.c.1919) THE TERRACE, FRANCE Signed, inscribed verso, watercolour 31.5 x 49cm. ++ Good condition £100-150 THE FOLLOWING SIX LOTS ARE OFFERED FOR SALE BY A DESCENDANT OF THE ARTIST
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Ð JOHN McDOUGAL (1851-1945) THE OLD WOODEN BRIDGE Watercolour 39 x 64cm.; with two further examples by the same hand, of a cottage by a pond and 'Winter Time, Twyning Green', both signed, 32.5 x 24cm. and 23.5 x 44.5cm. (3) ++ The first with damage and rubbed areas in sky, upper centre and elsewhere; each discoloured and/or a little faded £150-200
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Ð JOHN McDOUGAL (1851-1945) BLOSSOM TIME IN A COTTAGE GARDEN Signed in pencil, watercolour 47.5 x 38cm.; and another by the same hand, of a cottage garden, signed, 32 x 40.5cm. (2) ++ The former with some foxing, especially in the sky; the latter faded and in need of a clean £100-200
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Ð JOHN McDOUGAL (1851-1945) LAKE SCENE, NORTH WALES Signed, watercolour and pencil 38.5 x 58.5cm. ++ Badly faded and discoloured in the sky £80-120
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Ð JOHN McDOUGAL (1851-1945) SUNDOWN: LOOKING ACROSS CEMAES BAY, ANGLESEY Signed and dated 1918, also signed and inscribed on original label on the new backboard, watercolour 40.5 x 64cm. ++ Good condition £250-300
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Ð JOHN McDOUGAL (1851-1945) VIEW NEAR TWYNING GREEN Signed and dated 1926, watercolour 33 x 51cm.; with three further works by the same hand, comprising hayricks in a farmyard, unsigned, 33 x 51cm.; cottages at twilight, unsigned, 24 x 38cm.; and an oil seascape, signed, 29.5 x 39cm. (4) ++ 'Hayricks' and the oil in need of a clean; otherwise good £200-400
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Ð JOHN McDOUGAL (1851-1945) CEMAES BAY, NORTH WALES Signed and dated 1900, watercolour 16.5 x 24cm.; with three further works by or attributed to the same hand, comprising a seascape, bears signature, gouache, 24 x 38cm.; cottages by the shore, unsigned, 16.5 x 24.5cm.; and cottages by a lake, signed, 19.5 x 32cm. (4) ++ Each in generally good condition but in need of a light clean £200-300
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Ð JOHAN BRIEDE (1885-1980) THE ARDENNES RETREAT; THREE VIEWING TOWERS AT HILVERSUM DESTROYED BY TYPHOONS Two, both signed, both inscribed with title in Dutch and dated 12/13/1/1945 and 16/17/1/1945 23.5 x 31cm. and 21 x 32cm.; and another of Nichtevecht, signed and dated 5/9/41, 16.5 x 22.5cm. (3) ++ Each needs a light clean; the second example with some foxing £300-500
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ALBERT LUDOVICI Junr. (1852-1932) CARRIAGES NEAR THE ARC DE TRIOMPHE, PARIS Signed, watercolour and pencil 24 x 33cm. ++ Some foxing; needs a light clean £1000-1500 C
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Ð RENE PEAN (1875-1945) BROWSING THE FOLIO Signed, pastels 53.5 x 44.5cm. ++ Good condition £700-1000
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WILLIAM LIONEL WYLLIE, RA (1851-1931) THAMES AT GREENWICH Signed and dated 1876, also signed and inscribed in ink on the backboard, watercolour 10 x 23.5cm. ++ Some spots of foxing and fading, especially in the sky £500-800
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Ð EDWARD WESSON (1910-1983) A VASE OF ROSES Signed, watercolour over traces of pencil 24.5 x 34.5cm. ++ Good condition £200-300
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ALBERT LUDOVICI Junr. (1852-1932) WARMING HER HANDS Signed, watercolour and pencil 36 x 38.5cm. ++ Some slight discoloration £450-600
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Ð JOANNA HOWELL (Contemporary) HORSES IN THE MIST Two, both signed, watercolour 35.5 x 40cm.; and 34 x 51.5cm. (2) ++ Each in generally good condition £200-250 T
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Ð VALERIE SOZONOV (Fl.c.1925-c.1947) ROUND POND (HYDE PARK) Signed and inscribed, gouache and pencil 36.5 x 51.5cm. ++ Good condition £120-180 T
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Ð VALERIE SOZONOV (Fl.c.1925-c.1947) A ROWING REGATTA Signed, gouache and pencil 38.5 x 53cm. ++ Slight light staining of the paper, visible in the sky £150-200 T
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Ð HARRY PHELAN GIBB (1870-1948) STILL LIFE OF FRUIT AND BOTTLES Signed and dated indistinctly (possibly '98), watercolour 37 x 53.5cm. ++ Subdued colour; grazed lower right £100-200 T
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Ð JOHN WHITLEY (Contemporary) BUBBLES Signed with initials, acrylic on paper 23.5 x 34cm. Provenance: A gift from Richard Hagen to Lady Isabel, June 2008 ++ Good condition £100-150 T
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Ð WYN GEORGE (Fl.c.1908-1939) HEAD STUDY OF A GIRL Signed and dated 08, pastels on buff paper 32.5 x 26cm.; with an ink and wash drawing of a seated nude by Edna Ginesi, 41 x 31.5cm. (2) ++ Each with a little foxing £100-200 T
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Ð MICHAEL ROTHENSTEIN, RA (1908-1993) BUTTERFLY AND BOWL; STRAWBERRY STUDY; BUTTERFLY FAN AND MUGS Three, each signed and dated 1987, watercolour and pencil Each 55.5 x 74cm. (3) ++ Good condition £800-1200 T
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Ð NEIL FORSTER (b.1940) GORILLA STUDY 1 Signed, pastels on grey paper 50 x 40cm. Provenance: London, David Ker Fine Art, November Exhibition, 1986 ++ Good condition £200-400
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HANS SCHWARZ (1922-2003) BOATS AT GREENWICH Signed and dated 00, gouache 51 x 67.5cm. ++ Good condition £150-250 T
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Ð ANTHONY EYTON, RA (b.1923) STANDING NUDE, WITH TOWEL Signed and dated 1994, pastels 75 x 55cm. £300-500 T
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Ð RAYMOND C. BOOTH (b.1929) BOTANICAL STUDY: LILIUM MARTAGON Signed and dated 1983, gouache over traces of pencil 125.5 x 71.5cm. Exhibited: London, The Fine Art Society, April 1991, 'Raymond Booth: Painter and Plantsman' (cat. no.30) ++ Good condition £200-400
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VLADIMIR CORA (Mexican, b.1951) SENORITA Signed and dated 85, charcoal and watercolour 89 x 58.5cm. Provenance: Palm Springs, California, B. Lewin Galleries (ref. P8291) ++ Generally good £150-200
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Ð REINHOLD NAGELE (1884-1972) ABENDLANDSCHAFT: EVENING LANDSCAPE, 1931 Bears inscription on dealer's label on backpaper, watercolour and bodycolour 41.5 x 33cm. Provenance: Stuttgart, Kunsthaus Schaller, Marienstrasse 14
* Reinhold Nagele studied under his father, who was a stage painter, and then progressed to the art school in Stuttgart. The Great War interrupted his work but he re-established himself as an active member of the art scene in Stuttgart in 1919. In 1923 he was a co-founder of the Stuttgart Secession and joined the Vereinigung der Freunde schwabischer Grafik [Association of Friends of Swabian Graphic Art], which broke up in 1937 after a dispute concerning Nagele's Jewish faith. Nagele left for the United States with his Jewish wife Alice Nordlinger in 1939 and only returned to his homeland after her death in 1963. Nagele's style was often faux-naif but he favoured a meticulous technique that belied his apparently simple subject matter. He was skilled at suggesting gradations of space with subtle variations of colour.
++ Good condition £1500-2500 T
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Ð ALEXANDER GOUDIE (1933-2004) VENETIAN LUNCH Signed, gouache or acrylic on board 91.5 x 107.5cm. ++ Good condition £3000-4000
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ANTWERP SCHOOL, LATE 17th CENTURY A HORSEMAN WITH A HOUND ON A WOODED PATH Oil on panel, probably from an ebony cabinet 5.25 x 11cm. ++ Slight losses at edges; generally good £150-200
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MANNER OF GERARD TER BORCH (1617-1681) THE RECEIPT; THE LETTER A near pair, oil on white metal, 19th Century Each 19.5 x 16cm approx. (2) ++ Each in generally good condition £100-150
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MANNER OF SIR PETER PAUL RUBENS (1577-1640) PUTTI DISPORTING Oil on canvas, unframed 37.5 x 48cm. ++ Lined; with much retouching; probably 18th Century £120-180
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AFTER AELBERT CUYP (1620-1691) CHILD PLAYING GOLF Oil on panel 32 x 21.5cm.
* After the original (c.1655-1660, 114 x 86cm), usually ascribed to Cuyp, formerly in the Edward James Foundation, West Dean, Sussex. Attributions to Bartholomeus van der Helst and Dirck van Santvoort have been suggested for the prime version. ++ With retouching £250-300
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