|
***Peter Biegel (1913-1987) - Oil painting - Horse Racing scene, inscribed to back - "Cheltenham 1965 - 3rd Last - Arkle jumps past Mill House to win Gold Cup" , canvas 16ins x 20ins, signed, in gilt moulded frame £500-700
|
|
|
George Clausen (1852-1944) - Oil painting - "Flower on a Sunny Window", canvas 12ins x 12ins, signed, in gilt frame £1500-2000 Provenance: Vendor is the granddaughter of the artist. Note: The title of the work has been inscribed in ink to verso together with the signature "G. Clausen" and date 1930
|
|
|
Caroline Therese Friedrich (1828-1914) - Oil painting - Still life - Chinese vase, lantern, chalice, painting and open book, wooden panel, 13.75ins x 17.5ins, signed in red to top right corner and inscribed "Wien", in modern gilt moulded frame £600-800
|
|
|
Bernardus Arps (1865-1938) - Oil painting - "Dried Silver Thistles in a Vase", panel 25ins x 17.75ins, signed, in gilt moulded frame £300-400
|
|
|
T.W. Holgate (19th Century School) - Two oil paintings - Still life studies - Bowl of pink roses and Chinese ginger-jar containing mixed flowers, 12.5ins x 15ins, and 18.5ins x 11.25ins respectively, both signed, in gilt frames, the former glazed, and John Doyle (born 1928) - Coloured print - "Canterbury Cathedral", 11.5ins x 18ins, signed in pencil to margin, in wood frame and glazed £250-300
|
|
|
William Hughes (1842-1901) - Oil painting - Still life with plums and apples on a mossy bank with leaves, card 9ins x 12ins, signed and dated 1862, in gilt slip £200-300
|
|
|
***Albert Williams (born 1922) - Oil painting - Still life - Vase of mixed spring flowers including roses and peonies, board 20ins x 16ins, signed in red in full, in modern gilt moulded and swept frame £200-400 Provenance: The Alfriston Gallery, Alfriston House, High Street, Alfriston, Sussex
|
|
|
***Lee Reynolds Burr (born 1936) - Oil painting - Birds of prey flowers, canvas 48ins x 59ins, signed, in gilt frame £150-200
|
|
|
***Sarah Coghill (born 1948) - Acrylic painting - Full length portrait of a seated nude woman, canvas 50.5ins x 44ins, unsigned (unframed) £150-200 Provenance: By repute purchased by the vendor from the artist. This work executed for Royal Academy Degree Show 1971.
|
|
|
***Paul Ryan - Four oil paintings on paper - "Volume 1, 2, 3 and 4", all 14.25ins square, all titled, monogrammed and dated '93, in limed oak frames and glazed £250-350 Provenance: Long & Ryle Gallery, 4 John Islip Street, London SW1
|
|
|
|
***Ken Howard (born 1932) - Watercolour - "Venetian Church" - View of church with fountain to foreground, 9.5ins x 6.75ins, signed in pencil, in gilt frame and glazed £700-1000 Provenance: W.H. Patterson, 19 Albemarle Street, London SW1 4BB
|
|
|
William Walcot (1874-1943) - Watercolour - "The Spanish Steps, Rome", 22ins x 33.75ins, signed and dated 1922, in gilt frame and glazed £600-800
|
|
|
Umberto Ongania (circa 1835 - ?) - Watercolour - Panoramic view of Venice from the lagoon looking towards Santa Maria della Salute and St. Marks Square, with gondola to foreground, 18ins x 47ins, signed in black to lower right corner, in modern painted and gilt moulded frame and glazed £500-700
|
|
|
Samuel Prout (1782-1852) - Watercolour - Ruins of Rievaulx Abbey, 12.5ins x 17ins, in gilt moulded frame and glazed £200-300 Note: A similar drawing of this view by Prout is illustrated in "Samuel Prout (1783-1852)" by Richard Lockett, fig. 9, page 41. The original is in the Fitzwilliam Museum, Cambridge
|
|
|
Frederico Ashton (1836/40-1904) - Watercolour - Alpine village scene, 18.25ins x 11.5ins, signed in red "Ashton" and dated 1896 to lower right corner, in modern moulded frame and glazed £200-300
|
|
|
19th Century English School - Two watercolours - "View of Lago Maggiore 1849" - View of the lake with mountains to background, 9ins x 13.75ins, and "Lago d'Orta (circa 1850)" - View of island in lake with mountains to background, 9.75ins x 14ins, inscribed in pencil, both in modern gilt moulded frames and glazed £120-160 Provenance: Abbott & Holder, 30 Museum Street, London WC1A 1LH, both with Cat. Nos. 40433
|
|
|
19th Century English School - Watercolour - View of Pisa, Italy, showing the Baptistery Duomo and Leaning Tower, 8.5ins x 10.625ins, unsigned, in modern gilt moulded frame and glazed, and six other small watercolours, mostly Continental landscapes, all in gilt moulded frames and glazed £200-300 Provenance: Abbott & Holder, 30 Museum Street, London WC1A 1LH, Cat. No. 65471 and others
|
|
|
Alexandre Calame (1810-1864) - Watercolour - Valley landscape with three figures beside felled tree trunks, 9ins x 13.25ins, signed, in gilt frame and glazed £150-200
|
|
|
Louis Burleigh Bruhl (1862-1942) - Watercolour - "December" - Wintry landscape with silver birch to foreground and river, 19.25ins x 28ins, signed, in moulded gilt frame and glazed £100-200 Provenance: E. Stacy-Marks Ltd, 120-122 Terminus Road, Eastbourne Note: Label to verso for Dudley Gallery, Egyptian Hall, Piccadilly, gives title, artist's name, address and price - 15 guineas
|
|
|
Denys Wells (1881-1973) - Two watercolours - "Lombard Street, St. Edmund The Martyr", 22ins x 15ins, and "A Scottish Valley", 11ins x 15ins, both framed and glazed £150-200 Note: The artist's name and titles of works are inscribed to verso. The Scottish scene was a gift to the vendor by the artist's daughter
|
|
|
Harold Waite (fl. 1892-1939) - Watercolour - "Chilham Village", 10ins x 14ins, signed, framed and glazed £100-150 Note: Printed exhibition label to back board for the East Kent Art Society, Sidney Cooper School of Art, Canterbury, gives the subject title, artist, artist's address and price of 8 guineas
|
|
|
John Louis Pettit (1801-1868) - Watercolour sketch - "Canterbury" (circa 1835), 7ins x 9.5ins, unsigned, in modern gilt moulded frame and glazed £100-150 Provenance: Abbott & Holder, 30 Museum Street, London WC1A 1LH (Stock No. 23519)
|
|
|
Sydney Maiden (20th Century British) Two watercolours - "King's School, Canterbury from the Green Court", 11.25ins x 15.25ins, signed, titled and dated '1946-60', and an historic street scene with medieval gatehouse, 11.5ins x 15.25ins, signed and dated 'Nov.1955', both framed and glazed £100-150
|
|
|
Albert Henry Fullwood (1863-1930) - Pastel - View of Rochester across the River Medway from Strood, 17.5ins x 31.5ins, in moulded gilt frame and glazed Note: Panel to verso with title "View of Rochester" and Fullwood's name in full £100-200
|
|
|
***Thomas Liverton (1907-1973) - Two watercolours - "The Rye Inlet with fishing boat, Sussex 1963" and "Walking the Oast Track, Sussex Countryside", each 14ins x 21.5ins, signed, in gilt frames and glazed £200-300
|
|
|
John Victor Emms (1912-?) - Watercolour - "Madeira Drive, Brighton", 4.25ins x 6ins, signed, framed and glazed £100-150
|
|
|
James Lawson Stewart (1829-1911) - Watercolour - "The Main Gateway, Tutbury Castle, Staffordshire", 14ins x 21ins, monogrammed, in gilt moulded frame and glazed £200-300
|
|
|
***Leonard Richmond (1889-1965) - Watercolour - Rural landscape with cottage and palm tree, 10ins x 14ins, signed, in gilt frame and glazed £200-300
|
|
|
Attributed to Edwin Bale (fl. 1867-1893) - Watercolour heightened in white - North Wales cottage interior, 11.5ins x 15.5ins, apparently unsigned (unfinished), in later painted frame and glazed £120-160
|
|
|
|
***William Warden (1908-1982) - Watercolour - "Wood in Wales", 11ins x 14.5ins, signed, in painted wood frame and glazed £60-80
|
|
|
19th Century School - Five small watercolours - River and country landscape views, various sizes, all unsigned, each in gilt swept frames and glazed £100-150
|
|
|
19th Century English School - Watercolour - View of a half timbered farmhouse with farmyard and animals to foreground, 9.75ins x 16.75ins, and William Linnell (1826-1906) - Charcoal drawing - Male study, 9.25ins x 15ins (circa 1848 - unsigned but from the Collection of Mrs Linnell Burton), both in modern gilt moulded frames and glazed £100-150
|
|
|
19th Century English School - Watercolour - "Figures before a shrine in a Continental landscape" - Three figures kneeling before a roadside shrine, 16.75ins x 12.5ins, apparently unsigned, in gilt moulded frame and glazed and William Wiele Collins (1862-1951) - Watercolour sketch - "Gold" - Figures attending a seated dignitary, 9.5ins x 6.75ins, unsigned (apparently a study painted at the Langham Gaslight Sketching Club April 1901), both in gilt moulded frames and glazed £120-160 Provenance: Christie's, South Kensington, Auction 3rd September 1998, Lot No. 91
|
|
|
After Julius Caesar Ibbetson (1759-1817) - Watercolour - En grisaille - Two figures driving cows over a wooden bridge in country landscape, 13ins x 19ins, framed and glazed £150-200
|
|
|
Follower of Angelica Kauffmann (1741-1807) - Pastel - Three classically attired female figures in a landscape, 12ins x 9ins, in gilt frame and glazed £150-250
|
|
|
20th Century School - Two watercolours - Studies of a nude man, 9.5ins x 13.5ins and 13.5ins x 20.5ins respectively, both indistinctly signed, in metal frames and glazed £100-150
|
|
|
Joshua Dighton (1831-1908) - Watercolour - Mr G. Henley Greaves in riding attire on horseback, 8.25ins x 6ins, unsigned, and Indian School - Miniature - Young couple wrapped in a shawl, probably on ivory 5ins x 3.75ins, both in gilt moulded frames and glazed £100-150
|
|
|
18th Century French School - Black chalk drawing heightened in white with study of two nude women, one reclining and one with her arms outstretched, on blue paper, 9.5ins x 11.5ins, and an 18th Century drawing of a seated woman, 10.75ins x 8ins, both framed and glazed £300-400
|
|
|
Early 19th Century English School - Watercolour - Full length portrait of a young woman playing the flute with a floral wreath in her hair, 7.5ins x 4ins, unsigned, in later gilt frame and glazed, late 18th/early 19th Century English School - Pencil drawing - Profile of a male head, 8.5ins x 7.5ins, in ebonised frame and glazed, three small oil paintings and an etching (all framed) £150-200
|
|
|
Frank Wasley (1848/54-1934) - Watercolour - "Santa Maria" - Santa Maria della Salute seen across a lagoon with numerous vessels, 14ins x 21ins, signed, in gilt frame and glazed £150-200
|
|
|
Richard Short (1841-1916) - Watercolour - Shipping off the coast in rough seas, 9ins x 18.25ins, signed, in gilt frame and glazed £200-300
|
|
|
Late 19th/early 20th Century School - Watercolour heightened in white - "Stranded" - Beached vessel in full sail at low tide, 7ins x 21ins, signed 'Albert', in gilt moulded frame and glazed £200-300 Note: Label pasted verso with artist's name and title of work
|
|
|
***Ray Evans (born 1920) - Acrylic - "Storm over Hastings Beach", 7.25ins x 8.75ins, signed, in painted frame and glazed £150-200 Provenance: Exhibition label to verso for The Mall Galleries for R.I. Exhibition 2001, with name and address of artist and title of work
|
|
|
W.A. Earp (19th/20th Century) - Watercolour - Coastal scene with white cliffs, 6.25ins x 10ins, signed, in gilt frame and glazed £80-120
|
|
|
19th Century English School - Watercolour - "Deptford, Evening" - View of River Thames with smoking ships and lighters, 9ins x 18ins, unsigned but titled, in gilt frame and glazed £250-400
|
|
|
Frank Rousse (active 1894-1917) - Watercolour - "Lowestoft Drifter entering Whitby Harbour", 12.75ins x 21ins, signed, frame and glazed £100-150
|
|
|
Late 19th/early 20th Century British School - Pair of gouache paintings - Views of the racing yacht "Oimara", each 16.5ins x 23.5ins, indistinctly signed and with name of vessel, in oak frames and glazed £300-400
|
|
|
Charles Richards Havell (19th Century) - Pastel drawing - Equestrian study of a standing horse in stable, 19.75ins x 27ins, signed and dated 1857, in maple frame and glazed £300-400
|
|